Condo Mexico City
Dominik Mersch Gallery (DMG) is pleased to announce its selection as one of twenty-two international galleries participating in the 2018 CONDO in Mexico City. DMG joins the CONDO project in its third year as an innovative and collaborative alternative to the art fair model. First founded in London, CONDO will be connecting host galleries in Mexico City this year with visiting galleries from across the world, including Tokyo, Berlin, Sydney and Stockholm. DMG will be working alongside Patricia Conde Galería to realise a monthlong exhibition entitled ‘Sydney goes Mexico City’, combining the vibrancy of the Mexico City art scene with the work of both emerging and established artists. As the only Australian gallery selected to participate, DMG will take in its stride the CONDO mission to open up lasting and lively conversations about art that reach across the international stage. The exhibiting artists include Jon Cattapan, Locust Jones, Meng-Yu Yan, Nike Savvas, Emma Fielden, Lucas Davidson, Dani Marti, Isidro Blasco, Lottie Consalvo, Adrienne Gaha and Kei Takemura.
Kei Takemura, ‘The things to renovate 2 in P. City’, 2014, drawing with permanent pen, Italian coloured synthetic cloth, Japanese silk thread, 80 x 100 cm
Kei Takemura, ‘Leave from B Point in C Point’, 2012, print on cotton, Japanese silk thread, German synthetic cloth, 90 x 130 cm
Lucas Davidson, ‘Body Emulsion Duality’, 2018, Single-Channel Video, 16:18 minutes Edition 3 + 1 AP
Lucas Davidson, ‘Pound of Flesh l – Xl’, 2018, Pigment print on Alupanel, 40 x 50 cm each, Edition 3 + 1 AP
Isidro Blasco, ‘Aerial Paris’, 2017, C-print, wood, museum board, 50 x 25 x 8 cm
Nike Savvas, ‘Purple and Pearl’, 2008, single channel video, 14:48 minutes, edition of 5 +1AP
Meng-Yu Yan, ‘Eye of a little god’, 2017, digital prints on matte art rag, 32 x 32 cm each, edition of 7 + 1AP, framed
Emma Fielden, ‘An Act for one String’, 2018, single channel high definition digital video, 15:15 minutes, edition of 3 +1AP
Meng-Yu Yan, ‘Talking Mirror’, 2016, digital print on matte art rag, 84 x 120 cm, edition of 7 + 2AP, unframed
Emma Fielden, ‘Dark Matter I’, 2016, iron oxide pigment and rare earth magnets on black primed linen and steel
Emma Fielden, ‘Dark Matter II’, 2016, iron oxide pigment and rare earth magnets on white primed linen and steel
Adrienne Gaha, ‘Leda and the Swan’, 2018, oil on linen, 95 x 65cm
Emma Fielden, ‘Nothing’, 2016, text drawing, archival ink on Arches paper, 83 x 66cm framed
Adrienne Gaha, ’Small Trees 3’ 2018, oil on linen, 40 x 50cm
Jon Cattapan, ‘The Ten Lights’, 2017, oil and acrylic on linen, 100 x 100 cm
Adrienne Gaha, 'Cloud Painting' 2018, oil on linen, 90 x 90cm
Locust Jones, ‘Hope in the dark Age’, 2017, paper, ink, 150 x 1000 cm
Lottie Consalvo, ‘Time until’, 2018, acrylic on board, 80 x 70 cm
Lottie Consalvo, ‘And ever’, 2018, acrylic on board, 60 x 60cm
Lottie Consalvo, ‘On until’, 2018, acrylic on board, 80 x 70cm
Kei Takemura, ‘They Were Still in M City and N City’, 2012, print on cotton, Japanese silk thread, German synthetic cloth, 145 x 60cm
Isidro Blasco, ‘Bridge in Rio’, 2017, C-print, wood, museum board, 36 x 18 x 8cm
Isidro Blasco, ‘The Godess II’, 2013, C-print on museum board, wood and hardware, 12 x 24 x 8cm
Dani Marti, ‘Pointless (Purple)’, 2017, customised corner cube reflectors, glass beads on aluminium frame, 90 x 90 x 28 cm
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