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Unless otherwise noted, the creators and contributors of the ZONE magazine do not claim the rights of the contents posted. The copyright belongs to their respective owners. Be rest assured that credits are given whenever possible.
JERICK SANCHEZ EDITOR-IN-CHIEF
SAMANTHA GONZALES ART DIRECTOR
CLEM SAMONTE MANAGING EDITOR
REI BUESING WALDO VILLADOS FASHION EDITOR
KEVIN CAYUCA MAXINE CADACIO MIKAELA DAYAO EDITORIAL ASSISTANT
GWILEN PULIA WEB EDITOR / HEAD GRAPHIC DESIGNER
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CONTENTS
ARTICLES BOOK REVIEW STREET STYLE ARCTIC MONKEYS TOF ZAPANTA LEE SALVADOR VINCENT QUILOP
11 12 14 16 24 28
ARTWORKS 33 38 42 44 46 49 52 54 55 56 62 65 66 67
REDSLIM AKVILE LESAUSKAITE BRYLE BEFORZADO JOHN ABCEDE KARL ADRIAN AGURO JASON QUILANG KATHERINE OPENA MARGA REPUBLIKA MACOY BALAG TOKWA PENAFLORIDA GWILEN GRACE PULIA CRISTIAN CABOY JAY JARIN GERILYA
70 QUDO CAVITY 70 RAI CRUZ 72 YUMI MUZAMI
EDITORS NOTE Dear Zone Magazine Readers, The scorching heat of summer has all but petered out and the anticipated rains as we step in midyear are now coming in. In a peculiar twist of both these seasons’ essences, ZONE magazine will bring you this month a blazing release full of the hottest names in the field of art and a hurricane of their works that showcase their true talents. We present to you our ART ISSUE: a medley of styles, mediums, and perspectives of artists like Leeroy New, Tof Zapanta, Vincent Quilop, and Lee Salvador—who share a little bit of themselves to us. We would like to extend our gratitude to all our readers, because if it weren’t for you, ZONE will not be in the place it’s in right now. We also take our hats off to our contributors, photographers, stylists, makeup artists, hair Stylists, models, illustrators and writers who offered their time to share their talents with us. Lots of things have changed ever since the inception of this online publication, but we promise you that one thing will forever be constant, and that is our goal to give you quality content while helping young talents reach their dreams one e-page at a time. And for now, let out your artsy side and prepare to plunge in a feast of colors and visual delights.
Clem Samonte Managing Editor
CONTENTS
EDITORIALS 78 NEW WORLD 87 SPLENDID DAYS 100 CANDY GIRLS 114 CHANG OF PACE 124 ABSTRACTION 138 CZAR KRISTOFF 142 ROCK IT TILL SUMMER 150 TRIBE VIBE 158 BODY SNATCHER 168 CHINA + BLOOM 176 UNVEILED
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CONTRIBUTORS LOUIE PARINAS- Photographer WHAT YOU DID FOR THIS ISSUE? Did the orangy brush brush shoot with an all-star cast of people HOW WAS YOUR EXPERIENCE? The shoot was fun it was like a big MFC deja vu working with my MFC family is such a homey experience.
DAVID SHELDRICK-Photographer WHAT YOU DID FOR THIS ISSUE? I shot an editorial the my fantastic team of creative, Alexandra greenhill, Chloe Han, Junsung Hong and the Beautiful Alana Helinaar! HOW WAS YOUR EXPERIENCE? We really had a lot of fun, playing with quite a dark avant-garde style, you never really know what you’re going to get no matter how well you plan a shoot, so it was exciting to see this one come out look so unique.
GERY PENASO- Makeup Artist WHAT YOU DID FOR THIS ISSUE? ItI did the makeup for, zone cover and a fashion editorial with Louie Parinas. HOW WAS YOUR EXPERIENCE? I remember going to Jerick and Kevin, telling them how much I like The Zone Magazine. I think it is such a good place for the new and up and coming photographers to show what they do best. I immediately said yes, when Jerick asked me if I can be a part of it, also I knew that it will be fun working with his team. Some of the people behind our shoots are my friends already, though we rarely see each other because of our own busy schedule, shooting for Zone became a good opportunity to catch up with them and also to meet new people. It feels light working with all of them, everybody’s talented, humble and fun.
