NOTES FROM THE CREW: How We Grow Differently
Hello BCN Readers, thanks for picking up the rag! As we coast through fall (Boston Music Awards season), I can’t help but think about all the artists who I know who have been nominated (or even won) the Boston Music Awards but still struggle to continue the pursuit of their art due to Boston›s lack of infrastructure. Y’all already know, but there are precious few paid gigs, venues, and other resources artists need. Arts orgs especially are an often overlooked factor—the orgs that work directly with artists, creating gigs and frankly doing the best, community-oriented programming. Yes, artists need support, but it’s vital to support the orgs that support those artists and musicians. These most grassroots orgs & venues need the support the most and will do the most with it. That’s why I want to show some love to our PATREON supporters—those who know what direct support looks like and how to get money directly in the hands of Boston artists via i ts trusted community stewards. Y’all are the most. THANK YOU to our Patreon supporters in particular for making this publication possible, showing us that people want and appreciate our first home delivery program. In our first 9 months we have gathered 22 paid members—$178 per
month which is about 25% of our total dollars paid to artists per month. Our goal is to cover this $800/mo for these 10 artists first before we get back to paying the 11th artist a month. We have always done more than our healthy capacity allows but that›s all over now. We are doing it differently here as we conclude our 10th year as a 501(c)(3) and putting all that we’ve learned into play. It’s always been about sustainability—but without healing, that growth isn’t aligned with our mission and values. Compensation is care, and it takes a much greater capacity to take on such a great responsibility like paying artists. We are proud to move differently now, recognizing our capacity and prioritizing care over productivity with two primary objectives: paying artists with the newspaper and advocating for equity in the arts sector. Check out the 10 Year Anniversary ADVOCACY HOODIE on our website to celebrate our 10 years. Rep the growth and contribute directly to our advocacy effort—attending meetings with institutions, sector building, intergenerational building etc. Please consider joining us on Patreon so we can grow healthily and sustainably, together. $10/mo comes with home delivery of the BCN each month and goes directly towards the artists and writers contributing to each issue.
HOLIDAY MARKET FORECAST: Where to Buy Gifts Directly from Local Artists If you’ve successfully avoided the mindless consumerism of Black Friday (80% off a hand-embroidered cashmere toaster? Surely that’s ethical!) and are now on the lookout for ways to smother your loved ones with festive stuff, don’t miss out on these upcoming holiday markets! Buy your tinsel, trinkets, and treats from local artists this holiday season and be the Best Gifter in Greater Boston.
Maybe you’ve seen the sick poster of creepy Christmas creatures by the one and only @thankyou_sean floating around, but Brighton Bazaar’s Holiday Edition is on December 9 (11am - 6pm) at Roadrunner, the new music venue in—you guessed it— Brighton. You also have permission from the premises to sip a drunky drinky drink while you peruse artisan candlesticks and goat milk soaps…
For early birds and seasonal nerds, Boston Hassle is hosting their flea market on December 3 (12:30 - 6pm) at the Cambridge Community Center. Looks like it’s a $1 entry fee, so if you need me to spot you or something, just text me.
Picked up this paper late in the game and missed out on all the above? Don’t fret—Black Market Nubian is hosting their annual Shop the Block Holiday Market at their location in Roxbury every Saturday from November 26 to December 24 (1 - 5pm), featuring over 50 local Black artists.
Another super early one—oh my gosh, the same day, why not go to both—is the Somerville Flea’s Holiday Market at Arts at the Armory on December 3 (10am 4pm). You might ask, hmm, Bota, can we print these damn papers any sooner? NO. For those who shop at semi-regular times, Spontaneous Celebrations is having their Holiday Market at their Jamaica Plain location on December 8 + 15 (6 - 9pm), allowing you to get some mid-minute local shopping in while enjoying a warm drink.
