Photographers | Фотографы. 2

Page 1



ÈÇÄÀÒÅËÜÑÒÂÎ «ARTINDEX» ÏÐÈ ÏÎÄÄÅÐÆÊÅ ÈÇÄÀÒÅËÜÑÒÂÀ «ÏÀÐÒÍÅл ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐà 2005

PUBLISHING HOUSE «ARTINDEX» AT SUPPORT PUBLISHING HOUSE «PARTNER» SAINT PETERSBURG 2005

ÂÛÏÓÑÊ | 1 | EDITION


предназначение

destination

Творчество многообразно, безгранично и духовно. Творчество не обе-

Creativity is diverse, unlimited and spiritual. Creativity does not promise

щает конечной истины, оно дарует каждому право на поиск. Призван-

the absolute truth but grants everyone the right for search. Dedicated to

ное порождать нечто качественно новое, творчество утверждает бо-

produce something qualitatively new, creativity emphasizes the celestial.

жественное. Уподобляясь создателю, Человек-творец ищет свой путь,

Imitating the Creator, a Human-creator is looking for his road pointing that

указывая дорогу другим. Каждый, как начинающий, так и закончив-

way to others. Every wayfarer, both the beginner and the one at the end of

ший дорогу путник, достоин уважения. Все, что создается ими на этом

the road, deserves the respect. Everything that is created on this road is bl-

пути — благо. Пусть не каждому дано подняться на вершину, но именно

essed. Not everyone will get to the top but everyone who is on this road will

Им открывается прекрасное, именно Они приближают нас к вечности.

discover the beautiful, something that brings us closer to the eternity. The

Априори творческий продукт, заключает в себе положительный смысл.

product of creativity contains in itself a positive meaning. It is not important

Неважно, к какой категории он принадлежит, чьим интересам служит.

to what category this product belongs, whose interests it serves and what

Важнее величие замысла и благородство духа — то, что вынуждает за-

goals it pursues. The grandeur of the whole idea is in asking questions and

давать вопросы и искать ответы о высшем предназначении.

searching for answers in regards of divine destination.

миссия

mission

ARTINDEX — зарегистрированная торговая марка, объединяющая

ARTINDEX is a registered trademark that unites series of information

серию информационных проектов в области культуры и искусства.

projects in the field of culture and art. ARTINDEX is dedicated to reflect the

ARTINDEX призван отразить все многообразие художественного про-

diversity of contemporary art world without any limitations and censorship.

странства сегодняшнего дня без каких-либо ограничений и цензуры.

It is intended for everyone who is interested in creation of professional art

Предназначен для всех, кто заинтересован в создании профессиональ-

field, in formation of civilized art market of Russia and its development. Pri-

ной художественной среды, формировании цивилизованного артрынка

nciples: dictatorship of the audience, equality of creative methods, freedom

России и их развитии. Принципы: диктатура зрителя, равенство творче-

of participation.

ских методов, свобода участия.


artindex速



artindex. фотографы`05 каталог-справочник

artindex. Photographers`05 catalog-directory

содержание | TABLE OF CONTENTS 009 ОРГАНИЗАЦИИ | organizations 075 ПРОФЕССИОНАЛЬНЫЕ СОЮЗЫ | professional associations 159 персональные страницы | PERSONAL PAGES 246 тематический блок | TOPIC SECTION 251 индекс | INDEX





организации МУЗЕЙ ИСТОРИИ САНКТ-ПЕТЕРБУРГА | MUSEUM OF HISTORY OF ST. PETERSBURG > Галерея «РАСКОЛЬНИКОВ» | Gallery «RASKOLNIKOV» > ГАЛЕРЕЯ «РАХМАНИНОВ» | RACHMANINOW GALLERY > ГАЛЕРЕЯ «СКАЙ ЛАЙТ» | SKY LIGHT GALLERY > ФОТОСТУДИя «ФАС» | PHOTOSTUDIO FACE»

ORGANIZATIONS



ÌÓÇÅÉ | MUSEUM

ÃÎÑÓÄÀÐÑÒÂÅÍÍÛÉ ÌÓÇÅÉ ÈÑÒÎÐÈÈ ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐÃÀ STATE MUSEUM OF HISTORY OF ST. PETERSBURG

Ñàíêò-Ïåòåðáóðã Ïåòðîïàâëîâñêàÿ êðåïîñòü, 3 òåë.: (812) 238-0511 ôàêñ: (812) 238-0243 www.spbmuseum.ru mail@spbmuseum.ru


ÒÀÁÎËÈÍÀ ËÞÄÌÈËÀ

MUSEUM OF HISTORY OF ST. PETERSBURG | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

TABOLINA LIUDMILA

1

12

1. ×àéêè 1996

2. Âäîëü Íåâû 2004

1. Seagulls 1996 2

2. Along the Neva 2004


ÃÓÍÄÀÐÅÂÀ ÈÐÈÍÀ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÌÓÇÅÉ ÈÑÒÎÐÈÈ ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐÃÀ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

GUNDAREVA IRINA

13

1

3

2

1. Îæèäàíèå ïðàçäíèêà

1. Expectation of a holiday

2. Âå÷åðíèå çàðèñîâêè

2. Evening sketches

3. Èç äàëüíèõ ñòðàíñòâèé âîçâðàòÿñü

3. Back from distant wanderings

2004 2004 2004

2004 2004 2004


×ÀÁÓÒÊÈÍ ÑÒÀÍÈÑËÀÂ

MUSEUM OF HISTORY OF ST. PETERSBURG | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

TCHABUTKIN STANISLAV

14

1

3

1. À. Êèòàåâ 1999

2. Ã. Òîâñòîíîãîâ 1985

3. Áåç íàçâàíèÿ 1981

4. Çèìíÿÿ êàíàâêà. Íî÷ü 1993

1. A. Kitaev 1999

2. G. Tovstonogov 1985

3. Untitled 1981

4. Winter canal. Night 1993 2


ÔÎÒÎÃÐÀÔÛ ’ 05 | MUSEUM OF THE HISTORY OF ST. PETERSBURG

×ÀÁÓÒÊÈÍ ÑÒÀÍÈÑËÀÂ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

TCHABUTKIN STANISLAV

15

4


ßÐÎÑËÀÂÖÅ ÀËÅÊÑÀÍÄÐ

MUSEUM OF HISTORY OF ST. PETERSBURG | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

YAROSLAVTSEV ALEXANDER

1

3

16

4

2

1. Çíàêîìñòâî

1. Acquaintance

5. Èîàíîâñêèé ìîñò

5. Ioan’s bridge

2. Êàðåòà íà Äâîðöîâîé

2. Carriage on Palace Square

6. Àòëàíò

6. Atlases

3. Ïåòðîâñêèå âîðîòà

3. Peter’s gate

7. Íî÷ü íàä Íåâîé

7. Night above the Neva

4. Ïîñëå äîæäÿ

4. After rain

2004 2003 2001

1997

2004 2003 2001 2004

2004 2003 2001

2004 2003 2001


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÌÓÇÅÉ ÈÑÒÎÐÈÈ ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐÃÀ

ßÐÎÑËÀÂÖÅ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

YAROSLAVTSEV ALEXANDER

17

5

6

7


ÀÍÒÎÙÅÍÊÎÂ ÂËÀÄÈÌÈÐ

MUSEUM OF HISTORY OF ST. PETERSBURG | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ANTOSCHENKOV VLADIMIR

18

1

3

2

4

1. Ñêâîçü çèìíþþ ïåëåíó

1. Through winter mist

3. Íîâîãîäíåå áëàãîñëîâåíèå

3. New Year’s blessing

2. Ëåáÿæüÿ êàíàâêà

2. Lebiazhia canal

4. Ìîðòèðû è ïóøêè

4. Mortars and cannons

1998 1999

1998 1999

1996 1996

1996 1996


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÌÓÇÅÉ ÈÑÒÎÐÈÈ ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐÃÀ

ÑÌÈÐÍÎÂ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SMIRNOV ALEXANDER

1

1–2.Èç ñåðèè «Ïîêðîâèòåëüíèöà» 2004

1–2. From series «The patroness» 2004

2

19


ÄÅÃÒßÐÅ ÂÀËÅÐÈÉ

MUSEUM OF HISTORY OF ST. PETERSBURG | PHOTOGRAPHERS ‘ 05

DEGTIAREV VALERY

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

3

20

1

4

5

1–5. Èç öèêëà «Ñòàðàÿ Êîëîìíà» 1999–2002 2

1–5. Ñyclus «Old Kolomna» 1999–2002


ÈÂÀÍÎÂ ÄÀÍÈÈË

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÌÓÇÅÉ ÈÑÒÎÐÈÈ ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐÃÀ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

IVANOV DANIIL

1

21

2

3

1. «Êðàñíûé òðåóãîëüíèê». Îêíà

1. «Red triangle». Windows

2. Âàíòîâîå ïðèòÿæåíèå

2. Cable attractive interaction

3. Geometria

3. Geometria

4. Ðàçðûâ

4. Rupture

2005 2005 2001 2002

2005 2005 2001 2002

4




ÀËÜÕÎÂÊÀ ÂÈÀËÅÒÒÀ

RASKOLNIKOV GALLERY | PHOTOGRAPHERS ‘ 05

ALKHOVKA VIALETTA

4

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

1

24

2

5

6

1, 3, 5. Áåç íàçâàíèÿ

1, 3, 5. Untitled

2. Âîäîëàç

2. Diver

4. Ãðàôôèòè

4. Graffiti

6. Ïîñëåäíèé äåíü ëåòà

6. Last day of summer

2003–2004 2004 2004 2003 3

2003–2004 2004 2004 2003


ÅÃÎÐÎÂÑÊÈÉ ÂÀÄÈÌ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÑÊÎËÜÍÈÊλ

1

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

EGOROVSKY VADIM

3

25

2 4

1. Ëüâèíûé ìîñòèê

1. The Lion’s bridge

3. Äâîðöîâàÿ ïëîùàäü

2. Êîêóøêèí ìîñò

2. The Kokushin bridge

4. Ïëîùàäü Îñòðîâñêîãî

1993 1990

1993 1990

1997 1999

3. Palace Square 1997

4. Ostrovsky Square

1999


ÈÎÍÀÓÑÊÀÑ ÀÐÒÓÐ

RASKOLNIKOV GALLERY | PHOTOGRAPHERS ‘ 05

JONAUSKAS ARTUR

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

1

26

4 2

1. Äâåðü 2004

2. 18 2004

3. Ïðîãóëêè ïî áåëûì íî÷àì 2004

4. Áóòûëî÷êà 2004

1. Door 2004

2. 18 2004

3. White night walks 2004

4. Bottle 2004 3


ÌÎÐÎÇÎÂ ÂÈÊÒÎÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÑÊÎËÜÍÈÊλ

1

3

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

MOROZOV VICTOR

27

4

2

1–4. Áåç íàçâàíèÿ 2004

1–4. Untitled 2004


ÌÈÕÀËÅÂÊÈÍ ÁÎÐÈÑ

RASKOLNIKOV GALLERY | PHOTOGRAPHERS ‘ 05

MIKHALEVKIN BORIS

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

1

28

2

4

1. Äîæäàëèñü...

