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victoria hagan

Serene Strength C. WONDER

A Shopping Journey

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VOLUME 4 ISSUE 3

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Features

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Volume 10 Issue 1

Designing Duo

By Cathy Whitlock Mother and Daughter design team Mariette and Brooke Gomez.

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Victoria Hagan, Sophisticated and Serene

By Cathy Whitlock A big picture designer finds beauty in the details.

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C Is for Collaboration

By Catherine McHugh The innovative C. Wonder Shop brightens up the shopping experience.

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Departments

Volume 10 Issue 1

9 CULTURECALENDAR By Catherine McHugh Traveling back to 1993, exploring fashion technology, setting time aside for clocks, playing video games, and going back to nature.

12 BOOKS By Cathy Whitlock

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From classic American Style to the art of scrapbooking, and from female chefs to easy entertaining. ead new tomes from Alexa Hampton and TROVE By Michele Keith Enrich neutral interiors with bursts of color small or large, subdued or sizzling.

32 EATS’N’SLEEPS By Shelley Wolson Francois Payard returns, Marcus Samuelsson conducts at Alice Tully Hall’s café, and Laurent Tourondel reimagines the American steakhouse.

Plus, the hip and high-tech Pod 39 joins the hotel scene.

34 MYFAVTHINGS

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Bold, brassy, sleek, and stunning—just a few words that describe what inspired these top designers. ssories and color choices.

GALLERY Fierce and functional. Powerful pieces that perform beautifully.ng soft: ARRAY looks at the new pastels.

44 FRESHPICKS The most current products in NYDC showrooms.

54 STYLESPOTLIGHT Featured highlights of craft and design.

62 DEFININGPIECES Items that sum up what a showroom is all about.

72 SHOWROOMPORTRAITS Profiles of some of NYDC’s most familiar names.

76 NYDCEVENTSCALENDAR A look at a few recent celebrations.

78 SHOWROOMDIRECTORY A complete list of who’s where in 200 Lex.

80 BACKSTORY By Shelley Wolson The Vera List Art Project: A dedicated philanthropist commissioned contemporary artists to create posters for Lincoln Center.

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ArrayMAGAZINE Editorial Array Magazine, Inc. 30 West 24th Street 9th Floor New York, NY 10010 Phone 212.929.2733 Fax 212.929.0983 arrayny.com ARRAY editorial coverage@arrayny.com ARRAY advertising adinfo@arrayny.com

Paul Millman Editor-in-Chief/Publisher Saira Kathpalia Creative Director Ted Lambert Executive Editor Cathy Whitlock Features Editor

ARRAY Magazine is produced three times per year.

All submissions should be e-mailed to: coverage@arrayny.com

Caitlin Abber Managing Editor

Array Magazine, Inc. Š 2013 All rights reserved

Andrew French Photographer

The contents of Array Magazine, Inc., may not be reproduced without written permission from the publisher.

Shelley Wolson Copy Editor

Adam Cohen IT Manager Contributors Michele Keith Catherine McHugh Shelley Wolson New York Design Center James P. Druckman President & CEO Daniel M. Farr Director Alix M. Lerman Director of Marketing & Communications Leah Blank Senior Marketing Manager/Director of Special Events Alana Moskowitz Design Services Manager Brenna Stevens Marketing Coordinator Susan Lai Controller Vera Markovich Accounting Manager on the cover: Mariette Himes Gomez and her daughter, Brooke Gomez, at Mariette's home in New York City. Photographed by Andy French.

Grooming by Christina Carlsson.

letter from the editor Dear Readers, Experience—that’s my watchword for this issue, and the stories contained here make me think about all the different senses of the word.

Experience is gained over time and by hard work, through lessons learned and later applied. If we’re lucky, we also benefit from the experiences of others who came before us. That certainly applies in the case of seasoned designer Mariette Himes Gomez and her daughter, Brooke, and is evident in Cathy Whitlock’s profile of the pair (Designing Duo, p. 16). Mariette still credits a time much earlier in her career, working under several famous designers during the 1960s, with providing lasting impact and inspiration to her. For Brooke, the advantage of having a business partner with such a wealth of design and business acumen is easily apparent.

Photo by Andrew French

And powerhouse Manhattan designer Victoria Hagan hasn’t forgotten the formative lessons of her design education either. In fact, it taught her one, unwavering lesson: Each job is an experience unto itself, and finding the right solution for each space and client is the job and not simply the answer (Sophisticated and Serene, p. 22). With that dedication to the process, it’s no surprise she secretly dreams of being a sports coach.

C. Wonder, J. Christopher Burch’s exploding chain of retail stores, is all about creating a new kind of shopping experience for women, and the company’s fearless, eclectic, design sensibility is a key element of its success (C is for Collaboration, p. 28). Step inside one of their locations and be transported to a virtual wonderland of shapes, colors, and custom-designed patterns and textures that take you on a journey through a series of rooms, each one its own individual, well, experience.

With these examples to inspire, I hope we can all embrace an appreciation of the past as well as maintain a drive to explore the roads that lie ahead. And isn’t that what spring is all about?

Paul Millman Editor-in-Chief

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WEINBERG MODERN New York Design Center 200 Lexington Avenue NYC Suite 407

AN ECLECTIC SELECTION OF VINTAGE MODERNIST FURNISHINGS weinbergmodern.com

VOLUME 4 ISSUE 3

CultureCalendar

By Catherine McHugh

Traveling back to 1993, exploring fashion technology, setting time aside for clocks, playing video games, and going back to nature.

Game On In 1961, a group of students and researchers at the Massachusetts Institute of Technology (MIT) created a game to demonstrate the Digital Equipment Corporation PDP-1 computer. The Museum of Moving Image’s exhibit, Spacewar! Video Games Blast Off, examines the first 50 years of the video game culture from this starting point. After premiering at the 1962 Science Open House at MIT, it was later shared and modified at various computer labs, giving birth to myriad technological advances. It also established the template for the game development industry and its relationship to technology, established shooting as a core game mechanic, and inspired space and science fiction themes for future games. From Missile Command to Halo 4, the exhibition presents 20 playable video games ranging in platform, genre, and developer. Through March 3.

Changing Exhibitions Gallery, Museum of the Moving Image, 36-01 35th Avenue, Astoria, NY, 718.784. 0077, movingimage.us Clockwise from Left: Space Invaders (screen shot). 12/06/12, 1.1 MB Screen shot of Space Invaders, arcade version (1977). Credit: Atari/Museum of the Moving Image. Spacewar! on PDP-1, 12/06/12, 629.7 KB, Spacewar! running on the Computer History Museum’s PDP-1. Taken in 2007. Credit: Photo by Joi Ito. Halo 4. 12/06/12, 1.2 MB. Publicity image for HALO 4 (2012). Credit: 343 Industries.

Russel Wright. The White Clover Line for Harker. Photo by Adam Anik.

It’s Only Natural The Samuel Dorsky Museum of Art is presenting Russel Wright: The Nature of Design, which explores the work and philosophy of the renowned industrial designer who espoused that good design is for everyone. Originally a theater designer, he is best known for his colorful American Modern, the most widely sold American ceramic dinnerware in history. The exhibition focuses on Wright’s preoccupations with our relationship to the natural world. This exhibition will focus on his work between 1945 and 1968, when Wright increasingly designed in experimental and innovative ways, including the Melmac plastic dinnerware made from melamine resin. Through March 10. Samuel Dorsky Museum of Art, SUNY New Paltz, 1 Hawk Drive, New Paltz, NY, 845.257.SUNY (7869), newpaltz.edu/museum

Tick Tock Precision and Splendor: Clocks and Watches at The Frick Collection represents one of the most important public collections of European timepieces in the United States. The exhibition features 38 watches and clocks dating from the Renaissance to the early 19th century, and covers the art of horology in France, Germany, Switzerland, and the United Kingdom. The exhibition illustrates the stylistic and technical developments in timepieces from 1500 to 1830. Renaissance clocks are represented by a masterwork created by Pierre de Fobis. Watches on view include significant examples signed by George Smith, Henry Arlaud, Julien Le Roy, and Thomas Mudge, among others. Through June 23. The Frick Collection, 1 East 70th Street, 10021, 212.547.0641, frick.org Left: Pierre de Fobis (1506–1575). Table Clock, probably Aix-en-Provence, c. 1530. Gilt-brass and blue enamel, 5 in. The Frick Collection, New York. Bequest from Winthrop Kellogg Edey, 1999. Right: Sculpture by Claude Michel Clodon. The Dance of Time, Three Nymphs Supporting a Clock, Paris, 1788.

Terracotta, gilt brass, and glass. Purchased by The Frick Collection through the Winthrop Kellogg Edey Bequest, 2006.

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CultureCalendar

Above: Art Club 2000, Untitled (Conrans I), 1992–93.

Chromogenic color print, 8 x 10 in. Courtesy the artist and the Estate of Colin de Land. Right: Ida Applebroog, Kathy W, 1992. Oil on canvas, 110 x 90 in. Courtesy the artist and Hauser & Wirth, New York. Photo: Dennis Cowley.

Time Capsule The New Museum’s exhibition, NYC 1993: Experimental Jet Set, Trash and No Star, draws its subtitle from Sonic Youth’s 1993 album and aims to capture the complex exchange between mainstream and underground culture. The global social and economic landscape of the early ’90s was a cultural turning point, as an increasingly active international network of artists contributed to a burgeoning art world now amplified by the everevolving tools of digital information. The exhibition features historical reconstructions of important installations and exhibitions from 1993; other works are reinterpreted from today’s vantage point as an experiment in collective memory that attempts to capture a specific moment at the intersection of art, pop culture, and politics. Through April 21.

New Museum, 235 Bowery, 212.343.0460, newmuseum.org Joyce, 2012. Oil on canvas, 15 x 16 in., courtesy of the artist.

¯ Passing Through, 1956. Performance view: 2nd Gutai Art Murakami Saburo, Exhibition, Ohara Kaikan, Tokyo, ca. October 11–17, 1956, © Makiko Murakami and the former members of the Gutai Art Association, Courtesy Museum of Osaka University.

Group Effort The first-ever U.S. museum retrospective exhibition devoted to Gutai will grace the Guggenheim Museum’s famously curved halls this winter. Gutai: Splendid Playground features a wide range of pieces from the international collective avant-garde ¯ in the artists’ movement. Founded in 1954 by Yoshihara Jiro town of Ashiya, Japan, the group included 59 artists over its 18-year history. “Gutai” means “concreteness” and captures its members’ direct engagement with the materials. The exhibition will explore the group’s radical experimentation across a range of media and styles, which include painting (gestural abstraction and post-constructivist abstraction), conceptual art, experimental performance and film, indoor and outdoor installations, and sound, light, and interactive and kinetic art. The show includes approximately 120 objects by 25 different artists.

February 15–May 8. Guggenheim Museum, 1071 Fifth Avenue, 212.423.3500, guggenheim.org Out in Front The Studio Museum in Harlem is featuring Fore, the fourth in a series of emerging artist exhibitions, which began with Freestyle (2001), Frequency (2005–06), and Flow (2008). Fore presents 29 young emerging artists of African descent who work in diverse media, often blending artistic practices in new and innovative ways. Some create large-scale oil paintings; others draw on top of photographs or combine sculpture and two-dimensional work. More than half of the works have never been publicly exhibited. Whether gathering and assembling everyday objects, referencing urban architecture and economies, or using film and video to mirror the transmission and reception of information through social media, the artists in Fore emphasize that contemporary art is deeply tied to its location, time, and historical context. Through March 10.

The Studio Museum in Harlem, 144 West 125th Street, 212.864.4500, www.studiomuseum.org

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Always Fashion Forward Technology has always been the handmaiden of fashion design and the two areas have a continually evolving relationship. Fashion and Technology, The Museum at FIT’s latest exhibition, focuses on innovations that have influenced the production, materials, aesthetic, and function of fashion for the last 250 years. From the Industrial Revolution and the introduction of the Spinning Jenny, the Jacquard loom, and the sewing machine, the exhibition continues chronologically to the present day, highlighting such movements such as Art Deco and the Space Race that bled into the fashion world and innovations in rubber and plastic, which were applied to everything from athletic shoes to eveningwear. More recently, the rapid spread of personal computers and the introduction of the Internet affected not only aesthetic inspiration but also spawned software programs that have altered how garments are produced. Through May 8. The Fashion & Textile History Gallery at The Museum at FIT, Seventh Avenue at 27th Street, 212. 217.4558, fitnyc.edu/museum

Morgan Russell. Synchromy in Orange: To Form. 1913–14. Oil on canvas, 11 ft., 3 in. x 10 ft., 1.5 in. Collection Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, Jr. © 2012 Peyton Wright Gallery. Photo courtesy of Albright-Knox Art Gallery/Art Resource, NY.

When Art Refused to Represent Abstract artists turned the art world on its collective head in Europe in 1912, when a handful of painters, including Vasily Kandinsky, Frantisek Kupka, Francis Picabia, and Robert Delaunay, exploded the idea of conventional form by presenting their first nonrepresentational pictures to the public. Inventing Abstraction, 1910–25 celebrates the centennial of this bold new type of artwork, tracing the development of the watershed movement as it inspired more and more modern artists, from Marcel Duchamp to Piet Mondrian and Kazimir Malevich. It eventually made its way across nations and media, and this exhibition brings together some of the most influential works in abstraction’s early history, featuring a wide range of paintings, drawings, books, sculptures, films, photographs, sound poems, atonal music, and non-narrative dance. Through April 15. The Joan and Preston Robert Tisch Exhibition Gallery, 6th floor, Museum of Modern Art, 11 West 53rd Street,212.708.9400, moma.org

Clockwise from top left: Charles James, evening dress, black velvet, green satin, circa 1955, USA. Yoshiki Hishinuma, dress, black sheer polyester/polyurethane, fall 1999-00, Japan. Jean Paul Gaultier, jumpsuit, multicolored nylon and spandex with Op-Art cyber graphic print, 1996, France. Afternoon dress, purple and black silk taffeta using synthetic analine dye, circa 1860, England .Clutch, black leather, red plastic, electrical plug and outlet closure, 1935-45, USA.

