Z贸calo Tucson arts and culture / ZOCALOMAGAZINE.COM / MARCH 2016 / no. 72
inside
March 2016
07. Events 12. Arts 30. Borderland Ghost Towns 34. Community 39. Poetry 41. Film 44. Tunes 46. Tucson Street Portraits 47. Look Back 49. Escape On the Cover:
“Connection” by Gavin Troy (acrylic, oil pastel on canvas, 60” x 40”) Read about Gavin on page 27.
Zócalo is an independent, locally owned and printed magazine that reflects the heart and soul of Tucson.
PUBLISHER & CREATIVE DIRECTOR David Olsen CONTRIBUTORS Craig Baker, Andrew Brown, Francisco Cantuú, Jefferson Carter, Sara Cline, Jim Lipson, Danny Martin, Troy Martin, Niccole Radhe, Amanda Reed, Herb Stratford, Jeff Weber. LISTINGS Amanda Reed, listings@zocalotucson.com PRODUCTION ARTISTS Troy Martin, David Olsen AD SALES: Kenny Stewart, advertising@zocalotucson.com CONTACT US:
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March 2016 | ZOCALOMAGAZINE.com 5
SIGHTLINES
Jody Forster
Daniel Leivick
MARCH 8 - JUNE 4, 2016 RECEPTION: 7-10 PM, MARCH 12, 2016 135 South 6th Avenue | P: 520.624.7370 | T-S 11am - 5pm & By Appointment | EthertonGallery.com
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Dick Arentz
events Z
photo: courtesy of Barrio Stories Project
march
MAR 3-6 Barrio Stories Thursday & Friday - March 3 & 4 @10am Saturday & Sunday - March 5 & 6 @ 11am by award winning playwrights Elaine Romero, Virginia Grise, and Martin Zimmerman. Directed by Marc David Pinate. Staged outdoors on the grounds of the Tucson Convention Center, this theatrical spectacle brings to life oral histories of Tucson’s original Mexican American neighborhood demolished with the building of the convention center in the 1960s. Precious memories come to life as audience members take a theatrical tour of what used to be the bustling epicenter of commerce and public celebrations for Tucson’s Mexican-American community (some seating is available.) Four vignettes and performance installations encountered throughout the plaza culminate in an interactive post show pachanga – featuring folklorico and mariachi youth ensembles with interactive art and audio booth for all ages. Barrio Stories takes place March 3-6, 2016, as part of Borderlands’ 30th anniversary season. Complete information at BarrioStories.org March 2016 | ZOCALOMAGAZINE.com 7
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march Mar 18-20 26th Annual Spring Artisans Market at the Tucson Museum of Art
The Tucson Museum of Art’s Spring Artisans Market features more than 100 juried artisans of finely crafted pottery, glass, jewelry, textiles, fine art, and gift items. The Market will be held Friday through Sunday, March 18 – 20, 2016, from 10:00 AM – 5:00 PM in the courtyards, lobby, and plaza of the Tucson Museum of Art at 140 N. Main Avenue, in historic downtown Tucson. Spring Artisans Market and the Museum are free and open to the public during all three days. The Market will include food vendors and live music by the Tucson Kitchen Musicians on Saturday and Sunday, March 19 and 20. There will also be an opportunity to view El Nacimiento, the beloved nativity scene, before it closes for its annual rest on March 20, until it reopens next fall. Housed in La Casa Cordova, the oldest extant adobe in downtown Tucson, El Nacimiento is a wonderland of miniature Mexican village scenes interwoven with scenes from the story of the nativity. “El Nacimiento is a Southwest treasure,” said Chief Curator and Curator of Contemporary and Modern Art and acting Curator of Latin American Art Dr. Julie Sasse. “We are honored to have one of the best known examples of this type of Mexican folk art in the U.S. that illustrates stories from the Bible through village scenes of daily life that incorporate the whole community.” More information at TucsonMuseumofArt.org or at 520-624-2333.