1. Awaited...

2. Îòðàæåíèå 1993

2. Reflection 1993

3. Óñòàëàÿ (ìàìà)

3. Tired (mother)

4. Àïðåëü

4. April

1978

1994 1967 3

1978

1994 1967


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÑÊÎËÜÍÈÊλ

ÃÓÑÅÉÍÎÂÀ ÑÎËÌÀÇ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

GUSEINOVA SOLMAZ

1

1. Ïîæàð ó Àíè÷êîâà 2002

2. Òî÷êà, òî÷êà, çàïÿòàÿ... 2002

1. Fire at Aniñhkov 2002

2. Stickman 2002

2

29


ÄÎÐÍ ÂÅÐÀ

RASKOLNIKOV GALLERY | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

DORN VERA

30

1

1. Àâòîïîðòåò 2003

2. Àâòîïîðòåò 2005

3. Àâòîïîðòåò 2003

1. Self-portrait 2003

2. Self-portrait 2005

3. Self-portrait 2003 2

3


ÂÎÄßÍÈÖÊÈÉ ÊÎÍÑÒÀÍÒÈÍ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÑÊÎËÜÍÈÊλ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

VODIANITSKY KONSTANTIN

3

1

31

1. Âíóòðåííèå ïòèöû. Àâòîïîðòðåò 2003

2. Ïîèñêè íåïàðíîãî øåëêîïðÿäà 2004

3. Àâòîïîðòðåò 2004

4. Àâòîïîðòðåò ñ ëèñòîì áóìàãè 2004

1. Inner birds. Selfportrait 2003

2. Searchings of a Gypsy moth 2004

3. Self-portrait 2004

4. Self-portrait with a paper cylinder 2004

2

4


ÌÎÕÎÐÅÂ ÅÂÃÅÍÈÉ

RASKOLNIKOV GALLERY | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

MOKHOREV EVGENY

32

1

1. Âàíÿ è Íàñòÿ. Ôèíñêèé çàëèâ 2004

1. Vanya and Nastya. Gulf of Finland 2004


ÌÎÕÎÐÅÂ ÅÂÃÅÍÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÑÊÎËÜÍÈÊλ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

MOKHOREV EVGENY

33

2

2. Äèíà è Ñàøà. Ôèíñêèé çàëèâ 2004

2. Dina and Sasha. Gulf of Finland 2004




ÃÓÐ×ÅÍÊΠÞÐÈÉ

RACHMANINOW GALLERY | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

GURTCHENKOV YURI

36

1

2

1. Êèëîìåòðû ìãëû

1. Kilometers of mist

2. Ñâÿùåííî-Äåéñòâèå

2. Consecration

3. Ïàìÿòíèê Àëåêñàíäðó Íåâñêîìó â öåõàõ çàâîäà «Ìîíóìåíòñêóëüïòóðà»

3. Alexander Nevsky monument in the shop-floors of «Monumentsculpture» factory

2004 2003

2003

2004 2003

2003

3


ÏÅÒÐÎÑßÍ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÕÌÀÍÈÍλ

3

1

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

PETROSIAN ALEXANDER

37

2

4

1. Èìïðåññèÿ

1. Impression

2. «Èç äàëüíèõ ñòðàíñòâèé âîçâðàòÿñü...»

2. «Back from distant wanderings...»

3. Îêíî â áåëóþ íî÷ü

3. Window to white night

4. Òà ñàìàÿ ëåñòíèöà

4. That ladder

2002 2001 2001 2000

2002 2001 2001 2000


ÊÎÍÐÀÄÒ ÄÌÈÒÐÈÉ

RACHMANINOW GALLERY | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

KONRADT DMITRY

1

38

1. *** 1993

2. *** 2001 2



ËßØÊÎ ÀËÅÊÑÀÍÄÐ

RACHMANINOW GALLERY | PHOTOGRAPHERS ‘ 05

LYASHKO ALEXANDER

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

1

40

2

1. Êðàñíûé ãëàç 1997

2. Áåç íàçâàíèÿ 2003

3. Ïîñâÿùåíèå Àâåäîíó 2004

4. Òàê ïàäàåò êîò 2005

1. Red eye 1997

2. Untitled 2003

3. Dedication to Avedon 2004

4. That’s the way the cat falls 2005 3

4


ÔÈËÈÏÏÎÂ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÕÌÀÍÈÍλ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

FILIPPOV ALEXANDER

41

1

1. Ïîñëåäíèé ëåä 1988

2. Òåíè âåñíû 2005

1. Last ice 1988

2. Spring shadows 2005

2


ÁÓÃÀÅÂ ÊÈÐÈËË

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

BUGAEV KIRILL

1

42

2

1–2. Èç ñåðèè «Òîðîïåö» 2004

1–2. Series «Toropets» 2004

RACHMANINOW GALLERY | PHOTOGRAPHERS ‘ 05


ÊÓÐÅÍÁÈÍÀ ÎÊÑÀÍÀ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÕÌÀÍÈÍλ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

KURENBINA OKSANA

43

1

2

1. Èçëîì 2002

3

1. Fracture 2002

2. Õóäîæíèê íîâîãî íàïðàâëåíèÿ 2004

2. The artist of a new trend 2004

3. Ðåèíêàðíàöèÿ 2004

3. Reincarnation 2004


ÍÈÊÈÏÎÐÅÖ ÀËÅÊÑÀÍÄÐ

RACHMANINOW GALLERY | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

NIKIPORETS ALEXANDER

44

1

3

2

1–3. Áåç íàçâàíèÿ 1998–2003

1–3. Untitled 1998–2003


ÃÐÅÁͨÂÀ ÞËÈß

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÐÀÕÌÀÍÈÍλ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

GREBNIOVA YULIA

45

1

2

3

1. Èç ñåðèè «She is taking». Ïîñâÿùåíèå ôèëüìó Ì. Àíòîíèîíè «Blow up»

1. Series «She is taking». Dedication to M. Antonioni film «Blow up»

2. Èç ñåðèè «Àìñòåðäàì»

2. Series «Amsterdam»

3. Èç ñåðèè «Çíàêè»

3. Series «Markings»

2004 2005

2003–2004

2004 2005

2003–2004




ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

48

1

SKY LIGHT GALLERY | PHOTOGRAPHERS ‘ 05


ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÑÊÀÉ ËÀÉÒ»

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

49 2

4

1. Ìàäîííà ñðåäè àóäèî

1. Madonna among audio

2. Îðäåí «Àìáåðà»

2. «Amber» order

3. Ìóñòàíãè

3. Mustangs

4. Plaza

4. Plaza

äèçàéíåð — Ã. Ñåì¸íîâ 2001 2004 2004

äèçàéíåð — Ã. Ñåì¸íîâ 2001 3

designer — G. Semionov 2001 2004 2004

designer — G. Semionov 2001


ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

SKY LIGHT GALLERY | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

50

5

5. Çàíàâåñ 2004

6. Íèêà 2003

7. Îëåñÿ 2004

8. Guinness 2004

5. Curtain 2004

6. Nika 2003

7. Olesia 2004

8. Guinness 2004 6

7


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÑÊÀÉ ËÀÉÒ»

ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

51

8


ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

52

9

SKY LIGHT GALLERY | PHOTOGRAPHERS ‘ 05


ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÑÊÀÉ ËÀÉÒ»

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

53

10

9. Çîëîòûå âîéñêà 2004

10. Íàòþðìîðò 2004

11. Îáúÿòèÿ 2005

12. Àôðèêàíñêèé ñóâåíèð 2005

9. Golden forces 2004

10. Still-life 2004

11. Embracement 2005

12. African souvenir 2005

11

12


ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

SKY LIGHT GALLERY | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

54

13. Âåëîñâîáîäà 2002

14. Ñïîðò 2002

13. Velofreedom 2002

14. Sport 2002 13


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÀËÅÐÅß «ÑÊÀÉ ËÀÉÒ»

ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

55

14


ÀÐÒ¨ÌÅÍÊÎ ÀËÅÊÑÀÍÄÐ

SKY LIGHT GALLERY | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

ARTIOMENKO ALEXANDER

56

15

17

15. Ñïîêîéñòâèå 2005

16. Âñåïðîíèêàþùèé âçãëÿä 2004

17. Ñåðãåé 2001

15. Tranquility 2005

16. Pervasive glance 2004

17. Sergei 2001

èëëþñòðàöèÿ íà øìóöòèòóëå:

Òîïèíàìáóð 2001

illustration on the half-title:

Girasol 2001 16


ÔÎÒÎÑÒÓÄÈß | PHOTOSTUDIO

ÔÀÑ FACE

Ñàíêò-Ïåòåðáóðã Íàá. ðåêè Ôîíòàíêè, 2–4 òåë.: (812) 963-5324, (812) 275-8181 www.solomyanko.com



ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÔÎÒÎÑÒÓÄÈß «ÔÀÑ»

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

2

4

3

5

59


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

FACE PHOTOSTUDIO | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

60

6

8

6. Èç ñåðèè «Ñ.-Ïåòåðáóðãó ïîñâÿùàåòñÿ» ìîäåëüåð Ê. Ñìèðíîâà 2003 7

6. Series «Dedicated to St. Petersburg» fashion designer K. Smirnova 2003


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÔÎÒÎÑÒÓÄÈß «ÔÀÑ»

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

61

11

9

7. Ðàäîñòü þíîñòè

ìîäåëüåð Ê. Ñìèðíîâà 2005

8. Óðàãàí

ìîäåëüåð Í. Ðîãà÷åâà 2004

9. Îòðàæåíèÿ

ìîäåëüåð Å. Öâåòêîâà 2005

10. Âëþáë¸ííîñòü

ìîäåëüåð Ê. Ñìèðíîâà 2005

11. Ïîë¸ò. Àíàñòàñèÿ Âîëî÷êîâà 2004

7. Pleasure of adolscence fashion designer K. Smirnova 2005

8. Hurricane

fashion designer N. Rogatchiova 2004

9. Reflections

fashion designer E. Tsvetkova 2005

10. Amorousness

fashion designer K. Smirnova 2005

11. Flight. Anastasia Volochkova 2004

10


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

FACE PHOTOSTUDIO | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

62

12

14

15

12–15. Èç ñåðèè «Ñêàçî÷íûé ìèð Íàòàëèè Ðîãà÷¸âîé»

12–15. Series «Fabulous world of Natalia Rogatchiova»

16. Â ñâàäåáíîì øåñòâèè

16. In a wedding procession

17. Èç ñåðèè «Ìåõîâûå ÷óäåñà Àëåêñàíäðà Ïåòðîâà»

17. Series «Furry miracles of Alexander Petrov»

18. Èç ñåðèè «Ìîäû Åëåíû Öâåòêîâîé â Àñòîðèè»

18. Series «Elena Tsvetkova’s fashion in Astoria»

2004–2005 2004

2004

íàñòðîé ïåðåä âûñòóïëåíèåì 2005 13

2004–2005 2004

2004

pulsebeat before the performance 2005


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÔÎÒÎÑÒÓÄÈß «ÔÀÑ»

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

16

63

17

18


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

FACE PHOTOSTUDIO | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

64

19. Ëó÷øåå ïðîèçâåäåíèå Êîìèëüôî 2005

20–23. Èç ñåðèè «Ïîïðîáóé óñòîÿòü». Âçãëÿäû 2004–2005

19. Best creation Comme il faut 2005

20–23. Series «Try to resist». Glances 2004–2005 19


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÔÎÒÎÑÒÓÄÈß «ÔÀÑ»

22

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

65 20

21

23



ÔÎÒÎÃÐÀÔÛ ’ 05 | ÔÎÒÎÑÒÓÄÈß «ÔÀÑ»

ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

67

24. Èç ñåðèè «Ìàãèÿ æåíùèíû»

ìîäåëüåð Í. Ðîãà÷¸âà 2004

25. Î÷àðîâàíèå ìàñêè 2005

26. Ñîáëàçí 2005

27. Âåíåö òâîðåíèÿ 2005

24. Series «Enchantment of a woman»

fashion designer N. Rogatchiova 2004

25. Charm of a mask 2005

26. Temptation 2005

27. Crown of creation 2005

27


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

FACE PHOTOSTUDIO | PHOTOGRAPHERS ‘ 05

SOLOMIANKO ALEXANDER

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

28

68

29

28. Èç ñåðèè «Ëþáèìûå ìåñòà Ïàðèæà». Â Ëþêñåìáóðãñêîì ñàäó 2004

29. Êàðëîâû Âàðû 2004

30. Èç ñåðèè «Ëó÷øèé ãîðîä Çåìëè». Ôîíòàíêà ðàííèì óòðîì 2005

28. Series «Favourite places of Paris». In the Luxembourg garden 2004

29. Carlovy Vary 2004

30. Series «The Best city of the Earth». Fontanka in the early morning 2005 30


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÔÎÒÎÑÒÓÄÈß «ÔÀÑ»

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

69 31

32

31. Èç ñåðèè «Êðàñêè Ïðàãè». Îñåííÿÿ Ïðàãà

31. Series «Colours of Prague». Autumn Prague

32. Èç ñåðèè «Òîêèéñêèå ôðàãìåíòû»

