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ArtZone THE NEW ZEALAND ART & DESIG N GUIDE

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Ans Westra Flowers on my mind 3–22 JULY

Diane Prince 24 JULY–12 AUGUST

Brendan O’Brien 14 AUGUST–2 SEPTEMBER

Bowen Galleries 41 Ghuznee Street Wellington www.bowengalleries.co.nz

ELIZABETH REES Light

22 August – 10 September 2017 Opening: Tuesday 22 August 5.30 – 7.30 pm

Conversation, oil on canvas, 1050 x 1200 mm

CONTEMPORARY NEW ZEALAND ART 280 Parnell Road Auckland New Zealand Ph: +64 9 303 1090 artis@artisgallery.co.nz www.ArtisGallery.co.nz

WHAT’S ON AT THE PAH... 25 Years of Winners

The Wallace Art Awards Paramount Winners 1992-2016 4 July – 3 September 2016 André Hemer 2015 Visesio Siasau 2014 Roger Mortimer 2013 Jae Hoon Lee 2012 Shigeyuki Kihara 2011 Akiko Diegel 2010 Sam Mitchell 2009 Marcus Williams and Susan Jowsey 2008 Richard Lewer 2007 James Robinson 2006 Rohan Wealleans 2005 Sara Hughes 2004 Jim Speers 2003 Harris 2002 Judy Millar 2001 Peter Gibson Smith 2000 Gregor Kregar 1999 Bing Dawe 1998 Elizabeth Thomson 1997 Peter Stichbury 1996 Jenny Dolezel 1995 Fatu Feu’u 1994 Bill Hammond 1993 Brown 1992 Mark Braunias

Terry Stringer, Wallace Art Awards Paramount Award Trophy, Bronze, 145 x 125 x 92mm

WALLACE ARTS TRUST

26th Annual Wallace Art Awards 2017 value totalling over $220,000 Entries close: Tuesday 25 July 2017, 5pm www.wallaceartstrust.org.nz The Pah Homestead TSB Bank Wallace Arts Centre: 5 Sept – 12 Nov 2017 (Salon des Refusés – 29 Oct 2017) Wallace Gallery Morrinsville: 29 Nov 2017 – 21 Jan 2018

Paramount Winner 2016: Andre Hemer, Big Node #10, 2015, Acrylic and pigment on canvas.

The Pah Homestead, TSB Bank Wallace Arts Centre 72 Hillsborough Rd, Hillsborough, Auckland www.tsbbankwallaceartscentre.org.nz Open Tuesday – Friday 10am-3pm, Saturday & Sunday 8am-5pm

Claire Chamberlain lives in Auckland and teaches Art History. She has an MA (Hons 1st class) in Art History. She returns to Venice in November as the final gallery attendant for Lisa Reihana: Emissaries.

Robyn Maree Pickens is a PhD candidate in the field of eco-poetics at the University of Otago. Her writing has appeared in Art + Australia Online, Turbine|Kapohau, The Pantograph Punch and Art New Zealand.

Mary-Jane Duffy is a poet and essayist. She manages the Creative Writing programme at Whitireia Polytech. She lives in Newlands where she wants to establish an artists’ colony.

Shalee Fitzsimmons is our resident Art Director and Designer. She loves typography, photography, lithography and other intelligent things ending in -ography.

Editor: Alison Franks. Editorial Assistant: Craig Beardsworth. Contributors: Catharina van Bohemen, Francesca Emms, Lily Hacking, Avenal McKinnon, Laura Pitcher, Janet Hughes, John Bristed, Jim Barr, Mary Barr, Claire Chamberlin, Robyn Marie Pickens, Mary-Jane Duffy. Design: Shalee Fitzsimmons, Rhett Hornblow. Distribution & Accounts: Tod Harfield. Advertising: Craig Beardsworth. Email: sales@artzone.co.nz

Jim Barr and Mary Barr are art commentators and publishers of OTN STUDIO (over-the-net.weebly.com/) a website that features images taken during studio visits with New Zealand artists.

Telephone: (04) 385 1426 Email: edit@artzone.co.nz Website: www.artzone.co.nz Post: Box 9202, Marion Square, Wellington, 6141. Deliveries: 31–41 Pirie St, Mt Victoria, Wellington, 6011.

The opinions expressed in this magazine do not necessarily reflect those of the publisher. Although all material is checked for accuracy, no liability is assumed by the publisher for any losses due to the use of material in this magazine.

ISSN: 1176-3752

Produced by: Capital Publishing Ltd for Richfield Holdings Ltd

Welcome

Ayesha Green, For Hine, 2017. Acrylic on vinyl, 3200 x 5700mm. Installation image from Biographies of Transition: Too Busy To Think, Artspace (2017). Photo: Sam Hartnett.

Welcome to our 70th magazine. We’ve been around for 14 years – quite a feat considering the changing text landscape. Despite the profusion of digital images via Instagram, Pinterest, Facebook and their ilk, print continues to hold its own. And how apt that we choose as our feature artist someone who deals with print and paper – London resident New Zealand artist Simon Attwooll uses collage and printing techniques in his practice. New contributor Mary-Jane Duffy talks to him about his forensic approach to image making. Winter artist residencies are in abundance – we cover three currently happening across the country, and focus on Pasifika fashion designer Lindah Lepou as she sets up at Government House in Wellington for three months. We also view Lisa Reihana’s Venice Biennale work Emissaries through the eyes of high school students, and talk to Ayesha Green about her large-scale illustrative works. Jim and Mary Barr frequent artists’ studios regularly, and share some stories with us in a new regular column. This is the 60th magazine that I have helped produce and it’s my last. I joined in 2005 fresh from peripatetic teaching and performing. I wasn’t expecting to stay for 12 months let alone 12 years. Perhaps this is testament to the varied nature of publishing and the endless cavalcade of crazy and wonderful artists, gallerists, marketing managers and curators I have dealt with. I suspect it’s also down to a generous, challenging and accomplished editor.

Craig Beardsworth Assistant editor

Contents

Fine fa’afafine fare

Lindah Lepou describes her fibrous fashion creations as Pacific Couture.

Admitted to the Barr

Jim and Mary Barr regularly knock on studio doors looking for artists. This issue they visit Dan Arps.

Short reports

Zwei von drei

Two New Zealanders have won one of Germany’s top art prizes.

Discarded regard

Collage frenzy

Eve Armstrong’s finds her art materials among the discarded and abandoned.

Simon Attwooll has an archive of crash scene investigation reports – they provide fodder for collage and print.

Contents

Envy the envoy

Greener pastures

The artists are present

Books Quite literally Decent exposure

50 52

We view Lisa Reihanaâ&#x20AC;&#x2122;s Venice Biennale entry through the eyes of high school students.

Winter residencies abound â&#x20AC;&#x201C; we hone in on three artists currently holed up around the country.

Ayesha Green goes large with her colourful illustrative paintings.

Notepad

Listings

Artist index

10 Fine fa’afafine fare Lindah Lepou is the current Matairangi Mahi Toi Artist in Residence. The programme, administered by Massey University’s College of Creative Arts, offers three residencies each year for artists to live and work in a house in the grounds of Government House, Wellington. COCA’s Pasifika Advisor Herbert Bartley says Lepou’s work ‘has always been strong and unapologetic and ahead of its time. Lindah has paved the way for many of our fa’afafine and fafatama community to walk our paths in the arts.’ Lepou describes her art as Pacific Couture and uses a wide variety of natural fibres including flax, coconut shell, sea shells, coconut sinnet and tapa cloth. Nafanua (right) is a re-imagining of Polynesian mythology’s Goddess of War. The image is part of Lepou’s Aitu: Homage to Spirit triptych which pays tribute to three Samoan heroines, Taema, Telesa and Nafanua. Lepou says she wants to use the residency to ‘build stronger relationships within the Wellington community and broaden my creative horizons as a multidisciplinary artist, while continuing to explore and celebrate my own pacific and palagi lineage at its core.’

Nafanua Falealupo, Savai’i, Samoa (2012) Creative Direction by Lindah Lepou, Photography by George Buckleton

Visual Porn : Lindah Lepou

Short Reports Cosmos, Bridget Riley

Really Riley

Users of the language

Across the ditch

Christchurch Art Gallery has unveiled a special new work from acclaimed British artist Bridget Riley. The large-scale wall painting, Cosmos (right), comprises 561 “discs” precisely hand-painted and arranged as a large rectangle. Riley’s works are held by major art collections around the world and her paintings sell for as much as $7 million, placing her among the top 10 most expensive female artists. The acquisition of Cosmos was made possible thanks to contributions from nine generous female donors, the Wellington Women’s Group and the Christchurch Art Gallery Foundation. It seems likely that Gallery Director Jenny Harper’s acquaintance with Riley also helped to secure the commission. Harper says, “Bridget is one of the finest painters in the world today and, having known her personally for some 35 years, I have tremendous respect for her work.” Cosmos is currently the centrepiece of an exhibition of Riley’s work which will run until 12 November.

Auckland War Memorial Museum has won the award for Most Innovative use of Te Reo Māori at the New Zealand Museum Awards for Mana Aotūroa, an exhibition that teaches the wonders of natural science in Te Reo Māori. The best exhibitions, programmes and museum projects were announced at the annual Museums Aotearoa conference in Palmerston North in May. The award categories included among others excellence, access, and even museum shops. Among the other winners are Yoga with the Butterflies at Otago Museum, The Lego History of Space at the Stardome Observatory, and the highly successful Save Mokau Museum, which took out the Visitor Experience Award. Nelson Provincial Museum won Exhibition Excellence – Social History for Murder at Maungatapu, an exhibition that appealed to younger audiences with a combination of local history, theatrical display, digital media and CSI-style investigations.

Seven Auckland, three Wellington and one Gisborne gallery plan to be at this year’s Sydney Contemporary. The international art fair, an annual event, runs from 7 to 10 September at Carriageworks. Bartley + Company Art, Sanderson Contemporary Visual Art and Hopkinson Mossman have received funding from Creative New Zealand’s international art fair fund which aims to increase the sale of New Zealand artworks overseas.

Mum’s the word Rita Angus’ mum is at Uni thanks to a bequest from the Beaglehole family. Mother Watching TV in Napier was acquired and hung in Victoria University’s Hunter building this year. Adam Art Gallery director Christina Barton says the late Professor Tim Beaglehole, a past Chancellor of Victoria, had often lamented the lack of an Angus in the University’s art collection, and it’s fitting that the bequest was used to fill the gap.

Short reports

Hallowed halls

Birthday photo developed

Crafty Camper

Multi-media artist Judy Darragh (above) has been inducted into the College of Creative Arts Hall of Fame at Massey University along with three other illustrious alumni, Warren Maxwell, Sharon Murdoch and Grenville Main. Darragh’s work gives found, recycled, industrial and domestic materials new contexts and new meanings. She is widely exhibited in New Zealand, with a major retrospective of her work at Te Papa in 2004.

Dr Fiona Pardington has been appointed a Member of the New Zealand Order of Merit for services to photography in this year’s Queen’s Birthday Honours. Pardington’s career has spanned more than 30 years. A major survey of her work, Fiona Pardington: A Beautiful Hesitation, was held at City Gallery Wellington in 2015 and Auckland Art Gallery in 2016. This year she showed a major new work, Nabokov’s Blues: The Charmed Circle, at the inaugural Honolulu Biennial.

Gisborne designer Katy Wallace has been awarded Creative New Zealand’s $100,000 Craft/Object Fellowship for 2017. Wallace will explore the intersection of craft and design with Home Away From Home (KW Caravan Mkll), a fully operational, full-scale caravan she will create from scratch. She intends the completed caravan to tour New Zealand. Previous recipients of the fellowship include Dr Areta Wilkinson, Garry Nash and Baye Riddell.

15 Create Your Future Apply now to study fine arts, photography, fashion or textile design, visual communication, industrial or spatial design, MÄ ori visual arts, creative media production or commercial music. Massey University Wellington College of Creative Arts creative.massey.ac.nz

Sally Pardoe

16 Review

Eve Armstrong is a Wellington artist who graduated from the Elam School of Fine Arts in 2003. An inaugural recipient of the Arts Foundation of New Zealand New Generation Award (2006), Armstrong has exhibited extensively both in New Zealand and elsewhere. Armstrong’s practice has historically centred on salvaging discarded materials from which she creates sculptural compositions exhibiting formalist concerns. Dunedin reviewer Robyn Maree Pickens discusses her recent work.

Discarded regard Eve Armstrong’s significant exhibition Growing Demand at the Dunedin Public Art Gallery underscores the importance of residencies for artists. Growing Demand is a Dunedin Public Art Gallery Visiting Artist Project supported by two additional partner institutions, Creative New Zealand and the Dunedin School of Art. The support of these three institutions enabled Armstrong to spend the summer of 2016–2017 in Dunedin, and to develop a new body of work that responds to the specificities of place (city, gallery, School of Art resources and expertise), while

continuing to explore the social and formal concerns at the centre of her practice. The economic theme indicated by the title Growing Demand is reflected in the titles of individual works, and substantiated by groups of works in the exhibition, including Floating Stock, Stable Terms, Small Gains, Fresh Outlook, and Seasonal Forecasts (all 2017). Perhaps more than any other work in this exhibition, Floating Stock retains the sense of temporal ephemerality that characterises Armstrong’s works. Comprising found textiles in an array of pastels and primary colours affixed to thin steel stands, Floating Stock, as floating stocks are wont to do, pauses on the brink of flux. They are uncertain, tensile

‘flags’ of fraying fragments, geometric blocks, and irregular curvilinear forms that cling precariously to their slight supports. Here the found textiles can be correlated to Armstrong’s familiar use of discarded or salvaged materials such as stacked cardboard (Roam, Artspace, 2005), and indeed to the type of materials found in Armstrong’s on-going performance work Trading Table, where goods and services are traded publicly. In counterpoint to the found textiles of Floating Stock, the steel supports are ‘new’ in the sense of not discarded. Armstrong’s willingness to incorporate newly purchased objects alongside discarded and repurposed materials can be interpreted as a creative shift in her

18 Review

practice, and a response to the changing nature of availably discarded materials. However, Dunedin, Armstrong told me, offered a wide range of “well stocked” op shops, traders, and auctions, and unexpectedly allowed her to return to foraging and gleaning. The availability of haberdashery in particular converged with Armstrong’s research into the gallery’s previous history as a department store (D.I.C). Floating Stock (the work and the term) can therefore be read as a site-specific response to the gallery, and to the city’s thriving second-hand market. The workshop resources and expertise of the Dunedin School of Art played a pivotal role in the

very materials – especially steel tube and concrete – Armstrong was able to work with. The heft of these materials, and the available knowledge of how to work with them, appears to have changed the relationship between the constituent parts of the sculptural works. Where in the past the objects would have tended to be loosely arranged (by propping, stacking, heaping), here they are cemented together (Supports). Yet despite the ostensible solidity and weight, and the visible anchoring of one object to another with cement, Armstrong manages to retain an unexpected sense of precariousness and lightness.