If you end up going to any of these fabulous markets, The Boston Compass would love to hear about what you bought, who you bought it from, and who you gifted it to (even if it’s yourself, Narcissus <3)!! Tell us at https://forms. gle/FBBeqMtjbXkJJhSj6. —Akbota
Much love and respect —Sam P
THIS PAPER IS AN ONGOING PROJECT OF BRAIN ARTS ORGANIZATION, INC., A 501(C)(3) NONPROFIT. PLEASE CONSIDER DONATING TO, VOLUNTEERING OR OTHERWISE SUPPORTING US: BRAIN-ARTS.ORG
DESIGNERS:
Phoebe Delmonte: p.1,4,5 Hannah Blauner: p.2,3,7 Adrian Alvarez: p.6,8 THIS PROGRAM IS SUPPORTED IN PART BY A GRANT FROM THE BOSTON CULTURAL COUNCIL, A LOCAL AGENCY WHICH IS FUNDED BY THE MASSACHUSETTS CULTURAL COUNCIL, AS ADMINSTRATED BY THE MAYOR'S OFFICE OF ARTS + CULTURE
FRIENDS AT THE FAIR FOLK FAVORITES AND MORE AT PASTA PLANET
“Children versus wizards.” The obvious answer, given promptly and after little discussion by the members of Boston’s own Ohio State Fair (not to be confused with Ohio’s own Ohio State Fair) when asked what Youtube videos they would like to have playing in the background of their set. Other bands’ selections included carpet deepcleaning time lapses and early 20th century stop motion puppetry. Maybe it’s a sign of the times along with the Subway Surfers-inthe-sidebar side effects of visual inundation with constant stimulus, but the growing trend of projected visual accompaniment in relatively lofi settings, like the basement surroundings, is simultaneously an elevation of the slouchy attitude of DIY and a goofy counterweight to bring your attention to the seriousness of seriously good rock and roll music.
“It’s like an anti-Harry Potter Russian movie. Some of it is animated but then it’s also live action, for some reason?”
The night kicks off with crowds moving close to the front, away from the cold entryway where housemates warm their hands over scented candles and steaming ceiling pipes. Part of the close quarters of the crowd, seated on the floor as well as nearby flat surfaces, is the welcoming warmth of the incomparable folk stylings of Sweet Petunia. The acoustic intimacy of the group and, later, Roman Barten-Sherman’s deep blues bring the energy right to the front as Ohio State Fair gets set to play.
Closing out the night, The Croaks carry us out with a combination of the night’s folk undertones with the noise the crowd craves to stave off the brisk wind for a few hours longer. Following up on the release of “Croakus Pokus” this July, the performance by the Croaks runs the gamut from the mesmerizingly nostalgic to screaming, sweaty joy and rage. A strong lineup from start to finish, local favorites and newcomers alike find their place in this lineup of Boston music to watch.
The bizarre plot compliments the four-piece nicely, playing off of the gritty dreaminess of an omnichord hit with blasting guitars. It’s the band’s third official gig, and many members jump back and forth between other local projects like Rusty Mullet and Joyer, but the sonic clarity of a fully realized outfit gives the room a warm, melodic fullness. Following a mellow and banjoheavy pair of sets from Sweet Petunia and Roman Barten-Sherman, the noise factor from Ohio State Fair cranked the energy up to 11. Songs bounced between the heavy drone of a slew of pedals and more upbeat moments, carried through by the lightness of the vocals.
------------------------------- GEORGIA MOORE
MASSACHUSETTS MINUTE Connis Endures the Cyclical Nature of Love on “Twice a Day”
As we begin to enter the winter months, we start experiencing a shift in aura that’s become routine during this time of year in Massachusetts. Days get shorter, nights get longer, and a somber feeling fills the air. Naturally, music serves as one of the best companions for the dark, cold nights that lay before us. One artist who specializes in an introspective, moving style of creativity that we all could use right about now is Cambridge native, Connis. Making quite the name for himself over the years with his intrinsically beautiful songwriting, his heartfelt and touching harmonies, and his innate ability to relay deepened emotion, Connis is a beloved member of Massachusetts’ music scene. Last month, he took it upon himself to guide his listeners towards the end of the year with a new EP titled “twice a day.” Furnished with three songs that sit just shy of eight minutes in total length, “twice a day” is a short but sweet snapshot of where Connis’ mind has been—both creatively and personally. Seldom reluctant to inject his personal circumstances into the music he creates, “twice a day” becomes only the latest body of work to replicate his life experiences with fine precision. Centered around love, reliance, loyalty, emotional turbulence, and human connection, this EP is somehow jam-packed with emotion though its runtime begs to differ. Across each individual moment of this project, listeners are greeted with ambient melodies and soft-spoken verses. Teetering the line between lo-fi, Ambient, Electronic, HipHop, R&B, and Alternative music, Connis bundles a multitude of his sonic interests together to create a special blend of music that’s uniquely his own. Each song reads like a journal entry, with listeners ultimately being able to get to know who Connis truly is on a deep level upon its completion.