32. Series «Tokyo fragments»

33. Èç ñåðèè «Êðûøè Ïèòåðà»

33. Series «Roofs of Petersburg »

2004 2003 2005

2004 2003 2005

33


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

FACE PHOTOSTUDIO | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

70

34–36. Èç ñåðèè «Èç ñòàðîé ñêàçêè» 2005

34–36. Series «From an old fairy- tale» 2005 34


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÔÎÒÎÑÒÓÄÈß «ÔÀÑ»

ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

35

36

71


ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ SOLOMIANKO ALEXANDER

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

37

72

38

39

FACE PHOTOSTUDIO | PHOTOGRAPHERS ‘ 05


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÔÎÒÎÑÒÓÄÈß «ÔÀÑ»

ÑÎËÎÌßÍÊÎ ÀËÅÊÑÀÍÄÐ

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

SOLOMIANKO ALEXANDER

73

40

37. Èç ñåðèè «Õðàìû ìèðà». Áàëè, Óëóäàíó 2004

38. Èç ñåðèè «Õðàìû ìèðà». ßâà, Ïðàìáàíàí 2004

39. Ïî÷òè Ýêâàòîð (îñòðîâ Äæåéìñ) 2004

40. Èç ñåðèè «Ãàëàïàãîññêèå çàðèñîâêè». Îñòðîâ Íîðä Ñåéìóð 2004

41. Èç ñåðèè «Ãàëàïàãîññêèå çàðèñîâêè». Îñòðîâ Ñàíòúÿãî 2004

37. Series « Temples of the world». Bali, Uludanu 2004

38. Series «Temples of the world». Java, Prambanan 2004

39. Almost equator (James island) 2004

40. Series «Galapagos sketches». North Seymour island 2004

41. Series «Galapagos sketches». Santiago island 2004

41


ÏÅÐ×ÓÊΠÀËÅÊÑÅÉ

FACE PHOTOSTUDIO | PHOTOGRAPHERS ‘ 05

ÎÐÃÀÍÈÇÀÖÈÈ | ORGANIZATIONS

PERTCHUKOV ALEKSEI

74 1

1. Ïðèòîê Èíëå îçåðà â Áèðìå 2004

2. Õðàì Ta Prohm â Êàìáîäæå 2004

3. Êàìáîäæèéñêèé ìàëü÷èê 2004

1. Ñonfluent of the Inle Lake in Burma 2004

2. Ta Prohm temple in Cambodia 2004

3. Gambodian boy 2004 2

3


профессиональные союзы СПбСХ | St. Petersburg Union of Artists > СПбТСХ IFA | IFA > Союз журналистов России | Russian Union of Journalists > СФХ | Russian Union of Photoartists > ГРФ | Guild of Advertising Photographers > Клуб Фотоохотников | Wildlife Photography club > Лига Фотомастеров СПб | St. Petersburg League of Photomasters

professional associations


ÊÈÒÀÅÂ ÀËÅÊÑÀÍÄÐ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KITAEV ALEXANDER

76

1

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÊÈÒÀÅÂ ÀËÅÊÑÀÍÄÐ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KITAEV ALEXANDER

77

2

1–2. Èç ñåðèè «Òàðà Inkognita» 2003

1–2. Series «Jugs Inkognita» 2003


ÊÈÒÀÅÂ ÀËÅÊÑÀÍÄÐ

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KITAEV ALEXANDER

3

78

3. Èç ñåðèè «Çàáûòûé çîäèàê» 2001

4. Èç ñåðèè «Òàðà Inkognita» 2003

5. Èç ñåðèè «Èãðà ñ ïðîñòðàíñòâîì» 2003

3. Series «Forgotten zodiak» 2001

4. Series «Jugs Inkognita» 2003

5. Series «Playing with space» 2003 4


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÊÈÒÀÅÂ ÀËÅÊÑÀÍÄÐ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KITAEV ALEXANDER

79

5


ÇÈÇÞËÈÍ ÑÅÐÃÅÉ

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ZIZIULIN SERGEI

80

1. Êîðîëü Ëèð 1999

2. Ïåòåðáóðãñêèå îòðàæåíèÿ 2003

3. Ýõî ïåòåðáóðãñêèõ äâîðîâ 2000

1. King Lear 1999

2. Petersburg reflections 2003

3. Echo of Petersburg yards 2000 1


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÇÈÇÞËÈÍ ÑÅÐÃÅÉ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ZIZIULIN SERGEI

2

3

81


ÇÈÇÞËÈÍ ÑÅÐÃÅÉ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ZIZIULIN SERGEI

82

4

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05


ÇÈÇÞËÈÍ ÑÅÐÃÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ZIZIULIN SERGEI

83

5

4. Ìîðåìàí 2002

4. Seaman 2002

5. Ðåòðî-ïîðòðåò 2000

5. Retro-portrait 2000


ÊÅÑÊÈÍÅÍ ÀÍÀÒÎËÈÉ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KESKINEN ANATOLY

84

1

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÊÅÑÊÈÍÅÍ ÀÍÀÒÎËÈÉ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KESKINEN ANATOLY

2

1. Ãîðîä 2002

2. Êîìïîçèöèÿ 2004

3. Îòðàæåíèå 2004

1. City 2002

2. Composition 2004

3. Reflection 2004

3

85



ÑÎÐÎÊÈÍ ÍÈÊÎËÀÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SOROKIN NIKOLAI

87

7

1–6. Èç ñåðèè «Îäèí Òî÷êà Ãîðîä» ÷åðíî-áåëàÿ ôîòîãðàôèÿ, ïàñòåëü 2003

7–9. Èç ñåðèè «Ãîëûå êàðòèíêè» 2002

1–6. Series «One Point City» black-and-wh te photo, pastel 2003

7–9. Series «Nude pictures» 2002

8

9


ÀÍÒÎÙÅÍÊÎÂ ÂËÀÄÈÌÈÐ

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ANTOSÑHENKOV VLADIMIR

88

1

2

3

1. Áåëàÿ íî÷ü

1. White night

2. Âçëåò

2. Ascention

1988 1997

1988 1997

3. Óçîðíûé ñíåã 1989

3. Patterned snow 1989


ÀÍÒÎÙÅÍÊÎÂ ÂËÀÄÈÌÈÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ANTOSÑHENKOV VLADIMIR

6

4

89

5

7

4. Ìîëîõ

4. Moloch

6. Êâàðòåò

6. Quartet

5. Ýëåêòðè÷åñêàÿ ýëåãèÿ

5. Electrical elegy

7. Çàñòûâøåå ïàäåíèå

7. Congealed fall

1999 2003

1999 2003

1998 1989

1998 1989


ÎÐËÎÂ ÍÈÊÎËÀÉ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ORLOV NIKOLAI

90

Áåç íàçâàíèÿ 2004

Untitled 2004

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05


ÍÈÊÈÒÈÍ ÈÃÎÐÜ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

NIKITIN IGOR

91

1

2

1. Öàðñòâèå Òâîå

1. Thy Kingdom

2. Óòðî â ñàäó

2. Morning in the garden

3. Äìèòðèé

3. Dmitry

2002

1993 2002

2002

1993 2002

3


ÒÀÒÀÐÅÍÊÎ ÂÈÊÒÎÐ

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TATARENKO VICTOR

1

92

2

3


ÒÀÒÀÐÅÍÊÎ ÀËÅÊÑÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TATARENKO ALEKSEI

93

4

1. Íà çàñòàâå 2004

2. Èòàëüÿíñêèé ñîí 2000

3. Ïîñëåäíèé ïóòåøåñòâåííèê 2004

4. Ðóñü 1997

5. Ïåòåðãîô. Çàðîñøèé ïðóä 2004

1. At the outpost 2004

2. Italian dream 2000

3. Last traveller 2004

4. Rus 1997

5. Petergof. Plant-filled pond 2004

5


ÀÐÕÈÏÅÍÊÎ ÈËÜß

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ARKHIPENKO ILYA

94

1

2

3


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÀÐÕÈÏÅÍÊÎ ÈËÜß

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ARKHIPENKO ILYA

95

1. Ïåðñåôîíà 2004

2. Áåç íàçâàíèÿ 2005

3. Ïîëäåíü 2003

4. Folie d’interpretation 2004

1. Persephone 2004

2. Untitled 2005

3. Noon 2003

4. Folie d’interpretation 2004

4


ÑËÀÄÊÎÂ ÀÍÄÐÅÉ

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SLADKOV ANDREI

96

1

3

1. «Áåëàÿ íî÷ü... îïóñòèëàñü áåçìîëâíî íàä íàìè...»

1. «White night...silently came down above us...»

2. Îòðàæåíèå

2. Reflection

3. Âå÷åðíÿÿ ìóçûêà

3. Evening music

2003 2002 2002 2

2003 2002 2002


ÑËÀÄÊÎÂ ÀÍÄÐÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

6

97

4

4. Ìàðëåí 2001

5. Îòäûõ 2001

6. Íà ïðàçäíèêå 2002

7. Íþ 2001

4. Marlen 2001

5. Rest 2001

6. On holiday 2002

7. Nu 2001

5

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SLADKOV ANDREI

7


ÌÎËÎÄÊÎÂÅÖ ÞÐÈÉ

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MOLODKOVETS YURI

1

2

3

98

4

5

1. Èç ñåðèè «Ëåñòíèöû»

1. Series «Ladders»

4. Èç ñåðèè «Ëåñòíèöû»

4. For «Pod klutch» magazine

2. Èç ñåðèè «Äîìà Ïåòåðáóðãà»

2. Series «Petersburg houses»

5. Äëÿ æóðíàëà «Èíòåðüåð + Äèçàéí»

5. For «Interior+Design» magazine

2002

2002

2003

2003

3. Äëÿ êîìïàíèè «Armani»

3. For «Armani» company

2005

2005

2004

2005

2005

2005


ÌÎËÎÄÊÎÂÅÖ ÞÐÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

8

6

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MOLODKOVETS YURI

99

9

7

6. Äëÿ æóðíàëà «Hello» 2005

7. Äëÿ æóðíàëà «Ïîä êëþ÷»

6. For «Hello» magazine 2005

7. For «Pod klutch» magazine

2003

2003

8. Èç ñåðèè «Äâîðöû»

8. Series «Palaces»

9. Èç ñåðèè «Òåíè Ïåòåðáóðãà»

9. Series «Shadows of Petersburg»

10. Èç ñåðèè «Îñíîâíûå öâåòà»

10. Series «Basic colours»

2000

2001

1999

2000

2001

1999

10


ÊÓÇÍÅÖÎÂ ÍÈÊÎËÀÉ

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KUZNETSOV NIKOLAI

2

100

1

3

4

5

1. Ïèê Õàí-Òåíãðè. Öåíòðàëüíûé Òÿíü-Øàíü

1. Khan Tengri Peak. Central Tien Shan

4. Ïîþùèé áàðõàí

4. Singing barchan

2. Ïîþùèé áàðõàí

2. Singing barchan

5. Áåç íàçâàíèÿ

5. Untitled

2003

2003

2002

2002

3. Áîæüÿ êîðîâêà

3. Ladybug

2003

2003

2002 2005

2002 2005


ÏÀÍÒÅËÅÅÂ ÞÐÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

3

1

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

PANTELEEV YURI

101

4

2

1. Âðåìÿ âå÷íîñòè

1. Time of eternity

2. Íàòþðìîðò â ñòèëå ðåòðî

2. Still-life in retro-style

3. Ñåâåðíûé ïåéçàæ

3. Northern landscape

4. Ïîðòðåò ôèëîñîôà

4. Philosopher’s portrait

5. Ñêàëà è íåáî

5. Rock and sky

1995 1996 1995 2002 2003

1995 1996 1995 2002 2003

5


ÌÈÕÀÉËÓÖÀ ÂËÀÄÈÌÈÐ

ST. PETERSBURG UNION OF ARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MIKHAILUTSA VLADIMIR

102

1

3

1. Ôîíòàíêà 2004

2. Ìàëî-Êîíþøåííûé ìîñò 2004

3. Â ìóçåå 2004

4. Îòðàæåíèå 2004

1. Fontanka

2004

2. Malo-Konushennyi bridge 2004

3. In museum 2004

4. Reflection 2004 2


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÑÕ

ÌÈÕÀÉËÓÖÀ ÂËÀÄÈÌÈÐ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MIKHAILUTSA VLADIMIR

103

4


ÅÃÎÐÎÂÑÊÈÉ ÂÀÄÈÌ

ÑÏÎÍÑÎÐ ÔÎÒÎÃÐÀÔÀ PHOTOGRAPHER’S SPONSOR

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

EGOROVSKY VADIM

104

1

1. Ðîìóàëüä Ãðèíáëàò — êîìïîçèòîð 1994

1. Romuald Greenblat — composer 1994


ÅÃÎÐÎÂÑÊÈÉ ÂÀÄÈÌ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÒÑÕ IFA

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

EGOROVSKY VADIM

4

2

105

5

3

2. Ïåòåðáóðãñêàÿ ëåñòíèöà

2. Peterburg’s stair

4. Ãðîì-êàìåíü

4. Thunder-stone

3. Áîëüøàÿ Ïîäúÿ÷åñêàÿ

3. Bolshaya Podyacheskaya

5. Íîâîäåâè÷üå êëàäáèùå

5. Novodevitchie cemetery

1990 1990

1990 1990

2000

1993

2000

1993


×ÅÆÈÍ ÀÍÄÐÅÉ

INTERNATIONAL FEDERATION OF ARTISTS (IFA) | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