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Admitted to the Barr

The artist’s studio is an unknown cave of wonders – its secrets are carefully guarded so the technique behind the magic we view in the gallery remains a mystery. Jim Barr and Mary Barr are long-time curators, collectors and commenters. They’ve made their way into many studios and now, in a new regular Art Zone item, share a few tantalising tales.

Dan Arps The American artist Barnett Newman once famously said, ‘Sculpture is what you bump into when you back up to see a painting’. In Dan Arps’s studio it’s all bump. We’ve seen Dan spread himself into a few studios over the years, usually sharing with other artists. His current one is in Henderson in the middle of a West Auckland light industrial zone. Next door to a framing shop, it’s all roller door and concrete floors with a railway line across the street. There are a lot of artists making work out here in the West. Within a kilometre

we’ve watched et al., Judy Millar and Michael Parekowhai at work. Dan’s studio already comes with some history as the ghosts of Andrew Beck, Suji Park and Rohan Wealleans are still in the air and, in Rohan’s case, right down to earth. A bunch of his large sculptures are stored down the back so you don’t get to see Dan without also catching a glimpse of giant carnival head or Marilyn’s Monroe’s legs. And Dan Arps generates plenty of creative clutter all on his own. The challenge to anyone visiting this studio is to work out where one artwork starts and another stops. Floor sculptures collapse into wall reliefs into paintings ornamented by drawings.

Arps is a process guy who’s patient enough to wait and see what might happen, and curious enough to go with it whereever it might lead. Among all this fluid form experimentation there’s a personal touch: drawings and sculptures by Dan’s young son. Already some have been worked into wonky sculptures that capture some of the unencumbered awe most of us lose as we get older. And then it’s off down the road to grab coffee. It’s a short walk, past the tyre shop, the plumbing supplies warehouse and the commercial real estate office to a lunch-bar offering ‘fried chicken/filled rolls/muffins’. Henderson. Got to love it.

22 Zwei von drei Two of the three latest winners of a prestigious European art award are New Zealanders. Zac Langdon-Pole and Oscar Enberg, along with Austrian AnnaSophie Berger, have won the Ars Viva-Prize, awarded annually in Germany, for 2018. Zac Langdon-Pole completed a BFA with first-class honours at Elam School of Fine Arts in Auckland. He’s now in residence as part of the Charlotte Prinz Haus Stipendium in Darmstadt and commutes to participate in the Berlin Program for Artists. He presented a number of projects to the Ars Viva jury including a a series of 297 photographs portraying a poem. He says the Ars Viva-Prize has a long history of impressive alumni, “so it’s both an honour and humbling to be counted amongst its recipients.” Oscar Enberg completed a BFA at Ilam School of Fine Arts in Canterbury and is currently in Berlin on Creative New Zealand’s Visual Arts Residency. The Ars Viva-Prize celebrates the work of young artists living in Germany and provides the winners with two exhibitions, a cash prize of 5,000 EUR and an artists’ residence on Fogo Island, off Newfoundland in Canada. Zac Langdon Pole, My Body… (Brendan Pole), 2015, 297 individual photographs, 15 x 10cm each, Installation view, Montreal Biennale, 2016. Photo by Guy Heureux, courtesy Michael Lett.

25 Collage frenzy

London based Simon Attwooll repurposes photographs. Using collage and screen printing he dismantles and reconstructs accident and crime scene photography – he likens himself to a detective providing a product for the audience to analyse. Mary-Jane Duffy talks about his forensic approach.

In my family I’m famous for crashing my father’s ute a couple of times (whoops) and for walking into poles. Perhaps that’s why I loved Simon Attwooll’s 2015 exhibition at The Young in Wellington, I heard 80% of accidents happen around the home. So I moved. Good title. I heard 80% of accidents is a series about car crashes and collisions. His starting point is found photographs of car crash scenes from a 1960’s police archive, which are put through an extended process. They are scanned and manipulated into halftone images which are transferred to a printing screen. Each screen is printed a number of times in slight variations, positive and negative with black or white ink, and

Feature Simon Atwell

Collage frenzy

PAGE 26: 52 Waterloo Plein, 2016, drawing fluid, acrylic and screen print on aluminium composite panel, part of group show at C3 in Melbourne, 2016

PAGE 28: Simon in his London studio, photo by Katherine Genevieve Honey

PAGE 29: 1.3, 2016, acrylic, drawing fluid, screen print on aluminium composite panel, 380 x 310mm

on hand-dyed paper with stains of colour. Pieces are then cut out or torn, and the whole reassembled in a frenzy of collage. Next they are mounted so that the pieces appear to float on the picture plane. The overall effect is fragmented and disjointed, like a car crash— there’s stuff everywhere, and it’s hard to know exactly what happened. The crashes succeed in different ways. Car Crash Compilation #5, for example, is like watching the collision of a car and truck in slow motion. The work is divided into five vertical sections and in the fourth the vehicles seem to go up in flames. In #12 and #18, it’s as if Attwooll is processing Eadweard Muybridge’s pioneering studies in motion photography, repeating the motif of the car multiple times so that is seems to move across the picture plane. And in another,

the repetition of the image with one side up the right way and the other upside down, each with a shape of colour printed over it, seems to be about the literal turning of things on their heads to look at them anew. This particular image of the wrecked vehicle turns into a strange monument on a lawn—or so I imagine. These accidents encountered together evoked joyful calamity. These are real accidents but there’s a vibe to the images that reminds me of seventies surfing photos. A sort of relaxed boyishness, implying that this is all a bit of fun—perhaps it’s the caravan in the background of one, or some random boys goofing about in another. The mounting of the works with white tyre-tracks printed on to the backing boards and partially painted frames contributes to the feeling of mishap, but somehow it’s a comic-

30 Collage frenzy

Car Crash Compilation #5, screen print collage on hand dyed sommerset paper in custom frame, installation shot at The Young, Wellington, 2015

book paintball disaster kind of mishap rather than a real one. In conversation about the show, Attwooll talked about the doormat that he’d had made with the title of the exhibition printed on it. Each visitor walked over it as they came into the gallery. It was a dad joke, ‘making a non-slip mat that talked about accidents to the entry of a gallery filled with car crashes’. These works are also a collision of two disparate ways of working. On the one hand there is the precision and process of screen printing half tone images from photographs; and on the other, the dyeing and organic mark-making and ripping up of paper. Attwooll is attracted to accidents, and by this I mean the ‘accidents’ of discovery – when chance and serendipity provide opportunities to consider things you hadn’t thought of before, when being in the wrong place at the wrong time flips you somewhere new. And I heard 80% of

accidents emits this excitement while also place-holding the metaphor for that kind of ‘accident’. When I looked at Attwooll’s more recent work, I had trouble connecting it to what I’d come to enjoy about his practice. Of course looking helped, and that’s he what wants us to do, what any artist asks of us. But the kind of looking that Attwooll demands is a kind of forensic investigation into image making. In his 2016 series Sticky Plaster in the Gene Pool, he seems to be both searching for evidence and obscuring it—again with an extended process and another found archive, this time of cellular images. The images are abstracted into halftone dots and painterly washes, layers are added and partially removed. The content appears and disappears, clouded sometimes by white ink, sometimes by black. “I wanted to try to see how far I could break down the image but still leave something semi-

32 Collage frenzy

identifiable behind as a key or a hook for someone to begin trying to work out what they are looking at.” Microscopes were invented to magnify a substance or object to understand various things about it, and I think Attwooll is doing something similar here—trying to understand what it is about images that creates meaning and context. And what we are looking at is his evidence. A recent work, 52 Waterloo Plein (2016), returned to recognisable imagery. This time the eight panels of the series depict fragments from a single crimescene photograph. Attwooll bought this archive from a flea market in Amsterdam at the address in the title of the series. He recreates this experience at the market as a crime scene, enlarging and cutting up the photograph into sections to suggest a narrative. At first glance I assumed that the title is the address of the jewellery shop that’s clearly been robbed—the

connection between text and image is taken for granted. So while in the Sticky Plaster series, the viewer has to figure out what they are looking at, in the 52 Waterloo Plein series, the viewer has to consider if all the evidence they see matches up. What is the truth here and what is a red herring? Thinking about these latest works made me connect the dots in Attwooll’s practice to see that he is interested in the way that images construct meaning. The found images which had particular meanings in their original context are messed around with in order to understand how meaning is attached to them in another context. But more than that, Attwooll’s investigation becomes the viewer’s investigation. We are all detectives trying to understand our material culture, its truth and its shifts and riffs.

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Envy the envoy The exhibition Lisa Reihana: Emissaries is New Zealand’s official entry in the 57th Biennale di Venezia. It involves photo-based and sculptural works alongside the monumental digital mural in Pursuit of Venus [infected] or iPOVi for short. Emissaries, which has taken Lisa Reihana nearly 10 years to craft and been exhibited in various iterations, has already received a raft of critical acclaim. Art History teacher Claire Chamberlain was in Venice for the opening of the international exhibition in May and will return in November as a gallery attendant for the New Zealand pavilion. Her students at an Auckland secondary school followed her adventures in Venice via social media and Google Classroom, and she shows here a sample of their response to the work. The students come from a range of cultural backgrounds. They have really been swept up into Lisa’s cinematic mural and are very passionate about it – ambassadors if you like. I interviewed several for their perspectives after they had researched Emissaries for an NCEA internal assessment.

Envy the envoy Lisa Reihana, detail in Pursuit of Venus [infected], 2015–17, Ultra HD video, colour, sound, 64 min. Image courtesy of the artist and New Zealand at Venice.

Why do you think Lisa and in Pursuit of Venus [infected] were chosen to represent New Zealand in 2017? Joyce Vanila-Moriarty: That it combines so many different cultures in a modern 21st century way and it’s exciting. It challenges ideas in its format, scope and point of view. Caitlin Plummer: It’s important to most New Zealanders that we acknowledge our diversity and celebrate this because we are proud of it. What cultures were represented in iPOVi? Class: Tonga, Tahiti, European, Aboriginal or First Peoples and Maori Lolohea Ratu: The whole of Oceania was included.

How did The Native Peoples of the Pacific Ocean (Les Sauvages de la Mer Pacifique) designed by Jean-Gabriel Charvet and printed by Joseph Dufour’s company c1804–20 represent the Pacific and its people? Lolohea Ratu: They were presented in an idealised way. The artist hadn’t been to the Pacific. The figures didn’t look like us. We didn’t have coloured fabric for a start. Rosa Kim: They were relying on the reports of the French explorers and from Captain Cook’s voyages. Why do you think the full title of Lisa’s multi-channel video is abbreviated to iPOVi? Olivia Lucas: It makes it easier to say and write about it for starters, and POV means point of view. Lisa is exploring different points of view,

and the repetition of ‘i’ and the start and end of the shortened title emphasise how personal it is too. Lisa said she felt she was taking small Pacific countries whose governments couldn’t afford to participate in the Biennale with her. What’s your response? Joyce: I think she’s taking a really big step for all of our cultures because we don’t see ourselves in the same way that the Enlightenment thinkers did, as idealised and like figures in ancient Roman frescoes, but she’s giving European visitors the chance to see us as we are, out in Venice. What do you think of the technology involved in Emissaries? Lolohea and Joyce: It’s easy for us on one level. It’s like a 3D movie. We watch videos all the time. Our parents

Envy the envoy

maybe don’t get it as much, but we can explain it. The sound by James Pinker and the video format offers a way in. The multi-channel video format is amazing too. The Royal Academy dude [Tim Marlow, Artistic Director at the Royal Academy] said at the opening it was made up of 3.168 trillion pixels. What does Emissaries say to you about identity? Lolohea: It was a New Zealand exhibition and everything, but she used her own perspective to project an authentic idea of Polynesia and Oceania in one. She enhanced the original art work – the French wallpaper – to something that was more real and historically correct. Kaitlin: Lisa said something like ‘it’s a concoction or fabulation of

someone else’s elsewhere…’ It might be beautiful, but it’s not true. How does Lisa create that authenticity? Lolohea: She combines historical research, such as the work she did in Greenwich looking at Captain Cook’s clock, and films real people who come from the cultures she represents and how they agree what the performance will be in a collaborative way. Meiqing Ziang: I learned from my research that Reihana is drawing on film-maker Barry Barclay’s ideas about a Fourth Cinema. We see several of the dances and haka from as if we are tangata whenua. The story is told from different points of view and we see the Europeans as the exotic.

The Biennale is often described as the Olympics of the art world. How do you think Lisa will compete? Well, we think she’s won. That critic Wald-his-name (Waldemar Januszczak) wrote that it was the best work at the Biennale. How does the work relate to you as a teenager in the 21st century? Margret Vetenibua: It’s me. It’s us. Our culture without misinterpretation. Joyce: Lisa talks about love a lot. There’s something really pure about the intentions. I love that it is about Venus. There’s a lot of aroha in the work. We need that.