Evolving Artworks Gravity and Grace: Monumental Works by El Anatsui represents the globally renowned contemporary artist’s first solo exhibition in a New York museum. Anatsui uses found materials to create a new type of media that lies between sculpture and painting, combining aesthetic traditions from his birth country, Ghana, and his home in Nsukka, Nigeria, with the global history of abstraction. Of the exhibition’s 30 works, 12 are monumental wall and floor sculptures that are widely considered to represent the apex of Anatsui’s career.

The metal wall works, created with bottle caps from a distillery in Nsukka, are pieced together to form colorful, textured hangings that take on radically new shapes with each installation. This exhibit seeks to exemplify a long history of innovations in abstract art and performance, building upon cross-cultural exchange among Africa, Europe, and the Americas by presenting works in a wholly new medium. February 8–August 4. The Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY, 718.638.5000, brooklynmuseum.org El Anatsui (Ghanaian, born 1944). Gravity and Grace, 2010. Aluminum and copper wire, 145 5/8 x 441 in. Courtesy of the artist and Jack Shainman Gallery, New York. Photograph by Andrew McAllister, courtesy of the Akron Art Museum.

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Books Elegant Rooms That Work: Fantasy and Function in Interior Design

Kathryn M. Ireland Timeless Interiors

Charlotte Moss: A Visual Life: Scrapbooks, Collages, and Inspirations

Rhapsody: Kelly Wearstler

Stephanie Stokes Rizzoli 224 pages, $50

Kathryn M. Ireland Gibbs Smith 220 pages, $40

Charlotte Moss Rizzoli 272 pages, $60

Kelly Wearstler Rizzoli 256 pages, $55

New York–based interior designer Stephanie Stokes attains the rank of published author with her first book.

Known for her interiors that involve creative cabinetry, flexible seating areas, and inventive showcases for art collections, Stokes brings her talents to the pages of Elegant Rooms That Work. The book is organized by room type from foyers to bedrooms, and offers inspirational and practical solutions for libraries that originate from guest rooms and home offices to the art of the hidden storage unit.

From a small co-op in Manhattan to a suburban house, Stokes details how to maximize your space to the fullest. Named as one of House Beautiful’s Top 100 Designers, I enjoyed her advice on ways to transform the kitchen as both breakfast and media room and adapting today’s wardrobe to a flexible closet interior. Other tips include repurposing an old radiator into a storage bin for firewood, clever pullouts for storage areas for jewelry, and setting up multipurpose seating areas that can accommodate two to 20 people.

Often designers get caught up in the beauty of a room and function is secondary. Stokes’ book is a wonderful source of solutions. Hermès Vice Chairman Xavier Guerrand-Hermès has penned the book’s forward.

Perhaps you’ve seen the talented— and hilarious—British interior designer on Bravo’s Million Dollar Decorator or her work in countless magazines and fabrics in top design showrooms. Los Angeles–based designer Kathryn M. Ireland is known for her European-tradition-meetsCalifornia-informal looks, which she showcases in her latest book, Kathryn M. Ireland Timeless Interiors. A born traveler, Ireland incorporates a variety of influences from her journeys to South America, India, and Northern Africa that make for some interesting interiors, and it’s easy to see where her love of Ikat, paisleys, and madras patterns came from. The book features everything from a bohemian ’60s beach house in Malibu and farmhouses nestled in the English countryside to a 19thcentury manor in Normandy accompanied by her unique take on and reinterpretations of design. Even rooms designed 20 years ago made the cut in her book—giving credence to the term timeless. Named by Elle Decor as one of the top 25 designers, Ireland’s career has always been fascinating to watch. Timeless Interiors marks her fourth book preceded

by Classic Country, Summers In France, and Creating a Home. Here’s hoping she will chronicle what goes on behind the scenes of a reality television show next.

Celebrated interior designer Charlotte Moss is known for her sophisticated interiors and impeccable taste, and the former Wall Streeter turned designer’s line of furniture, carpet, and fabric lines can be found in homes across the country. The multifaceted designer and Wall Street Journal contributor is also an accomplished author.

Charlotte Moss: A Visual Life is her eighth book. Moss is known for her love of the collage, which she finds both inspirational and meditative, and a great way for designers to jump-start the design process through ideas and photographs.

This unique book showcases the art of the scrapbook through the work of past and present style makers shown for the very first time. The legendary interior designer Elsie de Wolfe, tastemaker Gloria Vanderbilt, and Jacqueline Kennedy Onassis are just a few of the women whose style is chronicled. Divided by the themes of travel, home, garden, entertaining, and fashion, Visual Life provides something of interest for every reader. I found the notes and menus from Jackie O’s infamous White House dinners along with Moss’s unique collection of her personal photographs, articles, and muses to be of particular interest.

The southern designer has living well down to a T.

Interior designer Kelly Wearstler has been a major force in design since her groundbreaking work on boutique hotels such as the Viceroy, Maison 140, and Avalon over the past decade. Her unabashed bold use of color, old-world Hollywood sensibility, and decadent designs quickly made her work some of the most memorable interiors of the century. With her use of bold textures, patterns, and jewel-rich colors coupled with elegance and whimsy, the design industry coined her look “mod-baroque.” Her Los Angeles home was chronicled in Domicillum Decoratus and I strongly recommend her second and third books Modern Glamour: The Art of Unexpected Style and Hue. Rhapsody marks her fourth tome with never-before published photos of residential interiors and hotel installations. Behind-the-scenes details of creating sculpture at a metal foundry to shopping the auction houses are chronicled. The book further unveils her glamorous world and she remains one of the more interesting designers working today. Wearstler also added fashion designer to her résumé with an eponymous ready-to-wear collection at Bergdorf Goodman and recently opened a flagship store in Los Angeles. And she has a line of fabrics, wallpaper, and accessories.

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By Cathy Whitlock

From classic American Style to the art of scrapbooking, and from female chefs to easy entertaining.

American Beauty: Renovating and Decorating a Beloved Retreat

Skirt Steak: Women Chefs on Standing the Heat and Staying In the Kitchen

A Living Space

Nathan Turner’s American Style: Classic Designs and Effortless Entertaining

Thom Felicia Clarkson Potter 224 pages, $45

Charlotte Druckman Chronicle Books 320 pages, $24.95

Kit Kemp Hardie Grant Books 256 pages, $49.95

Nathan Turner Abrams 224 pages, $40

Media darling Thom Felicia is quickly giving Martha Stewart a run for her money. Perhaps you remember him as the interior design expert on television’s inventive Queer Eye for the Straight Guy or numerous magazine spreads and appearances on everything from The Tonight Show with Jay Leno and Ellen to Oprah and HGTV. Launched in 1998, Felicia’s design business has soared, and he is now designing homes of clients in the worlds of finance, sports, entertainment, and fashion.

American Beauty marks the talented tastemaker’s first book. With a foreword by comedienne (and client) Tina Fey, the illustrated book is “part memoir/part decorating book” and the story of a house, chronicling his theory of what comprises the term “American Beauty.” His style is classic yet modern; he sweetly tells the tale of a “fixer upper” in New York’s Finger Lakes, an area he loved as a child. The project took two years to become the house of his dreams and designers will certainly relate to his trials and tribulations. Fey notes that the book is an “appreciation of a pre-homogenized America…and a book that offers great pragmatic advice. But it’s also a book for when you want to lock yourself in the bathroom, hide from your children, and look at pretty pictures.” I completely agree.

While there are many books in the marketplace on the many celebrated designers and architects working today, it’s refreshing to discover one that profiles another group of creative types. Journalist Charlotte Druckman, whose work appears in Bon Appétit, The New York Times’ T magazine, and the Wall Street Journal, takes a peek into the highpressure creative lives of 70 of the most brilliant women chefs. Stories on visionaries such as Alice Waters, and pastry chef extraordinaire Christina Tosi fill the pages and offer a great behind-the-scenes look at the world of restaurants. Skirt Steak stems from an article Druckman wrote for Gastronomica on “Why Are There No Great Women Chefs?”

In a world seemingly dominated by the likes of Anthony Bourdain and Mario Batali, she details how these incredible women broke down the kitchen doors and rose to the top of their profession. It’s not a business for everyone as these women battle male egos and long hours on their feet while juggling a balancing act at home. Her stories on money, management, training, branding, and dealing with egos offer something for everyone, no matter what your line of business. Whether you are a foodie or not, it’s a very compelling read (particularly for anyone thinking of going into the restaurant business).

British award-winning interior designer Kit Kemp’s first book A Living Space was a welcome surprise.

The co-owner and design director of the luxury hotels group Firmdale (New Yorkers might recognize her work in Soho’s Crosby Street Hotel) has been at the forefront of the international design community. Her signature style mixes contemporary notes with flea-market finds; the use of hand-finished detailing, printed wallpapers, and patterns make a bold statement. A classic Kemp hotel room will offer brilliant textiles, patterned walls, and adornments making the room guest long for a touch of the designs in their own homes. One of her trademarks is a love of embroidery—a craft she learned as a child and now figures prominently in her work. It also resulted in a line of fabrics, pillows, and duvet covers made up of floral patterns with a touch of whimsy.

Kemp also does not install anything in her commissions that she wouldn’t use in her own house. She advises that you can reverse a color scheme to make two connected rooms appear complementary while making them look completely different. And I love the tips of keeping patterns at the center of a room and never use any fabric you wouldn’t sit on nude!

I love it when a design book offers the reader more than just beautiful interiors. Nathan Turner’s book goes a step further. The book’s publicist says it best: “Nathan Turner’s aesthetic is Nate Berkus meets Colin Cowie and Domino magazine.” The Los Angeles–based designer—and another cast member of Bravo TV’s Million Dollar Decorator—incorporates an easy California chic look to everything he does from designing his own Malibu digs to throwing a dinner party. Turner offers tips on affordable home makeovers and remodeling as well as ways to incorporate his relaxed aesthetic in your own lifestyle. The sections on entertaining cover his tabletop designs, party themes, menus, and a general primer on how to be the perfectly chic host. Influenced by a well-rounded background in travel coupled with a sense of humor, he offers a fresh perspective that makes for fun and easy reading. And the recipes are good, too! Turner makes note that it’s a juggling act to find new ways to live and celebrate with low effort and high style, and he does it amazingly. He adds that stuffy, high-maintenance living is a thing of the past and I concur.

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Trove

By Michele Keith

Enrich neutral interiors with bursts of color small or large, subdued or sizzling.

01 JELLY BEAN BRIGHT Unusual in that it is made of chamfered, 10 millimeter-thick glass, the Tutti Frutti magazine rack for Glas Italia is from the impressive portfolio of Piero Lissoni, whose many awards include membership in New York’s Interior Design Hall of Fame. The glass is available in two versions: extra-light/clear for $718; and lacquered—15 colors including red, orange, and blue for $878. 22.8 inches x 17.7 inches x 5.5 inches. imoderniny.com

03 PUFF DADDY

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CARE-FREE TREES Resembling a small thicket of trees, the Latva Coat Rack, made for Covo by Finnish designer Mikko Laakkoner, offers eight trunks shooting up from the base with a total of ten branches on which to hang items. Even when empty it makes a beautiful statement. Or, group a few in clusters to form an artistic room divider. Made of welded steel. Available in satin- and matte-finish black, and high-gloss white and green. 13.5 inches x 13.5 inches x 70 inches. $511.

855.341.3620. luminaire.com

A spherical burst of gentle shadings in eco-friendly, resin-infused fabric, the Puff pendant light uses 23watt, compact fluorescent bulbs (included). Complete with an eight-foot-long cord and all necessary hardware for installation, one in a room would be great, a group of them spectacular. Two-foot diameter. $1,980. Customizable. EcoFirstArt.com

04 LIGHT MY FIRE The Duosis wood-burning fireplace from French manufacturer Arkiane combines beauty with ecoconsciousness. The black Bakelite circle divides in two, gliding across the orange-hued steel cover to open and close the glass window. Its low CO² emission protects the environment. 55 inches x 98 inches x 22 inches. $9,779. arkiane@arkiane.fr 14

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BOTTOMS UP Colorful entertaining is within the reach of everyone with the Museum of Modern Art’s six-piece set of Curved Tumblers. Originated by the Leonardo Design Team in 2001, the eightounce glasses are fabricated in Turkey, and will last for years of parties when hand-washed as recommended. 3.6 inches x 3.25 inches. $70/$63 members. MoMAstore.org

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DIVINELY DECADENT

CURVES AHEAD

This painted-velvet throw comes from the imaginative artists at the Kevin O’Brien Studio in Philadelphia. Customized to suit every decorating proclivity, from coloring to fringe length to size, at a generous 52 inches x 74 inches with eight-inch-long fringe, it is $715. ABCcarpet.com

Panton’s eponymous chair was designed for ©Vitra in 1960, and is now a cherished 20th-century icon. The first single-mold, all-plastic chair ever, it has gone through several production changes, and is currently made of reinforced fiberglass, and produced via injection molding.

With an ultraviolet light- and weather-proofed shell composed of materials that prevent early fading, it is as useful outdoors as inside. In basic dark, chartreuse, classic red, ice gray, tangerine, and white. 33.75 inches x 20.75 inches x 24 inches. $295. vitra.com.

08 TWIST AND SHOUT The Revolving Red Cabinet was designed in 1970 by Shiro Kuramata, who was awarded the distinguished Ordre des Arts et des Lettres by the French government in 1990 to honor his outstanding contributions to art and design. As much intriguing sculpture as useful furniture, the unit consists of 20 stacked drawers manufactured of polished red methacrylate. Drawers revolve 360 degrees around a vertical, metal bar allowing for an infinite number of silhouettes. It is represented in numerous museums around the world. With drawers aligned, it measures 9.875 inches x 14.25 inches x 72.75 inches. $3,411. cappellini.com

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By Cathy Whitlock

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Designing Duo Mother and Daughter design Team

Mariette and Brooke Gomez The landscape of interior design is certainly dotted with its fair share of partnerships, and rarely do you see a mother-daughter team. Manhattan designers Mariette Himes Gomez and daughter Brooke are an exception to the rule.