CHEZHIN ANDREI

1

3

106

2

1–4. Èç ñåðèè «Ïðîñòðàíñòâî Ýøåðà» 1996

4

1–4. Series «Esher’s space» 1996


×ÅÆÈÍ ÀÍÄÐÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÒÑÕ IFA

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

CHEZHIN ANDREI

107

5

5. Àâòîïîðòðåò 1998

5. Self-portrait 1998


×ÅÆÈÍ ÀÍÄÐÅÉ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

CHEZHIN ANDREI

108

6

INTERNATIONAL FEDERATION OF ARTISTS (IFA) | PHOTOGRAPHERS ‘ 05


×ÅÆÈÍ ÀÍÄÐÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÒÑÕ IFA

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

CHEZHIN ANDREI

109

7

9

8

6. Ïîðòðåò 90

6. Portrait 90

7. Èç ñåðèè «Õàðìñèàäà»

7. Series «Kharmsiade»

8. Òàíåö

8. Dance

9. Ãëàçà è ãóáû

9. Eyes and lips

10. Àâòîïîðòðåò

10. Self-portrait

1990

1995 1993 1991 1992

1990

1995 1993 1991 1992

10


маркович владимир

профессиональные союзы | professional associations

markovitch vladimir

110

Диптих. Портрет матери 2004

Diptych. Mother’s portrait 2004

International Federation of Artists (IFA) | photographers ‘ 05


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÒÑÕ IFA

ÊÀÏÓÑÒÈÍ ÂÀËÅÍÒÈÍ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KAPUSTIN VALENTIN

1

111

Èç öèêëà «Ñòðàííîñòè ñòðàíñòâèé» 1. Âåíà 2004

2. Ãðîíèíãåí 2005

Cyclus «Wonderings of wanderings» 1. Vienna 2004

2. Groningen 2005

2


ÌÀÍØÅÍÜÞÀÍ ÂÈÊÒÎÐ

INTERNATIONAL FEDERATION OF ARTISTS (IFA) | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MANSHENIUAN VICTOR

3

112

1

4

5

2


ÌÀÍØÅÍÜÞÀÍ ÂÈÊÒÎÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÏáÒÑÕ IFA

6

8

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MANSHENIUAN VICTOR

113

7

1–5. Ïåòåðáóðãñêèå ìîòèâû

1–5. Petersburg motives

6. Ïîêàÿíèå

6. Penitence

7. Ðàçáóäèëè...

7. Awaken...

8. Ìîÿ íåçíàêîìêà

8. My stranger

9. Ñâåæèé âåòåð

9. Fresh wind

2000–2004 2000

2001 2000

2005

2000–2004 2000

2001 2000

2005

9


ÌÀÐÊÈÍ ÏÀÂÅË

RUSSIAN UNION OF JOURNALISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MARKIN PAVEL

114

1. Âîò ê íàì Êàðëñîí ïðèëåòåë 1999

2. Âèçèò Èîñèôà Áðîç Òèòî 1956

3. Àðìåéñêèå ñïîðòñìåíû 1989

1. Karlson arrived 1999

2. Josip Broz Tito’s visit

1956

3. Army sportsmen 1989 1


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÆÓÐÍÀËÈÑÒÎÂ ÐÎÑÑÈÈ

ÌÀÐÊÈÍ ÏÀÂÅË

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MARKIN PAVEL

2

3

115


ÌÀÐÊÈÍ ÏÀÂÅË

RUSSIAN UNION OF JOURNALISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MARKIN PAVEL

4

116

5

6


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÆÓÐÍÀËÈÑÒÎÂ ÐÎÑÑÈÈ

ÌÀÐÊÈÍ ÏÀÂÅË

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MARKIN PAVEL

117

4. Óëèöa Çàîçåðíàÿ 1991

5. «Ó ìåíÿ òðóñû â ãîðîøåê, òû êî ìíå íå ïðèñòàâàé» 1993

6. Íà äíå 1993

7. Ïîäðóãè 1994

4. Zaozernaya Street 1991

5. «I have polka-dot panties on me, don’t play hanky-panky with me»

1993

6. At the bottom 1993

7. Friends 1994

7


ÇÀÕÀÐÎÂ ÀÍÄÐÅÉ

ÑÏÎÍÑÎÐ ÔÎÒÎÃÐÀÔÀ PHOTOGRAPHER’S SPONSOR

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ZAKHAROV ANDREI

3

1

118

2

4

1. Âå÷åðíèå òðàìâàè

1. Evening trams

3. Â îæèäàíèè ãîñòåé

3. Waiting for guests

2. Ïðåäàííîñòü

2. Faithfullness

4. Ãàððè Óèëñîí

4. Harry Wilson

2001

1993

2001

1993

1985 2001

1985 2001


ÇÀÕÀÐÎÂ ÀÍÄÐÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÆÓÐÍÀËÈÑÒÎÂ ÐÎÑÑÈÈ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ZAKHAROV ANDREI

5

7

6

8

5. Äìèòðèé Ïàíêèí 2002

6. Òàòüÿíà Ïàðô¸íîâà 2002

7. Óòðî 9 ìàÿ 2001

8. Ëîðä Âåäæâóä 2002

5. Dmitry Pankin 2002

6. Tatiana Parfenova 2002

7. 9-th may morning 2001

8. Lord Wedgewood 2002

119


ÑÎÊÎËÎÂ ÄÌÈÒÐÈÉ

RUSSIAN UNION OF JOURNALISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SOKOLOV DMITRY

120

1

1. Êîëîäåö 2003

2

2. Ñóááîòíèê 2001

3. Ñåìåéêà 2003

4. Íåçíàêîìêà 2000

1. Well 2003

2. Subbotnik 2001

3. Family 2003

4. Stranger 2000 3

4


ÇÀÉÖÅÂ ÂÈÊÒÎÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÆÓÐÍÀËÈÑÒÎÂ ÐÎÑÑÈÈ

1

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ZAITSEV VICTOR

3

121

4

2

1. Êèðèëë Ëàâðîâ, Ñàíêò-Ïåòåðáóðã

1. Kirill Lavrov, St. Petersburg

2. À ïîìíèøü? Ñàíêò-Ïåòåðáóðã

2. Do you remember? St. Petersburg

3. Íàáåðåæíàÿ Ìîíòåáåëëî, Ïàðèæ

3. Montebello embankment, Paris

4. Êîðîëåâñêàÿ ãâàðäèÿ, Ñòîêãîëüì

4. Royal guards, Stockholm

1999 2000

2005

1998

1999 2000

2005

1998


ÌÀÊËÎÂ ÀÍÀÒÎËÈÉ

RUSSIAN UNION OF JOURNALISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

MAKLOV ANATOLY

122

1

3

1. Ìàðèÿ 1990

2. Äåìîí 1994

3. Îðõèäåÿ 1995

4. Ýëåãèÿ 1989

1. Maria 1990

2. Demon 1994

3. Orchid 1995

4. Elegy 1989 2

4


ÒÅÑÅËÊÈÍ ÂËÀÄÈÌÈÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÆÓÐÍÀËÈÑÒÎÂ ÐÎÑÑÈÈ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TESIOLKIN VLADIMIR

1

3

2

4

1–4. Èçîôåìèíèêà 2000

1–4. Isophenimics 2000

123


ÄÐÎÇÄÎÂ ÀËÅÊÑÀÍÄÐ

RUSSIAN UNION OF JOURNALISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

DROZDOV ALEXANDER

1

124 4

1. Áåç íàçâàíèÿ

2

1997

2. Áåç íàçâàíèÿ 1999

3. Áåç íàçâàíèÿ 2004

4. Áåç íàçâàíèÿ 2004

5. Áåç íàçâàíèÿ 2004

1. Untitled 1997

2. Untitled 1999

3. Untitled 2004

4. Untitled 2004

5. Untitled 2004 3

5


ÃÐÈÖÊÎÂ ÑÅÐÃÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÆÓÐÍÀËÈÑÒÎÂ ÐÎÑÑÈÈ

3

1

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

GRITSKOV SERGEI

125

4

2

1. Â ñòàðîì ïàðêå

1. In the old garden

2. Îñòàíîâêà

2. Stop

3. Øåðåìåòåâñêèé äâîðåö

3. Sheremetevsky palace

4. Àýðîïîðò

4. Airport

5. Îòåö è ñûí

5. Father and son

1987 2001

2003 2002 2002

1987 2001

2003 2002 2002

5


ÖÅÕÎÌÑÊÀß ÍÀÒÀËÈß

RUSSIAN UNION OF PHOTOARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TSEKHOMSKAYA NATALIA

126

1. Ëþáîâü ê áûñòðîé åçäå ñèíîãðàôèÿ, 94 õ 64 2001–2004

2–3. Àçáóêà

àðãåíòîãðàôèÿ, 33 õ 30 2002

4. Ðîæäåíèå ïëàíåòû ôîòîãðàììà, 53 õ 92 2004

1. Love to burn-up riding sinography, 94 õ 64 2001–2004

2–3. Alphabet

argentography, 33 õ 30 2002

4. Birth of a planet 1

photogramme, 53 õ 92 2004


ÖÅÕÎÌÑÊÀß ÍÀÒÀËÈß

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÔÎÒÎÕÓÄÎÆÍÈÊÎÂ ÐÎÑÑÈÈ

3

2

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TSEKHOMSKAYA NATALIA

127

4


ÂÅÐÕÎËÀÒ ÄÌÈÒÐÈÉ

RUSSIAN UNION OF PHOTOARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

VERKHOLAT DMITRY

1

3

128

2

4



ÀËÅÉÍÈÊÎÂ ÞÐÈÉ

RUSSIAN UNION OF PHOTOARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ALEINIKOV YURI

130

3

1

4

2

5


ÀËÅÉÍÈÊÎÂ ÞÐÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÔÎÒÎÕÓÄÎÆÍÈÊÎÂ ÐÎÑÑÈÈ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ALEINIKOV YURI

6

8

7

Ãðóçèÿ. Âåñíà âîñåìüäåñÿò äåâÿòîãî...