… Francis Upritchard,Vincent Ward, Dan Arps, Shane Cotton, Tony de Lautour, Julia Morison, Bill Culbert, Peter Robinson, Neil Dawson, Rita Angus, Saskia Leek, Eddie Clemens, David Hatcher, Tony Fomison, Séraphine Pick, Jason Greig, Joanna Langford, Miranda Parkes, Zina Swanson, Robert Hood, Ruth Watson, Heather Straka, John Coley, Olivia Spencer Bower, Marie Le Lievre, Raymond McIntyre, Emily HartleySkudder, Quentin MacFarlane, Hamish Keith, Anton Parsons, Chris Heaphy, Ronnie van Hout, Barry Cleavin, Pat Hanly, Jim Speers, Toss Woollaston, Bill Sutton, Margaret Stoddart, Juliet Peter, John Hurrell, Sydney L Thompson, Trevor Moffitt, Alan Pearson, Ngaio Marsh, David Low, André Hemer, Philip Trusttum, Allen Maddox, Nathan Pohio, Gordon H Brown, Mark Adams, Simon Morris, Darryn George, Mark Braunias, Dick Frizzell, Tjalling de Vries, Tom Kreisler, David Cook, Maddie Leach, Joyce Campbell, David Rittey, Jane Zusters, Jonathan Mane-Wheoki, Carl Sydow, Paul Johns … www.fina.canterbury.ac.nz

38 Ayesha Green, For Hine, 2017. Acrylic on vinyl, 3200 x 5700mm. Installation image from Biographies of Transition: Too Busy To Think, Artspace (2017). Photo: Sam Hartnett.

What happens when you make a new version of an artwork? Lily Hacking talks to Ayesha Green about value and meaning.

Greener pastures Ayesha Green’s billboard-sized painting For Hine (2017) was included in the recent group exhibition Biographies of Transition: Too Busy to Think at Artspace. It wasn’t simply the grand scale of the work that was arresting. Black outlines and flat planes of acrylic colour against a vinyl background lent the figures a highly illustrative, almost pop sensibility; and there was something else, a strong sense of the familiar. In fact the work is a stylised version of an original watercolour that would be recognisable to many students of New Zealand art history – A Māori man and Joseph Banks exchanging a crayfish for a piece of cloth (1769) – by Tahitian navigator and arioi Tupaia, who voyaged with Joseph Banks on Captain Cook’s Endeavour.

Here, remade, rescaled and reinterpreted in modern materials, the painting offers an acute commentary on both historical and contemporary representations of Māori, specifically in the context of the creation of a national identity and tourism industry. The work comes to embody various notions of exchange, including the complex ongoing settlement process between Māori and the Crown. “Given our status as a bicultural nation the work can act as some sort of founding representation of our biculturalism (and of course New Zealand’s biculturalism is extremely problematic, which is something that I was thinking through), says Green. Green’s practice regularly explores the relationship between the original and the copy, and what happens to the value of an object or image with the creation of a new version At the time of writing, Green is en route to a residency at Te Arerenga in Raratonga as the recipient of the Seager’s Walters Prize. Her winning entry was her interpretation of a pair of Gottfried Lindauer portraits.

Sourced from images found online, both paintings depict Māori leader and missionary (and Green’s tūpuna) Renata Tama-ki-Hikurangi Kawepo. The paradox found within the Lindauer paintings is interesting, at one point they are settler portraits of Maori people — the othering happens here, Maori become the dying race, the exotic other, the noble savage”, Green said. “However in the same instance the images hold extreme mana and are a way that we can connect with our tūpuna. I was attempting to think through how these paradoxes work, and wondering how my copies would act within that paradox. 2.The Spirit of the Thing Given (Māori) at RM Gallery included a table full of ceramic crowns based upon the British coronation crown. “My practice is generally thought of as a painting practice, but I am trying to push that out, to think beyond the painting plane, and to think about how other materials and objects have representational value and meaning.” Accompanying the crowns was a portrait of Makereti Papakura (b.1872) — also known as Guide Maggie,

Margaret Thom, Margaret Dennan, or Margaret StaplesBrown — who was at one point a guide at Whakarewarewa, the Māori village in Rotorua. She was made famous as a result of a visit to Whakarewarewa by the Duke and Duchess of Cornwall in 1901, and came to embody the romantic colonial notion of an idealised and assimilated Māori. “My practice attempts to rethink how Maori have been represented within a tourism context and within the context of nation-making and how these two areas of social phenomena come together to create ideology around Māori and Māori culture,” Green said. Ayesha Green (b.1987, Ngāti Kahungunu, Ngai Tahu) is based in Auckland and is co-founder of Haporiproject.com. Other recent exhibitions include Summa Pete, Papakura Art Gallery (2017); On the Grounds, Starkwhite Gallery (2017); Seagers Walters Prize, Mirage Gallery (2016); and For Karetoki, Window Gallery (2015). Green has exhibitions scheduled at Malcolm Smith Gallery and Corbans Estate Arts Centre.

APPLY NOW for 2017

. Jewellery . Sculpture . Ceramics . Painting

. DEGREE . CERTIFICATES . DIPLOMAS

www.hungrycreek.ac.nz 09 414 7107 enquiries@hungrycreek.ac.nz

IHC

AWARDS 2017

View the top 100 IHC Art Awards entries Thursday 10 August to Thursday 17 August. Arts on High 191 High Street, Lower Hutt, Wellington

Julian Godfery Tapa I like doing drawings with pens. I like making patterns. This one took me two months to do and then mum showed me a photo of a tapa cloth. I think it looks just like one. For more information please contact ihc.events@ihc.org.nz or 0800 442 442 | ihc.org.nz

AWARDS

H O LDS W O RT H C H A R I TA B L E T R U ST

43 Notepad

Eighty five and counting

Photo finish

Hon Doc

Bowerbank Ninow’s free online database already includes entries for eighty-five New Zealand artists from the nineteenth century to the present day. Each artist in the database has their own page, including a comprehensive biography, images of their works by the artist, and links to essays about the artist. The project will be added to over time, and is intended as a research tool for students, art lovers and collectors.

Architecture student Li Wen Choy has won the 2017 Simon Devitt Award for Photography. Choy captured his entry, Dissonance, on traditional 35-millimetre film while in Austria on a study tour of Europe. Judge Simon Devitt said, “We all observe fleeting moments and chance encounters in our daily lives. Moment by moment most of these dissolve into the ether. Sometimes one or two will stay with us. Very rarely are these moments, the special ones, captured.”

Gregory O’Brien has received an honorary doctorate from Victoria University of Wellington in acknowledgement of his ongoing contribution to, and celebration of, artistic life in New Zealand. Victoria University Chancellor Sir Neville Jordan says Victoria is proud to celebrate its connection with O’Brien and his inspiring work. A prolific artist and writer, O’Brien was appointed a Member of the New Zealand Order of Merit for services to the arts in 2014.

Golden

For those who wait

Help from your friends

Waikato Museum has earned the Gold Sustainable Tourism Business Award – the highest level of quality assurance under new tourism guidelines. Museum Director Cherie Meecham says the award is a reflection of the museum’s commitment to excellence. The award recognises the museum’s dedication to protecting New Zealand’s natural environment and enhancing connections with local communities, while also delivering a quality experience for all visitors.

The opening of Te Papa’s new art space has been delayed. Visitors will now have to wait until late February 2018 to see the new double-height gallery, according to a Te Papa spokesperson. The eight-metre-high walls will enable Te Papa to show large sculptural works, and offer immersive art experiences on a scale never seen before at the museum. The new opening date will tie in with the New Zealand Arts Festival and Te Papa’s 20th anniversary.

Entries are open for the Pātaka Friends Art Award 2017. This year’s competition add two new awards along with the usual open, highly commended, and viewers’ choice awards. Jane Hyder has sponsored The Jane Hyder Award for Painting worth $750; and the new Creativity and Promise Scholarship pays for an artist’s six-month Level 4 Certificate Programme at The Learning Connection. The competition is open to any artist living, working or studying in Porirua.

24 July to 9 September 2017

Opening Saturday 22 July, 2.30pm (09) 535 6467

35 Uxbridge Road, Howick, Auckland

exhibitions@uxbridge.org.nz

Mon - Sat 10am - 4pm, Thu until 8pm

malcolmsmithgallery.org.nz

irst Impressions III Resonances

National printmakers exhibition

2015 Winner : Bev Head,

REECE KING: H E AV Y RESERVE

CALL FOR ENTRIES

Judge: Dr. Carole Shepheard

ENTRIES CLOSE

Enter online www.mairangiarts.co.nz

10 – 30 July DRAWINGS

An exhibition of drawing and works on paper sponsored by Gordon Harris, the Art and Graphic Store

7 – 23 August FRIENDS I HAVEN’T MET: TEVITA LATU ‘SELFIES’ A community project of self portraits 28 August – 14 September EARTH AND AIR: HEATHER GROUDEN TRANSFORMING: GAYLE FORSTER

Friday 8 september 2017

Visit us online for details

18 20 Hastings Road, Mairangi Bay (09) 478 2237

THE ADAM PORTRAITURE AWARD CALL FOR ENTRIES First prize: Runner up: People’s Choice:

$20,000 $2,500 $2,500

Enter online now at nzportraitgallery.org.nz

Entries close 8 December 2017 Norman King Square, Ernie Mays Street, Northcote Shopping Centre, Auckland Twitter (@NorthartNZ) | Instagram (@northartnz) www.northart.co.nz | www.facebook.com/northartgallery Open daily 10 - 4pm (Except public holidays) | Ph: 09 480 9633

New Zealand Portrait Gallery Shed 11, Queens Wharf (04) 472 2298 Wellington Waterfront nzportraitgallery.org.nz Wellington 6146 Open daily 10.30 - 4.30

The artists are present NEXT TOP: Oliver Perkins, Installation image from Translations (2017) at Hopkinson Mossman. Image courtesy of the artist and Hopkinson Mossman.

NEXT LEFT: Victoria McIntosh, Studio wall (detail), 2017. Piece from Schmuck.

NEXT RIGHT: Campbell Patterson, stone and floss, 2017. Photocopy, 420 x 297 mm. Image courtesy of the artist and Michael Lett.

Lily Hacking speaks with three current artists in residence about their experience, their work, and their bad habits. Oliver Perkins Oliver Perkins is the second of three artists supported to develop new work through this year’s McCahon House Artists’ Residency. Parehuia, the name given to the studio and accommodation by local kaumatua, was purpose-built for the residency programme alongside the old McCahon House, among native bush at French Bay in Titirangi. “The studio is large and sits on posts about eight metres off the ground, which has the effect of being suspended in the middle of the kauri, puriri and pongas, he said. At this time of the year there is high rainfall so the sound of rain on the pongas and the call of Tui and Kereru drift in. It’s very green and far more magical than I can describe.”

Perkins and his family currently live between Christchurch and Spain. They recently spent eighteen months in Alicante, and traces of the city’s architecture and its interpretation of mid-century modernism can be found in the abstract paintings of Perkins’ exhibition, Translations, at Hopkinson Mossman Gallery. Works made in dowel and string sketch apartment buildings, and paintings draw upon the colour palette of the built environment, or architectural elements — architraves, skirting boards, facades — of Perkins’ domestic surroundings. With the arrival of his daughter Frida several years ago, Perkins has had to adjust to a new way of working to maintain his full-time practice. “Since Frida’s arrival studio time has been divided more acutely! I have learnt

to use small time-slots wisely, no navelgazing or excessive tea drinking. All the activity, the reading, writing, thinking, all happens in the studio”. Parehuia affords an abundance of space, which allows Perkins to work on multiple pieces at once, and its specific architecture and environment have already made their way into a new suite of works to be included in a solo exhibition at Te Uru Waitakere Contemporary Gallery following the residency. “I am looking to make a series of works that appropriate colour from the surroundings, an immersive interpretation of the place played out over a repeated form”. oliverperkins.net mccahonhouse.org.nz hopkinsonmossman.com

The artists are present

Victoria McIntosh Victoria McIntosh is the recipient of the Caselberg Trust Creative Connections Residency in Dunedin, which provides residents with a cottage and brand new studio. Situated on the Otago Peninsula, McIntosh delights in the view of Otago Harbour from the cottage’s kitchen window, the kowhai that draws the tui and bellbirds, and fresh vegetables delivered to her door by generous neighbours. “It’s fair to say I am not a morning person. Afternoons are when I am at my best. This is my first residency and the most amazing part is the gift of uninterrupted time — no part-time work and the other ordinary day-to-day distractions, and a distance of ten steps

between home and studio … It has been a magical three months. It’s going to be tough going back to ‘real life’”. McIntosh’s jewellery and sculpture draws inspiration from her collections of vintage and secondhand objects that include various kitchen utensils, wooden pegs, vintage gloves and underwear, black and white photographs, and furniture. The Charles Brasch Studio at Caselberg House allows McIntosh to unpack her various collections and to produce work on a larger scale than usual. She is currently particularly interested in the aging body and its place and representation within society, and a recent body of work sees her upholstering vintage underwear and painting objects in what she has come to refer to as “sticking plaster pink”.