“carry” is the first song to compose the tracklist of this EP, and kicks off with solemn, nostalgic instrumentation followed by softspoken vocals. Carefully luring the listener inward, Connis takes on an hypnotic role here as relays lines about carrying his love interest when they need him most. Accompanied by a wondrous instrumental that was crafted by both Connis and ALFii, this single isn’t one that fans will be letting go of anytime soon. Following up on “carry” is “hope you find it” which features both vocals and production from Ultramarine Hour. Similar to “carry,” this single also finds itself rooted in a perpetual state of supporting someone you love. Despite there being inconsistencies and doubts that can cloud the relationship at times, Connis wants them to know that he’ll always be there—regardless of whether they will be or not. His luscious melodies ultimately culminate with some powerful vocals from Ultramarine Hour towards the latter half of the song. Capping everything off is an emotionally-drenched single titled “rest stop,” which features production from Connis and theworldbirdie. Centered around love loss and unyielding desire, “rest stop” is a vulnerable song that tugs at the heart. A beautiful wrap-up to a beautiful collection of music, “rest stop” places the cherry on top of what ultimately becomes an incredible body of work. Though short in stature, “twice a day” is anything but in terms of meaning. For Connis, music has, and always will be, the avenue by which his emotions run freely, and that’s especially the case here. His particular affinity for expressing himself within his discography is particularly responsible for the impact of his catalog thus far, and will certainly continue to be a catalyst for success moving forward. If you’re in search of company on a cold, lonely night, then look no further than this EP.
------------------------------------------------ SHAMUS HILL
ON PERFORMING ART AND PAYING HOMAGE TO NINA SIMONE In this interview by Jessica Hernandez, Founder of VLA DANCE Victoria L. Awkward offers insights about the company’s most recent production For Nina. Article photos by Olivia Moon Photography. You can see For Nina on November 30th, 2023 at Hibernian Hall (8pm) and December 16th, 2023 at the Multicultural Arts Center (8pm). You describe For Nina as a “thank you letter.” Can you tell us more about how you came up with the concept for this work? Why was it important for you to pay homage to Nina Simone—a prolific artist, musician, and activist? This show pays homage to Nina Simone not as a singular celebrity idol, but rather as a Black woman who came up against binary limitations in the public perception of her work. In response, we’ve utilized collective structure and emphasized displaying many emotions at once in order to reclaim that which Nina Simone was denied— communal care, mutual support, humanity, accountability, and self-love. In the creation of For Nina, I’ve noticed parallels and affinities between myself and Nina Simone. While Nina Simone’s reality was far more famous than my current one, I noticed a connection between how our outward appearances of being “high functioning” diminishes and even renders our internal and external struggles—i.e. dealing with the effects of racism, mental health issues, and emotional regulation— invisible. I see Nina Simone as someone who, yes, had severe emotional challenges, but also as a person who was aware of and spoke out against the harmful systems we have in play. She got caught in between the worlds of fighting for change while sadly denying her own physical and emotional care. This show is a reciprocal gift to Nina Simone and to us, the performers, because it is a space where we can explore our vulnerability alongside our power—perhaps a space for us to explore vulnerability as power. It is also an experience that holds space for our humanity. We are brilliant and iridescent because we acknowledge that we are carrying multitudes. It is also an experience that holds space for our humanity. We reflect upon our individual journeys as a conduit to tell a larger collective story. I know I am worthy and talented because I am alongside my worthy and talented community members. We are those things because we support each other to be our best selves. And we know our best selves live a non binary, unlimited existence. In the description of the piece, you write: “We exhale to remember, we perform to call in. Performing art uniquely positions a person to look for and embody freedom.” Can you say more about this? What are your thoughts on performing art as a practice of – or a desire for – freedom? Performance art asks participants to be fully aware of their bodies because they must engage with their physicality while navigating shared spaces and being aware of their surroundings. This provides a lived experience of embodying self as well as communal and environmental awareness. In this manner, performing arts do not just provide a space for people to explore different versions of themselves, but also to imagine a world on stage that could be better or more caring than the worlds we inhabit now. If we can cultivate this type of care and understanding in a performative sense, we can also build these worlds within our lives. Knowing that everyone has the power to affect their respective lives and the lives around them is Freedom. This is stepping into your power. As Nina Simone said, “the job of an artist is to reflect the times.” Ultimately this notion plays out within the performance of For Nina and is also reflected in the VLA DANCE mission: cultivating communal care as a conduit for Freedom.
