Critical Dialogues | Issue 7 | Disability | Sept 2016

Page 49

DEAN WALSH Hi, I’m Dean Walsh and I’ve lived with

I would love to have my own fulltime

dance for the past 26 years. Unlike

company to satiate and platform my

numerous contemporaries of my gen-

endless creative drives, research and

eration and calibre, I have never had a

communication interests. Somewhere to

fulltime company of my own, and thus,

communicate this boundless energy of

no promotional machine to consistently

ideas and my embodied environmental

herald my works, ideas, research or

inquiries an all-inclusive working environ-

overall arts (dance based) practice to a

ment. But, I would have to define and ask

wider audience. To be transparent for a

someone for a commitment to a quite

moment, I also do not possess the ability

different working relationship than would

to maintain such a company, at least

be considered standard, or that awful word

not under the current expectations and

‘normal’ modus operandi. A pipe dream

pressures one must operate by as an

idealism, perhaps, but one that is worth

artistic director. To do so, I would require

articulating and striving for nonetheless.

substantial support and within an acutely inclusive understanding of ongoing

The development of professional inclusive

interpersonal operations. I would need an

arts practice is in its infancy in Australia.

infrastructure populated by colleagues

However, it has recently become more

versed in, and willing to take into account

supported by major funding agencies. As

the needs of someone living with autism.

we continue to articulate and demonstrate

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