“I have also been rediscovering my love of drawing which I often struggle to allocate time for — so another treat of the residency. In the evenings I head back into the cottage, light the fire and stitch into the small hours, often in the company of the neighbours friendly tabby”. Last year McIntosh was invited to attend Schmuck, an international jewellery exhibition in Munich, where she revelled in the abundance of contemporary jewellery on display. Since then, she’s been busy working on new projects and exhibitions, and at the time of writing has exhibitions scheduled for Avid and Masterworks later this year. victoriamcintosh.co.nz caselbergtrust.org masterworksgallery.co.nz

The artists are present

Campbell Patterson Campbell Patterson is currently enjoying a southern sojourn as the University of Otago’s 2017 Frances Hodgkins Fellow. Patterson’s painting, sculpture and video works explore the quotidian tragedy and humour that exists between the mundane and absurd activities of our everyday lives. During the residency Patterson has made a few works that respond to his temporary home, including a piece about a creaky bed inherited from a past flatmate, and another, about the cold. “I have also been working on things not related to any show. I have made

the first 100 issues of my zine ‘blue cheyenne’ and they are sitting on a shelf waiting for me to decide what to do with them,” Patterson said. “I am transcribing a long text that I hand wrote on small bits of paper. I guess it will be a short story or novella. I am not yet sure what I will do with this. The residency has afforded me the luxury of time — time to just do things without worrying too much about where they will go or even if they are worthy of doing at all.” Patterson admits one of the other luxuries of the residency is being able to indulge his nocturnal working habits. Typically waking at midday, he works until around 5am. When feeling frustrated in the studio he walks. Like the physical,

repetitive tasks Patterson sets himself and documents as part of his practice, he endeavours to walk further and further each day in an attempt to break his own record. When asked about his studio habits, he says “one really bad working habit would be typing ‘Donald Trump latest news’ into Google while taking a break in the studio.” Patterson’s exhibition call sick opened at the Dunedin Public Art Gallery in June. Taking its title from the name in Patterson’s phone contact list for the number of his previous workplace, the exhibition indulges in the surreptitious pleasure of playing hooky. michaellett.com otago.ac.nz/otagofellows/hodgkins

WhakapÄŤ installation detail Photo by Mark Tantrum

Until 13 August 2017

www.pataka.org.nz

50 Books

Hum dinger

A mighty totara

Happy now

RRP $29.00

RRP $80.00

RRP $12.00

Welcome to the global hive, where a population of seven billion bodies and minds are linked by road networks and rail lines, shipping lanes and flight paths, submarine cables and satellites, electrical grids and server farms. These immense infrastructures are dependent upon engineers, designers, programmers and others who build, maintain or legislate their use. The Hive Hums With Many Minds was an exhibition mounted in 2016 at Te Tuhi in Auckland. The resulting book documents how 14 artists explored these vast global mechanisms.

Jonathan Mane-Wheoki (1943â&#x20AC;&#x201C;2014), academic and curator, made an immense contribution to New Zealand art history over almost half a century. His scholarship was matched by a terrific generosity of spirit and personal charisma. Colonial Gothic to MÄ ori Renaissance is a tribute to his memory from friends, colleagues and former students. Its contents cover Victorian church architecture, mysticism, the New Zealand International Exhibition of 1906, traditional and contemporary MÄ ori art, the artists Gottfried Lindauer, Colin McCahon, Tony Fomison, Philip Clairmont and Emily Karaka, and more.

In 1941 New Zealand-born artist Len Lye and British writer Robert Graves wrote an essay to define the freedoms that millions of people were risking their lives to defend, as they fought against the Nazis. Today, the questions raised by Lye and Graves in Individual Happiness Now have once again become deeply relevant, as terrorists and extremist politicians are challenging the fundamental ideals of our society. Now published for the first time in 2017, Govett-Brewster director Simon Rees describes the essay as testament to one of the great creative friendships of the 20th century.

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52 Quite literally

Stephanie Cossens, Wolf Boy and Parade, 2015, mixed media.

‘It simultaneously felt like being hugged and giving a piggyback to an endangered species.’

‘An iconic landmark” for the city,’ says Whangarei MP Shane Reti

Rata Scott von Tippelskirch describes what it was like donning a walrus head as part of Otago Polytechnic School of Art student Stephanie Cossens’ final project for an honours degree in visual arts. Five furry creatures were made from chicken wire, foam and acrylic fur and worn by a procession of women through the Dunedin CBD to start a conversation about the plight of women and animals.

Yup, that word gets bandied about a lot. Every city council wants an iconic building to attract the masses and Whangarei is no different. With the last piece of funding confirmed work on the $18 million Hundertwasser Art Centre can now begin. Minister for Arts, Culture and Heritage Maggie Barry told a jubilant crowd at the city’s Town Basin in June that she had approved a $3 million grant to make the project happen.

December 4, Otago Daily Times

June 16, radionz.co.nz

Gallery Shop Workshops

J A N E HYDER

In association with:

“Providing a hands on, practical engagement with the fundamental principles of visual art” 09 489 7213 / www.aucklandatelier.co.nz 124 Anzac Street ,Takapuna, Auckland 0622, New Zealand

Artist, painter, philanthropist, Studio 21 Toi Poneke Art Centre, 61 Abel Smith St, Wellington. wwwjanehyder.com

Roberta Thornley A Serious Girl 27 May — 20 August 2017

38 Taupō Quay Whanganui 4500 New Zealand

Phone 06 349 0506 www.sarjeant.org.nz

Sarjeant Gallery is a cultural facility of the Whanganui District Council

Roberta Thornley, Trampoline, 2017. Image courtesey of the artist and Tim Melville Gallery.

54 Decent exposure

Nicola Jackson, Doppelgänger, 2017, Painted papier-mâché

Astride the Tasman

Our insides

Based in Sydney since 1981, Euan Macleod has regularly returned to his country of birth, making art and exhibiting in New Zealand. The 39 paintings in this exhibition Euan Macleod – The Painter in the Painting, curated by Gregory O’Brien, spans 30 years of his practice. His images of the land, whether alluding to his childhood in Lyttelton or to the outback of Australia, conjure up the atmosphere and physicality of the environment the artist finds himself in. This is the first major touring exhibition of Macleod’s work in New Zealand.

Nicola Jackson is known for her vivid use of colour, intricate detail, papier-mâché forms and her ongoing exploration of human anatomy. In her latest show, Joe Bloggs, the Dunedin artist creates her version of an anatomy museum, filling vitrines and cabinets with a range of objects and the walls with paintings. In these works Jackson has paired particular anatomical elements with non-physical qualities that help classify us as human.

Sarjeant Gallery, Whanganui, 20 May – 6 Aug

Eastern Southland Gallery Gore, 29 July – 10 September

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57 57 Region

Maps / Listings North Island

South Island

Northland 62

Picton 77

Auckland 62

Blenheim 77

Waiheke Island

Nelson 77

Coromandel 68

Christchurch 78

Bay of Plenty

Canterbury 79

Rotorua 69

Geraldine 80

Hamilton 69

Timaru 80

Waikato 69

Oamaru 80

Gisborne 70

Dunedin 81

Hawkeâ&#x20AC;&#x2122;s Bay

Cromwell 82

Taranaki 71

Southland 83

Waiouru

Invercargill 83

Mangaweka 71 Whanganui 71 Manawatu 72 Wairarapa 72 Horowhenua 72 Kapiti 73 Porirua Hutt Valley

73 73

Wellington 74

Artist list

TIK

IS T

OREX ART

RD ER UM

E AV N SO

T ES W CE T

T PE

N OU

OSE

ENDEMIC WORLD

FHE

ART S PA C E

AN S H O R TL

A CH

ED ENC

D ST

H TC

E EN

WEL LESL EY ST

GEORGE FRASER

Auckland - City

AUCKLAND ART GALLERY

SS T ND MO

FINGERS AL FR ED ST

KIT CHE NER ST

LORNE ST

QU EEN ST

Anna Miles -10/30 Upper Queen St Artspace - 300 Karangahape Rd Endemic world - 62 Ponsonby Rd FHE - 221 Ponsonby Rd Michael Lett - 312 Karangahape Rd Objectspace - 8 Ponsonby Rd Orex Art - 1/15 Putiki St Studio One - 1 Ponsonby Rd Tim Melville - 4 Winchester St Toi Ora Gallery - 6 Putiki St Two Rooms - 16 Putiki St

TRISH CLARK

PRIN CES ST

VICT ORIA ST

EL LIO TT ST

ALB ERT ST

HIG H ST

QU EE N ST

WYN DHA M ST

VIC TO RIA ST WE ST

GUS FISHER BANKSI DE ST

FORT ST

NZ MARITIME MUSEUM

MICHAEL LETT

ANNA MILES

STUDIO ONE PO

ST CA NA DA

T IE S

AH RA

LV CKE

W ES T S T

Auckland - Newton

ER D

TIM M E LV I L L E

N IA

UP PE R Q UE EN ST

CA RG ILL N NO IN CK

D IC T S

OBJECT S PA C E

ST BE NE

TOI ORA EW

KA RA KA ST

TWO ROOMS

SS T

RANDOLPH ST

FRANCE ST

NEWTON RD

Auckland Art Gallery Toi O Tamaki cnr Wellesley & Kitchener St, George Fraser Gallery - 25a Princes St Gus Fisher Gallery - 74 Shortland St Fingers - 2 Kitchener St NZ Maritime Museum - cnr Quay & Hobson St Trish Clark - 1 Bowen Ave

MAUNG AWHA U RD

CROWH URST ST

GORE RD

KHYBER PASS RD

SECCOMBES RD

MELROSE

KINGDON ST

SANDERSON OSBORNE ST

DAVIS CR ES

IS T

LL RD

YS T

RA W

LR D

RA IL LEE K ST

BROADWAY

THE POI ROOM

TIT

AU N

BROADWAY

GEO RGE ST

CLAY TON ST ALMA ST

EDEN ST

MORROW ST

TEED ST

AUCKLAND MUSEUM

MORGAN ST

YORK ST

BOURKE ST

SUITER ST

KENT ST

GILLIES AVE

Auckland - Newmarket

RUSKIN ST

WINDSOR ST

BATH ST

G A R F IE

LD ST

J O N AT H A N GRANT SC AR BO RO UG H

SB A

YR D

ARTIS

Auckland - Parnell ERE NGAH

AKAROA ST

T TS OF

TC E

PAR NEL L RD

R AC

EARLE ST

YO R K S T LL

YR D

SB A

R PA

RTO

FA R N

ANTOINETTE GODKIN CHU

HAM

CLEV

ELAN

D RD

Auckland Museum - Domain Dr Sanderson - Osborne Lane 2 Kent St The Poi Room - 17 Osborne St

PA R N E L L GALLERY

Antoinette Godkin - APT Y32, 30 York St Artis - 280 Parnell Rd Jonathan Grant - 280 Parnell Rd Parnell Gallery - 263 Parnell Rd

TURNBULL GALLERY ST

EXHIBITIONS AY

US HO ST

ACADEMY GALLERIES

ST RIA

CITY GALLERY

VIC CIVIC SQ

VESSEL IE

IS T

ES T

KIWI ART HOUSE

SUITE

IAN

VIV

P H O T O S PA C E TC

TA R

ITH

ES T

RID

ORA AY

BOWEN

LL MA BA

ENJOY PETER MCLEAVEY ST

THE YOUNG

TOI PONEKE JANE HYDER

IAN

SS T

VIV

LLI

ROAR

HAMISH M C K AY

CE TH

ET ER

BARTLEY &CO

SOLANDER

OS T

M ON

TE PA PA

DIX

ALL

ART WALRUS

VIC

QUOIL

TOR

IA S T

LLI

SS T

LA ANTHESIS MA NC AR VICTORIA D UNIVERSITY

MUSEUM OF WELLINGTON

AVID

ADAM ART GALLERY

Q U AY JE R VO IS

LAM

CE KE

NP D

THE

TER

PA G E BLACKIE

NZ PORTRAIT GALLERY

QUA TON

FEA

LAM GR

Wellington

EQ U

N Q U AY BTO

THE T ERR

ACE

O LT BO

M I L LW O O D EN

BOW

Academy Galleries - 1 Queens Wharf Adam Art Gallery - Victoria University, Gate 3, Kelburn Pde Anthesis - 131 Willis St Art Walrus - 111 Taranaki St Avid - 48 Victoria St Bartley + Co - 56A Ghuznee St Bowen - 41 Ghuznee St City Gallery - Civic Square Enjoy - Level 1/147 Cuba St Exhibitions - 20 Brandon St Hamish McKay - First Floor, 39 Ghuznee St Jane Hyder - Studio 21, Toi Pōneke Art Centre, 61 Abel Smith St Kiwi Art House - 288 Cuba St Millwood - 291b Tinakori Rd New Zealand Portrait Gallery - Shed 11, Queens Wharf Ora Design Gallery - 23 Allen St Page Blackie Gallery - 42 Victoria St Peter McLeavey - 147 Cuba St Photospace - 1st floor, 37 Courtenay Pl Quoil - 149 Willis St Roar! - 189–193 Vivian St Solander - 218c Willis St Suite - 241 Cuba St Te Papa - Cable St The Young - 70 Abel Smith St Toi Pōneke - 61 Abel Smith St Turnbull Gallery - National library Molesworth St Vessel - 87 Victoria St

MADRAS ST

BRIDGE OF REMEMBRANCE

CARLYLE ST CASS ST

FORM GALLERY

DURHAM ST SOUTH

CITY ART DEPOT MONTREAL ST

MONTREAL ST

ROLLESTON AVE

ILAM CAMPUS GALLERY

ANTIGUA ST

L’ESTRANGE GALLERY

CANTERBURY MUSEUM

G LE Y AV

E AV

BRETT McDOWELL GALLERY

C ZA

ST D AR W ST S N R U B

G S T

BLUE OYSTER

LIN

Dunedin

O TA G O A R T SOCIETY

DOW

ST LEI

LAN MB

M O R AY

MINT GALLERY

GALLERY DE NOVO

R AY

TLE

ES INC

ART

A GON

STU

INGE DOESBURG

CAS

OCT

VIE

CU THE

DUNEDIN PUBLIC ART GALLERY

HOCKEN COLLECTION

RG GEO

T S T

ITH SM

STU

DS T

E AT

B AT

REW

KIN

R AY

E S T

Canterbury Museum - Rolleston Ave Centre of Contemporary Art - 66 Gloucester St Chamber241 – 241 Moorhouse Ave Christchurch Art Gallery – 49 Worcester Ave City Art Depot – 96 Disraeli Street Form Gallery – 468 Colombo Street Ilam Campus Gallery – Block 2 School of Fine Arts, Arts Road Jonathan Smart Gallery - 52 Buchan St L'Estrange Gallery – 53 Nayland Street PG Gallery 192 – 192 Bealey Avenue The National – 241 Moorhouse Ave The Physics Room – 209 Tuam Street

AND

STL

O TA G O MUSEUM

G S T

Christchurch

E S T

WORDSWORTH ST

MOORHOUSE AVE

BATH ST

ST ASAPH ST

CHAMBERS 241

BURKE ST

KILMORE ST

BUCHAN ST

MOORHOUSE AVE

CENTRE OF CONTEMPORARY ART

JONATHAN SMART

COLOMBO ST

TUAM ST

THE PHYSICS ROOM

CHRISTCHURCH ART GALLERY

DURHAM ST NORTH

MANCHESTER ST

HAREFORD ST

COLOMBO ST

GLOUCESTER ST

ARMAGH ST

PG GALLERY 192 PETERBOROUGH ST

THE NATIONAL

Blue Oyster - 16 Dowling St Brett McDowell Gallery - 5 Dowling St Dunedin Public Art G - 30 The Octagon Gallery de Novo - 101 Stuart St Hocken Collection - 90 Anzac Ave Inge Doesburg - 6 Castle St Mint Gallery - 32 Moray Pl Moray - 55 Princes St Otago Arts Society - 22 Anzac Ave Otago Museum - 419 Great King St

62 Region Northland–Auckland Northland ART AT WHAREPUKE 190 Kerikeri Road, Kerikeri Ph: 09 407 8933 info@art-at-wharepuke.co.nz www.art-at-wharepuke.co.nz Hours: Open 7 days 10am–5pm Gallery & Sculpture Park. KAAN ZAMAAN GALLERY 4 Hobson Avenue, Kerikeri Ph: 09 407 5191, Mob: 021 163 4478 julia@kaanzamaan.co.nz Hours: Mon–Fri 10am–4pm, Sat–Sun 9am–12pm. Another bad exhibition until 28 Jul, EDWARD MACKENZIE The NZ in MackeNZie Ara Prints & assemblage exhibition 4–25 Aug. REYBURN HOUSE (NORTHLAND SOC. OF ARTS) Reyburn House Lane, Town Basin, Whangarei Ph: 09 438 3074 nsa@reyburnhouse.co.nz www.reyburnhouse.co.nz Hours: Tues–Fri 10am–4pm, Sat–Sun 1pm–4pm, closed Monday. Gallery has an active exhibition programme changing monthly. Also a gallery shop for a fine selection of painting, jewellery, pottery, hand blown glass and much more.