For Nina features set designs by Mikayla Williams, lighting by long-time VLA collaborator Elmer Martinez, vocals by Desiré Graham, piano by Hua Ye (Jane), and guest youth dancers including artists from Jo-Mé Dance Arts Company II. Alongside the designs and performers you’ll see on stage, equally as important are those who helped support our show off stage. This year VLA DANCE has focused on spreading leadership to all of our core company members to: de-isolate leadership, increase personal agency of all artists involved, and create clear boundaries for the various hats artists often don. This show gave an opportunity to practice our new operational structure. Company member Aliza Franz was rehearsal director, where they supported with choreographic generation, performative throughlines, and feedback on storyline. Sasha Peterson worked as dramaturg and utilized research on Nina Simone and her understanding of VLA contemporary technique to ensure the performers stayed within our intended storyline and delivered an impactful performance. Our tech support, Theophile Victoria, helped with communication, construction and transportation pertaining to the sets. Desiré Graham is a performer, director, dramaturg and arts administrator from Harlem, New York. She sings to connect to a past that is not just hers, but a history of many. She writes to reconcile the shade and the sun. She collaborates in a constant search for those who also feel the tug to be elsewhere. Desiré has worked with Double Edge Theatre, Speakeasy Stage Company, Yo Soy Lola, and Teatro Chelsea as an artistic collaborator. Most recently, she was based in Tuscany, Italy as a company member at the Workcenter of Jerzy Grotowski and Thomas Richards (a.k.a. Theatre No Theatre) for 3 years. Currently based in between New Haven, Boston, and NYC, Desiré commits to the cultivation of artistic spaces that foster transparency, active listening and anti-oppressive practices as a requirement. Desiré’s experience with comedia and the Grotowski method inform her understanding of movement as important within her singing practice. This made it easy to thread a throughline between my dancing and her singing within For Nina. Further, Desiré has developed a way of performing that prompts in me a sense of afro futurism as it calls back to traditional vocalization practices while also infusing contemporary ideas. Desiré is the ideal candidate for For Nina because she is confidently invested in the way she performs and is not imitating Nina Simone, but rather similarly to Nina Simone, displaying both vulnerability and power.
AS LONG AS IM ALIVE Dvalor is an emerging Afro Caribbean producer from the heart of Providence and he’s preparing to make his mark on the music industry with his forthcoming album titled “As Long As I’m Alive.” This project is a promising testament to genuine expression, collaborative artistry efforts, and a secret homage to finding love after a lifetime full of grief. The album introduces its lead single “Fallen Angels,” featuring Jurdan Bryant, Xiolynn, and RIVA. The song itself tells a story about how life is full of metaphors and how as humans we all go through real trouble in real times—that’s why it’s important to keep your head up above water when the fight becomes too much. The track also evokes emotions of grief, inspiration, and introspection often experienced by “dreamers who find solace in starry skies and bustling cities.”
“As Long As I’m Alive” is in between EP and LP with a very cinematic approach mixing in industry talent and new talent all produced by Dvalor himself. The entire album is a secret homage to finding love after a lifetime full of grief, with the leading single itself being a great healing sequence for him which is why it’s so deep with its Jane is a pianist born and raised in Urumqi, lyricism and tone. It’s very useful for those China. After earning a bachelor’s degree in journalism at Hong Kong Baptist University, she moved to the U.S. to pursue her dream of classical music. Studying on full scholarship, Jane earned two M.M. degrees in Piano Performance and Collaborative Piano at Kansas State University and UMass Amherst respectively. Wonderfully framing For Nina, Jane’s classical understanding of the piano enables her to adjust for Desiré’s vocal needs and my dancing in real time. What can we look forward to from the dance company and how can we support your work? We hope this is the first installment of For Nina and that it will return in 2024 and beyond. Our ultimate goals are to increase the live musicians, the length of the show, and to tour For Nina beyond Boston. Additionally, VLA DANCE is returning to an old show entitled IN THE SPACE BETWEEN that celebrates stories of Freedom through a BIPOC and Queer lens. This project is in collaboration with The Theater Offensive. We also offer weekly classes and other engagement opportunities. People can engage with us at vladance.com or on instagram @dancevla.