Georgia. Spring ‘89

1989

1989

1. Íåçàâèñèìàÿ Ãðóçèÿ

1. Independent Georgia

2. Ñòàðàÿ æåíùèíà

2. Old woman

3, 9. Õðàì Ñèîíè. Òáèëèñè

3, 9. Sioni temple. Tbilisi

4. Ìöõåòà. Ñâåòèöõîâåëè

4. Mtsheta. Svetitskhoveli

5. Áèëëèàðäèñòû

5. Billiards players

6. Äåòè çà ðåøåòêîé

6. Children behind a bar screen

7. Ñòàðûé Òáèëèñè

7. Old Tbilisi

8. Ðåáåíîê íà óëèöå

8. Child in the street 9

131


ÀËÅÉÍÈÊÎÂ ÞÐÈÉ

RUSSIAN UNION OF PHOTOARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ALEINIKOV YURI

10

12

132

13

11

14

15


ÀËÅÉÍÈÊÎÂ ÞÐÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÔÎÒÎÕÓÄÎÆÍÈÊÎÂ ÐÎÑÑÈÈ

16

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ALEINIKOV YURI

19

133

17

20

Ãðóçèíñêèé àëüáîì Ïåòåðáóðãà

Georgian album of St. Petersburg

10, 13–15. Â ãðóçèíñêîé öåðêâè

10, 13–15. In Georgian church

11. Ãðóçèíñêàÿ öåðêîâü «Âî èìÿ èêîíû Øåñòàêîâñêîé Áîæüåé ìàòåðè»

11. Georgian church «In the name of Shestakovskaya Madonna icon»

12. Ãðóçèíñêèå èåðàðõè âî ãëàâå ñ ìåòðîïîëèòîì Âëàäèìèðîì ïîñëå îñâÿùåíèÿ öåðêâè

12. Georgian hierarchs headed by metropolite Vladimir after consecration of church

2000–2005

16. Áàäðè Êàêàáàäçå — Ïðåçèäåíò ãðóçèíñêîé äèàñïîðû 17. Äàíèèë Ãðàíèí

18

2000–2005

16. Badri Kakabadze — President of Georgian diaspora 17. Daniil Granin

18. Ñ ïîñëîì Â. ×å÷åëàøâèëè

18. With the ambassador V. Tchetchelashvili

19. Âñòðå÷à Íèíî Áóðäæàíàäçå

19. Meeting Nino Burdzhanadze

20. Ãðóçèíû íà îòêðûòèè âûñòàâêè Çóðàáà Öåðåòåëè

20. Georgians at the opening of Zurab Tsereteli’s exhibition


ÀËÅÉÍÈÊÎÂ ÞÐÈÉ

RUSSIAN UNION OF PHOTOARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ALEINIKOV YURI

24

Ãðóçèíñêèé àëüáîì Ïåòåðáóðãà 2000–2005

21. Îòåö Ðîìàí. Êðåùåíèå 22. Â èíñòèòóòå Âîñòîêîâåäåíèÿ

21

134

23. Ëåëà Öóðöóìèà, Çóðàá Ñîòêèëàâà, Ñîôèêî ×àóðåëè 24. Òàéìóðàç Áàëîåâ, Ãèÿ Ãâè÷èÿ, Õàìçàò Öîêèåâ — âî çäðàâèå 25. Íåâåñòà 26. Çóðàá Àáàøèäçå, Âàëåðèé Ãåðãèåâ

Georgian album of St. Petersburg 2000–2005 22

25

21. Father Roman. Christening 22. At the institution of oriental studies 23. Lela Tsurtsumia, Zurab Sotkilava, Sofiko Tchaureli 24. Taimuraz Baloev, Ghia Ghvitchia, Khamzat Tsokiev — «Cheers» 25. Bride 26. Zurab Abashidze, Valery Gergiev 23

26


ÀËÅÉÍÈÊÎÂ ÞÐÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÔÎÒÎÕÓÄÎÆÍÈÊÎÂ ÐÎÑÑÈÈ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ALEINIKOV YURI

27

135 30

27. Ðåæèññåð Òèìóð ×õåèäçå 28. Ðåæèññåð Ðîáåðò Ñòóðóà 29. Ãèçî Êóõàëàøâèëè, Ãåííàäèé Îðëîâ 30. Íàòåëà Òîâñòîíîãîâà

28

31. Íàòàëüÿ Ñîêîëîâñêàÿ, ïîýò, ïåðåâîä÷èê ãðóçèíñêèõ ïîýòîâ

27. Director Timur Tchkheidze 28. Director Robert Sturua 29. Ghizo Kukhalashvili, Gennady Orlov 30. Natalia Tovstonogova 31. Natalia Sokolovskaya, poet, interpreter of Georgian poetry 29

31


ÀËÅÉÍÈÊÎÂ ÞÐÈÉ

RUSSIAN UNION OF PHOTOARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ALEINIKOV YURI

32

136

33

35

Ãðóçèíñêèé àëüáîì Ïåòåðáóðãà

Georgian album of St. Petersburg

32. Íà êîíöåðòå

32. At the concert

33. Íàíè Áðåãâàäçå ñ àêòåðàìè òåàòðà èì. Øîòà Ðóñòàâåëè

33. Nani Bregvadze with actors of the Rustaveli State Theatre

2000–2005

34

36

2000–2005

34. Â Ãðóçèíñêîé øêîëå

34.At Georgian school

35. Íàòî Êàêàáàäçå, ïðåäñåäàòåëü ãðóçèíñêîé æåíñêîé îðãàíèçàöèè «Æåíùèíû Ãðóçèè çà ìèð è çà æèçíü»

35. Nato Kakabadze, Chairlady of georgian women organisation «Women of Georgia for Life and Peace»

36. Äåâî÷êà ñ ÿáëîêîì

36. Girl with an apple

37. Èñòîðèê Ãóäçà Àïàêèäçå

37. Historian Gudza Apakidze

38. Àêòðèñû Èðìà è Ìçèà Íèîðàäçå

38. Actresses Irma and Mzia Nioradze

39. Îëåã Áàñèëàøâèëè è Íàòåëà Òîâñòîíîãîâà

39. Oleg Basilashvili and Natela Tovstonogova

40. Äåâóøêà

40. Young woman

41. Ïåâèöà Ëèçà Áàãðàòèîíè

41. Singer Lisa Bagrationi


ÀËÅÉÍÈÊÎÂ ÞÐÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÔÎÒÎÕÓÄÎÆÍÈÊÎÂ ÐÎÑÑÈÈ

37

40

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ALEINIKOV YURI

137

38

39

41


ÒÈÌÎÔÅÅÂÀ ÑÂÅÒËÀÍÀ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TIMOFEEVA SVETLANA

138

1

ÑÏÎÍÑÎÐ ÔÎÒÎÃÐÀÔÀ PHOTOGRAPHER’S SPONSOR


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÑÎÞÇ ÔÎÒÎÕÓÄÎÆÍÈÊÎÂ ÐÎÑÑÈÈ

ÒÈÌÎÔÅÅÂÀ ÑÂÅÒËÀÍÀ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TIMOFEEVA SVETLANA

139 2

1. Äîðîãà ê ñîëíöó 1974

2. Ñåâåðíûé ìîòèâ 1973

3. Ïåðåä ãðîçîé 1972

1. Path to the sun 1974

2. Northern motive 1973

3. Before thunderstorm 1972

3


ÊÀÏËÀÍ ÎËÅÃ

RUSSIAN UNION OF PHOTOARTISTS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

KAPLAN OLEG

3

1

140

4

2

1–5. Èç ñåðèè «Êíèãà Ïåðåìåí» 2004

1–5. Series «Book of Changes» 2004

5


ÁÅËÎÇÎÐ ÎËÅÃ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÈËÜÄÈß ÐÅÊËÀÌÍÛÕ ÔÎÒÎÃÐÀÔÎÂ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

BELOZOR OLEG

141

1

1–2. Íàòþðìîðò 2004

2

1–2. Still-life 2004


ÑÀÕÀÐÎÂ ÈÃÎÐÜ

GUILD OF ADVERTISING PHOTOGRAPHERS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SAKHAROV IGOR

1

142

2

3


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÈËÜÄÈß ÐÅÊËÀÌÍÛÕ ÔÎÒÎÃÐÀÔÎÂ

ÑÀÕÀÐÎÂ ÈÃÎÐÜ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SAKHAROV IGOR

143

4

1. ***

3. ***

2. ***

4. ***

2005 2004

2005 2005


ÑÀÕÀÐÎÂ ÈÃÎÐÜ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SAKHAROV IGOR

144

4

GUILD OF ADVERTISING PHOTOGRAPHERS | PHOTOGRAPHERS ‘ 05


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÈËÜÄÈß ÐÅÊËÀÌÍÛÕ ÔÎÒÎÃÐÀÔÎÂ

ÑÀÕÀÐÎÂ ÈÃÎÐÜ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SAKHAROV IGOR

145

5

4. *** 2004

5. ***

2004–2005


ÃÎÐÎÄ×ÀÍÈÍÎÂÀ ÒÀÒÜßÍÀ

GUILD OF ADVERTISING PHOTOGRAPHERS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

GORODCHANINOVA TATIANA

1

146

3

1. Íàòþðìîðò #26

1. Still-life #26

2. Ìèñòèêà

2. Mysticism

3. Ýòþä #18

3. Etude #18

4. Ìàøåíüêà

4. Mashenka

5. Ïîðòôîëèî

5. Portfolio

6. Àêòðèñà Àííà Àëåêñàõèíà

6. Actress Anna Aleksakhina

7. Ôîêóñíèêè

7. Magicians

2004 2004 2004 2002 2005 2004 2004 2

2004 2004 2004 2002 2005 2004 2004


ÃÎÐÎÄ×ÀÍÈÍÎÂÀ ÒÀÒÜßÍÀ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÃÈËÜÄÈß ÐÅÊËÀÌÍÛÕ ÔÎÒÎÃÐÀÔÎÂ

4

6

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

GORODCHANINOVA TATIANA

147

5

7


ÍÅÉÌÎÐÎÂÅÖ ÂËÀÄÈÌÈÐ

WILDLIFE PHOTOGRAPHY CLUB | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

NEIMOROVETS VLADIMIR

148

1

3

1. Áåëîïëå÷èé îðëàí 2004

2. Ñàäîâàÿ óëèòêà 1997

3. Òåíè ñîëíöà 2004

4. Ïëàòî Ëàãîíàêè 1998

1. Steller’s sea eagle 2004

2. Snail 1997

3. Shadows of the sun 2004

4. Plateau Lagonaki 1998 2


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÊËÓÁ ÔÎÒÎÎÕÎÒÍÈÊÎÂ

ÍÅÉÌÎÐÎÂÅÖ ÂËÀÄÈÌÈÐ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

NEIMOROVETS VLADIMIR

149

4


ÒÓÐÑÊÀ ÁÝÀÒÀ

ST. PETERSBURG LEAGUE OF PHOTOMASTERS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TURSKA BEATA

150

1

3

1. Â ãîðàõ Èòàëèè

1. In the mountains of Italy

2. Êîëîííû

2. Columns

3. Ñëåçû

3. Tears

4. Ðèòì

4. Rhythm

5. Èç îêíà

5. Out the window

2004 2004 2004 2004 2005 2

2004 2004 2004 2004 2005


ÔÎÒÎÃÐÀÔÛ ’ 05 | ËÈÃÀ ÔÎÒÎÌÀÑÒÅÐÎÂ ÑÏá

ÒÓÐÑÊÀ ÁÝÀÒÀ

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TURSKA BEATA

4

5

151



ÔÎÒÎÃÐÀÔÛ ’ 05 | ËÈÃÀ ÔÎÒÎÌÀÑÒÅÐÎÂ ÑÏá

SWISSART PHOTO

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SWISSART PHOTO

153

5


ÆÓÊÎÂÑÊÈÉ ÂËÀÄÈÌÈÐ

ST. PETERSBURG LEAGUE OF PHOTOMASTERS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

ZHUKOVSKY VLADIMIR

1

4

154

2

5

1. Íà êðàþ èìïåðèè 1997

2, 3. Ñîçèäàòåëè 1976–2004

4. Ðåêâèåì îòöó 2000

5. Íó çäðàâñòâóé, XXI–é ! 2001

6. Íàäåíüêà 2001

1. On the far side of empire 1997

2, 3. Creators 1976–2004

4. Requem for father 2000

5. Well, hello, XXI! 2001

6. Nadenka 2001 3

6


ÃÈÍ ÄÌÈÒÐÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ËÈÃÀ ÔÎÒÎÌÀÑÒÅÐÎÂ ÑÏá

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

GHIN (GIN) DMITRY

1

155

3

2

4

1. Áèáëèîòåêà ÔÒÈ

1. Library at the Ioffe Institute

3. Êîìíàòà 431

3. Room 431

2. Öèêëîòðîí

2. Cycla

4. ÑÊÈÔ

4. SKIF (Sergey Kuryokhin International Festival)

2005 2004

2005 2004

2004 2004

2004 2004


ÒÈÌÎÕÈÍ ÑÅÐÃÅÉ

ST. PETERSBURG LEAGUE OF PHOTOMASTERS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

TIMOKHIN SERGEI

3

156

1

4

1. Óïèðàÿñü â íåáî

1. Coming up against the sky

2. Áåëûå íî÷è

2. White nights

3. Îñíîâàòåëü

3. Establisher

4. Åñòü êîíòàêò!