THE SHUTTER ROOM 7 Rust Avenue, old Library building (opposite New Library), Whangarei www.shutterroom.com theshutterroom.@gmail.com Hours: Wed–Fri 12–4pm & Sat 10am–1pm A gallery committed to supporting and extending photography in Northland. Monthly exhibition turn around with group and solo exhibitors. VILLAGE ARTS 1376 Kohukohu Road, North Hokianga Ph: 09 405 5827 gallery@villagearts.co.nz www.villagearts.co.nz Hours: Open 7 days. Winter 10am–4pm Showcasing Hokianga's richly diverse arts community. WHANGAREI ART MUSEUM TE MANAWA TOI Te Manawa - The Hub, Town Basin, Dent St, Whangarei Ph: 09 430 4240 whangareiartmuseum@wdc.govt.nz www.whangareiartmuseum.co.nz Hours: Daily from 10am–4pm. Closed Christmas day, Boxing day and Good Friday.

Auckland ANNA MILES GALLERY 10/30 Upper Queen Street Ph: 09 368 5792 am@annamilesgallery.com www.annamilesgallery.com ANTOINETTE GODKIN GALLERY APT Y32, 30 York Street, Parnell Ph: 09 309 9468 antartnz@gmail.com antoinettegodkin.co.nz Hours: Tue–Fri 11am–4pm, Sat 12pm–3pm or by appointment. ART INDUSTRY theblackshed, 37 Papakura, Clevedon Rd, Clevedon Village Ph: 021 238 2382 www.artindustry.co.nz Hours: Thurs–Sun 9am–4pm An artist's space run by James & Cheryl Wright. Unique works by established and emerging artists.

63 63 Auckland Region

Capt. Cook Discovers New Zealand, George Baloghy.

ARTIS GALLERY 280 Parnell Road, Parnell Ph: 09 303 1090 artis@artisgallery.co.nz www.artisgallery.co.nz Hours: Mon–Fri 9.30am–5.30pm, Sat 10am–4pm, Sun 11am–4pm. ARTSPACE Level 1, 300 Karangahape Road, Newton Ph: 09 303 4965 media@artspace.org.nz www.artspace.org.nz Hours: Tues–Fri 10am–6pm, Sat 11am–4pm.

Hinemoa, the Belle of the Kainga, Te Arawa,

Elemental, Rona Ngahuia Osborne

Charles F Goldie.

and Dan Mace.

AUCKLAND MUSEUM Domain Drive, Panell, Auckland Ph: 09 306 7067 info@aucklandmuseum.com www.aucklandmuseum.com Hours: 10am–5pm, seven days (closed Christmas Day) The oldest art society in New Zealand holding 6 major exhibitions a year.

CORBAN ESTATE ARTS CENTRE 2 Mt Lebanon Lane, Henderson Ph: 09 838 4455 info@ceac.org.nz www.ceac.org.nz Hours: Open 10am–4.30pm daily Free entry. For information on exhibitions, art classes, artist's studios and events visit ceac.org.nz

64 Auckland

Tieke, Rakai Karaitiana.

ENDEMICWORLD 62 Ponsonby Road, Grey Lynn Ph: 09 378 9823, Mob: +64 21 996 722 elliot@endemicworld.com www.endemicworld.com Hours: Mon–Sat 10–5, Sun 11–3 endemicworld was founded in 2007 by Elliot Alexander. 120+ NZ and international artists exhibit at our Ponsonby Road gallery features in The New York Times and other intl media.

2016 Members Award winner, Bev Head.

Dish of Loquats, Melanie Mills.

ESTUARY ARTS CENTRE 214B Hibiscus Coast Highway, Orewa Ph: 09 426 5570 admin@estuaryarts.org www.estuaryarts.org Hours: 7 Days 9am–4pm Gallery, classes, cafe.

FHE GALLERIES 221 Ponsonby Rd, Ponsonby 1011, Auckland Ph: 09 306 0293 fhe_galleries@xtra.co.nz www.fhegalleries.com Hours: Mon 10am–4pm, Tue–Fri 10am– 5pm, Sat 11am–3pm (or by appointment). The gallery presents individual works of excellence from New Zealand, the Pacific, and other cultures. FHE Galleries also offer services in informed design, for private and corporate interiors. MELANIE MILLS, Hymn to the Sun begins 1 Sep.

FINGERS CONTEMPORARY JEWELLERY 2 Kitchener Str, Auckland Central, opposite Auckland Art Gallery, 09 373 3974 jewellery@fingers.co.nz www.fingers.co.nz Hours: Mon–Fri 10am–5.30pm, Sat 11am–4.30pm. Exciting works from leading New Zealand and International jewellers available as well as new works on show during the Auckland Arts Festival.

65 65 Auckland Region GEORGE FRASER GALLERY Elam School of Fine Arts, The University of Auckland, 25a Princes Street Ph: 09 923 8000 elamoffice@auckland.ac.nz www.georgefraser.auckland.ac.nz Elam galleries are open to the public exhibiting a wide programme throughout the year supporting fine arts research at Elam and hosting national and international visiting artists. For more information and the latest event listings please visit our website.

Photo: Sam Hartnett.

GUS FISHER GALLERY 74 Shortland Street Ph: 09 923 6646 gusfishergallery@auckland.ac.nz www.gusfishergallery.auckland.ac.nz Hours: Tue–Fri 10am–5pm, Sat 12pm–4pm.

Exhibitions, art classes for children and adults, venue hire, artists studios, events and café.

Upper Taieri at Styx, Grahame Sydney.

JONATHAN GRANT GALLERIES 280 Parnell Road, Parnell Ph: 64 9 308 9125 jg@jgg.co.nz jgg.co.nz Hours: Mon–Fri 9.30am–5.30pm, Sat 10am–4pm, Sun 11am–4pm KURA GALLERY, AOTEAROA ART + DESIGN PWC Tower, 188 Quay Street Ph: 09 302 1151 www.kuragallery.co.nz Hours: Open 7 days From Maori carving to unique NZ art, sculpture, jewellery.... LAKE HOUSE ARTS CENTRE 37 Fred Thomas Drive, Takapuna, North shore City Ph: 09 486 4877 info@lakehousearts.org.nz www.lakehousearts.org.nz Hours: Mon–Fri 9.30am–4pm, Sat–Sun 10am–3pm

MALCOLM SMITH GALLERY Uxbridge Arts and Culture, 35 Uxbridge Road, Howick Ph: 09 535 6467 www.malcolmsmithgallery.org.nz Hours: Mon–Sat 10am–4pm, Thur until 8pm. MCCAHON HOUSE MUSEUM 67 Otitori Bay Road, French Bay, Titirangi Ph: 09 817 6148 or 09 817 7200 mccahon@mccahonhouse.org.nz www.mccahonhouse.org.nz Hours: Wed – Sun 1pm–4pm (except for public holidays) The House today operates as a vibrant insight into Colin McCahon's significant Titirangi Years (1953-1959) and provides a window into the era of Titirangi during the 1950s. Koha Admission suggested $5 per adult. MICHAEL LETT 312 Karangahape Road, Cnr K Rd & East St, Auckland 1145 Mob: +64 9 309 7848 contact@michaellett.com www.michaellett.com Hours: Tue–Fri 11am–5pm Sat 11am–3pm.

66 Auckland NORTHART Norman King Square, Ernie Mays St, Northcote Shopping Centre Ph: 09 480 9633 manager@northart.co.nz www.northart.co.nz Hours: Open daily 10am–4pm.

Golden Stories, Dalene Meiring.

MONTEREY GALLERY 5 Cook Street, Howick, Auckland Ph: 09 532 9022 anne@monterey.gallery www.monterey.gallery Hours: Mon–Wed 10am–4pm, Thur–Fri 10am–6pm, Sat 9am–4pm GRANT REED, Whangarei Boat Sheds. NATHAN HOMESTEAD GALLERY 70 Hill Road, Manurewa Ph: 09 267 0180 nathanhomestead@aucklandcouncil.govt.nz Hours: Mon–Thur 9am–7pm, Fri 9am– 5pm, Sat 1pm–3pm. Closed Sunday. Nathan Homestead Gallery offers a wide range of exhibition programming with local, emerging and internationally recognised artists on display throughout the year.

NZ MARITIME MUSEUM, EDMISTON GALLERY Cnr Quay & Hobson Street, Viaduct Habour Ph: 09 3730800 info@maritimemuseum.co.nz www.maritimemuseum.co.nz PARNELL GALLERY 263 Parnell Road, Parnell Ph: 09 377 3133, Fax: 09 377 3134 art@parnellgallery.co.nz www.parnellgallery.co.nz Hours: Mon–Fri 9.30am–5.30pm, Sat 10am–4pm, Sun 11am–4pm. TIMOTHY JONES The Space Between until 18 Jul, MATT PAYNE New Works 15–29 Aug. TE TUHI 13 Reeves Rd, Pakuranga Ph: 09 577 0138 info@tetuhi.org.nz www.tetuhi.org.nz Hours: 9am–5pm daily (closed on public holidays) YONA LEE In Transit (Arrival) until 16 Oct.

STUDIO ONE TOI TŪ 1 Ponsonby Road, Ponsonby Ph: 09 376 3221 info@studioone.org.nz www.studioone.org.nz Hours: Mon–Thu 9am–7pm, Fri 9am– 5pm, Sat 9am–4pm. Studio One Toi Tū is a community arts centre in the heart of Auckland. It is a hub for creatives and offers a wide programme of exhibitions, courses, events and studio hire options. PROJECTSPACE GALLERY Elam School of Fine Arts, The University of Auckland, Ground floor, 20 Whitaker Place Ph: 09 923 8000 elamoffice@auckland.ac.nz www.elamprojectspace.auckland.ac.nz Hours: See website for hours Projectspace gallery is open to the public throughout the academic year. Exhibitions include a curated selection of solo and group exhibitions by Elam School of Fine Art students in various media including installation, painting, sculpture, printmaking, moving image, mixed media and photography. For more information and the latest exhibition listings please visit our website.

67 67 Auckland Region

Threat, Roger Ballen.

TE URU WAITAKERE CONTEMPORARY GALLERY 420 Titirangi Rd, Titirangi Ph: 09 817 8087 info@teuru.org.nz www.teuru.org.nz Hours: Mon–Sun 10am–4.30pm Roger Ballen's Theatre of the Mind until 20 Aug, LONNIE HUTCHINSON and REUBEN PATERSON Relative Reciprocity until 27 Aug, OLIVER PERKINS 29 Jul–1 Oct, Asia Pacific Century: Part Two 29 Jul–1 Oct.

Wallace Art Awards Paramount Award Trophy, Terry Stringer.

THE PAH HOMESTEAD TSB Bank Wallace Arts Centre Ph: 09 639 2010 enquiries@wallaceartstrust.org.nz Hours: Tue–Fri 10am–3pm, Sat–Sun 10am–5pm. 25 Years of Winners: The Wallace Art Awards Paramount Winners 19922016 until 3 Sep, Southern Paradigms: Contemporary Dunedin until 16 Jul, We Are Here And We Are Everywhere At Once 12 Jul–3 Sep, Residencies Exhibitions 11 Jul–10 Sep, 2017 Wallace Art Awards 5 Sep–13 Nov, 2017 Wallace Art Awards Salon des Refusé 5 Sep–29 Oct, MISH O'NEILL Looking Beyond 12 Sep–12 Nov.

THE VIVIAN GALLERY 39 Omaha Valley Rd, Matakana, R D 5, Warkworth 0945 Ph: +6494229995, Mob: +6421669844 thevivian@thevivian.co.nz www.thevivian.co.nz Hours: Daily Wed–Mon 11am–5pm, Closed Tuesdays A purpose built gallery exhibiting mainly group shows of contemporary New Zealand artists that change every five weeks. Set in three acres of rural landscape, a must visit destination 4 kilometres past Matakana Village on the road towards Leigh.

68 Auckland–Coromandel

Ever, Russ Flatt.

TIM MELVILLE 4 Winchester St, Grey Lynn Ph: 09 378 1500 tim@timmelville.com www.timmelville.com TEN YEARS Group Show until 29 July, NONGGIRRNGA MARAWILI Bark Painting 1–26 August, ROBERTA THORNLEY A Serious Girl 29 Aug–30 Sep, STAR GOSSAGE 3–28 Oct. TRISH CLARK GALLERY 1 Bowen Avenue, Auckland CBD Ph: 09 379 9556 info@trishclark.co.nz www.trishclark.co.nz Hours: Tue–Fri 12pm–5pm, Sat 12pm– 4pm. KAZU NAKAGAWA, Here, Now 15 Aug–9 Sep.