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26th Annual
Z events
SPRING ARTISANS MARKET at the Tucson Museum of Art
The Largest Juried Fine Arts and Crafts Market in Southern Arizona FRIDAY–SUNDAY, MARCH 18 –20, 2016 10:00 AM–5:00 PM Free and open to the public in the Museum’s courtyards, plaza, and lobby Tucson’s juried market for finely crafted pottery, glass, jewelry, textiles, fine art, and gift items featuring more than 100 of the best artisans across the Southwest. There will also be a host of delicious food trucks and vendors, and live music by the Tucson Kitchen Musicians on Saturday and Sunday.
Fri 04 - Sat 05 Southern Arizona Research, Science and Engineering Fair Southern Arizona Research, Science and Engineering Fair invite everyone to learn about and view over 2,000 research projects from kindergartners to high school students. Free admission. 8 A.M. to 8 P.M. For more information visit azscitech.com. Tucson Convention Center, 260 S. Church Ave.
Fri 04 - Sun 06 Wild West Steampunk Convention & Festival 5
Visit a world of science fiction, fantasy, technology, 19th century industrial steam powered machinery and now the wild west. Old Tucson Studio hosts America’s first and only WesternStyle Steampunk convention and festival filled with concerts, rides, workshops and more.. For more details on events and tickets visit WildWestCon.com. Old Tucson, 201 S. Kinney Rd.
Sat 05 Hooking up with Second City at the Fox
Laugh out loud at the comical sketches made famous from stars such as Tina Fey and Steve Carrell. A show that has been making people laugh for 55 years. For more information and tickets visit FoxTucson.com. Fox Tucson Theatre, 17 W. Congress St.
Tucson Museum of Art: CRUSH Wine, Food, Art Gala & Fundraiser Splurge for a night at the CRUSH Gala benefiting the Tucson Museum of Art. The event is cocktail attire and includes auctions, a three-course gourmet meal and music performed by the George Howard Band. Reservations are $225 per person or $1,800 for a table of eight. Begins at 5 P.M. For more information visit the TucsonMuseumOfArt.orgTucson Museum of Art and Historic Block, 140 N. Main Ave.
Sun 06 Arts & Crafts Fair at Cat Mountain Station
Listen to live bluegrass and nibble on snacks while shopping for arts and crafts from local artists. Free admission. 9A.M. to 2 P.M. For more information visit CatMountainStation.com. Cat Mountain Station, 2740 S. Kinney Rd.
Sun 06 – Fri 11 AZ Jazz Week
The UA school of music hosts its 38th annual AZ Jazz Week with performances and events such as the UA concert jazz band, Latin jazz and salsa night. Admission per concert is $5-$10. For more information and tickets visit Music.Arizona. edu/News-Events. Crowder Hall,1017 E. Olive Rd.
Tue 08- Sat 12 Spring Plant Sale 2016
Spring is in the air and the perfect time to freshen up your lawn with indigenous plants from southern Arizona. The Desert Survivors Nursery is having a sale on all their plants that attract native birds and insects. 8 A.M. till 5 P.M. Desert Survivors Nursery, 1020 W Starr Pass Blvd.
Sat 12 2nd Saturdays
Join in on the fun of 2nd Saturdays Downtown. Music, vendors, food, and performances. Admission is free. 5 P.M. to 10:30 P.M. For more information visit 2ndSaturdaysDowntown.com. Congress Street, from Toole Ave. to Church Ave.
Sat 12 – Sun 13 Thunder & Lightning Over Arizona Air Show & Open House Experience aerial demonstrations performed by the United States Air Force 140 North Main Avenue, Tucson, AZ 85701 (520) 624-2333 · TucsonMuseumofArt.org 10 ZOCALOMAGAZINE.com | March 2016
Air Demonstration Squadron. Free. 9a.m to 5p.m. Ariel demonstrations begin at 11 a.m. For more information visit www.dm.af.mil/library/d-mthunderandlightning.asp. DavisMonthan Air Force Base, 3180 S. Craycroft Rd, Tucson, AZ 85707
events Z Wa:k Pow Wow
Join the Tohono O’odham Nation and other America Indian tribes for Tucson’s largest gathering of Native American arts, crafts, dancing and food. Tickets are $7 for adults and $5 for children. Parking is $3. For event times and more information visit the Facebook page www.facebook.com/wakpowwow. Mission San Xavier del Bac, 1950 W. San Xavier Rd.