MARK FAMILARA-Hair Stylist WHAT YOU DID FOR THIS ISSUE? Hair styling for Leeroy’s models for the cover and fashion editorial. HOW WAS YOUR EXPERIENCE? Inspiring! I’m a fan of LeeroyNew’s works.
YUKI MINAMI-Illustrator WHAT YOU DID FOR THIS ISSUE? I just selected exclusive pieces of my artworks. I’m glad that their works to be ‘Light of Hope’ for someone who showed my art works. HOW WAS YOUR EXPERIENCE? There is nothing special to me. I am just drawing great pictures as always. Just to be frankly.
BOOK REVIEW:
thing over and over comes off as a mere strategy for commercial success. To me, capitalizing on something that guarantees an easy, heavy emotional impact from the audience sometimes feels like cheating. I believe you can touch, pinch, twinge, or even break the hearts of readers using (1) plotlines that do not require the attendance of some scythe-toting skeleton guy or (2) new material that does not zero in on the subject matter begging for tears. Countless of novels about cancer already exist; when I heard about John Green writing one, I backpedaled a little. But what can I do when a larger chunk of my nerdfighter heart trusts Green and all the stories he spins to life? I went through The Fault in Our Stars…and I’m more than glad I did, because even though it’s not perfect, I think it’s one of the best contemporary young adult books that I have read. Hazel Grace is perhaps the best Green heroine so far. She gets her own humanity, refusing to take the mold that Alaska Young of Looking for Alaska and Margo Roth Spiegelman of Paper Towns share (there’s someone in the novel that squeezes in the cast, though: the enigmatic and “bitchy” Caroline Mathers). While she still exhibits what I fondly call JG’s Smart Kid Syndrome, her raw honesty about life are impactful, especially because the readers take it as the acumen of someone who came so close to Death’s embrace and knows that Death is still an arm span away from her. But if you’ll ask me who I think takes the spotlight here, I’ll say it’s Augustus. A glimpse of the world from his perspective is never shown, but this is not deterrent for the readers to see he’s perfectly clad as the star-crossed hero. I kind of saw his fate a long, long way before it was revealed, but that knowledge didn’t prepare me when that time finally came. He’s just so alive, so hungry for more truths about the world, so funny, and so beautiful a person that his fate appeared to me as a crime when it took its course. In a short span of time, I’ve grown to love this boy.
How would you feel about life when you know that—after some kind of a miracle that postponed your meeting with the Grim Reaper—it’s only prolonged by a tankful of oxygen? How would you feel if your breaths are dependent on the said tank, which is tethered to you like an ominous shadow? The final chapter of your life has finally been published, and all these medicine and hospital visits represent the recklessly scrawled, long-winded epilogue. Then, when all you’re waiting for is that final punctuation to close your tale, a reason to actually be glad to be alive popped up in front of you. The reason’s name is Augustus Waters. This is The Fault in Our Stars, the story of Hazel Grace Lancaster, sixteen-year-old stage IV thyroid cancer survivor. But don’t throw it away just because you realized it’s “just another cancer book,” because in reality, it is not. This is not a story about death—this is a story about life. First of all, I want to say that I’m not particularly fond of novels that obviously use the theme of death only because the author knows it will sell like pancakes. I’m not averse to writers wanting to make the readers feel, but using the same formulaic
Hazel and Augustus’ situation did not transform their love to something you can banner as an extraordinary romance. The book is too honest to subscribe to this trope, and for this, I commend Green. I’ve grown tired of love stories trying to flaunt their magic or whatever because of instances that Lady Luck frowned upon. Hazel and Augustus’ relationship is about as complex as any realistically tragic story—they know they’re an unlucky pair, and they have no choice but to accept that. This leads us to the cornucopia of wisdom this book offers the readers: what it means to be alive, what it takes for a person to leave a mark, what happens to the people you leave behind, why unfairness seems to be a constant ingredient in recipe of mortality, and how you can say you have lived a good life. If you think about it, The Fault in Our Stars just enumerates things we already know, except that Green shifts the angles of his writing lenses a little so we may see the facts in a new light. It’s refreshing, well-written, and powerful enough not just to make me think, but also to make me laugh and cry (and sometimes both at the same time). I also have to say I love the Peter van Houten part. In a way, we are shown a facet of love affair with books that can strike a chord with anybody who has been totally invested in a work of literature. Do the characters live long after you’ve flipped the last page, or do they stay as the fictional creations that they are, flat and unmoving on the pages? This is a great read all in all. I’ll give it 4.5/5 stars! :)
ARCTIC MONKEYS
RISING FROM THE UNDERGROUND
Arctic Monkeys is one of the few bands at present that, upon hearing the �irst notes of one of their songs, will stamp an indelible mark on your senses. It’s as if they make sure you will never forget them once you learned of their existence. Their lyrics, which usually ricochet from being serenely poetic to being bluntly rash, would glue themselves on your memory; the punchy hooks of each riff-tastic track would readily carve a special place in your heart. Goose bumps would pop out on your skin, and you could almost taste the palpability of every electric song. For a band that is still billed as indie rock, they have a rather rabid, sizable following from all corners of the globe.