TWO ROOMS 16 Putiki Street, Newton Ph: 09 360 5900 info@tworooms.co.nz www.tworooms.co.nz Hours: Tue–Fri 11am–5pm, Sat 11am– 3pm. SELINA FOOTE, The Pink Morning, ELIZABETH THOMSON Invitation to openness 14 Jul–14 Aug, JULIA MORISON Things from the Book of Shadows, GREGORY BENNETT Nature Morte 18 Aug–16 Sep. WEST COAST GALLERY Seaview Road, Piha Ph: 09 812 8029 www.westcoastgallery.co.nz Hours: 7 days, 10am–5pm Comprehensive range of West Auckland artists. Monthly exhibitions.

Waiheke Island WAIHEKE COMMUNITY ART GALLERY 2 Korora Road, Oneroa, Waiheke Island Ph: 09 372 9907 director@waihekeartgallery.org.nz www.waihekeartgallery.org.nz 7 Days, 10am–4pm

Coromandel

BREAD AND BUTTER GALLERY 26 Albert St, Whitianga, 3510 Ph: 07 866 4927 sales@breadandbutter.co.nz www.breadandbutter.co.nz 10–4.30 mon–fri, 10–4 sat, 10–2 sun.

69 69 Bay ofRegion Plenty–Waikato Bay of Plenty

Toi Mauri - A Rising Force, Todd Couper.

TAURANGA ART GALLERY Cnr of Wharf & Willow Streets, Tauranga CBD Ph: 07 578 7933 office@artgallery.org.nz www.artgallery.org.nz Open daily 10am–4.30pm The 80s Show Paintings from the Fletcher Trust Collection until 27 Aug, Generosity: Gifts for a Gallery until 17 Sep, Toi Mauri: Contemporary Māori Carving by TODD COUPER until 10 Sep, Willow: an installation by SARA HUGHES until 27 Oct, JAE KANG Waves of your Breath until 29 Oct, KEREAMA TAEPA Insert Coin until Jan 2018.

WHAKATĀNE MUSEUM AND ARTS TE KŌPUTU A TE WHANGA A TOI Whakatāne Library and Exhibition Centre, Esplanade Mall, Kakahoroa Drive, Whakatāne Ph: 07 306 0505 museumandarts@whakatane.govt.nz www.whakatanemuseum.org.nz Hours: Mon–Fri 9am–5pm, Sat–Sun 10am–2pm. Closed public holidays. Museum display and three gallery spaces showcasing work by local and national artists.

Rotorua ROTORUA MUSEUM Oruawhata Drive, Government Gardens Ph: 07 350 1814 rotorua.museum@rotorualc.nz rotoruamuseum.co.nz

Hamilton ARTSPOST GALLERIES AND SHOP 120 Victoria Street Ph: 07 838 6928 artsPost@hcc.govt.nz www.waikatomuseum/artspost, facebook. com/artspost Hours: Daily 10am–5pm, free entry Three galleries and retail store showcasing the best of New Zealand art and design.

CALDER & LAWSON GALLERY Gallagher Academy of Performing Arts, University of Waikato Ph: 07 858 5100 academy@waikato.ac.nz www.waikato.ac/academy/gallery Visit our website for more details. WAIKATO MUSEUM, TE WHARE TAONGA O WAIKATO 1 Grantham St Ph: 07 838 6606 museum@hcc.govt.nz www.waikatomuseum.co.nz Our exhibitions bring you the stories of our arts, history, culture and science. Find us on Facebook www.facebook.com/ waikatomuseum.

Waikato SKINROOM 123 Commerce Street, Frankton, Hamilton skinroom@outlook.com www.skinroomgallery.com SKINROOM is an independent artist-run space in Frankton, Hamilton, founded in 2016. Creative directors are Geoffrey Clarke and Eliza Webster.

70 Waikato–Hawke's Bay Hawke's Bay

WALLACE GALLERY, MORRINSVILLE 167 Thames Street, Morrisville Ph: 07 889 7791 info@morrinsville.org.nz www.morrinsvillegallery.org.nz Hours: Tue–Sun 10am–4pm. Free entry – donations greatly appreciated.

Gisborne

HASTINGS CITY ART GALLERY 201 Eastbourne Street East Ph: 06 871 5095 www.hastingscityartgallery.co.nz Hours: Open 7 days, 10am–4.30pm FREE ENTRY HASTINGS COMMUNITY ARTS CENTRE 106 Russell Street South, Hastings Ph: 06 878 9447 info@creativehastings.org.nz www.creativehastings.org.nz Hours: Weekdays 9.30am–4pm, Sat 10am–2pm Showcasing Hawke's Bay Artists.

PAUL NACHE GALLERY Upstairs 89 Grey Street www.now@paulnache.com Hours: Wed –Fri 11am–5pm, Sat 11am–2pm (or by appointment) Please refer to paulnache.com for opening dates, artists and upcoming projects. TAIRAWHITI MUSEUM Kelvin Park, Stout St Ph: 06 867 3832, Fax: 06 867 2728 info@tairawhitimuseum.org.nz www.tairawhitimuseum.org.nz

Indra’s Bow (detail), Tiffany Singh and Jo Blogg.

MTG HAWKE'S BAY 1 Tennyson Street, Napier Ph: 06 835 7781 www.mtghawkesbay.com

PAPER-WORKS 268 Clifton Road, Te Awanga Mob: 027 450 7517 info@paper-works.co.nz www.paper-works.co.nz Hours: Thur–Sun 11am–3pm, or by appointment. Original Works on Paper – paintings, etchings, lithographs, screenprints, photography, art books and more... PARLOUR PROJECTS 306 Eastbourne St East, Hastings Mob: 021 450 279 info@parlourprojects.com www.parlourprojects.com Hours: Wed–Sat, 10am–3pm or by appointment. TENNYSON GALLERY Cnr Tennyson & Hastings Streets, Napier Ph: 06 834 1331 info@tennysongallery.nz www.tennysongallery.nz Hours: Mon–Fri 10am–5pm, Sat 10am– 4pm, Sun 11am–3pm. Exciting new glass and ceramic work, and paintings, prints and mixed media from around the country, plus a superb collection of contemporary New Zealand jewellery. THE RABBIT ROOM 29A Hastings Street, Napier therabbitroomgallery@gmail.com www.therabbitroom.nz Hours: Tue–Thu 1–4pm

71 71 Taranaki– Whangnui Region Taranaki

Mangaweka

AOTEA UTANGANUI MUSEUM OF SOUTH TARANAKI 127 Egmont St, Patea 4250 Ph: 0800 111 323 museum@stdc.govt.nz www.museumofsouthtaranaki.wordpress.com Hours: Mon–Sat 10am–4pm, closed Sundays, Christmas Day and Good Friday. Aotea Utanganui Museum of South Taranaki has on display some of the oldest dated wooden artefacts in New Zealand; taonga that date to around 1400 from the Waitore site, near Whenuakura. These artefacts help tell the story of people who lived in South Taranaki over six hundred years ago.

YELLOW CHURCH GALLERY State Highway 1, Rangitikei Ph: 06 382 5774, Mob: 0275266612 www.webs.com/mangawekagallery Hours: Open most days 10am - 5pm RICHARD ASLETT, plus other local

PERCY THOMSON GALLERY Prospero Place, 56 Miranda Street, Stratford Ph: (06) 765 0917 www.percythomsongallery.org.nz Hours: Mon–Fri 10.30am–4pm, Sat–Sun 10.30am–3pm.

Govett-Brewster Art Gallery.

and funky International artists.

GOVETT-BREWSTER ART GALLERY/ LEN LYE CENTRE 42 Queen Street, New Plymouth 4342, Aotearoa Mob: +64 6 759 6060 govettinfo@govettbrewster.com www.govettbrewster.com Hours: Open six days: Sat, Sun, Mon, Wed, Thu, Fri 10am–6pm. CLOSED TUESDAYS. , TOM KREISLER Open Collection ongoing, LEN LYE Fountain III ongoing.

Whanganui

Waiouru NATIONAL ARMY MUSEUM State Highway I, Waiouru armymuseum.co.nz Hours: Open daily 9am to 4.30pm Discover NZ's military history, stories of courage, honour and sacrifice. Guided tours, Research Library, Kidz HQ , Home Fires Café, Gift Shop.

SARJEANT GALLERY 38 Taupo Quay, Whanganui Ph: 06 349 0506 info@sarjeant.org.nz www.sarjeant.org.nz Mon–Sun 10.30am–4.30pm. EUAN MACLEOD A touring survey exhibition spanning thirty years of artistic practice. Toured by Exhibition Services Tours. Until 6 Aug. Homework Works from the Sarjeant Gallery’s collection that consider notions of the home, the domestic interior and people within those contexts. Until 13 Aug. ROBERTA THORNLEY A Serious Girl A photographic exhibition by 2015 artist-inresidence at Tylee Cottage Roberta Thornley. Until 20 Aug. Whenua Hou: New Māori Ceramics Works by AARON SCYTHE, DAN COUPER, DAVINA DUKE, HANA RAKENA, HERA JOHNS , JESS PARAONE , STEVEI HOUKAMAU and TRACY KEITH. Developed and toured by Tauranga Art Gallery until 27 Aug and Objectspace.

72 Whanganui–Horowhenua

bowl, Paul Winspear.

QUARTZ MUSEUM OF STUDIO CERAMICS 8 Bates Street, Whanagnui 4500 Ph: 06 348 5555 www.quartzmuseum.org.nz Hours: Tue–Sun 10.30–4.00 NZ Potters 58th National Exhibition 1 Aug– 19 Nov Selected by Paul Winspear, Golden Bay this exhibition will feature the best of contemporary ceramic work submitted by members of NZ Potters Inc.

WH MILBANK GALLERY 1B Bell Street, Whanganui Mob: 027 628 6877 bill.milbank@gmail.com whmilbank.co.nz Hours: 11am–5pm all days except Mon. If travelling a call or text will ensure I am here. We hold NZs largest stock of Philip TRUSTTUM's paintings & drawings and a showroom dedicated to presenting changing aspects of his work. As well, I curate exhibitions with local and national content and stock work by artists from Whanganui, around New Zealand and beyond.

Wairarapa ARATOI MUSEUM OF ART AND HISTORY Bruce St, Masterton Ph: 06 370 0001 info@aratoi.co.nz www.aratoi.co.nz Te Marae o Rongotaketake – Redressing our Kahungunu History until 3 Sep,

Horowhenua

Manawatu

Stuart Robertson

RAYNER BROTHERS GALLERY 85 Glasgow Street, Whanganui Mob: 027 270 9497 raynerbrothersgallery@gmail.com www.raynerbrothers.com Hours: Wed–Fri 12pm–4pm, Sat 10am– 1pm. Rayner Brothers grand re-opening at new premises on Aug 11 at 5.30pm. Damaged Goods featuring new works by MARK RAYNER and PAUL RAYNER and Little Beauties group show in Gallery 85.

Te Manawa.

TE MANAWA MUSEUM/GALLERY/ SCIENCE CENTRE 326 Main Street, Palmerston North Ph: 06 355 5000 enquiries@temanawa.co.nz www.temanawa.co.nz Hours: Open daily.

TE TAKERE CULTURE AND COMMUNITY CENTRE 10 Bath Street, Levin 06 368 1953 enquiries@tetakere.org.nz www.tetakere.org.nz In Winter 2017 a selection of iconic photographs from STUART ROBERTSON’s Peace in 10,000 hands exhibition will be auctioned for charities working in the space of domestic violence. A catalogue and schedule are available on our website.

73 73 Kapiti–Hutt Region Valley Kapiti ARTEL GALLERY 9 Mahara place, Waikanae Ph: 04 297 0937 artelnz@gmail.com www.artelgallery.net Hours: Tues–Sun 10am–5pm New Zealand-made art, featuring Kapiti artists and makers. AUGUSTIN GALLERY STUDIO 37 Kensington Dr, RD1, Waikanae Ph: 04 293 5956 peterfelix@clear.net.nz www.peteraugustin.com Hours: Studio open by appointment. Works by PETER AUGUSTIN

11am–4.30pm Flock Together 21 Jul–27 Aug, MAXIMO LAURA Eternal Vision 21 Jul–27 Aug, Korowai Whāriki 21 Jul–20 Aug, Pataka Friends Art Awards 25 Aug–25 Sep, Boundless: printmaking beyond the frame until 13 Aug, KEREAMA TAEPA Whakapī until 13 Aug, Influx until 13 Aug, WAYNE YOULE The hoe and hōiho until 13 Aug, Recollections until 27 Aug, Dark Horizons 27 Aug 2017–22 Jan 2018, NANDITA KUMAR Tentacles of Dimensions 25 Aug 2017–22 Jan 2018, KERRY-ANN LEE Anywhere Island 27 Aug 2017–22 Jan 2018.

The Hutt Valley

MAHARA GALLERY 20 Mahara Place, Waikanae, 5036 Ph: 04 902 6242 info@maharagallery.org.nz www.maharagallery.org.nz Hours: Tue–Sat 10am–4pm, Sun 1–4pm. Free entry. Matariki Dawn & National Treasure, Whakapapa Panikoti until 30 July.

Porirua PATAKA Cnr Norrie & Parumoana Street, Porirua City, Wellington Ph: 04 237 1511 pataka@pcc.govt.nz pataka.org.nz Hours: Mon–Sat 10am–4.30pm, Sun

Gray Sea I Am, Nigel Brown.

EXPRESSIONS WHIRINAKI ARTS AND ENTERTAINMENT CENTRE 836 Fergusson Drive, Upper Hutt Ph: 04 527 2168 www.expressions.org.nz Hours: Open every day 9am–4pm, free entry

Finding Jewelleryness, Sharon Fitness.

