ATHLEISURE MAG #81 SEP ISSUE | THE QUEEN'S STATE OF MIND SERPENT QUEEN

For the past few months, we have been excited for STARZ's The Serpent Queen as it tells us the story of Catherine De Medici. We caught up with Samantha Morton who plays Catherine as she fills us in how she approached it and why this show spoke to her.

ATHLEISURE MAG: What drew you to want to be in the Serpent Queen and obviously, being Catherine Medici?

SAMANTHA MORTON: I think that firstly, it’s an incredible role to play as an actress and to be given the opportunity to play her. To play somebody that goes from being an orphan, the daughter of a shopkeeper and to be put in a convent to then marrying a prince, be sent off to a different country – child trafficking basically. Them having to be an adult, a child in an adult’s world. To then becoming Queen of France to then becoming Regent is incredible. And so, that is what drew me to the role and I had been playing another fantastic role for a very long time which is Alpha in The Walking Dead and now the spin-off that we have, Tales of the Walking Dead. That again is another incredible character to play. She’s very complex and it’s a juicy role and I wanted to do something that was going to challenge me as much as Alpha had. You know, when you’ve played that role, the next thing you want to do is something different, but equally as exciting.

AM: Very true and I love that the format of this show between breaking the wall and this modernized version and being able to see Catherine as an adult and also as a child, how did you prepare to play this character?

SM: Firstly, Justin Haythe (The Clearing, Revolutionary Road, Bohemian Rhapsody) who is the showrunner, the writer and the director – I was speaking to him and he sent me the scripts and the synopsis and just getting to grips with what this show was going to be. Then I listened to the audio book about her because it is based on the audio book. That was just fascinating and really really interesting. Then, I tried to find portraits of her – photographs because I wasn’t able to travel everywhere. I was in NY so whatever I could find online and also trying to understand the time that she lived in. How things were different then and what her world was like, but ultimately, I had to go back and to rely on the scripts because that’s my launch pad – that’s my Bible if you like. That was my everything. And also spending a huge amount of time, thank you very much Justin! I asked a lot of questions and making sure that I understood the dialogue. Looking at who’s who and because I don’t play the younger Catherine, I had to make sure that I was really aware of what Liv Hill (Three Girls, The Great, Serpent Queen) was going through so when I inhabited the older Catherine, that I carried that history.

AM: I like that because seeing you and Liv go back and forth, how much did the two of you work together? We see bones of how she will be when she is older and then we see certain uncertainties in the beginning – how much work was that between the two of you?

SM: We had quite a few conversations where we talked about our interpretations with the character, falling in love because of her relationship with Henry and my relationship with Henry. And then we were trying to talk about – a little bit about ourselves personally. This way, I don’t know so that we had a connection which we did and we’re both from a very similar part of the world and so we had a similar approach to acting. We have a down to Earth way of acting and about inhabiting the character from the heart – the inside out – rather than the outside in. So that was really nice and we had a voice coach Nia who I had worked with before who then came on board to help Liv understand some of the way that I spoke and things like that. That way, we could have a bit of continuity and likewise, me with her. I had done a lot of period things before so I was used to wearing the corsets - you breathe differently, you walk differently and so just having those conversations!After talking with Samantha, we took some time to chat with Liv Hill. She plays the younger Catherine and wewanted to know how she approached this role and how she sees this royal.

ATHLEISURE MAG: What drew you to wanting to play in Serpent Queen and playing Catherine Medici?

LIV HILL: I remember reading the script and having a visceral reaction to it and I just felt that I must play this character. It’s a gift for any actress. She’s so multi-layered, she’s vulnerable and also emotionally available and at times she isn’t. She’s weak, she’s strong – all these things and very compassionate, but stoic when needs be. The idea to play her and then to be able to be surrounded by these really talented people as well in every department. I would be so stupid if I didn’t take the opportunity to play her.

AM: I love the subject matter and I remember reading about her in school, but the format of the show is next level and your facial expressions when you’re breaking the 4th wall is so good!

LH: Oh thank you!AM: It’s so modern. How did you prepare to play this character?

LH: Well I started reading the book Catherine De Medici: Renaissance Queen of France by Leonie Frieda which was really dense with information, but I didn’t finish reading it before we started shooting because it was really thick! But it was very very good! After that, I went to the director, the writer, the producers and a bit with Samantha (Minority Report, The Walking Dead, Tales of the Walking Dead) as well! Just to discuss motivations, intentions – I think that the main thing that I remember is that in playing her with the intentions to survive. I just kind of – literally that’s it! So I dialed that up and down depending on what the scene required, but that was always a state of being.AM: What’s that like because we’re constantly flashing back and forth between the younger and older self of her. How much work did you do with Samantha when you’re looking at where you need to go or the nexus of where this was going to start?

LH: I mean, we didn’t talk as much as I thought that we were going to which wasn’t a bad thing either. We talked a little bit about Catherine and our interpretation. The main thing I remember her saying was that I needed to trust myself and that she was very happy that I was playing the young Catherine and that felt like a really generous and kind thing for her to say to a young actress. I think that she knew that I felt a little bit overwhelmed to fill her shoes. So, that gave me that relief and it made me do my own thing and I didn’t feel too overwhelmed and imitating Samantha. I just focused on who I thought that Catherine was.

AM: What do you want everyone to take away from in watching this. It’s beautifully done, I love how modern it is, the style of the music! People may not know the story, but what is it that you want audiences to feel in coming to the premier of this?

LH: Well the Serpent Queen has that connotation of being evil and manipulative and two-faced and all that stuff. Even if you don’t know Catherine beforehand and she is known notoriously in history as being this “evil” Queen, you would kind of already have this idea going in – this is what she was. But I hope that audiences take away is that this show debunks that. It shows her in all her glory and in all of her weaknesses as well. I think that the fact that she remains so resilient and has this unwavering self-belief in herself despite this emotional and physical abuse that she receives throughout her life is very inspiring and I think that’s what I hope that most people will take away. Just that inspiration to be resilient in their own lives.

AM: In playing her, how was it to wear the corsets and learn how to do the things that you would normally do in such a constrictive garment?

LH: Yes, I mean that’s exactly it – it was restrictive. That corset was made to keep women restricted in that aspect! Those costumes were some of the most amazing garments that I have ever worn and what it did do for me is that it gave me a different posture. It made me feel more powerful and strong. I gained a confidence that Catherine desperately needed because she was somewhere that she didn’t belong. She needed to keep her strength and it really helped in playing that.

IG @samanthamorton

PHOTOGRAPHY CREDITS | STARZ/The Serpent Queen