CreativPaper Issue No. 008 Vol 3

Page 36

Above: Bodyshaves, Garden #13, 2017

print is ready to present and if you include the ones I mess up, I guess one is talking about at least 3 days spread over a couple of weeks or probably longer for one print.

to place: I’ve always been ambivalent about place and until recently have never felt really connected to one place or put down roots anywhere.

What is the creative process like? Addictive, compulsive, urgent, frustrating, exhilarating, challenging, necessary.

So drawing in a specific place is a way of getting to know it by being present - the charcoal drawings are quite physical and intense. At the moment I am interested in gardens and by extension parks as constructed landscapes and am also thinking about nature, pattern and culture as a kind of imprint.

Organic landscapes are a prominent theme in your charcoal illustrations, has that always been the case? Not really but I am beginning to think more about my relationship

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