THE DOWSE ART MUSEUM 45 Laings Road, Lower Hutt Ph: 04 570 6500 enquiries@dowse.org.nz www.dowse.org.nz Hours: Open daily 10am–5pm.

74 Wellington Region Wellington

AVID GALLERY 48 Victoria Street Ph: 04 472 7703 info@avidgallery.co.nz www.avidgallery.co.nz Hours: Tue–Fri 10am–6pm, Sat 10am– 4pm, Mon by appointment Exquisite hand-crafted jewellery and art objects from New Zealand's leading artists.

ACADEMY GALLERIES 1 Queens Wharf Ph: 04 499 8807 info@nzafa.com www.nzafa.com Hours: Daily 10am–5pm, free entry. ADAM ART GALLERY Victoria University of Wellington, Gate 3, Kelburn Parade Ph: 04 463 6835 adamartgallery@vuw.ac.nz www.adamartgallery.org.nz Hours: Tue–Sun 11am–5pm, Free entry. ALPHA GALLERY 55 Abel Smith Street, Te Aro Ph: 04 382 8468 alpstu@gmail.com www.alphagallery.org.nz Hours: Mon–Fri 9am–4.30pm Inclusive gallery in the heart of Wellington.

Alessia, Tatyana Kulida.

ANTHESIS ATELIER 131 Willis Street Suite #3, Te Aro, Wellington Mob: 022 036 0762 www.tatyanakulida.com Fine art and traditional European portraiture brought to New Zealand by internationally recognized artists Tatyana Kulida and Steffen Schubert. Open by appointment. ART WALRUS 111 Taranaki St Ph: 04 382 8383 enquiries@walrusgallery.co.nz www.walrusgallery.co.nz Hours: Mon–Sat 9am–5pm, closed Sun

BARTLEY + COMPANY ART 56A Ghuznee Street, Te Aro Ph: 04 802 4622 alison@bartleyandcompanyart.co.nz www.bartleyandcompanyart.co.nz Hours: Wed–Fri 11am–5.30pm, Sat 11am–4pm. PETER TREVELYAN, until 22 Jul, SAM MITCHELL & GAVIN HURLEY 26 Jul–19 Aug, BRETT GRAHAM 23 Aug–16 Sep. BOWEN GALLERIES 41 Ghuznee Street Ph: 04 381 0351 penney@bowengalleries.co.nz www.bowengalleries.co.nz Hours: Mon–Fri 10am–5.30pm, Sat 10am– 3pm. ANS WESTRA, Flowers on my Mind until 22 Jul, DIANE PRINCE 24 Jul–12 Aug, BRENDAN O'BRIEN 14 Aug–2 Sep. EXHIBITIONS GALLERY OF FINE ART 20 Brandon Street Ph: 04 499 6356, Mob: 021 062 2072 ron@exhibitionsgallery.co.nz www.exhibitionsgallery.co.nz Hours: Mon–Sat 10.30am–4.30pm.

75 75 Region Wellington HAMISH MCKAY First Floor, 39 Ghuznee Street Ph: 04 384 7140 info@hamishmckay.co.nz www.hamishmckay.co.nz Hours: Fri–Sat 11am–5pm or by appointment.

Bluebird 1, Jane Hyder.

JANE HYDER STUDIO GALLERY Studio 21, Toi Poneke Art Centre, 61 Abel Smith Street Ph: 027 920 0337 hyder@clear.net.nz www.janehyder.com Hours: Open by appointment for art. Resident artist and art tutor JANE HYDER. KIWI ART HOUSE GALLERY 288 Cuba St, Te Aro Ph: 04 385 3083 www.kiwiarthouse.co.nz Hours: Tues–Sun 10.30am–5.30pm

KURA 19 Allen Street Ph: 04 802 4934 kuragallery.co.nz Hours: Open 7 days. MILLWOOD GALLERY 291b Tinakori Road, Thorndon Ph: 04 473 5178 millwoodgallery@xtra.co.nz www.millwoodgallery.co.nz Hours: Mon–Fri 9am–5.30pm, Sat 10am–4pm An extensive selection of original prints and paintings by over 30 contemporary NZ artists including a wide range of Wellington images. NEW ZEALAND PORTRAIT GALLERY Shed 11, Queen's Wharf, Wellington Waterfront Ph: 04 472 2298 admin@nzportraitgallery.org.nz www.nzportraitgallery.org.nz Hours: Open daily 10.30am–4.30pm. Admission Free. Exhibitions on now. ODLIN ART GALLERY Hutt Art Centre, 9–11 Myrtle St, Lower Hutt huttartsociety@xtra.co.nz www.huttart.co.nz Hours: Open daily 10am–4pm

ORA GALLERY & CAFE 23 Allen Street, Te Aro, Wellington Ph: 04 384 4157 marissa@oragallery.co.nz Facebook - ORA Gallery and Cafe NZ Art, Design & Gifts PAGE BLACKIE GALLERY 42 Victoria St Ph: 04 471 2636 info@pageblackiegallery.co.nz www.pageblackiegallery.co.nz Hours: Mon–Fri 10am–5.30pm, Sat 10am–4pm. PETER MCLEAVEY GALLERY Level 1, 147 Cuba Street, Wellington, Te Aro Ph: 04 384 7356 olivia@petermcleaveygallery.com www.petermcleaveygallery.com Hours: Wed–Fri 11am–5pm, Sat 11am– 4pm, or by appointment. VERONIKA DJOULAI, Killing Time until 29 July, BILL HAMMOND Recent Painting 2–26 Aug. PETONE SETTLERS MUSEUM The Esplanade, Petone Ph: 04 568 8373 settlers@huttcity.govt.nz www.petonesettlers.org.nz Hours: Wed–Sun 10am–4pm Free entry.

76 Wellington Region PHOTOSPACE GALLERY 1st floor, 37 Courtenay Place Ph: 04 382 9502 www.photospacegallery.nz Hours: Mon–Fri 10am–4pm, Sat 11am–4pm.

Swatch Cuff, Kath Inglis.

QUOIL NEW ZEALAND CONTEMPORARY JEWELLERY GALLERY 149 Willis Street, Wellington Ph: 04 384 1499 gallery@quoil.co.nz www.quoil.co.nz Hours: Mon–Fri 10am–5.30pm, Sat and Sun 10am–4pm QUOIL now represents jewellery artists from around the world. Browse the current show or peruse the drawers for a treasuretrove of wearable pieces.

ROAR! GALLERY Cnr. Vivian and Victoria Streets, 189 Vivian Street Ph: 04 385 7602 roar.gallery@gmail.com www.roargallery.org.nz Hours: Wed–Fri 11am–6pm: Sat 11am–2pm. Closed Sunday ROAR! gallery is a professional gallery and exhibition space that supports artists with limited access to traditional dealer galleries. SOLANDER GALLERY 218c Willis St Ph: 04 920 0913 info@solandergallery.co.nz www.solandergallery.co.nz Hours: Tue–Fri 10am–5pm, Sat 10am–4pm. Until 5 Aug Inside Worlds, DANIELLE CREENAUNE, MARCI TACKETT & JACQUELINE SUITE GALLERY 241–243 Cuba Street, Wellington Ph: 04 976 7663 info@suite.co.nz www.suite.co.nz Hours: Tue–Fri 11am–6pm, Sat 11am– 4pm. ROGER BOYCE, School of Harm 10–29 Jul, GRACE CROTHALL Suckascientificsupersonicsparklesausagesputnik 2–19 Aug, WAYNE YOULE 29 Aug–16 Sep.

TURNBULL GALLERY Level 1, National Library of New Zealand, Molesworth Street, Wellington www.natlib.govt.nz Hours: Mon–Sat 10am–5pm See www.natlib.govt.nz for more information including related events.The Turnbull Gallery showcases the collections of the Alexander Turnbull Library.

TOI PŌNEKE ARTS CENTRE 61 Abel Smith Street Ph: 04 385 1929 artscentre@wcc.govt.nz Hours: 10am–8pm Mon–Fri, 10am–4pm Sat–Sun facebook.com/toiponeke VESSEL 87 Victoria Street, Wellington Ph: 04 499 2321 www.vessel.co.nz Hours: Open 7 days Look - Love - Shop

77 77 Picton–Nelson Region VINCENTS GALLERY Vincents Art Workshop, 5/148 Willis St Ph: 04 499 1030 vincentsartworkshop@xtra.co.nz vincents.co.nz Hours: Mon 11–4, Tue 1.30–6.30, Wed 11–5, Thurs(Women's day) 11–4, Fri 10–4. Solo and group shows featuring emerging artists at affordable prices. WELLINGTON MUSEUM Queens Wharf, Wellington Waterfront Ph: 04 472 8904 museumswellington@wmt.org.nz www.museumwellington.org.nz Hours: Open daily 10am–5pm except Christmas Day

Picton THE DIVERSION GALLERY 10 London Quay, Picton Waterfront Mob: 027 4408 121 bspeedy@thediversion.co.nz www.thediversion.co.nz Hours: Wed–Sat 12pm–5pm or by appointment.

Blenheim MILLENNIUM PUBLIC ART GALLERY Seymour Square Ph: 03 579 2001 marlpublicart@xtra.co.nz www.marlboroughart.org.nz Hours: 10.30am–4.30pm weekdays, 1pm– 4pm weekends.

Nelson CRAIG POTTON GALLERY + STORE 255 Hardy Street Ph: 03 548 9554 gallery@craigpottongallery.co.nz www.craigpottongallery.co.nz Hours: Mon–Fri 10am–5pm, Sat 10am–2pm. NELSON PROVINCIAL MUSEUM cnr Trafalgar and Hardy Street, Nelson Ph: 03 548 9588 www.nelsonmuseum.co.nz Hours: 10am–5pm weekdays 10–4.30pm weekends and public holidays closed Good Friday and Christmas day. Free entry for local residents, $5 for visitors Stories from Te Tau Ihu, the top of the South Island from Tasman Bay to Golden Bay. Our treasure-filled exhibitions explore the region's history, cultures and natural environment, plus short-term touring exhibitions and children's programmes.

RED ART GALLERY 1 Bridge Street Ph: 03 548 2170 red@redartgallery.com www.redartgallery.com Art Gallery - Store - Cafe THE SUTER ART GALLERY TE ARATOI O WHAKATĀ 208 Bridge Street, Nelson Ph: 03 548 4699 www.thesuter.org.nz Hours: Open daily 9.30am–4.30pm. Art Gallery – Café – Store – Theatre. WORLD OF WEARABLEART & CLASSIC CARS MUSEUM Cadillac Way off Quarantine Road, Annesbrook, Nelson Ph: 03 547 4573 info@wowcars.co.nz www.wowcars.co.nz Hours: Open every day, 10am–5pm (except 25th December). We recommend 60–90 min to view all galleries. World of WearableArt & Classic Cars Museum. Be amazed by the incredible garments that feature in the Wearable Art Gallery, marvel at the extraordinary garments by artists from New Zealand and around the globe. View our world class Classic Car Galleries displaying some of the most sought after models in classic motoring, beautifully set under theatrical lighting. Our Museum is like no other. Museum includes a Cafe and Gallery shop.

78 Christchurch Region Christchurch BRYCE GALLERY Cnr Riccarton Road & Paeroa Street Ph: 03 348 0064 art2die4@brycegallery.co.nz brycegallery.co.nz Hours: Mon–Fri 10am–5pm, Sat 10am– 4pm, Sun 11am–4pm.

Late 19th century vase, Unknown

CANTERBURY MUSEUM Rolleston Avenue Ph: 03 366 5000, Fax: 03 366 5622 info@canterburymuseum.com www.canterburymuseum.com Hours: Open every day Oct–Mar 9.00am–5.30pm Natural and human history are joined by fine and decorative art. Rare Maori artefacts, Antarctic Gallery, Heritage Street, Asian Art. Frequent temporary art exhibitions.

FA'AAFA, Pati Solomona Tyrell.

CENTRE OF CONTEMPORARY ART TOI MOROKI (COCA) 66 Gloucester Street, Central City www.coca.org.nz Hours: Tue–Sun 10am - 5pm, free admission. Located in the heart of Christchurch city, CoCA creates exhibitions that spark conversations about contemporary life and culture. Our winter exhibition Making Space is a celebration of collaborative creative practice in Aotearoa, involving six artist collectives; FAFSWAG, FIKA Writers, Fresh and Fruity, Mata Aho Collective, The SaVAge K'lub and The Social. Runs until 20 Aug.

Rainforest series, Fatu Feu’u.

CHAMBERS241 241 Moorhouse Avenue, Christchurch CBD Ph: 022 677 2810 gallery@chambersart.co.nz chambersart.co.nz Hours: Tues–Fri 11am–5.30pm and Sat 11am–4pm. FORM GALLERY 468 Colombo Street, Sydenham Ph: 03 377 1211 info@form.co.nz www.form.co.nz Hours: Tue–Sat 10am–5pm, Sun 10am–3pm See us on Facebook. Object art retail & exhibition space.

79 79 Region–Canterbury Christchurch Canterbury

ILAM CAMPUS GALLERY Block 2, School of Fine Arts, Arts Rd, University of Canterbury Ph: 03 364 2159 sarahe.brown@canterbury.ac.nz www.arts.canterbury.ac.nz/fina/exhibitions.shtml Hours: 9am–4pm Mon–Fri. JONATHAN SMART GALLERY 52 Buchan St, Sydenham, Christchurch Ph: 03 365 7070 www.jonathansmartgallery.com Hours: Wed–Fri 11am–5pm Sat 11am– 3pm ANNE NOBLE, July, JOHN PULE August, SASKIA LEEK & RICHARD REDDAWAY Sept.

ARTS IN OXFORD 72 Main Street, Oxford Ph: 03 312 1639 artsinoxfordgallery@xtra.co.nz www.artsinoxford.com Hours: Tues–Sun 10am–4pm Find us on Facebook or visit our website for current exhibitions and workshops. Disordered Cube Necklace, Frances Stachl.