Pictured at left, the designer’s penchant for symmetry and balance is on display in this entry hall. Shown below, Like mother, like daughter: Mariette and Brooke share a love of sleek and sophisticated design.

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Facing page: Elegant comforts, such as soft whites and beiges, are juxtaposed against dark wood. Above: Dramatic and sophisticated entryways open up to rooms with exquisite touches.

Known for their calm and soothing interiors, subtle use of color, and visual symmetry and balance, the 37-year-old Manhattan firm Gomez and Associates has achieved an incredible résumé with a wide array of projects ranging from personal jets and international residences to five-star luxury hotel suites. With an impressive client roster (and the occasional celebrity like actor Michael J. Fox), the firm enjoys lifelong clients. “ i l i k e t o c r e at e s o m e t h i n g t h at l a s t s a n d wo r k w i t h p e o p l e w h o h av e a s e n s i b i l i t y a b o u t t h e a r t s , a n t i q u e s , a n d d e s i g n ,” m a r i e t t e s ay s . “ i t ’ s a l l a b o u t b a l a n c e a n d a n e u t r a l pa l e t t e . o u r c l i e n t s c o m e f o r t h at s p e c i a l k i n d o f l o o k , c a l m a n d n o t i m p o s i n g .”

As principal and a self-described minimalist, Mariette Himes Gomez realized she wanted to be a designer at the age of 14. “I wanted to take shop class with the boys and instead had to take Home Ec—I had no interest in cooking and sewing as I wanted to learn how to build,” she notes of her schooling and upbringing in Alpena, Michigan. She eventually attended the prestigious Rhode Island School of Design and graduated from the New York School of Design. “It was a great time to be at RISD. I learned how to draw goldfish in a bowl and infinity in a box,” she details. Mariette also worked for design luminaries Edward Durrel Stone, Albert Hadley, and Sister Parish during the heady days of the ’60s, which included designing the Kennedy White House.

also remembered going to a party at his house and the walls shimmered. I found out later that it was rice paper!” Decades later, Mariette ran across one of his bound sketchbooks where Hadley had listed her as one of his protégés.

The mention still stands as an honor to this day.

Daughter Brooke channeled creativity from her mother and her father, who was an architect (the couple have since divorced). “I literally grew up in the business and remember taking rock candy off a table at the Kips Bay (showhouse) and picking out duvet covers at an early age,” she recalls. Studies in American Government and a semester abroad at Oxford did not satisfy the creative itch. She first landed a job at Martha Stewart Weddings magazine where she enjoyed the creative process. “It was the late ’90s and the best time to be at Martha Stewart’s firm. The talent pool was amazing and it was very lively.” Eventually law school came calling, but she found that “it was hard to go from photo shoots where I was dressing flower girls to law school.

I decided I was choosing something that wasn’t making me happy,” she says.

While there are no accidents, Brooke utilized both her creative and business sides of the brain by joining her mother’s firm in 2000. “My law background has helped in business and I am not embarrassed to admit I love picking out trim for a throw pillow.” i n a n i n d u s t r y w h e r e b u s i n e s s p r ac t i c e s , p r o c e d u r e s , a n d f e e s

Often asked to reflect on those trendsetting days when only a handful of design firms existed, she explains, “My fondest memory was Albert Hadley’s (inspiration) bulletin board that had fashion, art, and design photographs. I

o f t e n r e m a i n a p u z z l e , g o m e z a n d a s s o c i at e s s ta n d b y a f i r m b u s i n e s s m o d e l : f u l l d i s c lo s u r e . While everyone else is making deals and quoting different prices based on markup, the designers are all about getting

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Opposite page: Use of light, natural materials and sophisticated furnishings are a mainstay in a Gomez interior. Top left: Gomez and Associates are widely known for the use of a monochromatic color palette. Top right: Mariette’s work is deeply rooted in her love of architecture as shown in this industrial, antique-looking mirror.

paid for their professional input. “We try to establish a budget, design fee, and hire an architect (we don’t pretend to be as you can make yourself liable), and as a result, we get paid for our expertise and there are no secrets.” The process makes for a satisfied, trusting, and most importantly, returning client.

In addition to a full design practice, Mariette branched out with her own 88-piece collection at Hickory Chair (NYDC, Suite 102) in 2002. A blend of both classic style and clean modern lines, she was considered one of the first designers in the industry to conceive their own collection with her retail store known as “The Shop” (located in the same building as her design studio).

Furnishings and accessories from The Shop are also available at the New York Design Center. A fabric and wallpaper line at Hinson & Company along with custom carpet designs at Doris Leslie Blau soon followed, as well as the publication of three design books (Rooms: Creating Luxurious Livable Spaces, 2003; Houses: Inside and Out, 2007; and Apartments, 2010).

had our fair share of hiccups and there were a lot of moving parts, at the end of the day we all worked well together,” Brooke says of the process.

For some people, working with their mother or daughter could send them to the proverbial psychiatrist couch, but the “The Gomez Girls” (as Frankel affectionately calls them) have done it beautifully. “ b r o o k e a n d i wo r k to g e t h e r w e l l , s h e h a s a lot o f u s e f u l s p u n k a n d d u e d i l i g e n c e a l o n g w i t h a g r e at s e n s e o f s t y l e , a n d i n t u i t i v e ly h a s t h at c r e at i v e g e n e ,” m a r i e t t e s ay s . Brooke credits her talented mom with the gift of “editing” as “she has taught me to look at the big picture. I could easily spend a whole day in lampshade meetings! w e b o t h u s e e ac h o t h e r a s a s o u n d i n g b oa r d a n d b o t h t h i n k w e c a n d o i t a l l . s h e o n c e r e m a r k e d ‘ yo u a r e b e t t e r t h a n i wa s at yo u r ag e ’ a n d i f e e l i h av e l e a r n e d f r o m t h e b e s t .”

Last year found the mother-daughter duo tackling a different kind of project— designing on reality television. The client was former Real Housewives of New York star and Skinnygirl product mogul Bethenny Frankel, and the project was the renovation of the Tribeca apartment she shared with hubby Jason Hoppy and daughter Bryn. Chronicled weekly on Frankel’s show Bethenny Ever After, the designers selected tile, shopped with their high-profile client, resolved problems with contractors, and designed a showstopping Manolo Blahnik–filled master closet under the watchful eyes of devoted Bravo TV viewers. “While we

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This page: Hagan departs from tranquil interiors, creating a dramatic and bold statement in the hallway as shown here. Facing page: Manhattan based author, furniture, product and interior designer Victoria Hagan.

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By Cathy Whitlock

Victoria Hagan, sophisticated & serene

a big picture designer finds beaut y in the details.

The past century’s designing women—Elsie de Wolfe, Dorothy Draper, and Nancy Lancaster just to name a few—would not recognize their successors of today. While they share the common bond of decorator, today’s modern style-setters not only design but many have added author, retailer, and product and furniture designer to their already crowded résumés.

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Manhattan based–interior designer Victoria Hagan personifies this new breed. s h e wa s c o i n e d b y t h e n e w yo r k t i m e s a s a d e s i g n e r w h o i s “ o n e o f t h e m o st c e r e b r a l , t h e o n e b o u n d to b e i n f l u e n t i a l .” The roots of design were planted early at the age of 11, during a family trip to Thomas Jefferson’s Monticello and when her parents built a house. While she enjoyed the building process, she expressed an outward dismay at their choice of materials and the die was cast. (Her other career dream was to be the head of a sports team.)

Decades and a Parsons School of Design degree later, Hagan is a major force on the design scene.

Her diverse array of projects and A-list clients read like a Who’s Who ranging from former GE head Jack Welch and business magnate Ron Perlman to movie director Barry Sonnenfeld and late-night talk show host Conan O’Brien. Corporate and hospitality projects are also in the mix; she and her staff of 20 have decorated office interiors for General Electric and Starwood Development. Her projects of late include everything from a retreat in St. Bart’s to the models and sales materials for the Upper East Side prewar condominiums known as Philip House.

And the accolades are many—named to Architectural Digest’s Top 100 and inducted into the prestigious Interior Design Hall of Fame, her work has graced the pages of everything from The New York Times and Elle Decor to Town & Country and Vogue, as well as television appearances on The Martha Stewart Show and Oprah. a t y p i c a l h ag a n i n t e r i o r i s s t r o n g y e t r e s t r a i n e d w i t h a n i n t e r e s t i n g m i x o f a n t i q u e s , n at u r a l m at e r i a l s , a n d s e r e n e m o n o c h r o m at i c t o n e s w i t h a w h i m s i c a l t o u c h t h r ow n i n f o r g o o d m e a s u r e . Her signature style of comfort and simplicity that she no doubt picked up from her mentor the late Simone Feldman is a hallmark. “ t h e k e y t o m y wo r k i s t h at i h av e a lway s b e e n v e r y f o c u s e d o n m a k i n g s pac e s c o m f o r ta b l e ,” the blonde mother of twin boys says, “and simplicity and suitability are always a key factor.”

Her projects incorporate modern comfort—rarely do you see strong jarring colors or fussy embellishments.

Hagan’s training at Parsons (she is now on the Board of Governors) taught her a very valuable lesson. “ i f i n d t h e e s s e n c e o f a p r o j e c t i s t h e t h i n g t h at m a k e s i t s p e c i a l — i t ’ s n o t a b o u t w h at k i n d o f c h a i r s b u t w h at i s t h e t o n e ? I think I learned this through the creative process at Parsons. There is no one right way to design anything.” h e r m a n t r a c a n p r e t t y m u c h b e s u m m e d u p b y t h e wo r d “ h a p p y ,” a s s h e s t r i v e s f o r h a p p y c l i e n t s a n d h a p p y h o m e s a s a r e s u lt . In a business that requires one to be part designer and part psychologist, Hagan also realizes the art of listening is key. Involved in every area of her projects, she notes, “I like to take clients through the process, as my work usually involves a lot of new construction and renovation. I love working with architects and really like to help clients through the forest.”

Near Right: Hagan has a well-deserved reputation for beautifully restrained interiors as seen in this hallway.

Far Right: Hagan learned comfort and simplicity from her late mentor Simone Feldman that remains a hallmark in her work today.

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Her firm also takes on jobs selectively as she does not want to spread herself or the staff too thin. “ i l ov e w h at i d o a n d a m e xc i t e d a b o u t t h e wo r k . i t h i n k i a m t e n ac i o u s a n d l i k e t o wo r k t h r o u g h p r o b l e m s ; t h e r e i s n o t h i n g m o r e s at i s f y i n g . i l i k e c r e at i n g e n v i r o n m e n t s f o r p e o p l e a n d p u s h i n g t h r o u g h i s s u e s ,” she explains. “It took me years to reconcile that the two have to go hand in hand. Early on in my career I realized I couldn’t do everything and be that to everyone. We really specialize in complete projects; if people want to redo their living rooms, then we are not the ones for them.”

Few designers have been able to target both the high- and low-end retail markets and Hagan is definitely an exception to the rule. In 2006, she delved into the world of mass marketing with her line Victoria Hagan Perfect Pieces at Target. Some of the standouts from the 50-piece collection ranged from an equestrian-style wall mirror to a cream-colored shagreen serving tray. “ s t y l e i s n o t a b o u t m o n e y , i t ’ s a b o u t b r i n g i n g d e s i g n t o t h e m a s s e s ,” s h e n o t e s , “ i h av e t o t h i n k b i g p i c t u r e a n d t h i n k l i t t l e d e ta i l s w h e n d e s i g n i n g a l i n e .”

Her higher-end items originated out of need as the multitalented designer says, “Whenever I can’t find an item, I design it.” Showrooms Holland and Sherry carry her carpet and fabric collection while the furniture line can be found at Profiles, at the NYDC. She notes her firm sells a lot of tables, chairs, and bedside tables and the “Four Seasons” fabric—a large contemporary floral—is also a favorite. Known as the Victoria Hagan Home Collection, the line is centered on the belief that “there is elegance to everyday living.”

Rounding out her diverse career was the publication of her book Victoria Hagan: Interior Portraits (Rizzoli) released in October of 2010.

Showcasing her work, the book highlights a variety of her timeless interiors from the classic Manhattan co-op with spectacular views (“I am a view kind of girl,” she says with a laugh) to weekend retreats.

Married to media executive Michael Berman, Hagan and her family reside in a child-friendly Georgian-style home on the coast of Connecticut that underwent a nine-month renovation. Downtime involves life as a baseball mom—maybe one day she will accomplish her other dream as a coach.

Clockwise from top left: The designer’s first book Victoria Hagan: Interior Portraits (Rizzoli) features both her city and country projects.

A Hagan interior will favor soothing tones with a pop of color as seen in this gray-toned bedroom.

Hagan takes her design color cues from a simple floral motif as gray provides a striking contrast with soothing clean white tones.

The gray-and-white color story is also carried out in this Hagan designed contemporary kitchen.

Contemporary and traditional elements marry in this timeless Hagan interior.

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By Catherine McHugh

C

I S

F O R

C O L L A B O R A T I O N T he i n n ovat i v e C . Wo n d e r s h o p b r i g h te n s u p the s ho p p i n g e xp e rie n ce .

As any fan of Sesame Street’s Cookie Monster will tell you, C is for cookie. But at C. Wonder, J. Christopher Burch’s rapidly expanding chain of C. Wonder shops, the prominent ornate calligraphy-style Cs stand for customers—specifically those of the female variety, who are not afraid of bright, bold colors. The company’s goal is to offer charming, chic, creative, and cheerful women a wonderfully new type of retail experience.

A bright turquoise cabinet and the store’s signature “C” (above) pulls together the Jewelry room, which features the brand’s signature display statuettes.

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1

“the

c i n o u r n a m e s ta n d s f o r c u s t o m e r a n d t h e wo n d e r i s t h e

e m o t i o n w e wa n t t o i m pa r t w i t h t h e s t o r e e x p e r i e n c e ,”

explains Allison Turner, C. Wonder’s Senior Director of Architecture. The initial concept was designed in collaboration with interior design firm Pompei AD. Burch and Amy Shecter, President of C. Wonder, chose to house the flagship store on Spring Street in Soho. The 7,200-square-foot space opened its green-lacquer doors to the public in October 2011, offering inventively displayed women’s clothing and home goods that range from sequined plaid pencil skirts and statement jewelry to throw pillows and iPhone cases.