4. In touch!

2000

2002

1999 2

1996

2000

2002

1999 1996


ÂÎÙÈÍÈÍ ÀÍÄÐÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ËÈÃÀ ÔÎÒÎÌÀÑÒÅÐÎÂ ÑÏá

2

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

VOSCHININ ANDREI

157

3

1

1. Âîñïîìèíàíèÿ

1. Recollections

2. Æåì÷óãà

2. Pearls

3. Íî äàëåêî åù¸ äî ïåðâûõ ñíåæíûõ áóðü...

3. But first snowslips are still a long way off...

4. Äîëèíà ñåâåðíîé ñêàçêè

4. Northern fairy-tale valley

2003 2004 2004 2004

2003 2004 2004 2004

4


ÑÀÂÂÈÍÀ ÏÎËÈÍÀ

ST. PETERSBURG LEAGUE OF PHOTOMASTERS | PHOTOGRAPHERS ‘ 05

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÅ ÑÎÞÇÛ | PROFESSIONAL ASSOCIATIONS

SAVVINA POLINA

158

1

1. Íà âîëå 2004

2. Íàòþðìîðò â íèçêèõ òîíàõ 2004

3. Øóòî÷êà... 2004

1. In the wild 2004

2. Still-life in deep tones 2004

3. Joke... 2004 2

3


ПЕРСОНАЛЬНЫЕ СТРАНИЦЫ художественнаЯ фотографиЯ | art photography > ПОСТАНОВОЧНАЯ ФОТОГРАФИЯ | production photography > фоторепортаж | press photography > фотоколлаж | photo collage

personal PAGES


ÀÂÄÅÅÂ ÂËÀÄÈÌÈÐ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

AVDEEV VLADIMIR

160

1

3

1. Ôîíàðü

1. Lantern

2. Öåðêîâü â òóìàíå

2. Church in the mist

3. Ñòàðàÿ Ëàäîãà

3. Old Ladoga

2003 2004 2004 1 2

2003 2004 2004


ÀÂÄÅÅÂ ÂËÀÄÈÑËÀÂ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

AVDEEV VLADISLAV

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

1

161 2

4

3

1. Áåíãàëüñêèé áåðåã

1. Bengal coast

3. Ïåòåðáóðãñêàÿ òðèîëü

3. Petersburg triplet

2. Óòîìëåííîå ñîëíöå

2. Tired sun

4. Ìîðîçíûé çàêàò

4. Frosty sunset

2004 2004

2004 2004

2004 2003

2004 2003


ÀÍÈÑÈÌÎÂ ÊÈÐÈËË

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

ANISIMOV KIRILL

162

1

2

3


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÀÍÈÑÈÌÎÂ ÊÈÐÈËË

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

ANISIMOV KIRILL

163

1. Íàáåðåæíàÿ ðåêè Ôîíòàíêè. Èíæåíåðíûé çàìîê 2005

2. Áîëüøåîõòèíñêèé ìîñò 2004

3. Êðþêîâ êàíàë. Íèêîëüñêèé ñîáîð 2004

4. Êðîíâåðñêàÿ íàáåðåæíàÿ 2004

1. Fontanka-river embankment. The Engineering castle 2005

2. Bolsheokhtinskyi bridge 2004

3. Kriukov Canal. St. Nicholas Cathedral 2004

4. Kronverk embankment 2004

4



ÀÑÅÍ×ÀÊÎÂÀ ËÈÄÈß

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

ASENTCHAKOVA LYDIA

1

3

2

1. Îæèäàíèå

1. Expectation

2. Íîêòþðí

2. Nocturne

3. Ïîðòðåò Àëëû

3. Portrait of Alla

4. Ñîëíå÷íûé äîæäü

4. Sunny rain

2001 2004 2005 2002

2001 2004 2005 2002

4

165


ÀÑÒÀÕÎÂÀ ÌÀÄÈÍÀ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

ASTAKHOVA MADINA

166

1

3

4

1. Òðîå

1. Three

2. Ëó÷

2. Shaft

3. Ëþê

3. Hatch

4. Áåç íàçâàíèÿ

4. Untitled

2004 2003 2004 2003 2

2004 2003 2004 2003


ÁÅÐÇÓË ÈÃÎÐÜ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

BERZUL IGOR

3

1

2

1. Íàòàëüÿ

1. Natalia

2. À òåïåðü è ìû...

2. And we now...

3. Íàñòîÿùåìó êîâáîþ õîðîøî è áåç âîäû

3. For real cowboy it is good even without water

4. Äîæäü, ñòåêëî è ÷åëîâåê

4. Rain, glass and man

2005 2004

2004 2001

2005 2004

2004 2001

4

167



ÂÀÃÈÍ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

VAGHIN ALEXANDER

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

3

1

169

4

2

1. Äîðîãà ê Õðàìó

1. Road to the Temple

2. Îãíè Áîëüøîãî ìîñòà

2. Lights of the Large bridge

3. Ñåëüñêèé ôîòîãðàô

3. Village photographer

4. Ìèõàë¸âêèí è Êî

4. Mikhalevkin and Company

5. Áðàòüÿ ïî ðàçóìó

5. Intellectual brothers

2001 2000

2003 2001 2000

2001 2000

2003 2001 2000

5


ÂÎËÎÕÎÂ ÂËÀÄÈÌÈÐ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

VOLOKHOV VLADIMIR

1

3

170

4

2

1. Ïàâëîâñêèå «êàäåòî÷êè»

1. Pavlovsky «Kid-kadets»

2. Åäèíåíèå

2. Unification

3. Èç ñåðèè «Ïåòðîïàâëîâêà»

3. Series «Petropavlovka»

4. Íåîðäèíàðíàÿ ãåîìåòðèÿ

4. Extraordinary geometry

5. Îçàðåíèå

5. Afflatus

2004 2003 2005 2005 2002

2004 2003 2005 2005 2002

5


ÂÛÑÎÊÈÕ ÈÂÀÍ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

1

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

VYSOKIKH IVAN

3

171

2

4

1. ÑÏá. Ãîðîäñêàÿ êàíàëèçàöiÿ

1. SPb. City canalization

3. Êàíàëèçàöèÿ Ëåíèíãðàäa. 1962

3. Canalization.Leningrad. 1962

2. ÊàíàëNçàöNÿ ã. Ïåòðîãðàäà

2.Petrograd’s CanalNzatsNia

4. Êàíàëèçàöèÿ æèëèùñîþçà. Ëåíèíãðàä

4. Canalization of the Housing Union. Leningrad

2004 2003

2004 2003

2003

2003

2003

2003


ÃÎÐß×Å ÎËÅÃ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

GORIATCHEV OLEG

172

1

1. Íàáåðåæíàÿ ðåêè Êàðïîâêè 2002

2. Íèêîëàé I 2002

3. Ðåøåòêà Ìèõàéëîâñêîãî ñàäà 2002

4. Õàêàñèÿ 2003

5. 16 èþíÿ 2004. Ôèíñêèé çàëèâ 2004

1. Karpovka river embankment 2002

2. Nikolai I 2002

3. Trellis of the Mikhailovsky garden 2002

4. Khakassia 2003

5. June 16 2004. Gulf of Finland 2004 2

3


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÃÎÐß×Å ÎËÅÃ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

GORIATCHEV OLEG

4

5

173


ÃÐÝÕÝÌ ÞËÈß

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÔÎÒÎÊÎËËÀÆ | PHOTO COLLAGE

GRAHAM YULIA

1

3

2

4

174


ÃÐÝÕÝÌ ÞËÈß

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

5

7

ÔÎÒÎÊÎËËÀÆ | PHOTO COLLAGE

GRAHAM YULIA

175

6

1–8. Èç ñåðèè «VIVID» 2002–2005

8

1–8. Series «VIVID» 2002–2005


ÄÎËÈÍÈÍ ÄÌÈÒÐÈÉ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

DOLININ DMITRY

1

4

176

2

3

5


ÄÎËÈÍÈÍ ÄÌÈÒÐÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

DOLININ DMITRY

177 6

7

1. Íà õîäó

1. On the move

5. Ðîçîâûé çîíò

5. Pink umbrella

2. Îñòàíîâêà

2. Stop

6. Âå÷åðîì íà óëèöå

6. Evening in the street

2000

1957

2000

1957

1999

1999

3. Íåâåñòà

3. Bride

1970-å

2003

7. Òðåóãîëüíèê

4. Khvost (Alexey Khvostenko)

1997

7. Triangle

4. Õâîñò (Àëåêñåé Õâîñòåíêî)

8. Àíãåëû

8. Angels

2003

2002

2002

1998

1970

1997 1998

8


дядюченко юрий

художественная фотография | art photography

diadiutchenko yuri

1

178

2

1. …Невы любуясь красотой… 2004

1. …Admiring beauty of Neva… 2004

personal pages | photographers ‘ 05


фотографы ’ 05 | персональные страницы

дядюченко юрий

художественная фотография | art photography

diadiutchenko yuri

179

2. Ансамбль Новая Голландия. Зима 2002

2. The New Holland ensemble. Winter 2002


ÅÐØÎÂ ÊÎÍÑÒÀÍÒÈÍ, ÅÐØÎÂ ÊÈÐÈËË

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

ERSHOV KONSTANTIN, ERSHOV KIRILL

180

1

1. Ïîðàáîùåííûé ìåòàëë 2004

2. Êàìåííûé ëèê 2004

3. Ïîêàÿíèå 2004

1. Enslaved metal 2004

2. Stone face 2004

3. Penitence 2004 2

3


ÅÑÀßÍ ÀÐÒÅÌ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

ESAYAN ARTIOM

1

4

181

2

5

1. «Nude»

1. «Nude»

2. Äâîéíèê

2. Double

3. Ïðîùàíèå

3. Farewell

4. Äóýò

4. Duet

5. Ñâàäüáà

5. Wedding

2001 2004 2003 2002 2004 3

2001 2004 2003 2002 2004


ÆÀÐÊÎÂ ÈÃÎÐÜ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

ZHARKOV IGOR

182

1

1–4. Ïðàçäíèê Êîðîëåâû. Àìñòåðäàì 2005 2


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÆÀÐÊÎÂ ÈÃÎÐÜ

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

ZHARKOV IGOR

3

1–4. Queen’s holiday. Amsterdam 2005

4

183


ÆÓÐÀÊÎÂÑÊÀß ÈÍÍÀ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

ZHURAKOVSKAYA INNA

3

184

1

4

2

5

3. Îôåëèÿ, èãðàþùàÿ íà òðîìáîíå

3. Ophelia playing on trombone

2002

2002

1. Êðûøè ãîðîäà

1. City roofs

4. Ãîëóáûå áàáî÷êè

4. Blue butterflies

2. Çèìà óõîäèò

2. Winter is leaving

5. Íîâûé ìîñò Ïåòåðáóðãà

5. New bridge in Petersburg

2003 2004

2003 2004

2002 2005

2002 2005


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÇÐÈÌ (ÂÅËÈ×ÊÎ ÀËÅÊÑÀÍÄÐ)

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

ZRIM (VELITCHKO ALEXANDER)

185

Èç ñåðèè «×àñòü ñâåòà ÑÏá» 2004

Series «SPb continent» 2004





ÊÀØÈÍ ÀÍÄÐÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

KASHIN ANDREI

189 1

3

1. Âèðòóîç

1. Virtuoso

2. Êîððèäà

2. Corrida

3. Áóäóùàÿ ÷åìïèîíêà

3. Future champion

2004 2004 2004 2

2004 2004 2004


ÊÓÐÄÓÌßÊÎÂÀ ÂÅÐÀ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

KURDUMIAKOVA VERA

190

1

1. Âîëøåáíûé êîðàáëü. Ìèô èëè ðåàëüíîñòü 2005

2. ×óäî-þäî íåáåñíîå 2005

3. Ñîçâó÷èå. «Ìèð ïðåêðàñíûì ñòàíîâèòñÿ òîëüêî òîãäà, êîãäà êàæäàÿ êðîõà ñåáÿ òàì íàøëà» 2004

