Critical Dialogues | Issue 7 | Disability | Sept 2016

Page 27

KATE MARSH BIO

WELLY O’BRIEN BIO

Kate Marsh is a dance artist whose practice

Welly O’brien started dancing after losing

includes teaching in a range of settings,

her leg in 1994, training formally with

on-going research and performance. In

Candoco Dance Company in 1998 on an

2009, Kate completed a Masters in Dance

Arts Council England bursary. In 2000,

by Independent study at DeMontfort

Welly joined the company full time and

University (Improvisation and Widening

toured for 4 years. After starting a family,

Participation in Dance). This sparked an

she returned to dance as a freelance

interest in dance research, which has in-

dancer and teacher. In addition to working

formed her teaching and choreographic

as a Candoco, Associate Artist, Welly has

projects. Kate undertook a fulltime PhD

worked with Graeae Theatre Company,

studentship at Coventry University, which

Frontline Dance, Scarebeus, la Aerial

she completed May 2016. Kate’s doctoral

Theatre, Fura Dels Baus and Wired Aerial.

research examines the shifting role of

She is currently touring with Caroline

the disabled dance artist with a focus

Bowditch’s, ‘Falling in Love with Frida’ and

on the development of dancers with an

performing and working in collaboration

impairment undertaking leading roles in

with Kate Marsh’s research and duet

the sector. Kate’s current performance/

called ‘Famuli’. Welly loves every aspect

research project is an on-going coll-

of performing, whether it is theatre

aboration with Welly O’Brien, including

based, site-specific or outdoor, as each

their duet ‘Famuli’.

experience brings different textures and qualities into her work.

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