“But we are always designing new rooms and new experiences for our customers to navigate through, and we have worked with Kramer Design Group on new room concepts as well as in-house design development,” says Turner.

p o m p e i a d ca m e u p w i t h t h e p l a n fo r s e t t i n g t h e sto r e s u p a s a s e r i e s o f r o o m s t h at t h e d e s i g n e r s d e v e l o p e d a r o u n d w h at t h e y

“The upholstered furniture was also custom designed in collaboration with Pompei AD. Many items were inspired by vintage pieces as well as classic furniture styles that you would see in a residential environment.”

Shadowboxes—some outlined by gilded frames—were built into the walls and house custom-made statuettes that were developed by Director of Visual Merchandising Eric Green as a fun way to display much of the store’s jewelry. The fitting rooms feature music and lighting systems created by cliqk with the control 4 system that each customer can tailor to her own taste and preference.

As of November 2012, C. Wonder had 11 stores open in the U.S. with various pop-up stores, including one in the Flatiron District for the Fall/Winter of 2012–13. “All of the stores follow the same model and each has different themed rooms that take our customer on a journey,” Turner explains. “Currently our flagship stores range from 4,500–5,500 square feet, but we also have smaller format stores and the pop-ups, which tend to be between 2,500 and 3,500 square feet.

p e r c e i v e d t o b e t h e i r c u s t o m e r s ’ e x p e r i e n c e s a r o u n d t h e wo r l d : m o r o cco , e n g l i s h co u n t ry h o u s e , a m e r i ca n d r e a m , e tc .

As customers wander through the store, they make one new discovery after another.

“unlike

o u r co m p e t i to r s , w e a r e n ot a f r a i d to u s e co lo r a n d

pat t e r n . w e ’ r e a t o u c h i r r e v e r e n t , ” t u r n e r s ay s .

“the

co lo r

s c h e m e s a r e s t u d i e d w i t h t h e e n v i r o n m e n t s w e a r e c r e at i n g . w e

“Our whole model is built around our customer,” Turner notes. “The store was designed around her experiences and lifestyle—where she would travel, or have a country house. Overall, the concept focuses on creating a dynamic environment that keeps the customer engaged throughout the entire shopping experience. t h e pa r a m e t e r s w e r e t o c r e at e e n v i r o n m e n t s t h at h av e a r e s i d e n t i a l f e e l a n d a r e f e m i n i n e , w h i l e b e i n g w h i m s i c a l a n d c o l o r f u l .”

At the Soho store, the pops of color are obvious, while the fanciful touches range from giant pendant lamps (custom designed in collaboration with Pompei AD and sourced in China) to a series of teapot lights made by BTC in England that hang below the large skylight in the back room.

The distinctive wallpapers are from Osbourne and Little and custom designs printed by Flavor Paper and Rollout. “We used wallpaper as a tool to create different room experiences and add pattern to the fixtures,” Turner explains.

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s t u dy pa l e t t e s o f a t r a d i t i o n a l l a n g u ag e t h e n p u t a

‘c.

wo n d e r ’

spin on it.”

1. The wallpaper in the dressing room would seem to indicate a very dog-friendly vibe. 2. Mirror balls (above) and mirror accents on the wall enhance the vibe in the super-colorful “psychedelic” room. 3. A dog of a different color perches on the main table in the Monogram Shop. 4. Stately black-and-white tiles lead to the Concierge desk, which is covered with a slightly twisted black-and-white tile design.

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Eats’N’Sleeps Melt Shop meltshopnyc.com 55 West 26th Street 212.447.MELT (6358)

Center Bar centerbarnyc.com 10 Columbus Circle 212.823.9482

Arlington Club arlingtonclubny.com 1032 Lexington Avenue 212.249.5700

American Table Café and Bar americantablecafeandbar.com 1941 Broadway (Alice Tully Hall) 212.671.4200

With the arrival of Melt Shop, Chelsea is now a lot cheesier! The gourmet grilled cheese restaurant offers this classic comfort food in creative versions way beyond the typical gooey toasted sandwich. Try the Award Winner, with blue cheese, cheddar cheese, thick-cut bacon, and homemade cranberry pepper jam; the 24-Hour Pork, made with pecan- and oak-smoked all-natural pulled pork, aged cheddar, dill pickle, and barbecue sauce; or Thanksgiving Dinner—brie, smoked turkey, caramelized onions, and cranberry jam.

Keeping with Melt’s dedication to featuring “a grilled cheese for all occasions,” there’s also an enticing selection of breakfast sandwiches and a build-your-own option. Pair your choice with creative sides like Sweet Potato Tots or a refreshing arugula salad with pickled onions and sherry vinaigrette. Each sandwich is served on artisanal bread or a gluten-free option. Sweet endings include specialty shakes like PB&J and Birthday Cake, as well as homemade ice cream sandwiches. In addition to rotating selections from Montauk Brewing Company (Melt Shop is the exclusive NYC Montauk distributor), beverage options include deeproasted La Colombe coffee and Pabst Blue Ribbon. Nemaworkshop designed the cheerful setting, combining yellow subway tile walls with reclaimed wooden beam accents to complement the whimsical menu.

Just steps beyond the entrance of his neighboring steakhouse Porter House New York, chef Michael Lomonaco has unveiled Center Bar—an elegant lounge that features a full range of carefully crafted cocktails, a curated wine selection, an everchanging menu of savory and sweet small plates, and priceless views of Columbus Circle and Central Park.

Diners love trying the modern Mediterranean-influenced, tapas-style dishes, including charred-American Wagyu-beef sashimi; braised Berkshire pork belly with pistachio nuts; slow-roasted halibut with Berber spice dust and sweet yellow lentils; and Hudson Valley foie gras parfait, served with cognac, port jelly, and toasted brioche. For a sweet finish, Lomonaco prepares a champagne and raspberry gratin with pistachio gelato and coconut panna cotta, accompanied by mango conserve and five-spice syrup. Designer Jeffrey Beers created a sleek space that boasts wooden, high-top tables, custom-made, gray velvet banquettes, and a Carrera marble bar enveloped in midnight blue leather and chrome accents. A custom wood floor, reminiscent of a luxury yacht, gently elevates the guests, while cozy seating and warmly glowing lighting lends a dreamy essence. Center Bar also features a Baldwin baby grand and local and visiting musicians, successfully combining Lomonaco’s dual passions of food and music.

On a mission to reinvigorate the American steakhouse, acclaimed chef Laurent Tourondel has joined forces with TAO Group to open Arlington Club. Tourondel—known for re-imaging American stalwarts with classic French technique—changes up the typical steakhouse concept with a magnificent Beaux-Artsinspired bi-level space and an outstanding menu featuring prime beef, fish, salads and sides, and sushi.

When guests enter, they immediately encounter sweeping brick-vaulted ceilings and soaring steel arches.

The grand 200-seat restaurant is replete with reclaimed wood floors, rustic light brown walls, gold finishes, tufted navy blue leather banquettes, and custom chandeliers. Saddle up for his signature dishes: mouthwatering Côte de Boeuf for two; Dover sole “Modern Meuniere” with preserved lemon, capers, and fresh herbs; or papillote of black bass with shiitake and coconut-lime broth.

Beef is also the star, of course: Steak selections include prime New York sirloin and rib-eye, each dry aged 28 days, paired with creative sauces.

And you’ve never had sushi like this before: Sample the master’s short rib with pickled jalapeño, chimichurri, and watercress; crispy Kobe beef and truffle, with black truffle aioli and scallion; or crispy curried peekytoe crab, with mango, avocado, mint, and curry-lemongrass. You won’t regret it.

Created by award-winning chef and best-selling author Marcus Samuelsson, American Table celebrates the diversity of American cuisine, drawing on influences and regions from across the country. His eclectic menu showcases a wide selection of light snacks, heartier meals, and updated classic desserts. Dishes include Tacos Doro Wat, a nod to Samuelsson’s Ethiopian heritage— pulled chicken served with egg and chives; Scallop Sausage Curry Stew, with water chestnuts and charred scallions; and a Turkey Meatball Sandwich, with cranberry sauce and dipping mushroom gravy. The cocktail selection features libations such as the Fife & Drum, Bicardi Light rum and Ambessa lingonberry green tea; the Minuet—Beefeater gin, lavender syrup, and lemon juice; and the Hudson Sunset, grüet brut, grapefruit juice, kirsch, and grenadine. Diller Scofidio + Renfro, designers of the Lincoln Center Redevelopment Project, which includes the new, critically acclaimed Alice Tully Hall, have transformed the 75seat space. The restaurant features an intimate atmosphere for dining and socializing, with a large communal table surrounded by convertible two-tops and inviting armchairs. A custom-made rug frames the entire dining area and is woven in produceinspired orange, green, and brown hues that are echoed throughout the setting.

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By Shelley Wolson

Francois Payard returns, Marcus Samuelsson conducts at Alice Tully Hall's café, and Laurent Tourondel reimagines the American steakhouse. Plus, the hip and high-tech Pod 39 joins the hotel scene.

FP Pâtisserie payard.com 1293 Third Avenue 212.717.5252

Willow Road willowroadnyc.com 85 10th Avenue 646.484.6566

Tryp Times Square South tryptimessquaresouth.com 345 West 35th Street 212.600.2440

Pod 39 podhotel.com 145 East 39th Street 212.355.0300

This lovely restaurant marks renowned chef Francois Payard’s return to the Upper East Side. The new, multifaceted location pays homage to the original Payard Pâtisserie & Bistro, with added contemporary touches. Divided into three distinct areas under one roof, FP Pâtisserie features a stunning boutique displaying Chef Payard’s artisanal cakes, desserts, chocolates, and other confections; a see-and-beseen bar offering pastries, coffee, tea, beer, and wine; and a 32-seat Salón de Thé, serving lunch, brunch, and a Saturday afternoon tea service. In the Salón de Thé, patrons get a taste of Paris ambiance, with the circular dining room’s tufted caramel-colored leather banquettes, white lava tables, and hand-painted, custom-designed tiled floor, created by architect Daniel O’Connor and Zarifi Design. When developing the menu, Payard brought back past favorites, including his classic Croque Monsieur, updating it with three new twists—Salmon Croque Monsieur (smoked salmon, gruyère, dill crème fraîche, and salmon roe on pullman bread with a fresh herb salad); Italian Croque Monsieur with crispy prosciutto, fontina, extra virgin olive oil, and lemon juice on pullman bread; and Black Truffle Croque Monsieur with porcini mushrooms, black truffles, and fontina with organic mixed greens and black truffle vinaigrette. Oooh lala!

New life is baking inside in the old Nabisco factory headquarters. Willow Road was the name factory workers affectionately gave the pedestrian bridge that connected the two buildings, in part because of the shade it provided from the watchful eye of the factory’s proprietors.

Thoughtfully re-imagined by New World Design, this intimate new gastrobar oozes warmth, modernity, and rustic chic, mixing contemporary elements with unique historical touches that pay homage to the building’s storied past. Parts of the Nabisco factory’s original foundation have been preserved, including the exposed brick and beautiful windows above the door. Features include an open kitchen with bar seating, recycled and distressed wood from upstate New York, Carrera marble at the bar, subway tile on the walls and ceiling, and English light fixtures. The restaurant’s menu includes flavorful, seasonal small plates and larger dishes designed to be shared. Highlights include spiced lamb burgers with cilantro and sumac aioli, braised artichokes with fregula sarda, fava beans, and lemon, and mussels a la plancha with kumquat-drawn butter.

Innovative cocktails using refined artisan spirits, as well as a special selection of craft and classic beers and local and international wines, match the cuisine.

Located in the heart of midtown, the TRYP provides easy access to major top attractions, from sensational shopping, dining, and sightseeing venues to the best of Broadway and Madison Square Garden. The hotel’s décor is a whimsical blend of Mediterranean accents combined with Manhattan chic. The property boasts some of the largest and beautiful rooms found in NYC (up to 455 square feet) with 10-foot ceilings, reclaimed wood floors, and fantastic city views. Traveling with the whole family? Check out its specialty accommodations: rooms that offer bunk beds and sleeper sofas; Samsung “Experience” rooms with blue ray DVD players, Surround sound, and popcorn machines; and premium rooms that feature two bathrooms and dividable spaces.

Fitness rooms provide travelers with exercise equipment and workout clothing. Plaza Central, the hotel’s social hub, offers a relaxing venue for guests to gather as well as a virtual business center. Plaza Central links the hotel lobby with the Gastro Bar at 35th Street—a vibrant, cosmopolitan outpost, where visitors enjoy delicious gourmet tapas, unique wines from Spain, and designer cocktails. European breakfast is offered daily, in addition to nightly attitude adjustment gatherings featuring discounted libations.

Taking inspiration from the confined modes of mass travel, designer Vanessa Guilford has cleverly created “pod-sized” streamlined rooms that feel fresh and uncluttered, and their intuitive layout maximizes every inch of space, outfitted with custom modular furniture. They also feature bedside multimedia hubs that allow visitors to connect their own movies, music, and photos from their personal devices to wall-mounted flat-screen TVs. The lobby offers custom-built iPads on the walls opposite the elevators, allowing for convenient Internet access. The back area contains the Great Room: part restaurant-lounge, part bar, part library, part workspace, and part communal center. One of The Pod hotel’s signature hi-tech amenities, the Pod Community Blog, acts as an online concierge and is an important resource and guide for guests staying at the hotel. Designed to create a “Pod Community” among guests, this customized message board allows travelers to interact with one another as well as ask questions and make requests before or during their stay. Users can log on to the site to learn more about the city and the hotel, as well as get the most up-todate information about the latest happenings around NYC.

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Bold, brassy, sleek, and stunning—just a few words that describe what inspired these top designers.