4. Ñèÿíèå ñîëíå÷íîãî çàêàòà âî òüìå 2004

5. «Ìîðå–íå ìîðå, ïðèáîé–íå ïðèáîé. Ñîëíöà ïðîíèçàíî âñå æåëòèçíîé» 2005

1. Magic ship. Myth or reality 2005

2. Whangdoodle of heaven 2005

3. Harmony. «The World becomes perfect only when each crumb has found itself in it» 2004

4. Sunset shining in the darkness 2004

5. «Surf isn’t surf, sea isn’t sea, Sun captured everything, as you can see...» 2005 2


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÊÓÐÄÓÌßÊÎÂÀ ÂÅÐÀ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

KURDUMIAKOVA VERA

191

3

4

5


ÊÎÇÛÐÅÂÀ ÃÀËÈÍÀ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

KOZYREVA GALINA

192

1

3

1. Âîñïîìèíàíèÿ ïðåæíèõ ëåò

1. Memoirs of foregone years

2. Îñåííÿÿ íåæíîñòü

2. Autumn tenderness

3. Áåçìîëâíûé ïðóä

3. Silent pond

2004 2004 2004 2

2004 2004 2004


ËÀÂÐÎÂÑÊÈÉ ÀÍÀÒÎËÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

LAVROVSKY ANATOLY

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

1

193

2

3

1–4. Ïàðóñà â Ìàðêèçîâîé ëóæå è äðóãèõ ìåñòàõ 2004

1–4. Sails in Marquis pool and other places 2004

4



ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ËÀÐÈÎÍÎÂÀ ÌÀÐÈÍÀ

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

LARIONOVA MARINA

195

5. Èðèíà 2003

5. Irina 2003

5


ÌÀËÀÕÎÂÀ ÅÊÀÒÅÐÈÍÀ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

MALAKHOVA EKATERINA

196

1

2

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05


ÌÀËÀÕÎÂÀ ÅÊÀÒÅÐÈÍÀ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

MALAKHOVA EKATERINA

197

3

1. Îçåðî ó ëåäíèêà 2004

2. Êîðîâû â Àíóå 2003

3. Ñîí-òðàâà 2001

4. Âåòêà ðîäîäåíäðîíà 2001

5. Ïåðåêàò Øóìû 2002

1. Lake at the glacier 2004

2. Cows in Anui river 2003

3. Gosling 2001

4. Rhododendron branch 2001

5. Rift of Shuma-river 2002

4

5


ÌÅËÅÍÒÜÅÂ ÀËÅÊÑÅÉ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

MELENTIEV ALEKSEI

1

3

4

198

5

1. Ôîòîãðàô

1. Photographer

2. Ìàëåíüêàÿ ìîäåëü

2. Small model

3. Àëèíà

3. Alina

4. Muchacha

4. Muchacha

5. Áàáî÷êè

5. Butterflies

2002

1998 2000

1998 2002 2

2002

1998 2000

1998 2002


ÌÎÒÎÂÈËÎÂÀ ÎËÜÃÀ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

MOTOVILOVA OLGA

199

3

1

1. Àëåêñåé 2005

2. Âàäèì Ìèõàéëîâè÷ 2004

3. Ðåòðî 2004

1. Alexei 2005

2. Vadim Mikhailovitch 2004

3. Retro 2004

2


ÌÊÐÒ×ßÍ ÅËÅÍÀ

PERSONAL L PAGES | PHOTOGRAPHERS HOTOGRA HE ‘ 05 5

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

MKRTCHIAN ELENA

1

3

2

4

200

1. Ïîëäåíü

1. Noon

5. Çàìêè äóõîâ

5.Castles of spirits

2. Ïàñìóðíûé äåíü

2. Grey day

6. Çèìíÿÿ êàïåëü

6. Winter drippings

3. Óøåë

3. Went away

7. Ñòðåëêà

7. The Spit

4. Âçðûâ. Ïóçûðè íà âîäå

4. Explosion. Bubbles on water

2005 2005 2005 2005

2005 2005 2005 2005

2004 2005 2005

2004 2005 2005


ÌÊÐÒ×ßÍ ÅËÅÍÀ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

MKRTCHIAN ELENA

201

5

6

7


ÍÀÉÂÀËÜÒ ÞËÈß

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

NAIVALT YULIA

202

1–4. Èç ñåðèè «Ôàêòóðà ïðèðîäû» 2001–2005

1–4. Series «Texture of nature» 2001–2005 1


ÍÀÉÂÀËÜÒ ÞËÈß

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

NAIVALT YULIA

203

2

3

4


ÍÀÉÂÀËÜÒ ÞËÈß

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

NAIVALT YULIA

204

5

6

7


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÍÀÉÂÀËÜÒ ÞËÈß

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

NAIVALT YULIA

205

5–8. Èç ñåðèè «Ôàêòóðà ïðèðîäû» 2001–2005

5–8. Series «Texture of nature» 2001–2005

8


ÍÀÁÅËÜ ÊÎÍÑÒÀÍÒÈÍ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

NABEL KONSTANTIN

1

4

206

2

5

1. Ñíåã

1. Snow

2. Morning after party

2. Morning after party

3. Ãîðîä ñûðîñòè

3. Wet city

4. Áåç íàçâàíèÿ

4. Untitled

5. Ñòðåëîê Ôðîíòèðà

5. Frontier shooter

2003 2004 2003 2002 2002 3

2003 2004 2003 2002 2002


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÍÅÑÒÅÐÎÂ ÂÀËÅÍÒÈÍ

1

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

NESTEROV VALENTIN

207

1. Ðåòðî íà óëèöå. Ëåãíèöà. Ïîëüøà. 1967

2. Âåñåííèé àâðàë 1982

1. Retro in the street. Legnica. Poland. 1967

2. Spring rush job 1982

2


ÍÅÑÒÅÐÎÂ ÂÀËÅÍÒÈÍ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

NESTEROV VALENTIN

208 3

4

5


ÍÅÑÒÅÐÎÂ ÂÀËÅÍÒÈÍ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

NESTEROV VALENTIN

209

6

3. Âåíåöèàíñêèé êîíåê. XVI âåê. ×àñòíàÿ êîëëåêöèÿ.

3. Venetian horse. 16-th century. Private collection.

4. Äóåò. Ñêóëüïòóðû. ×àñòíàÿ êîëëåêöèÿ.

1990

1985

1990

5. Ñâàäåáíàÿ ïåñíÿ. Ñêóëüïòîð Öèâèí. Èç êîëëåêöèè Ãîñóäàðñòâåííîãî Ýðìèòàæà

5. Wedding song. Sculptor Tsivin. From the State Hermitage collection

4. Duet. Sculptures. Private collection.

6. Ìàøåíüêà

6. Mashenka

1985

1990

1986

1990

1986




ÏÎËÈÂÎÄÀ ÅÊÀÒÅÐÈÍÀ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

POLYVODA EKATERINA

1

212

4

2

5

1–5. Èç ñåðèè «Áàëåðèíêè» 2005 3

1–5. Series «Ballet-dancers» 2005


ÐÀÄÅËÎÂ ÑÅÐÃÅÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

RADELOV SERGEI

1. Ãåíèè âðåìåíè

ïîðòðåò êåðàìèñòîâ Èãîðÿ Âàñèëüåâà è Ìàðèè Ãðîíèíîé 2004

2. Âëþáëåííûå ïàìÿòè Ìàðêà Øàãàëà 2004

3. Ðûöàðü è ñìåðòü ïàìÿòè Èíãìàðà Áåðãìàíà 2004

4. Ëîâåö âðåìåíè ïîðòðåò Âèêòîðà Ëàòàíñêîãî 2004

1. Genius of time

ÔÎÒÎÊÎËËÀÆ | PHOTO COLLAGE

portrait of ceramists Igor Vasiliev and Maria Gronina 2004

2. Lovers

Sacred to the memory of Mark Shagal 2004

3. Knight and death Sacred to the memory of Ingmar Bergman 2004

4. Time-Catcher

portrait of Victoe Lanskoy 2004 1

213

2

3

4


ÐÀ×ÊÎÂÑÊÀß ÎËÜÃÀ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

RACHKOVSKAYA OLGA

1

214

2

3


ÐÀ×ÊÎÂÑÊÀß ÎËÜÃÀ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

RACHKOVSKAYA OLGA

4

215

5

1. Õåëüìóò Áóåñ

1. Helmut Bues

2. Äîðåëü Äîáîêàí

2. Dorel Dobocan

3. Áàðîí Ý. À. Ôàëüö-Ôåéí

3. Baron Eduard von Falz-Fein

4. Íüþ-Éîðêñêèé âàëüñ

4. New-York waltz

5. Âñåìèðíûé òîðãîâûé öåíòð. Íüþ-Éîðê

5. World Trade Center in New York City

6. Ãîðîä, ñìîòðÿùèé â íåáî

6. City looking into the sky

2004 2004 2003 2004

2001 2002

2004 2004 2003 2004

2001 2002

6



ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÑÀÌÀÐÈÍÀ ÞËÈß

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SAMARINA YULIA

217

2


ÑÅÂÅÐÈÍ ÌÀÊÑÈÌ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SEVERIN MAKSIM

218 1

1. Ïèòåðñêèé ôàðâàòåð 2002

2. Ñìîëüíûé 2002

3. Çàëèâ 2004

1. Petersburg waterway 2002

2. Smolny

2002

3. Gulf 2004 2

3


ÑÅÌÅÍÎÂÀ ÎËÜÃÀ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SEMIONOVA OLGA

2

1

1. Òèøèíà

1. Silence

2. Ìóäðûì âçãëÿäîì...

2. With wise look...

3. Ñëåä âðåìåíè

3. Trace of time

2005 2005 2005

2005 2005 2005

3

219


ÑÅÌÅÍÎÂÀ ÞËÈß

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SEMIONOVA YULIA

220

1

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05


ÑÅÌÅÍÎÂÀ ÞËÈß

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SEMIONOVA YULIA

221

2

4

1. Ñòåíû 2004

2. Ïîëåò íàä Âåíåöèåé 2004

3. Â îæèäàíèè 2004

4. Ïî óëèöàì ðîìàíòèêîâ 2004

1. Walls 2004

2. Flight over Venice 2004

3. In abeyance 2004

4. Down the streets of romantics 2004

3


ÑÅÌÅÐÎÂ ÌÈÕÀÈË

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SEMEROV MIKHAIL

222

1

3

4

1–4. Èç ñåðèè «Äåòè ðàçíûõ íàðîäîâ» 2003–2004

1–4. Series «Children of different nations» 2003–2004 2


ÑÈËÊÈÍ ÀËÅÊÑÀÍÄÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

SILKIN ALEXANDER

1

223

2

3

1. Íî÷íîå...