Can you tell us more about your This interview has been edited for collaborators and those involved in the length and clarity. Read the rest at production process? bostoncompassnewspaper.com/blog
---------------- JESSICA HERNANDEZ
trying to move on after losing someone or something. Where Dvalor grew up in Providence other legends are known to hail from—such as AraabMuzik & Statik Selektah just to name a few. So when it comes down to his creative production, he has over 15 years of musical knowledge spanning from the rhythmic cadence of hip-hop being infused with the rich essence of his Afro-Caribbean heritage. To get an idea, Dvalor draws inspiration from profound legacies such as 9th Wonder, Timbaland, Hit-Boy, J.Dilla, Pharrell, Q-Tip, Nujabes, and many other revered figures. Dvalor is on a truly unwavering journey to etch his own unique narrative into hip-hop history. When it comes down to final touches, the producer always knows how to get the record together which is one of his favorite parts of production along with the ability to work with select talent. “As Long As I’m Alive” shows some of his best production skills and allows his artistry to shine through with the creation process taking him on a journey of collaboration through Boston artists and building a bridge between here and Providence.
-------------------------------------------- POETIC PATTIE
12/7 David Lynch’s nightmarish directorial debut, Eraserhead deserves to be seen on a screen @ Coolidge 7pm
more at bostoncompassnewspaper.com
music & audio The People's Jam - Blues on Sundays When Johnny D's Uptown closed, there was a big hole that needed to be filled. For decades, blues musicians jammed on that stage on Sundays. Some big names grew up on that stage and everyone supported everyone else. That is the spirit that the Porch fosters with this jam. Just come on in, add your name to the signup sheet. Each group of jammers plays 3 songs and no one repeats until all the players have had a turn. @ The Porch 12/1 Nonevent presents: Eliane Radigue - Music for percussion and trumpet A rare Boston Area concert of music of the celebrated French composer Éliane Radigue by two champions of her music: Enrico M (percussion) and Nate Wooley (trumpet). $12 for students. @ Cambridge Foundry 8pm - 10pm All Ages $18 @noneventseries
Naomi will play traditional songs, modern holiday songs, and original songs to celebrate the season. @ Watertown Free Library 2pm - 3pm All Ages FREE @naomiwestwater 12/5 Bars over Bars presents: Dying Star's Massive Midway Moshpit @ Midway Cafe 8pm - 11pm 21+ $10 @barsoverbarsmedia 12/6 Nonevent Presents: Simwhet Onham / Yoona Kim / Variant State Performances using obsolete consumer technology, ajaeng, amplified objects, field recordings, miscellaneous acoustic instruments and degraded recordings. In the Fort Point Lyric Room. No one turned away for lack of funds. @ Midway Studios 8pm - 10pm All Ages $15 @ noneventseries 12/7 Cakeswagg, Najee Janey, Dephrase @ Rockwood Music Hall 7pm 21+ $12 Adv / $15 Doors @cakeswagg
12/1 Retrograth (from Sweden), Ex-Hyena, Violet Nox, Harsh Foxing, CoZy, DebStep @ O'Briens Pub 21+ $15 @violetnoxband
12/8 Rasa String Quartet Performs Strum A Groupmuse show at 75 Dunster Road in JP! @ 6:30pm - 8pm All Ages $20
12/2 Day JaVu Saturdays Join Boston Lesbigay Urban Events every 1st Saturday of the month at Crave Allston for a night of dancing, drinking, and eating !!! 10pm - 2am. Celebrating a Birthday that month get in for FREE before 11:30pm @ Crave Allston 10pm $15
12/8 Heavy Holiday Party ft. Ring and Miracle Blood It's New Alliance's yearly Holiday Party with a new selection of art from local artists and live performances @ New Alliance Studio 7pm 11pm All Ages
12/2 Nonevent presents: Carl Stone and David Dogan Special 70th Birthday Concert for live computer music & sampling pioneer Carl Stone with Boston electronic musician David Dogan. $12 for students @ Cambridge Foundry 8pm 10pm All Ages $18 @ noneventseries 12/3 Bars over Bars Presents: BattleMode Headline Show With additional performances by Sam Sheehan, 20 Tabs Open, Kuromang, Tyler Hustle, Kryptic @ The Jungle 21+ FREE @barsoverbarsmedia 12/3 Winter Concert Series ft. Naomi Westwater Join Naomi Westwater and their folk band for a winter celebration of Yule.