Virginia Toledo (id 810 Design Group, Inc.) “Whether it’s something a bit retro or a bit glitzier, this bar cart (from 1stdibs at NYDC) is the essential hosting accessory and/or tool. Whether you use it to lay out tea at a card game or stock it with carafes and decanters chock full of libations for your next cocktail party, this furnishings accessory is one that no host should be without.”

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Lisa Sternfeld (LSID) “My latest inspiration is this beautifully handcrafted hand mirror from Anndra Neen. It’s ladylike and luxurious and harkens back to a bygone era. A perfect accessory for your dressing table!”

Joan Michaels (2Michaels) “I love these new chairs from Good Design at NYDC. They are solid, simple, and handsome.

These chairs would add quality and comfort to any room.”

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Jayne Michaels (2Michaels) “My favorite thing right now is Richard Filipowski’s New Flame sculpture, from the Weinberg Gallery at NYDC. Filipowski’s mid-century sculptures are vibrant and unusual. He’s a bit under the radar, and for a collector this is good news. His pieces will only increase in value.”

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Jessica Geller (id 810 Design Group, Inc.) “This photo of my grandfather and my father was taken at my dad’s bar mitzvah in 1959 and I have always been enamored by it. I love imagining the conversation between the two of them as they lit my dad’s first (and probably last!) cigar to celebrate this special occasion in his life. My grandfather looks so dapper in his white tux and reminds me of Cary Grant. I blew this photo up and it’s hanging on my wall amidst a gallery of other old family shots.”

“I am drawn to photography as art, and I especially love this piece “The Day Dream,” by Cig Harvey, because it is both architectural and emotional. What strikes me is both the symmetry and asymmetry of the composition, the lack of color, and the bold red color. And as with much of Harvey’s work, you can’t see the face of her subject, which leads to endless conversation and thought about who she is, and what she is feeling.”

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GALLERY F ierce and functional . powerful pieces that perform beautifully.

Tufted Leather Settee available at Hickory Chair, 212.725.3776, hickorychairpearson.com

The Indochine Bed available at Grange, 212.685.9057, grange.fr

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Gallery

Bedside/Commode Steps available at Wood & Hogan Inc., 212.532.7440, woodandhogan.com

The Six In One Chandelier available at Profiles, 212.689.6903, profilesny.com

Ching Cabinet available about Brueton, 212.838.1630, brueton.com

Multibed Castello available at Milano Smart Living, 646.293.6691, milanosmartliving.com

Onavillu Table available at Dennis Miller Associates, 212.684.0070, dennismiller.com

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Verlaine Fire Screen available at Niermann Weeks, 212.319.7979, niermannweeks.com

Acanthus Molding in Liquid Silver available at Korts & Knight Kitchens, 212.392.4750, korts.com

Il De Re Console Table available at Profiles, 212.689.6903, profilesny.com

Morgan Sofa available at Bolier Co., 212.684.0070, bolierco.com

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Groundworks Pillows available at Kravet Fabrics & Furniture, Inc., 212.725.0340, kravet.com Clockwise from top left (facing page): Fincastle Floor Mirror available at Global Views, 212.725.8439, globalviews.com Viya Home Wash Basins available at Stephanie Odegard Collection, 212.545.0205, stephanieodegard.com Pinstripe Carpet available at Kasthall, 212.421.0220, kasthall.com Mountain Stool available at Tucker Robbins, 212.355.3383, tuckerrobbins.com Chene de L’est French Flooring available at Côté France, 212.684.0707, cotefrance.com

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Shagreen Cabinet available at Pearson, 212.725.3776, hickorychairpearson.com

3-Light Bath Bar available at Metropolitan Lighting Fixture Co., 212.545.0032, minka.com

Dimitri Night Stand available at Henredon Interior Design Showroom, 212.679.5828, henredon.com

The Sumner Table available at Frazier, 212.447.4444, fraziercollection.com

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Aroma 3 Door Credenza available at John-Richard, 646.293.6668, johnrichard.com

Butler Table available at Baker Knapp & Tubbs, 212.779.8810, bakerfurniture.com

Cocktail Table available at Louis J. Solomon Inc., 212.545.9200, louisjsolomon.com

Lotus Bar Cabinet available at Century Furniture Showroom, 212.479.0107, centuryfurniture.com

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freshpicks T H E M O S T C U R R E N T products in nydc showrooms .

Balancing Act Creating symmetry from asymmetry and balance from imbalance are unmistakably evident in the modernist-inspired Havana Side Tables from Robert Marinelli. Varying monochromatic wood finishes with steel hardware provides contrast and harmony. The cabinet finish is nutmeg on ash, the legs are espresso finish on walnut, and the hardware is medium pewter metal finish. Profiles, Suite 1211, 212.689.6903, profilesny.com Open Concept Made of solid Philippine mahogany and American walnut veneers, the Maledon Display Cabinet from Henredon is refreshingly cleanlined and has open glass shelving highlighted by the Paris silver finish on the back panel as well as on the accent lights. Nickel-plated ferrules on the front legs add additional style and grace. Henredon Interior Design Showroom, Suite 616, 212.679.5828, henredon.com FEB

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Chenille Moderne Maxwell’s Studio Paris Collection is a stylish compilation of coordinating chenille patterns, effortlessly achieving a vibrant modern look.

Sleek stripes complement small-scale geometrics while a whimsical contemporary floral exudes a playfully chic and cool aesthetic. The fresh color palette featuring canary yellows and vivid fuchsia blend beautifully with modern neutrals in gray, black, white, and taupe.

Maxwell Fabrics available at Flourishes, Suite 414, 212.779.4540, maxwellfabrics.com

Knights of the Kitchen Table At Korts & Knight, Kitchens by Alexandra Knight, life follows form. Through simplicity and elegance, clients achieve their dream kitchen. The sleekness of this high-gloss white cabinetry brightens the contrasting Natural Quarter Sawn Walnut. This Ăźber-chic space was designed by Richard Knight. Korts & Knight Kitchens by Alexandra Knight, Suite 714, 212.392.4750, korts.com

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Transformer Table Extremely versatile, Rebus, from Milano Smart Living, transforms itself from a chic coffee table into an equally stylish dining table—all with the touch of a button. The electric-powered table grows from a height of 14 inches to approximately three feet, and expands from a length of three feet to over seven feet.

Milano Smart Living, Suite 711, 212.729.1938, milanosmartliving.com

Hit The Links The Chain Pendant from Global Views has chains that hang from the center, which can be hung as shown or in interesting patterns at the creativity of the end consumer. With bronze shade and brass details, it’s neither too fancy nor too casual and seamlessly fits into many environments. Global Views, Suite 613, 212.725.8439, globalviews.com Perfect Pear Wood-Mode’s Vanguard Door design at In House Kitchen Bath Home is shown here in smoky brown pear, showcasing the latest trend in contemporary cabinetry. Advances in technology make it possible to capture the look and the feel of natural wood veneers in durable high-pressure laminate. Available with aluminum edging and inset pulls. In House Kitchen Bath Home, Suite 100, phone 212.686.2016, fax 212.686.2048, inhousekbh.com

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freshpicks

Sari, New Number Stephanie Odegard’s Sari Lights Collection of rugs made from recycled sari yarns gives new life to the material from the original, elegant, unstitched garments of India’s women. The saris are taken apart and the yarns are recycled, re-spun and hand-knotted into original and exclusive graphic designs on a wool foundation.

Stephanie Odegard Collection, Suite 1209, 800.670.8836, stephanieodegard.com

Light As Air The handcrafted Box of Bubbles Fixture at Metropolitan Lighting is just that—a glass box filled with an assortment of hand-blown bubbles. Each piece is custom-made so it can be manufactured in a variety of sizes and colors. LED light strips run along the inside of the frame illuminating the bubbles. Metropolitan Lighting Fixture Co., Suite 512, 212.545.0032, minka.com

Scandin-Asian The Frisco Bench from Baker, Knapp & Tubbs is a subtle but complex modern form drawn from the archives of Baker Furniture. With both Scandinavian and Asian elements, the result is open, sculptural, and almost graphic. Every rail either tapers, curves, or changes shape.

More than an accent, this is a functional seat. Baker Knapp & Tubbs, Suite 300, 212.779.8810, bakerfurniture.com

Channel Changer The Club Chair with Channel Back and Swivel, created by New York designer Richard Mishaan for Bolier’s Modern Luxury Collection, adds a touch of opulence to a modern swivel base lounge chair. Choose the channel back or a plain back option. Available in a variety of finishes and fabrics, including COM. Bolier & Company, Suite 1216, 212.684.0070, bolierco.com

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Hit The Nail On The Head

Beach Find

This handsome sofa, from Louis J. Solomon’s Build Your Own Sofa Program, has a modern tapered leg with a large-spaced nailhead trim detail that creates a fresh yet unmistakable classic look. Choose the options you’re looking for in a sofa or loveseat from an exciting selection of sizes, styles, and fabrics. Louis J. Solomon, Inc., Suite 911, 212.545.9200, louisjsolomon.com

John-Richard’s transitional Antiqued Silver Leaf Over Driftwood and Shell Lamp is perfectly at home either in a charming Nantucket cottage or a chic TriBeCa loft. John-Richard, Suite 603, 646.293.6668, johnrichard.com

Curves Ahead A wrought-iron door seen on a Parisian shop inspired the repeating arabesques of the Serpentine Bed from Niermann Weeks. The curves of the bed are enhanced by the warm tones and antiqued patina of the Venetian gold leaf finish.

Available in hundreds of standard finishes or custom-finished. Niermann Weeks, Suite 905, 212.319.7979, niermannweeks.com

Curves & Corners The Romero Chair at Brueton is reminiscent of and inspired by the many cantilevered steel framed chairs of the ’30s. Its subtle curves and sharp crisp corners give this design the look of moving forward, both in style and in history. In polished high-grade stainless steel with slender, but very comfortable upholstery. Brueton, Suite 910, 212.838.1630, brueton.com

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Wine Country Glow Like rays of sunshine from their native Sonoma County, California, the Anemone Sconce by Tuell & Reynolds gives a warm glow to any contemporary design through the lens of millions of years of evolution. Available at Profiles, each piece is unique and made of handwrought metal. Profiles, Suite 1211, 212.689.6903, profilesny.com

Factory Original Combining solid oak and aged metal and aluminum, Grange’s 1904 Factory Collection provides a link between creative design and beautiful materials, expressed in a unique style.

The Studio Cabinet is available in all 15 new oak finishes in wood and paint. Combined with drawers and doors, the storage is limitless.

Grange, Suite 201, 212.685.9057, grangeny.com

Mad About Modular The Osiris Chandelier, a Matthew Fairbank Design at Dennis Miller Associates, is a modular lighting fixture made from hand-formed brass components. Using a small kit of parts, many unique designs can be fabricated. Standard options are available. Dennis Miller Associates, Suite 1210, 212.684.0070, dennismiller.com

Simply Gourd-geous In honor of the indigenous peoples of the Americas, Tucker Robbins commissioned the Squash Stool/Side Table. Made from acacia salvaged from the mountains of the Northern Philippines and carved by skilled artisans in Long Island City, New York, this piece becomes a bridge between cultures by incorporating and interpreting many different points of view. Tucker Robbins, Suite 504, 212.355.3383, tuckerrobbins.com

Guts & Glory Wood & Hogan’s gutsy and handsome Portuguese Console Table, crafted by Minton-Spidell in California, makes an impressive statement in any room. Shown here in Lisbon black, with over 50 wood or painted finishes and distress levels to choose from, this piece can suit almost any décor requirement. Wood & Hogan, Inc., Suite 812, 212.532.7440, woodandhogan.com

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Etch-A-Bed What fun you can have with the design choices on Frazier’s Etched Bed. With the ability to dress it up or down, with many alternative finishes for the surrounding etched frame (including enameling) and the option to change up the finish and the upholstered panel, this bed seems to fit into the “all things to all people” category. Frazier, Suite 901, 212.447.4444, fraziercollection.com

Heart of Stone Côté France’s newest collection is Montefizi Stone. Montefizi specializes in exceptional fireplaces, busts, consoles, and architectural elements that are all hand-carved in Belgium. The very best, and often rare or antique marble and stone from Europe is used to create classic elements. Côté France, Suite 1201, 212.684.0707, cotefrance.com Check Out My Crib This rather substantial bed from Restoration Timber is made from reclaimed Douglas Fir timber or “cribbing” that is used in the supporting frame for large vinegar tanks. They select the best pieces of wood to construct this distinctive bed inspired by the Tuscan countryside in Italy. Restoration Timber, Suite 436, 877.980.WOOD, restorationtimber.com

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Bunches of Style Fushun Bunching Cocktail Tables from Century are a fresh take on a classic Asian design, made in the USA. Constructed of solid maple with a ziricote veneer, they are also offered in over 90 finish options to perfectly suit any room you choose. Century Furniture Showroom, Suite 200, 212.479.0107, centuryfurniture.com

Swedish Fogg The hand-tufted Fogg Harlequin Rug at Kasthall was inspired by the Afghan coats and leather patchworks of the 1970s. Available in two color combinations, cognac and cream, the character of the linen yarn and its many shades of color give it a beautifully mottled appearance and attractive sheen. Kasthall, Suite 611, 212.421.0220, kasthall.com

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STYLESPOTLIGHT F eatured highlights of craft and design .

1. Groovy Kind of Trim (facing page) Kravet Couture’s Modern Colors Trim Collection is a wow, referencing the wild, hypnotic uses of color in the ’60s and ’70s.

They add a perfect finishing touch to drapery, upholstery, and wall applications. 2. Saddle Up Practical, comfortable, and dapper, the Saddle Chair by Tucker Robbins is sculpted in salvaged acacia from the Northern Philippines, and assembled in Long Island City, New York.