1. Nightly...

2. Ïðîôåññîð

2. Professor

3. Àâòîïîðòðåò

3. Self-portrait

2005 2005 2004

2005 2005 2004


ÑÈËÊÈÍ ÀËÅÊÑÀÍÄÐ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

SILKIN ALEXANDER

224

4

6

4, 7. Èç ñåðèè «Essential selection» 2004

5. Ëàéìà Âàéêóëå 2005

6. Õóäîæíèê Ãóðüÿíîâ 2004

4, 7. Series «Essential selection» 2004

5. Laima Vaikule 2005

6. Artist Gurianov 2004 5



ÑÊÀ×ÊΠÃÅÎÐÃÈÉ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SKATCHKOV GEORGYI

1

4

226

2

5

1–5. Èòàëüÿíñêèå ìîòèâû. Ôðàãìåíòû âûñòàâêè

1–5. Italian motives. Fragments of the exhibition

6. Ñòàðûé ïàðê

6. Old park

7. Ðîñà

7. Dew

8. Âåòåð

8. Wind

1995–1998 1996 1999 2001 3

1995–1998 1996 1999 2001


ÑÊÀ×ÊΠÃÅÎÐÃÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SKATCHKOV GEORGYI

227

6

7

8


ÑÎËÎÄÊÎ ÃÅÎÐÃÈÉ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SOLODKO GEORGYI

228

1

1. Ãîðîä

1. City

2. Îòðàæåíèå

2. Reflection

3. Çèìíèé ñîí

3. Winter dream

4. Íåâñêàÿ äóãà

4. Bend of Neva

5. Ëåòó÷èé Ãîëëàíäåö

5. Flying Dutchman

6. ×àñîâûå

6. Sentries

7. Ëàâà

7. Clapper bridge

2005 2004 2004 2004 2004 2004 2004 2

2005 2004 2004 2004 2004 2004 2004


ÑÎËÎÄÊÎ ÃÅÎÐÃÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

5

3

229

6

4

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SOLODKO GEORGYI

7


ÑÈÐÎØ ÏÎËÈÍÀ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

SIROSH POLINA

230

1

3

1. Èðà 2004

2. Ëåíà 2004

3. Ñâåòà 2004

4. Ñàóëèÿ 2004

1. Ira 2004

2. Lena 2004

3. Sveta 2004

4. Saulia 2004 2

4


ÒÈÌÎÔÅÅÂ ÄÀÍÈÈË

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

TIMOFEEV DANIIL

1

231

3

2

1. Îäèíî÷åñòâî

1. Loneliness

2. Ïðî ëþáîâü

2. About love

3. Ïðèçðàêè Ïåòåðáóðãà

3. Phantoms of St. Petersburg

4. Àííà Â. (II)

4. Anna V. (II)

2004 2004 2004 2004

2004 2004 2004 2004

4


ÒÓÐÊÈÍ ÍÈÊÎËÀÉ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

TURKIN NIKOLAI

1

4

232

2

5

1. «Òàêè ÿ âàì ñêàæó çà ýòèõ äóáëåíîê...»

1. «It ain’t just a sheepskin coat, man...»

2. Äíåâíîé ñîí ìàëåíüêîãî ÷åëîâåêà

2. Day-time dream of a small man

3. Òðîèöêèé ìîñò

3. The Trinity bridge

4. Ðåñòîðàí «Êàðàâàí»

4. Restaurant «Caravan»

5. Æåíùèíà ñ ïÿëüöàìè

5. Woman with embroidery frame

2001

2002 2005 2004 2001 3

2001

2002 2005 2004 2001


ÔÅÄÎÒÎÂ ÀÍÀÒÎËÈÉ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

FEDOTOV ANATOLY

1

4

233

2

5

1. Ðûáàêè

1. Fishermen

2. Óòðî íà Âóîêñå

2. Morning on Vuoksa

3. Áîðùåâèêè

3. Hogweeds

4. Êðèâîå äåðåâî â òóìàíå

4. Writhen tree in fog

5. Ïîñëóøíèöà

5. Novitiate

2004 2003 2000

2004

1982 3

2004 2002 2000

2004

1982


ÔÈËÜÊÎÂ ÂËÀÄÈÑËÀÂ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

FILKOV VLADISLAV

1

3

2

4

234

1. Ýòþä

2. Âàëóíû

3. Êàïåàñàëìè

4. Âóîêñà

5. Îêòÿáðü

6. Êàì÷àòêà

7. Ëåòî

1. Etude

2. Boulders

3. Kapeasalmi

4. Vuoksa

5. October

6. Kamchatka

7. Summer

2004

2004

2004

2004

2004

2004

2004

2004

2004

2004

2003

2003

2003

2003


ÔÈËÜÊÎÂ ÂËÀÄÈÑËÀÂ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

FILKOV VLADISLAV

5

235

6

7


ÕÀÐÈÒÎÍÎÂ ÂËÀÄÈÑËÀÂ

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

KHARITONOV VLADISLAV

1

236

2

1. Èç ñåðèè «Nevsky’s brakers»

1. Series «Nevsky’s brakers»

2. Èç ñåðèè «Çà êóëèñàìè òåàòðàëüíîãî ó÷èëèùà»

2. Series «Behind the scenes of a theatrical college»

2004

2004

2004

2004

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÀÐÈÒÎÍÎÂ ÂËÀÄÈÑËÀÂ

ÔÎÒÎÐÅÏÎÐÒÀÆ | PRESS PHOTOGRAPHY

KHARITONOV VLADISLAV

237

3

3. Ïðàçäíèê ÂÌÔ 2003

3. Naval Force day 2003


×ÅÆÈÍÀ ËÞÄÌÈËÀ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

CHEZHINA LIUDMILA

238

1

1–2. Èç ñåðèè «Ëåãêèå îòòåíêè ãðóñòè»

ïîñâÿùåíèå Ìàðèýëëå Áóðàíè 2004

3–4. Èç ñåðèè «Ñ Íåáåñ íà çåìëþ» 2004

1–2. Series «Light shades of sadness» Dedication to Mariella Burani 2004

3–4. Series «From Heaven to earth» 2004 2


ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

×ÅÆÈÍÀ ËÞÄÌÈËÀ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

CHEZHINA LIUDMILA

3

4

239



ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

×ÅÐÍÅÖÊÈÉ ÂËÀÄÈÌÈÐ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

TCHERNETSKY VLADIMIR

241

1. Ïåðâûé ñíåã 2003

2. Äðåìëþùàÿ ìîñòîâàÿ 2004

3. Ñîíåò 2004

1. First snow 2003

2. Slumbering pavement 2004

3. Sonnet 2004

3



ØÅÌÈÓÍÎÂ ÌÀÐÀÒ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

4

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SHEMIUNOV MARAT

5

243

6

1. Òðèëüáè

1. Trilbi

3. Âîñêðåñåíüå, äíåì

3. Sunday, afternoon

5. Øîïåíèàíà II

5. Les Sylfides II

2. Ýðåêöèÿ ¹

2. Erection ¹

4. Øîïåíèàíà I

4. Les Sylfides I

6. Æèçåëü

6. Giselle

2004 2005

2004 2005

2004 2004

2004 2004

2004 2005

2004 2005


ØÈÐÎÊÎÂ ÂËÀÄÈÌÈÐ

PERSONAL PAGES | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SHIROKOV VLADIMIR

244

1

2

1. Âèä Ñàíêò-Ïåòåðáóðãà ñ âåðøèíû øïèëÿ Ïåòðîïàâëîâñêîãî ñîáîðà 2002

1. Panoramic view of Saint Petersburg from the top of the spire of Peter and Paul Fortress 2002


ØÈÐÎÊÎÂ ÂËÀÄÈÌÈÐ

ÔÎÒÎÃÐÀÔÛ ’ 05 | ÏÅÐÑÎÍÀËÜÍÛÅ ÑÒÐÀÍÈÖÛ

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

SHIROKOV VLADIMIR

245

3

2. Çàïàäíàÿ ñòðåëêà Åëàãèíà îñòðîâà 2004

2. Western spit of Elaghin Island 2004

3. Ïàíîðàìà Çèìíåé êàíàâêè 2003

3. Panoramic view of Winter Canal 2003


TOPIC SECTION | PHOTOGRAPHERS ‘ 05

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

1

4

246

2

5

1. Èâàí÷åíêî Àëåêñàíäð

1. Ivantchenko Alexander

2. Ïåòðîâñêèé Äìèòðèé

2. Petrovsky Dmitry

3. Èâàùåíêî Ãðèãîðèé

3. Ivaschenko Grigory

4–5. Àñòàøîâ Àëåêñåé

4–5. Astashov Aleksei

Ñåçîí çàêðûò 1983 Äóøà Ðîññèè 2005 Òðàìâàé÷èê 2003

3

Áåç íàçâàíèÿ 2005

The season is closed 1983 Soul of Russia 2005 Tram 2003

Unt tled 2005


3

1

ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÔÎÒÎÃÐÀÔÈß | ART PHOTOGRAPHY

ÒÅÌÀÒÈ×ÅÑÊÈÉ ÁËÎÊ | ÔÎÒÎÃÐÀÔÛ ’ 05

247

4

2

1. ßêèìîâ Äìèòðèé

1. Yakimov Dmitry

2. ßêèìîâ Äìèòðèé

2. Yakimov Dmitry

3. Øóòîâ Êîíñòàíòèí

3. Shutov Konstantin

4. Ñëþñàðåíêî Îêñàíà

4. Sliusarenko Oksana

5. Âèíîãðàäîâà Òàòüÿíà

5. Vinogradova Tatiana

Ôîíàðè 2005

Ñíîâà Îñåíü 2004

Íàñòðîåíèå îäèíî÷åñòâà 2000 Äâåðü â ëåòî 2004 Ëåñòíèöà 2004

Lanterns 2005

Autumn again 2004

Mood of loneliness 2000

The Door Into Summer 2004 Staircase 2004

5


ÕÓÄÎÆÅÑÒÂÅÍÍÀß È ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | ART AND PRODUCTION PHOTOGRAPHY

TOPIC SECTION | PHOTOGRAPHERS ‘ 05

1

4

248 2

5

1. Øóñòðîâ Äìèòðèé

1. Shustrov Dmitry

2. Òàëàíòîâ Ìèõàèë

2. Talantov Mikhail

3. Øðàìêî Âëàäèìèð

3. Shramko Vladimir

4. Ëèòâèíîâ Ñåðãåé

4. Litvinov Sergei

5. Àãåð Ñåðãåé

5. Agher Sergei

Íå õëåáîì åäèíûì… 2003 Áåç íàçâàíèÿ 2005 Òèøèíà 1978 3

Íàòþðìîðò 2003 *** 2004

Man shall not live by bread alone... 2003 Unt tled 2005 Silence 1978

Still-life 2003 *** 2004


ÒÅÌÀÒÈ×ÅÑÊÈÉ ÁËÎÊ | ÔÎÒÎÃÐÀÔÛ ’ 05

1

ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß | PRODUCTION PHOTOGRAPHY

3

249

2

4

1. Áåðòåëüñ Âàñèëèé

1. Bertels Vasily

2. Áûëûíü Âÿ÷åñëàâ

2. Bylyn Viatcheslav

3. Ðåö Àëåêñàíäð

3. Rets Alexander

4. Øìèãèðèëîâ Äåíèñ

4. Shmighirilov Denis

5. Øìèãèðèëîâ Äåíèñ

5. Shmighirilov Denis

Ïåâèöà Íàäåæäà Áåëÿåâà 2001 Íàòþðìîðò ñ áàáî÷êîé 2003 Áåç íàçâàíèÿ 2004

×åðíàÿ ìåëàíõîëèÿ 2004 Áåç íàçâàíèÿ 2004

Singer Nadezhda Belyaeva 2001 Still-life with butterfly 2003 Unt tled 2004

Black melancholy 2004 Unt tled 2004

5


ÏÎÑÒÀÍÎÂÎ×ÍÀß ÔÎÒÎÃÐÀÔÈß, ÔÎÒÎÊÎËËÀÆ | PRODUCTION PHOTOGRAPHY AND PHOTO COLLAGE

TOPIC SECTION | PHOTOGRAPHERS ‘ 05

1

2

3

250

4

5

1. Àêèìîâ Äìèòðèé

1. Akimov Dmitry

4. Êàòðóøåíêî Âàñèëèé

4. Katrushenko Vasily

2. Ãëàçîâà Àëèíà

2. Glazova Alina

5. Òèìèðåâà Ëàðèñà

5. Timiriova Larisa

3. Äîðîõîâ Âëàäèìèð

3. Dorokhov Vladimir

Îí çàñòàâèò âàñ çàäóìàòüñÿ! 2005 Ïðîòèâîñòîÿíèå 2003

Àëåêñàíäð Ìàêåäîíñêèé. Èç êîëëåêöèè ÃÌÇ «Ïåòåðãîô» 1995

He will set you thinking! 2005 Confrontation 2003

Alexander the Great.Collection of the State Museum Reserve «Peterhof» 1995

Äâà ïîêîëåíèÿ 2002

Ïîðòðåò äåâóøêè 2004

Two generations 2002 Girl’s portrait 2004


индекс художественнаЯ фотографиЯ | art photography > ПОСТАНОВОЧНАЯ ФОТОГРАФИЯ | production photography > фоторепортаж | press photography > фотоколлаж | photo collage

INDEX






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