12/16 Sun Music and the Record Co present Lezlie Harrison - Holiday Joy @ Scullers Jazz Club 7pm All Ages $40 12/17 Authenticity: An R&B Lovers Dream Every Third Sunday The Good Music Showcase Series presents a new R&B showcase curated by DJ Alcide and Devon Austrie, hosted by Karim. Free before 7pm with RSVP @ La Fabrica 21+ $10 @alcidemusicgroup @ goodmusicshowcaseseries 12/31 Freestyle Clinic @ The Middle East 7pm 21+ FREE
video & film 12/4 Ignorance is bliss and police are all a show in Hal Ashby’s brilliant and beloved satire, Being There @ Coolidge 7pm
12/8 A rare chance to catch France’s favorite comedy of the year, L'Innocent comes to the @ MFA Boston 7pm $15 includes museum admission 12/12 Boston's Open Screen Boston's one and only open mic night for filmmakers! Share your film the way it was intended, projected in a dark room with lively strangers. Whether you sold your home to finance your 35mm feature, or you made it last night in your parent's basement—if your movie (or part thereof) is under 10 minutes, we'll screen it. Signup begins at 7pm. @ Coolidge Corner Theater 7pm - 9pm All Ages FREE 12/14 Grrl Haus Cinema Presents: Local and International Shorts GRRL HAUS is excited to present their inaugural "Best of 2023" end-ofyear screenings, occurring in both Berlin, Germany, and Cambridge, MA. These live events will also be accessible for online viewing for the first time! shorts and video art by women, non-binary, trans, and genderqueer artists @ Brattle Theater 7pm All Ages @grrlhauscinema 12/16 Cult Classic King Harmony Korine’s Gummo is another strange but real tableaux of ‘90s America youth that's become his signature @ Coolidge After Midnite 11:59pm 12/19 Part of @ The Brattle’s Holiday adjacent series, ring in the holiday season with Kubrick's final masterpiece, Eyes Wide Shut @ The Brattle 12/19 Francois Truffaut began his legendary career as a director and started the French New Wave with his deeply personal debut, The 400 Blows. Required viewing for any cinefile @Coolidge 7pm 12/20 Jim Jarmusch charming Night on Earth takes the audience around the world in a cab with an insane ensemble telling 5 stories in 5 cities, happening at the same time @The Brattle 12/25 A kitsch Christmas Day double feature with ‘80s classics Gremlins and Lethal Weapon @The Brattle 12/26 Come play with us! from the safety of your seat with Kubrick's take on Stephen King’s The Shining @The Brattle
visual art
performance art
9/5 Vexoa: We Know (Nos sabemos) This show will give audiences an opportunity to witness the work of Indigenous educator and curator Naine Terena. @ Tufts University Art Galleries 11am FREE
Comedy Open Mic Tuesdays Free comedy showcase / open mic night every Tuesday! 4 min sets. Sign up list out by 9:30pm Stand up comedy 10pm to 12am. Presented by Peter Liu Comedy @ The Jungle 10pm 21+ FREE
9/18 Water Stories: River Goddesses, Ancestral Rites, and Climate Crisis Highlighting works by Indigenous communities in the Global South— which has historically been shaped by Western imperial powers and, in recent years, devastated by natural disasters—“Water Stories” aims to humanize the effects of climate change through visual storytelling. @ Harvard Radcliffe Institute 12pm All Ages FREE 12/1 Gallery Talk with JJ Gonson Artist talk about JJ's (Founder of Once Somerville!) experience shooting bands and her history with touring and photography. @ EventThem Gallery 6pm - 9pm All Ages FREE 12/2 Comics in Color proudly presents: Drink and Draw Get ready for an evening filled with artistic expression, delicious hors d'oeuvres and a glass of wine to enhance your creative spirits. @ Frugal Bookstore 6pm-8pm 21+ $40 12/8 Opening Reception: Jamaica Pond Art Gallery Reception Experience the enchanting world of Kal Anderson's art inspired by Jamaica Pond. Outside of the opening reception, the show is viewable 11/8 to 12/15 during city hall operating hours on weekdays from 8:30am to 5pm. @ Newton City Hall 6pm - 8pm All Ages FREE @kalrea
Goofs Underground Boston's Funniest Comedy Show - Every Thursday, Hidden in the Basement of the Cantab Lounge in Central Square @ Cantab Lounge 8pm FREE ImprovBoston Jam A weekly night of comedy hosted by leaders of ImprovBoston. All students, performers, and friends are welcome. Each week will focus on a different Improv skill or form. Come play every Thursday! @ ImprovBoston 6pm FREE 12/1-12/31 Catch the holiday burlesque spectacular, The Slutcracker for its sweet sixteen @The Somerville Theatre Tix at Somervilletheatre. com 18+ $35 Thru 12/3 Let's do the time warp again in Cambridge at the Rocky Horror Picture Show @ Central Square Theater. Tix at centralsquaretheater.org $25+ 12/6-12/21 Real Women Have Curves is the next movie turned musical being teed up for Broadway over at Harvard’s @American Repertory Theatre Tix at AmericanRepertoryTheater. org 12/29-1/21 Apollinaire Theatre Company brings Sarah Einspanier’s sweet and sour comedy, Lunch Bunch to the @Chelsea Theater Works Tix at ApollinaireTheatre.com $30/$15 students