And who can blame all the fans? Fame would not loosen its grip on them ever since they released their successful debut album Whatever People Say I Am, That’s What I’m Not in 2006. Alex Turner (vocals), Jamie Cook (guitars), Nick O’Malley (bass), and Matt Helders (drums) weaved magic into their singles, and everyone who heard were instantly mysti�ied. Tracks like “I Bet You Look Good On the Dance Floor,” “Fake Tales of San Francisco,” and “You Probably Couldn’t See for the Lights but You Were Staring Straight at Me” were sure�ire radio-ready hits, mag-
netizing the attention of hordes of post-punk revival and garage rock buffs.
Their sophomore album Favourite Worst Nightmare saw the band’s continuous rise to the top. Their sound changed slightly from their �irst release; every track was more uptempo and heavier than their usual fare, and each song was laced with messages from the experience of the band from being always on the road. It is said that the album was predominantly in�luenced by The Smiths, what with the “twanging, quasi-ambient backdrops...and Turner’s voice [...] crooning like Morrissey or Richard Hawley.” “Brianstorm,” “Teddy Picker,” “505,” and “Fluorescent Adolescent” were just a handful of songs that took the music world by storm. During the band’s hiatus, Turner toured and dedicated more time to his side project with Miles Kane (former vocalist of The Rascals) called The Last Shadow Puppets. The duo produced materials that are Beatlesque in nature, and while the songs by no means sounded like anything done by Arctic Monkeys, the album The Age of Understatement proved that Turner was only deserving of all the accolades he was receiving as a singer.
‘ Now then Mardy Bum I’ve seen your frown And it’s like looking down the barrel of a gun ‘
Humbug came next, and it was well received by both critics and fans. The band was evolving musically at that time, welcoming change in every way possible; there is undoubtedly a newfound maturity in their sound. Churning out songs like “My Propeller,” “Crying Lightning,” “Dangerous Animals” and “Dance Little Liar” made them a household name in UK.
Suck it and See is the band’s latest album, which was out in 2011. Containing lyrics like “when she walks, her footsteps sing a reckless serenade…when she hums, the heavens hum a stun-gun lullaby,” it was the epitome of the band’s poetic lyricism and poppy melodicism. Songs that instantly became hits are “She’s Thunderstorms,” “Black Treacle,” “Don’t Sit Down ‘Cause I’ve Moved Your Chair.” The album has disposed Lady Gaga from the pedestal upon its release in mid-June. Right now, the band is carrying on making the music they want, refusing to tread on the bar of mediocrity. With all the machismo-�illed voice delivery and psychedelic tinges to the tracks, Arctic Monkeys promises to continue being the great musicians that they are in the years to come.
Not everything goes according to plan, but it may end up better than expected, like in Tof Zapanta’s case Life is a journey, so they say, and what matters the most is not the destination itself, but the trip and what you get out of it. Some people have a specific plan of action and course in life to get to their desired goal, while others just make it up as they go. Sometimes though, the Fates have a hand and draw a different design, creating a detour that either leads right where you want it, or somewhere else, surprisingly different yet wonderful altogether. Ray Kristoffer Zapanta who is more commonly known as Tof, despite making a name for himself in the world of art as a freelance painter and illustrator for various publications not only here, but also in Singapore, Australia, Africa, and the United Kingdom, to name a few, wasn’t always headed towards the life of an artist. Read on as Tof shares with Zone the unlikely turn that led him to where he is today, and his other insights on the world he is moving in.