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3. Blooming Right (facing page) Côté France’s classic two-door buffet now has a new style. This hand-painted dramatic floral motif was recently introduced at the Maison et Objet show in Paris. 4. Sweet and Low Ceilings It’s hard to fit a chandelier in a room with eight-foot ceilings. So Niermann Weeks designed the gleaming gold leaf and shining glass beads of the Madeleine Ceiling Fixture for just such a space. 5. Long and Short of It Part of Bolier’s Modern Luxury Collection, this Upholstered King Bed by Richard Mishaan can be customized to any length, width, or height. Available in a variety of finishes and fabrics including COM. 6. A New Slant Five hand-carved, natural oak bands diagonally snake completely around the distinctive Chaneau Chest of Drawers from Profiles.

Available in lower and longer sizes and in a range of finishes. 7. Hugo Weaving Hugo, from Kasthall, is inspired by rugs and blankets used by the nomads of Morocco. The striped pattern also recalls rag-rugs used in Swedish homes, but with a strict modern touch. 8. Proud as a Pillow With shades of blue and green and masterful Indian embroidery, the Ikat Peacock Pillow from Global Views stands out. It is also available in red and orange shades.

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9. The King is Distressed This Louis XVI Lounge Chair at Wood & Hogan offers pure comfort with loose seat and back cushions and a wood frame that comes in 50 finishes and distress levels. 10. Raw Color Inspired by vivid art photographs of raw crushed vegetables, Stephanie Odegard created the Somoroff VI Rug, named after the artist photographer whose work she found so intriguing. 11. Adjustable High Wire This simple, contemporary pendant by George Kovacs at Metropolitan Lighting has a wire aluminum shade and is adjustable in height. 12. Golden Wings The gold migrating birds on the Migration Four-Door Credenza at John-Richard are reverse-painted on black glass. The cabinet has a black glass top and sides mounted on a six-leg stool. 13. Reflect on This Louis J. Solomon is proud to offer a new collection of mirrored furniture. This Mirrored Chest has it all: beautiful lines, great size, antique finishes, and quality hardware.

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14. Leaves with Leaf The Art Nouveau–inspired Valerian Chandelier at Baker Knapp & Tubbs is an original design from Bill Sofield. A wreath of individually shaped and welded steel leaves comes in a heavily antiqued white gold leaf. 15. Pink Princess Grange’s Princess Bombe Chest, features dramatic, elegant lines, gold leaf trim, and decorative brass ormolu in the romantic style of Louis XV. 16. Double Bow Seven The M.A. Semanier from Frazier delivers seven drawers of storage in a small footprint with a classic double bow front form that is echoed in the shagreen-etched pulls. 17. This Way or That The versatile Fleurette Mirror from Aquisitions by Henredon is made of Philippine mahogany solids in graceful serpentine curves. It can be hung either horizontally or vertically.

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18. Ring in the Old Sleek contemporary meets old-world sophistication in Wood-Mode’s custom cabinetry at In House Kitchen Bath Home. High-gloss Nordic white contrasts beautifully against classic walnut on the Vanguard Plus door style. 19. Lounging in the Tub The Tub Chair at Dennis Miller Associates, seen here covered in hide with an olive taupe wood finish, is so relaxing to sink into. 20. Any Way But Straight With its unexpected form and whimsical design, the Undulatus Bench from Brueton is perfect when a generic seating choice just won’t do. Available in different lengths. 21. Place That Accent The Bertrand Desk

by Emmanuel Delalain at Profiles is a handcrafted masterpiece in black lacquered oak and black leather. Although it sports a French accent, it’s actually made in Brooklyn.

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22. Kitchen Fashion Korts & Knight custom designs almost every detail in a kitchen—from a custom steel and brass hood to the distressed mirror in the cabinetry doors. 23. Drinks Are On Me Snakeskin leather and patterns are currently dominating fashion. This Petite Drinks Table from Pearson is wrapped in Italian leather embossed in a dramatic python design with a clear protective coating. 24. Stretch Before a Meal Impromptu dinner party for 14? No sweat. A mechanism with aluminum rails transforms the Milano Smart Living’s space-saving Minuetto Table from an elegant console into a large dining table. 25. Up Where We Belong Designed as a showcase, the stunningly simple Urban 1 Pedestal with Acrylic Box from Century is the perfect complement to a room’s proportions.

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De. FIN.ingPieces items that sum up what a showroom is all about.

Bolier & Company The Demi Wing Chair designed by Richard Mishaan for Bolier’s Modern Luxury Collection is a modernist’s view of a classic high-back wing chair. It comes in an ebony finish in a variety of fabrics including COM. Made in USA. Bolier & Company, Suite 1216, 212.684.0070, bolierco.com

Côté France This iconic LXV Commode is one of the Côté France favorites. It can be custom finished in any solid or diamond pattern and in French lacquered painted colors. They can also match any wood or paint color sample, with or without antiquing. The decoration and handles are solid bronze and can be ordered in several patinas, including silver. Côté France, Suite 1201, 212.684.0707, cotefrance.com

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Stephanie Odegard Collection Stephanie Odegard’s Rosa design is part of her Rosa Collection, inspired by, in her words, “nature’s greatest gift”—the flower. It is part of an ever-growing modern, whimsical, and graphically elegant collection. Once again, Stephanie adds fresh new themes to the realm of floor coverings. Stephanie Odegard Collection, Suite 1209, 800.670.8836, stephanieodegard.com

Niermann Weeks A rope of unique, faceted crystals enhances the Avignon Chandelier’s typical French shape. The simplicity of the final, graceful design reflects the Zen-like experience Niermann Weeks had creating this piece and experimenting with the alignment of crystals, spacing, and arrangement. Seen here in rusty steel, it is available in many standard finishes or custom finished. Niermann Weeks, Suite 905, 212.319.7979, niermannweeks.com

Dennis Miller Associates With a bisected elliptical cone base, as simple and elegant as a Calder sculpture, Powell & Bonnell’s new Fuego table is amazingly stylish and adaptable. Whether employed as a small side table or a major dining surface, the formed plate steel base looks featherlight while performing remarkable feats of power and stability. Dennis Miller Associates, Suite 1210, 212.684.0070, dennismiller.com

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Frazier

Brueton The Metropole is a handsomely detailed, tailored sofa with classical modern appeal. Its comfortable cushioning is framed with beautifully finished mahogany side and base panels, supported by cylindrical stainless steel feet. Brueton, Suite 910, 212.838.1630, brueton.com

The combination of warm, organic wood stretched over a lithe form with sleek, polished stainless fittings on the Backstay Sofa evokes the sense of a vintage sailboat. The knurled, lost wax cast feet again echo the theme of beautifully functional nautical fittings. The result is elegance, with a trim, athletic profile. Frazier, Suite 901, 212.447.4444, fraziercollection.com

John-Richard In the original oil painting “Gladiolus,” Jinlu’s technique plays well to the eye as he executes an abstract botanical with a vibrant spring color palette sure to brighten any space. It is set in a silver-faced floater frame. John-Richard, Suite 603, 646.293.6668, johnrichard.com

Baker Knapp & Tubbs The centerpiece to any room, the Celestial Chest from the Barbara Barry Collection makes a unique statement. The subtly dimensioned face of galaxy-like swirls are framed in walnut and trimmed in gold leaf. A custom circle door pull is attached to one door. Hand-finished and burnished, this piece can hold the whole room. Baker Knapp & Tubbs, Suite 300, 212.779.8810, bakerfurniture.com

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DefiningPieces Kasthall Ingrid is a 100% wool shaft-woven rug from Sweden with folkloristic characteristics. The pattern calls up images of knitted pullovers from northern Scandinavia, yet despite its traditional connotations, Ingrid feels equally at home in a contemporary metropolitan environment.

A versatile rug with a fresh yet classic expression, it is available in ten colors. Kasthall, Suite 611, 212.421.0220, kasthall.com

Profiles The Fleetwood Sofa by Marbello of Hollywood, California, is a classic sofa expertly tailored and detailed by hand. It is an example of perfect tufting within a modern frame. Profiles, Suite 1211, 212.689.6903, profilesny.com

Wood & Hogan, Inc. The Blenheim Wing Chair is a generous-size regal piece made of walnut in amber color. The uncommon rolled arms and scroll-carved cabriole legs contribute to the distinction of this noble wing chair, fit for the palace that is its namesake.

Wood & Hogan, Inc., Suite 812, 212.532.7440, woodandhogan.com

Henredon Interior Design Showroom The front face of the Open Oval China Cabinet from the Barbara Barry Realized by Henredon Collection has subtly curved glass doors with oval tracery. The interior is fitted with refined, walnut-edged adjustable glass shelves and accent lights. Jewelry-like hinges and antique bronze hardware lend added distinction. Henredon Interior Design Showroom, Suite 616, 212.679.5828, henredon.com 66

Louis J. Solomon, Inc. Made in America, like all Louis J. Solomon’s upholstered furniture, and using eight-way hand-tied springs and a solid hardwood frame, this chair provides a perfect blend of comfort and beauty. From traditional to transitional and contemporary, with a focus on quality and selection, you can always find the perfect chair to curl up and get comfortable in. Louis J. Solomon, Inc., Suite 911, 212.545.9200, louisjsolomon.com

Metropolitan Lighting Fixture Co., The delicate chrome finish and glass Bella Fiori Semi-Flush Fixture has a transitional elegance inspired by European culture. The clear glass orchids are bunched together creating a piece that’s both sculptural and beautiful.

Metropolitan Lighting Fixture Co., Suite 512, 212.545.0032, minka.com

PROFILES Architecture and proportion as well as attention to detail are hallmarks of the Chelsea Console Table. The engagement between luxurious materials and finishes and opposing yet harmonious elements make it ideal for both classic and modernist interiors. The table is espresso finish on walnut while the top is a cream-honed limestone. Profiles, Suite 1211, 212.689.6903, profilesny.com

Tucker Robbins Inspired by the geometry of the earth and its faceted gems and minerals, Tucker commissioned the Geode Stool/Side Table.

Made from acacia salvaged in the Northern Philippines, carved by skilled Long Island City, New York, artisans, this piece incorporates aspects of different cultures and combines them with a variety of creative perspectives. Tucker Robbins, Suite 504, 212.355.3383, tuckerrobbins.com

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In House Kitchen Bath Home Redefining the classic New York prewar aesthetic with clean lines and simple details, Wood-Mode’s Hallmark Door style in alpine white evokes the grace of another era while meeting the functional demands of today’s modern kitchen. Durable opaque finishes in a range of colors withstand daily use by busy families and aspiring chefs alike. In House Kitchen Bath Home, Suite 100, 212.686.2016, inhousekbh.com

Global Views The large Collector’s Cabinet, seen here in black lacquer with painted gold detail and a gold mirror, makes a dramatic statement. It is also available in gray wash wood with a silver mirror, or with the console only, the hutch only, or together as shown. Global Views, Suite 613, 212.725.8439, globalviews.com

Maxwell Fabrics Warm Welcome is a collection of modern classic upholstery textures for durable and timeless luxury. Pattern Wesley is a chic twill weave with a natural wool look and feel, while pattern Wyatt is a textured chenille woven with a slight shimmering yarn for added contrast and surface interest. Maxwell Fabrics available at Flourishes, Suite 414, 212.779.4540, maxwellfabrics.com

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Grange Grange’s modulars are customizable, freestanding wall units in multiple dimensions, functions, and finishes. Whether it’s a question of addressing space or design constraints, or redesigning a bedroom, living room, office, or sitting room, Grange offers its modular units as a solution that optimizes and personalizes the space available, whatever the look desired.

Grange, Suite 201, 212.685.9057, grangeny.com

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Korts & Knight Kitchens by Alexandra Knight Korts & Knight continues to bring to their luxe clientele the Post European Kitchen.

Already pushing the envelope with a sculpted wave door and a holographic finish, the Korts & Knight team goes even further by curving all of the cabinets. Korts & Knight Kitchens by Alexandra Knight, Suite 714, 212.392.4750, korts.com

Milano Smart Living Jaco is an ergonomic modern sofa that satisfies all requirements of both sophistication and comfort. Its upholstered backrest can be rotated to increase the depth of the seat.

With one simple action, Jaco transforms into a bed with a six-foot mattress. Its clean lines and chic design conceal its surprise double life. Milano Smart Living, Suite 711, 212.729.1938, milanosmartliving.com

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Kravet Fabrics & Furniture, Inc. Mediterraneo, a collection of linen prints and woven fabrics from Echo Design for Kravet, is inspired by the rugged cliffs, clear waters, lush olive groves, and sandy beaches along Mediterranean shores. Echo has interpreted this natural beauty into modern fabrics in a sophisticated range of “sun-bleached” colors.

Kravet Fabrics & Furniture, Inc., Suite 401, phone 212.725.0340, fax 212.684.7350, kravet.com

Century Furniture Showroom With its pagoda-style top and honeycomb shelves, the Peking Open Display Cabinet is a stunning way to showcase your most precious collections. It features 12 open shelves with glass inserts and LED interior lighting above three drawers. Available in any of Century’s 90-plus finished and custom finishes as well.

Century Furniture Showroom, Suite 200, 212.479.0107, centuryfurniture.com

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ShowroomPortraits Profiles of Some of NYDC's Most Familiar Names

BAKER KNAPP & TUBBS Suite 300

BOLIER Suite 1216

BRUETON Suite 910

CENTURY FURNITURE SHOWROOM Suite 200

Founded in 1902, Baker Knapp & Tubbs, Inc. remains one of the largest wholesale distributors in the industry with 17 showrooms located in major design districts throughout the United States and at the Chelsea Harbour Design Centre in London. Product assortment spans from historic reproductions dating back to the 17th century to modern designs from today’s most recognized independent designers.

Baker Knapp & Tubbs, Suite 300, phone 212.779.8810, fax 212.689.2827, bakerfurniture.com

Presenting a “modernist’s view of classic form,” Bolier offers a select portfolio of classic forms inspired by traditional fine furniture and shaped for contemporary lifestyles. Each piece reflects a dedication to design, materials, and authentic craftsmanship and is created for lasting value. Pictured: The Morgan Sofa is a classic tufted sofa designed by John Black for Bolier.

Bolier, Suite 1216, phone 212.684.0070, fax 212.684.0776, bolierco.com

Brueton, a U.S. manufacturer based in New York, manufactures a full line of contemporary furniture including sofas, tables, chairs, casegoods, and accessories catering to residential and commercial clients. In addition, Brueton offers vast custom capabilities, including fabricating the simplest to the most complicated stainless steel products and architectural metals for architects and designers.