community 12/1 Cambridge Arts' Holiday Art Market Find gifts by local creators for your loved ones: paintings, papercuts, photography, prints, books, cards, calendars, ceramics, jewelry, knitted goods, mosaics, scarves, sculptures, soaps, and women’s clothing. December 1-3 and December 8-10, from 11am - 6pm each day @ Harvard University's Smith Center Arcade All Ages FREE 12/2 High Energy Vintage and Existential Thread Co present Small Mart Vintage, Makers, and Artisans Market! 12/2 and 12/23, 11am - 4pm at Crystal Ballroom. 12/16, 12 - 5pm at Deep Cuts All Ages FREE 12/9 Worcester Punk Rock Flea Market The 2nd annual, two-day craft and flea winter market! Join for a fun day of vendors, bands, raffles, and more! @ Hotel Vernon (Worcester) 1pm 21+ FREE 12/9 Boston Area Robotics Fiasco Boston's first-ever Robotic Capture the Cube Tournament @ Artisans Asylum 11am - 5pm All Ages $10 12/9 2 Crafty Chicks and Blue Bumble Bee Creations present Holidaypalooza A HOLIDAY SHOP UNTIL YOU DROP EVENT! Over 50 vendors will be on hand. There will be something for everyone on your shopping list. Even yourself! @ IBEW Local 103 hall 11am - 5pm All Ages FREE
12/9 Brighton Bazaar: Holiday Edition Art, vinyl vintage and more! @ Roadrunner 11am - 6pm All Ages FREE 12/10 Holiday Art Fair Art, Photography, Crafts, Food Music. 438 Somerville Avenue, Union Sq @ The Loft Somerville 12pm- 6pm FREE 12/12 The Trustees of Reservations presents: Astronomer Guided New Moon Stargazing Observe the stars with a telescope at Gov. Hutchinson Field in Milton! Milton Academy astronomy teacher Jim Kernohan will guide our eyes to make out constellations and planets in the night sky. Binoculars and a telescope will be provided to get a closer look at what is just above us. As the nights grow longer, let your curiosity run wild as you look up at the stars. Registration required. Please dress warmly and look forward to warm tea when you arrive. At Governor Hutchinson's Field. @ Milton Academy 6pm - 7pm All Ages $10 12/31 LesbianNightLife NYE Celebration Welcome in the New Year with LesbianNightLife, LGBTQ+ Women, NonBinary & Trans friends. DJ, Dancing, Ball drop, confetti, midnight toast. @ Crystal Ballroom 9pm 21+ $40 @lesbiannightlife
opportunity Call for Gallery Exhibition Proposals Through their Exhibition Proposal Series (EPS), artists and curators of all experience levels have the opportunity to collaborate with Gallery 263 staff to organize and present polished, self-curated exhibitions in our 700-square-foot storefront gallery. Deadline to apply is 12/3 Club Passim Office Hours Office Hours is a new program that offers artists the chance to come into the club during the day to test out equipment with one of our sound engineers. More than just rehearsal space, we want to be your resource for testing new gear, playing around with new stage setups, or simply getting more comfortable on stage. The idea is to give you low-stress, playground time with good equipment and a friendly engineer. Any questions email abby @passim.org Elevated Thought presents: The Artist Evolution Bootcamp by Rixy A professional development program for artists to grow their conceptual paths + better their industrial endeavors. Mentored by Rixy, Resident Street Artist at Elevated Thought. Visit bit.ly/artist-evolution-24 for more details. Deadline to apply is 12/6 Grants with December Deadlines! There are so many great funding opportunities coming up. Visit Dunamis Boston Resource RoundUp to view them all! dunamisboston.org/ resource-roundup Call for Art: PickleballThemed Art Contest This is a call for art on the theme of Pickleball. Pickleballs take a beating and this is a moment where we give them their due. Be creative: portraits, landscape, still life, action shots, in 2D or 3D. Submit at tinyurl.com/ y6bsx7pj Deadline to apply is 12/14 Photographing People: From Home to the Street Taught in Robin Radin's Jamaica Plain Studio. Tuesdays from 11/28-1/23 7 - 9pm