“I’m not really trying to send any message in particular, my work means what it means to them individually.’
The Accidental Artist
tof zapanta
What inspired you to be an artist? LONG STORY It was actually by accident (literally) that I’m in this field. I was a long distance runner for the DLSU Track and Field team back in college (where I was taking up engineering), on part scholarship, so I had no time for anything else, let alone art. I used to draw and doodle a lot in high school, but I didn’t have time for it anymore when I got into sports. But after training for a possible UAAP stint, I ran the Milo Marathon 10k (against the advice of my coach to rest), and fell down before I could finish the race. I found out later that I’ve been running too much (I didn’t even know there was such a thing), and I almost got a very serious injury involving my knees. So I had to undergo physical therapy for 3 months to get back to normal, and ultimately ended up not being able to go back to training with the team. Lost my part scholarship so I had to look for another group/organization that can give me the same benefits. And that’s when I joined the Malate Literary Folio art section, got exposed to a lot of brilliant artists such as Jason Moss and Brian Vallesteros, that’s also where I met co-founders of Folk Superlative AJ Omandac and Mica Cabildo. So in a nutshell, art and artists inspired
me to create. This in turn prompted me to leave Engineering after 3 years, and pursue MultiMedia Arts.
What is the muse for your art? Everything. Everything but mostly books. Friends, experiences, personal conflicts and relationships. Life. Science Fiction, and endless possibilities.
What is your favorite medium? Acrylic and collage, I like the rustic and raw feel of acrylic and collage on wood, which is very different from my clean digital style. Which is also sort of refreshing, and a break from monotony and getting bored.
Can you explain your style? My “style”, if I ever have to say that I have one, is the general mood of my works. It’s more in the collective look and mood rather than figurative style. It’s more of my colors and surreal characters/persons. I use any style that best attacks the problem/issue I’m addressing, so I don’t want to be limited by having only one style.
Why do you choose the style that you use rather than the other styles? It’s mostly about taste, my personal taste in things.
What message would you like to send to viewers of your art? I’m not really trying to send any message in particular, my work means what it means to them individually. And I’m actually fond of hearing what it means to them, what it tells them.
Your art is known internationally, what is the difference between the reception of people there and here? That’s quite funny, cause I keep telling people (jokingly) that the Philippines doesn’t love me, haha. I’ve been featured in a number of magazines across Asia and Australia, and most of my magazine clients as an illustrator are from all over the world, but here I’ve only illustrated for 2 magazines, and one of the two is no longer in circulation. It’s already picking up though, but it’s been quite a while and things have happened for me elsewhere, but yeah, not that I’m complaining, I guess it’s really a trend that the hardest to please are those who are familiar with you / or who grew up in the same environment as you.
grounds, which are unique to each other, to collaborate on design and illustration work that’s a bridge between conIn terms of style and the current situation, what trasts - organic and industrial, fine and pop art, illustration can you say about art in the Philippines compared and art, 2D and installation art, and events. The core of to that of other countries? the group are also creatives that are not formally trained in art but are active and submerged in the contemporary Asian art, for me, has always had an edge over other coun- art scene. tries when it comes to illustration and stylized art works, and I think it’s the same with Filipino illustrators. We get Visit folksuperlative.tumblr.com or facebook.com/folk. our compositions and colors from our rich cultures, which superlative for more information. translates to exciting, and, more often than not, weird visions. And I think that the edge I’ve mentioned will always be there. What can you advise other artists or frustrated
artists who also wants to be successful? You are the co-founder of Folk Superlative, can you explain what Folk Superlative is? Cliches have some truths to them, so just follow your Folk Superlative - common people of the highest kind, is an art collective with members who draw inspiration from different scenes - music, fashion, children’s illustration, design, and fine art. We combine our individual back-
dream, only in doing what you love will you truly succeed. And look around you, everything we do now we can share everywhere, and through this we can consider how people react to our work, get critiques, and get exposure, use the internet.
“There’s a lot of local and international doodle artists, but what I can say about my works and style is that it comes from what I experienced and encountered’
Once (or many times) in your student life, you’ve doodled. It may be an escape from the teacher’s boring lecture or a hidden talent starting to unleash. It begins from a pencil and paper until it grows into something bigger and better. Any work of art that is accompanied with passion and love will turn into a magnificent masterpiece. Join ZONE as we try to get to know the man behind the walls are my paper.