Brueton, Suite 910, phone 212.838.1630, fax 212.838.1652, brueton.com

Since 1947, Century Furniture has provided finely crafted luxury furniture and legendary service to its customers.

Now a third-generation family-owned company, Century is located in Hickory, North Carolina, with more than 900 associates. Each of our employees owns a stake in our company and their commitment and dedication can be seen in every piece of furniture.

Century Furniture Showroom, Suite 200, phone 212.479.0107, fax 212.479.0112, centuryfurniture.com

CÔTÉ FRANCE Suite 1201

COUTURE SHOWROOMS Suite 715

DENNIS MILLER ASSOCIATES Suite 1210

DESIRON Suite 702

Visit Côté France for quality, style, and originality. The company’s French workrooms proudly boast generations of families continuing a tradition of fine handcraftsmanship. In addition to classic French reproductions in authentic finishes, Côté France brings tradition into the 21st century with vibrant colors and unique painted designs. Recently introduced is a collection of 18th-century reproduction outdoor teak furniture and a solid bronze lighting collection.

Côté France, Suite 1201, phone 212.684.0707, fax 212.684.8940, cotefrance.com

Couture Showrooms is now on the 7th floor. In addition to carrying the wellknown Vladimir Kagan Couture line, they have now expanded their offerings to encompass other prestigious names such as A.S. Morris, Spectrum West, Ron Seff, Axis Mundi, and Custom Designs by Luigi Gentile. Fabric and leather lines are available for your selection from their local workroom.

Couture Showrooms, Suite 715, phone 212.689.0730, fax 212.689.1830, coutureshowrooms.com

Since 1983, Dennis Miller Associates has offered innovative furniture and lighting collections designed by architects, interior designers, and artisans. Its showroom provides a continually evolving showcase of contemporary and 20th-century classic design excellence.

Its popularity with top designers speaks for itself. Come see the recent additions to Dennis Miller Fabrics, Lighting, and Rug collections.

Dennis Miller Associates, Suite 1210, phone 212.684.0070, fax 212.684.0776, dennismiller.com

DESIRON, designed by Frank Carfaro, is a highly celebrated luxury furniture design company with a focus on benchmade, fully customizable home furnishings. The company's 4000-sq.-ft. showroom concentrates on a contemporary clean aesthetic with strict attention to detail and finishing. DESIRON manufactures its pieces in Kenilworth, New Jersey, at their state-of-the-art facility, just 19 miles from downtown NYC. DESIRON, Suite 702, phone 212.353.2600, fax 212.353.0220, desiron.com

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FLOURISHES Suite 414

GLOBAL VIEWS Suite 613

GRANGE Suite 201

HAIKU (CALGER LIGHTING, INC.) Suite 434

After 59 years, Maxwell’s reputation is rock solid. Now they have a new face and a fresh look as a younger generation of the Maxwell family sets the pace. They have unique insight and awareness into emerging new design trends, while presenting modern classic fabrics that add distinction, value, and vitality to projects.

Maxwell Fabrics available at Flourishes, Suite 414, phone 212.779.4540, fax 212.779.4542, maxwellfabrics.com

Global Views is a home decor wholesale company with collections that blend various styles to make pieces that are elegant, exotic, refined, and casual.

They offer a wide assortment of fashion-forward products from furniture to accessories that fit every price range.

Global Views, Suite 613, phone 212.725.8439, fax 212.679.4927, globalviews.com

Handcrafted in France since 1904 and now distributed in nearly 50 countries worldwide, Grange offers timeless, classically designed furniture for bedroom, dining, living, outdoor, and occasional needs. Their 27 spectacular painted and wood finishes are available in three different levels of distress— light, medium, and heavy.

Grange, Suite 201, phone 212.685.9057, fax 212.685.7312, grangeny.com

Backed by years of research and development and hundreds of prototypes, Haiku reflects the attention to detail the Big Ass Fan Company is known for worldwide. Its industry-leading efficiency, silent motor, tops-in-class airflow, sustainable materials, quality craftsmanship, and minimalist design combine to create the perfect air-moving machine.

With eight patents worldwide, Haiku is a true original.

Haiku (at Calger Lighting, Inc.), Suite 434, phone 212.689.9511, fax 212.779.0721, haikufan.com

HENREDON INTERIOR DESIGN SHOWROOM, Suite 616

Hickory Chair-Pearson Suite 102

In House Kitchen Bath Home Suite 100

John-Richard Suite 603

The mission of the Henredon Interior Design Showroom is to service the design trade at the highest possible level, while offering a fashion-forward shopping experience. The showroom represents Henredon, Barbara Barry Realized by Henredon, LaneVenture, Maitland-Smith, LaBarge, and Taracea.

Founded in 1945 in Morganton, North Carolina, Henredon offers hundreds of beautiful wood and upholstery designs for every room.

Henredon Interior Design Showroom, Suite 616, phone 212.679.5828, fax 212.679.6509, henredon.com

Hickory Chair and Pearson bring together in one showroom a combination of unique and inspirational collections, with a combined age of 172 years of fine furniture manufacturing. Pearson has an amazing collection of more than 500 styles, all designed in-house, ranging from traditional to contemporary, dressy to casual, with a number of custom options with which to help individualize your furniture choice.

Hickory Chair Pearson, Suite 102, phone 212.725.3776, fax 212.725.3763, hickorychairpearson.com

In House was founded in 2007 with the purpose of creating New York’s premier showroom for the kitchen and bath.

Forging relationships with manufacturers of the highest quality products, the company has crafted a showroom that speaks to a discerning clientele. A knowledgeable staff guides hardware and plumbing fixture selections while two Certified Kitchen Designers offer distinguished cabinetry designs.

In House Kitchen Bath Home, Suite 100, phone 212.686.2016, fax 212.686.2048, inhousekbh.com

John-Richard was formed in 1980 as a sideline business to one of the largest retail furniture operations in the Mississippi Delta. The original company employed five people in a 10,000-sq.-ft. warehouse. Today, it has grown internationally to have offices and factories in Vietnam, Indonesia, India, and China, as well as its corporate headquarters in Greenwood, Mississippi.

John-Richard, Suite 603, phone 646.293.6668, fax 646.293.6668, JohnRichard.com

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ShowroomPortraits

Kasthall USA Suite 611

KORTS & KNIGHT KITCHENS BY ALEXANDRA KNIGHT, Suite 714

KRAVET FABRICS & FURNITURE, INC. Suite 401

LEXINGTON HOME BRANDS Suite 212

Made in Sweden since 1889, one of the main reasons why the Kasthall name is associated with high quality is that they maintain control over the entire production process—from yarn to finished rug.

New methods meet ancient techniques in the company’s factory in Kinna, a personal and intimate place where everyone knows everybody by name.

Kasthall USA, Suite 611, phone 212.421.0220, fax 212.421.0230, kasthall.com

Korts & Knight, San Francisco’s premier kitchen design company, opened their first design studio in the San Francisco Bay area in 1975. They have expanded to the East Coast with a new Manhattan showroom—Korts & Knight, Kitchens

by Alexandra Knight. Notably, the New York showroom only features North American cabinetmakers. Come discover the Post-European kitchen.

Korts & Knight, Kitchens by Alexandra Knight, Suite 714, phone 212.392.4750, fax 855.200.LEXI, korts.com

Kravet’s showroom strives to create a unique shopping experience for every designer in order to be the primary resource in the decorative fabrics and furnishings industry. The company’s goal is to create a comfortable workspace and resource center for designers that serves as an extension of its own design studios. Product selections are presented in an environment that is both functional and stimulating.

Kravet Fabrics & Furniture, Inc., Suite 401, phone 212.725.0340, fax 212.684.7350, kravet.com

Known for innovative lifestyle design, the Lexington Home Brands showroom features casegoods and custom-upholstered seating for every room of the home, by Lexington, Tommy Bahama, Sligh, Henry Link Trading Company, and Aquarius, in styles ranging from traditional to contemporary.

Lexington Home Brands, Suite 212, phone 212.532.2750, fax 212.532.2875, lexington.com

LOUIS J. SOLOMON, INC. Suite 911

METROPOLITAN LIGHTING FIXTURE CO., Suite 512

Milano Smart Living Suite 711

NIERMANN WEEKS Suite 905

Since 1930, Louis J. Solomon has had a reputation in the industry for fine traditional furniture. Over the past ten years they have introduced over 200 new transitional and contemporary styles that complement the quality styles they have always been known for.

Please visit to see the latest additions in the company’s showroom.

Louis J. Solomon, Inc., Suite 911, phone 212.545.9200, fax 212.545.9438, louisjsolomon.com

Metropolitan Lighting Fixture Co. has been illuminating fine interiors since 1939. Now part of the Minka Group, the Metropolitan showroom represents lighting from all Minka companies, including George Kovacs, as well as products from other quality lighting manufacturers. Its large showroom offers one of the most comprehensive selections of designer-oriented lighting in the industry.

Metropolitan Lighting Fixture Co., Suite 512, phone 212.545.0032, fax 212.545.0031, minka.com

Recognized for purposeful design and invested in maximizing small spaces, Milano Smart Living specializes in the finest and most innovative multifunctional furniture: sophisticated and space-saving sofa beds, wall beds, expandable tables, and more.

Milano Smart Living, Suite 711, phone 212.729.1938, fax 212.729.1939, milanosmartliving.com

Niermann Weeks Designs borrow elements from the past and reinterprets them to fit current lifestyles. Over half of the firm’s business is custom work to meet the special needs of professional designer and architect clients.

Niermann Weeks features more than 600 standard designs with 500 finishes, available through to-the-trade designer showrooms in the United States, Canada, and the United Kingdom.

Niermann Weeks, Suite 905, phone 212.319.7979, fax 212.319.6116, niermannweeks.com

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PROFILES Suite 1211

RESTORATION TIMBER Suite 436

S.A. BAXTER ARCHITECTURAL HARDWARE, Suite 1205

SALADINO FURNITURE, INC. Suite 1600

Serving the design profession since 1980. PROFILES’ workrooms in the USA and in Europe create pieces of uncommon beauty and imagination for both residential and contract customers.

They offer a full spectrum of furniture in a variety of woods, metals, and finishes, as well as finely tailored upholstery— all to the designer’s specifications.

Profiles, Suite 1211, phone 212.689.6903, fax 212.685.1807, profilesny.com

Restoration Timber offers a wide spectrum of materials, including reclaimed wood flooring, wainscoting, beams, siding, and stock for furniture and cabinetry. Naturally weathered by a century or more of use, Restoration Timber provides wood rich in history, unparalleled in beauty, and solid with age. Environmentally responsible reclaimed wood adds warmth, depth, and character to almost any installation.

Restoration Timber, Suite 436, phone 877.980.WOOD, fax 212.679.5408, restorationtimber.com

From handles to hinges, from levers to latches, S.A. Baxter manufactures hardware of exquisite complexity and finishes to adorn the doors and windows of luxury homes, chic hotels, and upscale retailers. They offer the deepest palette of patterns, metals, and finishes, and deliver the highest quality, custom-designed pieces for the upscale residential and luxury commercial markets.

S.A. Baxter Architectural Hardware, Suite 1205, phone 800.407.4295, fax 212.252.1031, sabaxter.com

Established in 1986 by renowned designer John F. Saladino, the Saladino Furniture collection currently has over 75 original designs of upholstery, casegoods, and lighting. The line is available exclusively through its New York showroom among select antiques and accessories. A 75-page catalog may be purchased via the Web at saladinostyle.com.

Saladino Furniture, Inc., Suite 1600, phone 212.684.3720 x31, fax 212.684.3257, saladinostyle.com

STEPHANIE ODEGARD COLLECTION Suite 1209

TK COLLECTIONS Suite 410

TUCKER ROBBINS Suite 504

WOOD AND HOGAN, INC. Suite 812

The Stephanie Odegard Collection is a leader in bold design and color innovation in the production of high-end, hand-knotted carpets. The collection also features handcrafted furniture, lighting, antiques, and decorative accessories from across the globe. In all of her products, Stephanie Odegard requires strict adherence to social responsibility, raising standards of living for thousands of craftspeople in developing countries.

Stephanie Odegard Collection, Suite 1209, phone 888.988.1209, fax 212.545.0305, stephanieodegard.com

For over two decades. TK Collections has been the sole importer of the classic French handcrafted rattan café chairs and stools along with French sidewalk café tables. In addition, its new collection also includes decorative wroughtiron table bases, coffee tables, and cast-bronze lighting made in France.

TK Collections, Suite 410, phone 212.213.2470, fax 212.213.2464, tkcollections.com

The Ultimate Green Story: Tucker Robbins’ passion lies in the cooperation among global cultures—bringing the spirit and craft from the tribal cottage industry to contemporary life.

Tucker Robbins, Suite 504, phone 212.355.3383, fax 212.355.3116, tuckerrobbins.com

For over 85 years Wood & Hogan has been regarded throughout the design trade as a reliable source for highquality products. Designers find that shopping at Wood & Hogan, with its highly professional and friendly staff, enhances their clients’ satisfaction.

Wood & Hogan has expanded its offerings to include Minton-Spidell, The Sterling Collection, Editions, and many other fine products.

Wood & Hogan, Inc., Suite 812, phone 212.532.7440, woodandhogan.com

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NYDCEvents Calendar W hat 's N ew, What' s Next On September 13, The New York Design Center hosted the fourth annual “What’s New, What’s Next,” a building-wide event focusing on all things new in the design industry. More than 5,000 guests viewed new product introductions from over 55 participating showrooms and attended 21 presentations, book signings, and panel discussions with the industry’s top editors, designers, and manufacturers. “What’s New, What’s Next” included 12 media partners that hosted the interactive scheduled programs: Architectural Digest, Elle Decor, House Beautiful, Interior Design, Interiors, Luxe Interiors + Design, New York Spaces, New York Cottages & Gardens, Rue, Traditional Home, Veranda, and The Wall Street Journal.

