Critical Dialogues | Issue 7 | Disability | Sept 2016

Page 29

SONJA JOKINIEMI INTRODUCTION The purpose of the PA A book is to share

consists of vocal, haptic, textual and

imprints, memories, mappings, conver-

movement acts and language that is in a

sations and individual languages notated

constant existential process in relation to

throughout my creative process. I strongly

things around and within. In my projects,

believe that languages escape definitions

I attempted to bring validation to the

and should be a more prominent and

subjectivity of language: to the many

visible part of our society because each

diverse aesthetic forms that it takes and

one of us has a relationship to language

where the language of an individual rises

that is intimate. In these languages, I see

to be equally valid and intellectual as the

immense poetic resources. We are always

collectively used system.

hovering between knowing and notknowing. Linguistic thinking in its diverse

I started to work with communities

forms is a way in which patterns of our

outside of the art field in a self-initiated

relationality to the seemingly outside

artistic research project called, ‘Without

world can be expressed and experienced.

an Alphabet’.1 I wanted to engage with people who use alternative communication

I have been interested in subjective

methods in their daily life, or who nearly

language systems in my artistic research

only use languages that in a way escape

for some time. I wanted to look at language

from the definition of language itself. I

in a state of becoming: language that

began from the simple idea that we could

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