LEE SALVADOR
What is your inspiration for your artworks? I started to doodle on walls 3 years ago when I saw a pentel pen and started to draw anything and everything on my wall. A week later I filled doodle all over my room, then a year later artists from Cavite form a group pushing street art, it gave me an opportunity to paint on every walls in the streets of Cavite.
Who are your influences? I want to say Jon Burgerman and Adam Smith but no, as the late Basquiat said “Influence is not an influence, it’s simply someone’s idea going through my new mind.”
How do you differentiate your style to other artists?
Who is Lee Salvador? I’m Lee Salvador, I’m a doodle artist. My works are compositions of what I see, what I hear, what I taste and what I feel.
What age do you start to draw/doodle? I started to draw when I was a kid, probably around 8 or 9 years old. It was my escape every time I don’t listen to my teacher in the middle of the class.
When did you realize that walls are better to draw in to than papers? I started to doodle on walls 3 years ago when I saw a pentel pen and started to draw anything and everything on my wall. A week later I filled doodle all over my room, then a year later artists from Cavite form a group pushing street art, it gave me an opportunity to paint on every walls in the streets of Cavite.
There’s a lot of local and international doodle artists, but what I can say about my works and style is that it comes from what I experienced and encountered. Mostly, tragic and sad experiences but what I do is that I’m turning it into a happy piece. Most of my works are done on a piece of brown paper, wood, pizza box, shoe box and even cigarette packs. For me, everything is a canvas.
What is the advantage and disadvantage of being a doodle artist?
Advantage of being an artist is that you can freely express what you feel but the downside of it is that not everyone can (and not even try to) understand you.
What is your greatest achievement as an artist? People start to recognize and know me.
What is your advice to the kids who also want to be an artist someday? “Even a monkey can doodle�, it’s a title from one of my paintings last year, and I believe that everyone can draw but not everyone believes in what they can do, so kids start believing in your selves.
“My art is a reflection of my thoughts. I paint what I’ve seen, what I’ve experienced, and what I know.’ The info superhighway, sometimes, is not really a “highway” at all. It is a vast jungle of activity and knowledge, of pixels and bytes, and every netizen attempt to establish their individuality in this bewildering digital realm. They become social media junkies, building themselves one component intensity at a time: the cyans of their mental aptitudes, the magentas of their aesthetic sides, the yellows of their distinctive personalities, and the blacks of their determination to stick to their “RL” individualities. Eighteen-year-old Vincent Quilop opted to shape his own individuality as an artist—which is hard, because there are crowds of self-proclaimed artists even before he launched into the vast world of the internet. But his digital paintings, which he brands with distinctly quirky touches creating the line between caricatures and proper portraits, attracted the attention of other internet users. And when he pulls a Vincent Van Gogh and painted “Starry, Starry Manila,” a beautifully rough local rendition of “Starry, Starry Night,” he became the ultimate darling of a big chunk of the digital empire. He builds art and builds himself in the process—right in front of the eyes of his always-keyed-up spectators and followers. Unlike many others, his name became a booming sound across the jungle.
VINCENT quilop
tic era, and the like. Life itself inspires me.
What is your philosophy about art? Art is something that pleasures the human senses, be it beautiful or ugly.
How would you describe your own brand of art? My art is a reflection of my thoughts. I paint what I’ve seen, what I’ve experienced, and what I know.
How did you get into digital painting? I’ve seen different works of art before and then suddenly, I stumbled upon this artist, Sam Spratt, who I now consider as my “Higher Being”. He makes paintings that’re bizonkers in a real awesome way. And so, I said to myself that I shall, one day, learn how to “digital paint”.
What do you think sets your artworks from that of other digital illustrators? Style is one of the most elusive characteristic of a painting. Being unique nowadays is a lie. Nothing is genuine. Artists copy, steal, and create. I for one cannot set myself apart from other digital illustrators or I have not yet found that “style” that can separate my work from others.