George B. Henderson Foundation Mini-Grants This program will provide grants of up to $7,500 for immediate implementation of community and neighborhood-based public outdoor space and public art projects. Deadline to apply is 12/30 Cultural Facilities Fund Grants to support the acquisition, design, repair, rehabilitation, renovation, expansion, or construction of nonprofit cultural facilities. Nonprofit cultural organizations, municipalities, and colleges or universities that own or lease cultural facilities are eligible to apply. Grants range from $7K to $200K Deadline to apply is 12/14
Boston Media Arts Empowerment Award The Loop Lab has partnered with the Mayor's Office of Arts and Culture to deliver media services to local artists living and working in the city of Boston. This award will uplift emerging artists from underestimated backgrounds by providing $1K in free film and/or audio services needed for greater exposure within the Boston arts community. Deadline to apply is 12/8 Make and Mend Secondhand art & craft supplies based in Somerville. Shop online or in person at their shop in Union Square! www. makeandmendshop.com
SEASON 6
Righting Wrongs: A Pizza Angel Sequel by Roden Ovak
@rodenovak Little Crumb & The Dungeon by Hunter Savage
@hntrsvg Thoughts of A Bi Demigirl by Angela Krieg
@akriegstudio Kenny Combs by LJ Baptise
@xcapistlj The Adventures of Aaron & Beatrice by Gabriel Joy Reid
@gabrieljoyyy
STOCKING STUFF SUSTAINABLE GIFTING
as crafty or good at art! Try not to be too critical of your handmade gifts, as it’s easy to see imperfections in your own work. Handmade gifts don’t need to be perfect, and that’s part of their charm! If you’d prefer that your early efforts don’t go on view too often, ornaments are a small gift that only come out once a year. You can fill empty ornament balls, use Shrinky Dinks or other shrinkable plastic, or use oven-bake or air-dry clay. You can also transfer printed images to wood, which can be turned into ornaments or wall hangings with just some small holes and some twine.
Making gifts forces you to think more creatively about your resources and about the person you’re giving to, and results in more sustainable gift-giving. By giving a gift you made yourself or a unique item you found, you’re expressing that you put time and energy into finding or making something special, rather than something generic or mass-produced. Ultimately, gift-giving is an expression of care and thoughtfulness. This is true even if you’re not someone who thinks of themselves
For people who already have a lot of small treasures, boxes and containers are easy to decorate and are always nice to store things in. Wooden, paper, or cigar boxes can be painted or collaged to create a one-of-a-kind gifts that are also functional. Be sure to coat your painted pots or collaged boxes with a layer of Mod Podge or other varnish to ensure that it will stand the test of time. Of course, you don’t have to make everything. Supplement your handmade gifts with other unique items, whether they’re vintage or made by local artists, to make your present exchanges this holiday season more thoughtful and meaningful.
Where To Find Us Stony Brook Orange Line
Roxbury Dudley Cafe
Dorchester
Fields Corner, inside DAP
Boston
Old State House
Allston Twin Donuts
ALSO! City Feed & Boomerang's (Jamaica Plain)
1369 Coffee House (Central Sq)
Midway Cafe (Stony Brook)
High Energy Vintage (Somerville)
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I love giving gifts, but I don’t like shopping for the sake of finding stuff. I work at Make & Mend, a second hand art and craft supply store, and last year our company Secret Santa had two important rules: handmade only, no money allowed! Make & Mend’s mission is to make crafting and art-making more sustainable and accessible by making supplies available at a discount to both seasoned makers and to beginners who want to try something new. Handmade gifts don’t have to be big to be meaningful: for Secret Santa, my coworkers and I exchanged a painted tote bag, a collage, a cross-stitched pincushion, a mini quilt, clay magnets, and a loaf of bread.
If you have plants, propagating them to give as gifts is a great way to share things you love with others! You can also paint or decorate flower pots as gifts for loved ones who like caring for plants. Decorating flower pots is possible even if you’re not a crafty person. You can use stencils to paint designs, or painters’s tape to create geometric designs that you can fill in with paint. These can easily be made with terra cotta pots and basic acrylic craft paint.
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