Left to Right: Veranda Editor in Chief Dara Caponigro views designer Thomas Pheasant’s new line in the Baker Knapp & Tubbs showroom; Interior Design’s Cindy Allen hosts a panel discussion in the Stephanie Odegard Collection showroom; Amanda Nisbet signs copies of her book, Dazzling Design; Traditional Home Editor in Chief Ann Maine introduces a panel of New Trad designers; designers Thomas O’Brien, Katharine Hable Sweeney, and Mariette Himes Gomez discuss product design and innovation with AD’s Mitchell Owens in Hickory Chair Pearson; Michael Boodro, Editor in Chief of Elle Decor, is joined by designers Alex Papachristidis, Thomas Jayne, and Thom Filicia; Pamela Bruckbauer, Beth Greene, and Ann Feldstein of Kravet pose with Elle Decor’s Parker Bowie and Mieke ten Have; Simon Doonan, Barney’s Creative Director, unveils Jonathan Adler’s new line for Kravet; NYDC President and CEO Jim Druckman with designer Charlotte Moss and House Beautiful’s Newell Turner; a new product is highlighted in Kasthall.

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C ity M odern— A Celebration of New York Design The New York Design Center was thrilled to sponsor the launch party for Dwell Media and New York magazine’s first City Modern event on October 2, a celebration of New York architecture and design, sponsored by Audi. The design elite came out in droves to view dazzling vignettes designed by celebrated interior designers Nate Berkus, Francis D’Haene, Thom Filicia, and Ghislaine Vinas. The curated exhibition on display, Design Through the Ages, showcased the best in modern design from the 1960s through today.

Left to Right: Dwell Editor in Chief Amanda Dameron, Thom Filicia, Ghislaine Vinas, President of Dwell Media Michela O’Connor Abrams, New York magazine’s Larry Burstein and Wendy Goodman, Francis D’Haene, and Nate Berkus; Francis D’Haene illustrated the best and worst of the 1980s with his Wall Street meets Beetlejuice installation; Ghislaine Vinas recreated the 1960s with her Go-Go inspired rendition; Berkus brought us vintage 1970s furnishings from 1stdibs at NYDC; Thom Filicia showcased an at-home sophisticated look of today; the four City Modern vignette designers.

For a list of NYDC’s upcoming events, visit nydc.com.

freshpicks

4

Black&White Masquerade Ball

W e would like to thank the 2 012 supporters :

The New York Design Center and The Alpha Workshops hosted the Seventh Annual Masquerade Ball on October 25, a re-creation of Truman Capote’s famous Black & White Ball. The design industry gathered in their most glamorous black and white attire for a cocktail party reminiscent of the legendary evening at the Plaza. Over the past six years, the Masquerade Ball has raised over $500,000 for The Alpha Workshops Studio School, the only school in the nation that trains creative individuals living with HIV in the decorative arts field. The New York Design Center would like to express gratitude to all of the sponsors and guests for making the 2012 Ball a huge success, with over $50,000 directly benefiting the organization.

Kemble I nteriors

Tony Manning/ Mitchell Manning Associates Left to Right: Tony Manning /Mitchell Manning Associates dressed as Alpha Pilgrims; NYDC’s Jim Druckman with Ken Wampler, Executive Director of The Alpha Workshops; designers West Chin and Kati Curtis; Editor at Large’s Marisa Marcantonio interviews guests; Karen Kreitseck and David Gittleman of PROFILES; Traditional Home staff, New York Design Center’s Claire Evans, Leah Blank, Alana Moskowitz, Jim Druckman, Alix Lerman, and Brenna Stevens; designers Kirsten Brant and Paul Melo; Designer Brad Ford and Kirk Hunter; Hearst Design Group ladies fully masked; Dennis Miller and designer Bradley Stephens; designers Thomas Burak and Michael Devine; Dennis Miller with his showroom staff.

Photo Credits ©Matthew Carasella/SocialShutterbug.com

M edia S ponsors

Jeff Kazin & Chris Pennington Malcom James Kutner P ollack VP +C FEB

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ShowroomDirectory A Complete List of Who's Where In 200 Lex SHOWROOM

S uite

FA X

S H OW RO O M

S uite

P H O NE

FA X

1stdibs at NYDC

10 Fl

646.293.6633 646.293.6687

Kasthall USA, Inc.

611

212.421.0220

212.421.0230

424

212.679.9500

Keilhauer Primason Symchik, Inc.

1101

212.679.0300

212.679.5996

Andreu World America

430

Antique Chinese Furniture

804

212.447.1669

212.696.0080

Kindel

510

646.293.6649

Korts & Knight Kitchens by Alexandra Knight

716

212.3924750

855.200.LEXI

Antique Rugs, Jerry Livian Collection 806

212.683.2666

212.683.2668

Kravet Fabrics & Furniture, Inc.

401

212.725.0340

212.684.7350

Apropos

710

212.684.6987

212.689.3684

Krug, Inc.

1415

212.686.7600

212.686.7686

Aqua Creations

427

212.219.9922

212.219.4042

LaCOUR, Inc.

1412

212.213.6600

212.213.9550

Arc|Com Fabrics

1411

212.751.1590

212.751.2434

Lampworks, Inc.

903

212.750.1500

212.750.1671

Aristeia Metro

1416

646.761.4711

Laserow Antiques

408

212.988.9194

Arteriors Home

608

646.797.3620

646.786.4818

The Levine Calvano Furniture Group, Inc.

1406

212.686.7600

Atelier Interior Design

202

212.696.0211

212.696.0299

Lexington Home Brands

212

212.532.2750

212.532.2875

Atlas Carpet Mills, Inc.

1314

212.779.4300

212.779.7905

Louis J. Solomon, Inc.

911

212.545.9200

212.545.9438

Baker Knapp & Tubbs

300

212.779.8810

212.689.2827

Luna Textiles

1410

212.251.0132

212.725.3430

Bolier

1216

212.684.0070 212.684.0776

Maxon Furniture, Inc.

1307

212.684.7788

212.686.9781

Boyce Products, Ltd.

1318

212.683.3100

212.683.5005

McGuire Furniture Company

101

212.689.1565

212.689.1578

The Bright Group

902

212.726.9030

212.726.9029

Metropolitan Lighting Fixture Co.

512

212.545.0032

212.545.0031

Brueton

910

212.838.1630

212.838.1652

Milano Smart Living

711

646.293.6691

Calger Lighting

434

212.689.9511

212.779.0721

M. Topalian, Inc., Antique Carpets

802

212.684.0735

Century Furniture Showroom

200

212.479.0107

212.479.0112

Napier + Joseph + McNamara, Ltd.

1304

212.683.7272

212.683.7011

City Dekor Lighting

420

212.995.8328

212.867.1960

Niermann Weeks

905

212.319.7979

212.319.6116 212.684.5665

212.686.7686

212.725.2185

Christopher Guy

1601

Orrefors Kosta Boda

602

212.684.5455

Cliff Young, Ltd.

505

212.683.8808 212.683.9286

Palecek

511

212.287.0063

212.287.0066

Colombo Mobili USA

809

212.683.3771

212.684.0559

Paoli/ Whitehall

1110

212.683.2232

212.683.1297

Côté France

1201

212.684.0707

212.684.8940

Palumbo Anderssen/Parzinger Originals

421

212.734.7630

212.734.6590

Couture Showrooms

715

212.689.0730 212.689.1830

Pennoyer Newman

416

212.839.0500

212.839.0501

DECCA Contract

1414

212.689.2056

212.689.2206

Porcelanosa USA

609

212.252.7370

212.252.8790

212.213.9843

Delivery By Design (DBD)

Dock

212.213.1691

Pringle-Ward Associates

1109

212.689.0300

212.689.7143

Dennis Miller Associates

1210

212.684.0070 212.684.0776

Profiles

1211

212.689.6903

212.685.1807

DesignLush

415

212.532.5450

Renaissance Carpets & Tapestries, Inc.

912

212.696.0080

212.696.4248

DESIRON

702

Restoration Timber

436

877.980.WOOD

212.679.5408

DIFFA

DIRTT Environmental Solutions

707 1516

212.727.3100 212.727.2574 212.204.9026

Richard Cohen Collection

801

Rooms by Zoya B

433

212.726.0006

212.726.0061

Disegno by James DiPersia

606

212. 679.3927

212.679.2763

Roubini Rugs and Furniture

706

212.696.4648

212.696.2475

Flourishes

414

212.779.4540

212.779.4542

R & Y Augousti Paris

419

646.293.6679

Frazier

901

Gans Bros.

78

PHON E

Access To Design

th

212.532.5360

212.447.4444

212.447.5555

S.A. Baxter Architectural Hardware

1205

800.407.4295

212.252.1031

212.532.7990

212.481.7051

Saladino Furniture, Inc.

1600

212.684.3720

212.684.3257

Gibson Interior Products

1510

212.685.1077

212.685.1078

Sanford Hall Carpets

400

212.684.4217

212.545.8376

Giorgio USA, Inc.

502

212.684.7191

212.725.2683

Smart

1115

212.696.9762

212.683.1297

Global Views

613

212.725.8439

212.679.4927

Smith & Watson

506

212.686.6444

212.686.6606

Good Design

423

212.722.1110

212.722.1115

Stephanie Odegard Collection

1209

212.545.0069

212.545.0298

Gordon International

1401

212.532.0075

212.779.0147

Sun Decor Fabrics

417A

212.213.2703

212.231.2708

Grange

201

212.685.9494

212.213.5132

Ted Boerner

515

212.675.5665

212.675.5654

Hamilton Furniture

601

212.213.2487

212.213.2723

Thrive by Herman Miller

1111

212.401.6150

212.614.2378

HBF/HBF Textiles

1501

212.686.3142

212.471.3040

TK Collections

410

212.213.2470

212.213.2464

Henredon

616

212.679.5828

212.679.6509

transFORM

708

Hickory Chair-Pearson

102

212.725.3776

212.725.3763

Tucker Robbins

504

212.355.3383

212.355.3116

In House Kitchen Bath Home

100

212.686.2016

212.686.2059

Versteel

1106

800.876.2120

Interior Crafts NY

916

212.696.4400 212.696.4404

Weinberg Modern

407

646.291.2059

IFDA

417B

212.686.6020 212.686.6258

Wood & Hogan, Inc.

812

212.532.7440

212.532.4640

Jasper Group

1514

212.685.1077

Wood Mode, Inc.

815

212.679.3535

212.725.3847

Jofco

1109

212.689.0300 212.689.7143

Woodwrights Wide Plank

714

John-Richard

603

646.293.6668

NYDC Café

1st Floor

646.616.0584

Julian Chichester

604

New York Design Center

426

212.679.9500

212.447.1669

backstory The Vera List Art Project

By Shelley Wolson

a dedicated philanthropist commissioned contemporary artists to create posters for L incoln C enter.

Clockwise from left: Wolf Kahn, "Down in the Valley," © 2006 Wolf Kahn; Tom Nozkowski, "Small Abstract," © 2007 Tom Nozkowski; James Siena, "Shifted Lattice," © 2006 James Siena; Vija Celmins, "Spider Web," © 2009 Vija Celmins; Chuck Close, "Self Portrait/Lincoln Center," © 2007 Chuck Close. All images courtesy of Lincoln Center Vera List Art Project.

Visionary arts patron Vera List was passionate about visual art, believing that it was the ultimate way to awaken people’s senses. To that end, List—a painter, sculptor, collector, and philanthropist—made it her mission to ensure that Lincoln Center had a strong visual art program. Along with her husband, Albert, she facilitated the acquisition of works by artists such as Jasper Johns and Henry Moore, encouraging like-minded patrons to contribute to what would become the Public Art Collection.

stand-alone works raised substantial funds for Lincoln Center’s performance venues and educational programming.

In doing so, she became one of the most influential female art patrons of the 20th century. But her ambitions stretched beyond one-time donations; she wanted to establish something that would grow along with this new cultural hub. In 1962, her vision became the Vera List Art Project, a program that commissioned contemporary artists to create posters for Lincoln Center’s events. She invited artists like Andy Warhol, Roy Lichtenstein, Robert Indiana, and Robert Rauschenberg to create posters to advertise and commemorate everything from film screenings to opera performances.

“Limited-edition prints from the Vera List Art Project have been purchased by private individuals and corporations such as UBS, JPMorgan, and Novartis for their lobbies and offices,” notes Karen Davidson, Lincoln Center Director of Visual Art. “Because the prints represent such a wide range of subjects, sizes, and color palettes, they are a wonderful resource for interior designers. These prints are a great way to acquire work by some of the world’s best-known artists at a fraction of the cost of a painting.”

Not only were the works displayed around the city, posters were available for sale at an affordable price (initially $5 apiece), ensuring the artworks were accessible to the broadest audience possible. The project connected the greater public with world-renowned artists and the vibrant offerings at Lincoln Center in a format that was self-sustaining and would later be adaptable to fit the ever-changing cultural landscape. Indeed, in 1970, noticing how popular the posters had become, List decided to offer premium limited-edition prints, signed and numbered by the artist. The proceeds from the sale of these

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Fifty years later, we are all still benefitting from this late pioneer’s passion for art education and her belief in the power of art to transform people and their surroundings. The Vera List Art Project continues its commissions to this day, remaining an integral part of Lincoln Center’s commitment to the visual arts.

To see the results of List’s dedicated efforts and brilliant vision, you can visit an exhibition of some 20 limited-edition prints, which will be on display from February 28 through March 31 on the NYDC’s 10th Floor. The exhibit will include special vignettes created by famous designers, such as Jamie Drake, who will incorporate performance themes into the display. All prints will be for sale.

Don’t miss this great opportunity to explore some of the outstanding selections from this celebrated Lincoln Center art collection.

freshpicks

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ARRAY INSIDE THE NEW YORK DESIGN CENTER

JONATHAN ADLER for KRAVET COLLECTIONS

inspired. kravet

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VOLUME 4 ISSUE 3

FA B R I C S

FURNITURE

TRIMMINGS

CARPETS

K R A V E T. C O M