Do you have a favorite in all your works? Yes. That’s “Starry Starry Manila”. Many people were bit by the curiosity bug: who really is this kid? What inspires him and what exactly does he Who are the artists that you look up to? think about art? Ask no more, because Vincent spills the Meneer Marcelo, Rai Cruz, Rafael Ahorro, Dan Matutina, JP beans to ZONE. Cuison, Mister Avid, Aseo, Rob Cham, Robby Bautista, Euclase, Sam Spratt. Who is Vincent Quilop if he is not making art? Vincent is a student of Mapua. He eats a lot, but never What is your greatest achievement as an illustragets fat. After school, he usually hangs out with friends tor so far? before going home. He likes to cook different pasta dishWell, as an 18-year old illustrator, in my young age, I’ve es, and loathes sinigang. A lot. been invited to do a seminar on some institute around Manila. That’s a first for me since I’m only new in this inWhat inspires you in art and in life as a whole? dustry and I’m still a student working as a freelance. So History inspires me. The golden age of the Renaissance, yeah, I guess that’s really a “break” for me aside from the the classical baroque, the revolutionary arts of the roman- features I get.
By Akvile Lesauskaite
By Akvile Lesauskaite
By Bryle Beforzado
BY KARL ADRIAN AGURO
BY KARL ADRIAN AGURO
BY KARL ADRIAN AGURO
BY JASON QUILANG
BY JASON QUILANG
BY JASON QUILANG
BY KATHERINE OPENA
BY MARGA REPUBLIKA
BY MACOY BALAG
BY CRISTIAN CABOY
BY JAY JARIN
BY GERILYA
BY QUDO CAVITY
BY RAI CRUZ
VISIT zonemagph.com
An intricate visual concoction of theatre, film, and fashion is usually what sculptor Leeroy New intertwines whenever his threads of his imagination get unrolled from his creative bobbin. He continuously lives up to his name by always molding something new into existence, giving it a touch of his personal style and flaunting it not only in the Philippines but also in other countries. He makes use of all his knowledge as a Visual Arts graduate of the Philippine High School for the Arts and University of the Philippines Fine Arts—add to that all the experiences he’s collecting since venturing into the professional world of arts and fashion, and there’s no doubt that he’s completely unstoppable.
unexpected things.
Who are your idols? Generally my idols or models change as I progress in character so I find it hard to answer such a question.
How would you describe your art? What do you think sets your works apart from that of other artists?
My practice is simply a response to my immediate environment and my desire to change it according to my Perhaps one of the things that officially marked New as sensibilities. a household name is when he collaborated with Kermit Tesoro They made fashion pieces heavily reliant on the What do you consider as your greatest achieveartistic albeit mindboggling complexity the human anato- ment so far? my can twist into, merged with his quirky imagination that That I’m still able to do what I do and surviving at it. only he could muster. Let’s take a glimpse of what New is like under all the vibrant plastic, rayon, metal…and an inch of his skin.
What are your thoughts about our country’s contemporary art?
How did you get started as a sculptor?
A lot of good things are happening and there are so many excellent art practitioners. The scene is getting more diverse and dynamic which is always a good thing.
As a kid I was exposed to very provincial and commercial concepts of the more two-dimensional arts. My acceptance into the Philippine High School for the Arts brought Can you give us a peek of what your life is like about a drastic change in my sensibilities most probably when you are not creating artworks? because most of my professors were either sculptors or I just try to bum around as much as I can. installation artists.
What inspires a certain Leeroy New in making art? What are your future plans? To be inspired on command is what I believe we are trained for. We try to be inspired with the most banal or
I just want to simply exceed the present although I’m not sure what that entirely means.
‘To be inspired on command is what I believe we are trained for’
ABSTRACTIONS Rediscover Georgia O’keeffe, a central figure in Modern art. One of the 1st and most daring abstract artists of the 20th century.
Art: Pia Samson Photography: Patrick Segovia Styling: Ishii Villaseca, Jhobes Estrella Make-up: Erica Ng Hair: Adam Seth Teh Models: Anne Barker Special Thanks to Sheen Di and Anna Orlina Wardrobe Description : Fringe top; stylists’ own Floral highwaist skirt; Ishii Villaseca Wardrobe Description
BIRTH OF A WOMAN Photography: Christèle Jacquemin [Recreart Photography] Makeup: María Dolores Mayor [Centro de belleza Mayor] for Babor Spain Hair: Ángel Cánovas [Canovas Hair Culture] Wardrobe stylism & Clothes’ design: María Hernández Model: Mila Teremyazeva [Carmen Durán agency] Post-production: Kaper
BY CZAR KRISTOFF