THE NATIONAL 241 Moorhouse Ave, Christchurch Ph: 03 366 3893 info@thenational.co.nz www.thenational.co.nz Hours: Tues–Fri 10.30am–5.30pm, Sat 10.30am–4pm. Contemporary jewellery and objects. THE PHYSICS ROOM Level 3, 209 Tuam Street www.physicsroom.org.nz Hours: Tue–Fri 10am–5pm, Sat & Sun 11am–4pm.

Untitled, Rodger Boyce.

PG GALLERY192 192 Bealey Ave, Christchurch 8013 Ph: 03 366 8487 info@pggallery192.co.nz www.pggallery192.co.nz Hours: Tues–Fri 10.30am–5pm Sat 10.30am–2pm.

Amber Stream, Anya Sinclair.

ASHBURTON ART GALLERY Level 1, 327 West Street, Ashburton Ph: 03 308 1133 info@ashburtonartgallery.org.nz www.ashburtonartgallery.org.nz Hours: Open daily 10am–4pm, Wednesday 10am–7pm. Find us on Facebook or visit our website for current exhibitions and events.

80 Geraldine –Oamaru Region Geraldine

Timaru AIGANTIGHE ART GALLERY 49 Wai-iti Road Ph: 03 688 4424 gallery@timdc.govt.nz www.timaru.govt.nz/art-gallery Hours: Tue–Fri 10am–4pm, weekends & public holidays 12–4pm.

Scrogs Hill, Chris Dunham .

MCATAMNEY GALLERY AND DESIGN STORE Upstairs Old Post Office Building, 47 Talbot St Ph: 027 305 3000, Mob: A/H 027 305 3000 carolyn@mcatamneygallery.co.nz www.mcatamneygallery.co.nz Hours: Sat–Wed 11am–3pm, Thur, Fri and all other times by arrangement. Modern and Contemporary Art. BERNADETTE PARSONS, , SUSANNA IZARD, RICHARD BOLTON, A.A. DEANS. SUSAN BADCOCK STUDIO Back of Old Post Office, 47 Talbot St Mob: 021 175 2853 susanbadcockstudio@gmail.com Hours: Open Tue–Sat 10–2pm or by appointment. Find us on Facebook.

SAFFRON GALLERY OF ART LTD 325 Pages Road Mob: 021 034 4859 www.saffrongallery.co.nz Hours: Mon–Fri 10am–4pm or by appointment.

11am–3pm or 24/7 at yorkstreetgallery. com and debbietempletonpage.com Sculptor DEBBIE TEMPLETON-PAGE Studio at back of the gallery. Contemporary traditional art works by renowned artists are featured throughout the year. Artists including - MARILYNN WEBB, LLEW SUMMERS, A.A. DEANS.

Oamaru

Ko Taku, Grant Whibley.

Eyes On The Face of Time, Debbie Templeton-Page.

YORK STREET GALLERY OF FINE ART 21 York Street Ph: 03 684 4795 www.yorkstreetgallery.com Hours: Open Thurs, Fri and Saturday

THE FORRESTER GALLERY 9 Thames Street, Oamaru, 9400 www.culturewaitaki.org.nz Hours: Open daily. Free entry, donations welcome. GRANT WHIBLEY, new works 29 Jul–10 Sep.

81 81 Dunedin Region Dunedin BLUE OYSTER ART PROJECT SPACE 16 Dowling St, Dunedin Ph: 03 479 0197 admin@blueoyster.org.nz www.blueoyster.org.nz Hours: Tue–Fri 11am–5pm, Sat 11am–3pm. BRETT MCDOWELL GALLERY 5 Dowling Street, Dunedin Ph: 03 477 5260 brett@brettmcdowellgallery.com www.brettmcdowellgallery.com Hours: Mon–Fri 11am–5.30pm, Sat 11am–1pm JOE L'ESTRANGE Weeds and State Houses until 27 Jul, SHIN HANGA early 20th century Japanese woodblock prints 28 Jul–24 Aug.

DUNEDIN PUBLIC ART GALLERY 30 The Octagon Ph: 03 474 3240 dpagmail@dcc.govt.nz www.dunedin.art.museum Hours: Open daily 10am–5pm SHANNON NOVAK, The Expanded Gallery ongoing, ANDREW BARBER Folly (stone carpet) ongoing, CAMPBELL PATTERSON call sick until 1 Oct, Somewhere Up Country: Landscapes from the Collection until 23 Oct, By Purchase, Gift or Bequest: Works from the Collection 22 Jul–23 Oct, MARIE SHANNON Rooms found only in the home 22 Jul–23 Oct, FRANCIS UPRITCHARD Jealous Saboteurs 12 Aug–26 Nov. GALLERY DE NOVO 101 Stuart Street, Dunedin Ph: 03 474 9200, Mob: 021 030 5199 art@gallerydenovo.co.nz www.gallerydenovo.co.nz Hours: Open Mon–Fri 9.30am–5.30pm, Sat & Sun 10am–3pm.

combobulator, Miranda Parkes.

HOCKEN GALLERY Hocken Collection, Te Uare Taoke o Hākena, University of Otago, 90 Anzac Avenue, Dunedin Ph: 03 479 8871 hocken@otago.ac.nz www.otago.ac.nz/library/hocken/exhibitions Hours: Mon–Sat 10am–5pm MIRANDA PARKES, the merrier 22 Jul–28 Oct. INGE DOESBURG GALLERY 6 Castle St Ph: 03 4667 627 ingedoesburg@gmail.com www.ingedoesburg.com Hours: Thu–Sat 12pm–2pm & by arrangement.

82 Cromwell–Invercargill Region Cromwell

MINT GALLERY 32 Moray Place Ph: 03 477 1763, Mob: 021 0255 9998 murray@mintart.co.nz www.mintart.co.nz Hours: Tue–Fri 10am–5pm, Sat 10am–4pm MORAY GALLERY 55 Princes Street Ph: 03 477 8060 info@moraygallery.co.nz www.moraygallery.co.nz Hours: Mon–Fri 10am–4.30pm Sat 11am–2pm. OTAGO ART SOCIETY First Floor, Dunedin Railway Station, 22 Anzac Ave, Dunedin Ph: 03 477 9465 otagoartsociety@xtra.co.nz www.otagoartsociety.co.nz The oldest art society in New Zealand holding 6 major exhibitions a year. Paintings, ceramics, jewellery, photography, wood ware, and other locally made gift ideas.

OTAGO MUSEUM Nature | Culture | Science, 419 Great King Street, Dunedin Ph: 03 474 7474 otago.museum@otagomuseum.nz www.otagomuseum.nz Hours: Open every day 10am–5pm (except Christmas day) Latest exhibitions: Life before Dinosaurs: Permian Monsters 26 Aug 2017–25 Feb 2018. Paid admission.

OCTA GALLERY AND WORKSHOP 71 Melmore Terrace, Cromwell 9310 Ph: 03 445 1594, Mob: 027 231 7502 octa@artlover.com Hours: 10am–4pm daily Chris and Gail de Jong's long time passion with the Arts is evident at OCTA, where they represent selected well known New Zealand contemporary Artists. The gallery also stocks an eclectic mix of limited edition prints by renowned 20th Century European artists. We also sell on behalf so 'expect the unexpected.'

83 Cromwell–Southland

108 Gala St, Invercargill Ph: 03 219 9069 office@southlandmuseum.co.nz www.southlandmuseum.com Hours: Mon–Fri 9am–5pm, Sat–Sun 10am–5pm. Worlds largest indoor display of live Tuatara. Regularly changing art exhibitions and ongoing historical exhibitions of Southland's past. A Loose Tongue, Nicola Jackson.

EASTERN SOUTHLAND GALLERY 14 Hokonui Drive , Gore Ph: 03 208 9907 jgeddes@goredc.govt.nz www.esgallery.co.nz Hours: Mon–Fri 10am–4.30pm, Weekends and Public Holidays 1pm–4pm. Permanent exhibitions feature the JOHN MONEY WING and RALPH HOTERE Gallery. NICOLA JACKSON The Bloggs 29 Jul–10 Sep, Portraits from the Collection 5 Aug–10 Sep.

Invercargill CITY GALLERY INVERCARGILL 28 Don Street, Invercargill Ph: 214 1319 www.citygallery@ihug.co.nz Hours: Tue–Fri 11am–4pm, Sat 11am–2pm Facebook: City Gallery Invercargill.

ArtZone List with Artzone

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48 mm

GALLERY NAME Physical Address: Phone Number: Email Address: Website Address: Mon–Fri 10am–4.30pm Description: This could include what activities and services you offer and a list of the artists and shows that will be held at your gallery for the next 10 weeks. NB Exhibitions are italicised and artist Names are Capitalised. For more information contact craig@artzone.co.nz

31 mm

SOUTHLAND MUSEUM & ART GALLERY NIHO O TE TANIWHA

48 mm

Southland

84 Region Artist List ASLETT RICHARD

Yellow Church Mangaweka

LAURA MAXIMO

Pataka

Porirua

SHANNON MARIE

Dunedin PAG

Dunedin

LEE KERRY

Pataka

Porirua

SMITH RAEWYN

Kaan Zamaan

Northland

Te Tuhi

Auckland

SUMMERS LLEW

York Steet

Jonathan Smart Christchurch

TAEPA KEREAMA

Tauranga AG

Bay of P

Pataka

Porirua

AUGUSTIN PETER

Augustin Studio

BARBER ANDREW

Dunedin PAG

Dunedin

Two Rooms

Auckland

LEEK SASKIA

McAtamney G

Geraldine

LYE LEN

Govett Brewster

TAEPA KEREAMA

Suite

Wellington

MACKENZIE EDWARD Kaan Zamaan

BENNETT GREGORY BOLTON RICHARD BOYCE ROGER COUPER DAN COUPER TODD CROTHALL GRACE DEANS A.A DEANS A.A

Kapiti

Sarjeant Gallery Whanganui Tauranga AG

MACLEOD EUAN

Tim Melville

Auckland

THORNLEY ROBERTA Sarjeant Gallery

Auckland

THORNLEY ROBERTA

Tim Melville

Auckland

McAtamney G

Geraldine

MITCHELL SAM

Bartley + Co

Wellington

TREVELYAN PETER

Bartley + Co

Wellington

MONEY JOHN

Dunedin PAG

Dunedin

Timaru Wellington

Eastern Southland

Southland

UPRITCHARD F

Two Rooms

Auckland

WEBB MARILYNN

York Steet

Timaru

NAKAGAWA KAZU

Trish Clark

Auckland

WESTRA ANS

Bowen G

Wellington

Two Rooms

Auckland

NOBLE ANNE

GOSSAGE STAR

Tim Melville

Auckland

NOVAK SHANNON

GRAHAM BRETT

Bartley + Co

Wellington

O’NEILL MISH

HAMMOND BILL

Peter McLeavey

Wellington

O'BRIEN BRENDAN

HANGA SHIN

Brett McDowell

Dunedin

Eastern Southland Southland Sarjeant Gallery Whanganui

PARAONE JESS PARKES MIRANDA PARSONS B

HUGHES SARA

Tauranga AG

Bay of P

HURLEY GAVIN

Bartley + Co

Wellington

Te Uru

Auckland

PAYNE MATT

McAtamney G

Geraldine

PERKINS OLIVER

JOHNS HERA JONES TIMOTHY KANG JAE

Eastern Southland Southland Sarjeant Gallery Whanganui

PATERSON REUBEN PATTERSON C

PRINCE DIANE

Jonathan Smart Christchurch

YOULE WAYNE

Pataka

Pah Homestead

Auckland

YOULE WAYNE

Suite

Bowen G

Wellington

Sarjeant Gallery

Whanganui

Hocken Coll

Dunedin

McAtamney G

Geraldine

Te Uru

Auckland

Dunedin PAG

Dunedin

Parnell G

Auckland

Te Uru

Auckland

Bowen G

Wellington

PULE JOHN

Jonathan Smart Christchurch

RAKENA HANA

Sarjeant Gallery

Whanganui

Tauranga AG

Bay of P

RAYNER MARK

Rayner Bro

Whanganui

Rayner Bro

Whanganui

KEITH TRACY

Sarjeant Gallery Whanganui

RAYNER PAUL

KREISLER TOM

Govett Brewster

REDDAWAY RICHARD Jonathan Smart Christchurch

Pataka

L’ESTRANGE JOE

Brett McDowell

Porirua Dunedin

REED GRANT SCYTHE AARON

The Forrester

Dunedin

Auckland

KUMAR NANDITA

WHIBLEY GRANT

Dunedin PAG

Parnell G

Taranaki

Whanganui

MORISON JULIA

FOOTE SELINA

JACKSON NICOLA

Timaru Auckland

FHE Gallery

Sarjeant Gallery Whanganui

IZARD SUSANNA

Two Rooms

MILLS MELANIE

DUKE DAVINA

HUTCHINSON LONNIE

THOMSON ELIZABETH

York Steet

MARAWILIN

Peter McLeavey

HOUKAMAU STEVEI

Whanganui

TEMPLETON PAGE D

Wellington

DJOULAI VERONIKA

HOTERE RALPH

Sarjeant Gallery

Taranaki Northland

Timaru

Suite York Steet

Bay of P

LEE YONA

Monterey Sarjeant Gallery

Auckland Whanganui

Oamaru Porirua Wellington

CHAMBER MUSIC NEW ZEALAND presents

24 AUGUST – 9 SEPTEMBER THU 24 AUGUST, 7.30pm Blyth Performing Arts Centre, Hawke’s Bay FRI 25 AUGUST, 5.30pm Theatre Royal, TSB Showplace, New Plymouth SUN 27 AUGUST, 5pm Globe Theatre, Palmerston North

“Every sound [Bella] draws is superb”

LUNCHTIME SERIES: 28 AUGUST – 1 SEPTEMBER Michael Fowler Centre, Wellington

– The Strad

BEETHOVEN FESTIVAL: 1 – 3 SEPTEMBER The Piano, Christchurch TUE 5 SEPTEMBER, 7.30pm Glenroy Auditorium, Dunedin WED 6 SEPTEMBER, 7.30pm Nelson School of Music BEETHOVEN FESTIVAL: 8 – 9 SEPTEMBER Auckland Town Hall

0800 CONCERT (266 2378) chambermusic.co.nz/michaelandbella Core Funder

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