8th Annual Tucson Festival of Books
The perfect event for book-lovers with over 350 authors participating in presentations, a literary circus poetry venue, food and of course lots of books. Free. The event is from 9:30 A.M. till 5:30 P.M. University of Arizona Mall,1209 E. University Blvd.
Sun 13 Jeff Dunham: Perfectly Unbalanced
Laugh all night while watching the comic/ventriloquist live. Tickets are $46.50. The show begins at 3 P.M.For tickets and more information visit TucsonArena.com/events. Tucson Convention Center Arena, 260 S. Church Ave.
29th Annual St. Patrick’s Day Parade & Festival
Enjoy Live irish music dancers, food and games while liearning about the history and Culture of Ireland. The festival begins at 10 A.M. and the parade begins at 11 A.M. Or compete in the festivals 7th Annual Green Isle Mile. For more information visit TucsonStPatricksDay. com. Downtown, Armory Park.
Sun 13 – Sun 20
st.
ndrew’s
episcopal church You Are Always Welcome Here Join us for Holy Week Palm Sunday- March 20
Traditional procession at 8 & 10am
Maundy Thursday- March 24
Seder meal at 5:30pm; foot washing and mass at 7pm
Good Friday- March 25
Stations of the Cross at 12pm; Tenebrae at 7pm
Holy Saturday- March 26 Brahms Requiem at 7pm
Easter Sunday- March 27
Easter Vigil at 5:30am; Easter Eucharist at 10am
Tucson Winter Chamber Music Festival
Arizona Friends of Chamber Music present its 23rd annual Tucson Winter Chamber Music Festival. Featuring the Pacifica Quartet, Cynthia Phelps, Martin Beaver, Bernadette Harvey and many more. Tickets begin at $10. For tickets, times and more information visit ArizonaChamberMusic.org. Leo Rich Theatre, 260 S. Church Ave.
Mon 14 – Sun 20 Tucson Conquistadores Classic
Watch the PGA Tour players compete against one another at the Omni Tucson National Resort. General Admission is $29. For tickets and more information visit ConquistadoresClassic.com. Omni Tucson Nation al Resort, 2727 W. Club Dr.
Thu 17 – Sun 20 The High Chaparral Reunion
545 s 5th ave, tucson, az 85701
520.622.8318 • www.standrewstucson.azdiocese.org
The Belly Studio
Pilates Plus
Experience the reunion of the cast and crew from NBC’s 1960s Western series, The High Chaparral, at its filming location. Fans can visit the Chaparral ranch house and meet the stars of the show. For the entrance fee pricing and more information visit TheHighChaparralReunion.com. Old Tucson, 201 S. Kinney Rd.
Fri 18 – Sun 20 Spring Artisans Market
Admire the unique work of more than 100 artists and crafters selling their pieces. Enjoy live music and food. Free admission. 10 A.M. to 5 P.M. For more information visit www.tucsonmuseumofart.org/events/artisansmarket1. Tucson Museum of Art, 140 N. Main Ave.
30th Annual Tucson Bicycle Classic
The three-day USA cycling race features time trials, road races and a circuit race. For admission pricing and more information visit TucsonBicycleClassic.com. The Riverpark Inn, 350 S. Freeway.
Fri 25 – Sun 27 Easter Egg Hunt at Reid Park Zoo
Join in the fun of an Easter egg hunt that includes lice animal encounter, crafts and even an appearance from the Easter Bunny. After finding Easter eggs spend the day at the Zoo. $9 per adult and $8 per child, tickets should be bought in advance online. 8 A.M. to 9 A.M. For tickets and more information visit reidparkzoo.org/events/public/easter-egghunt-2016. Reid Park Zoo,1100 S. Randolph Way.
Private Sessions & Group Classes 520.339.0344｜2520 E 6th St.｜www.BellyStudio.net March 2016 | ZOCALOMAGAZINE.com 11
Z arts
photo by Ed Flores
Artifact dancers Claire Hancock, Julian Johnson, Cindy Cantos, Bill Patterson, Alissa Dill.
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Artifact Dance Goes Back in Time for The Grand Parlor by Herb Stratford photo by Ed Flores
Tucson’s dance world has been blessed with a number of remarkable groups over the past 30 years. We’ve seen companies who have delivered traditional, timeless works like clockwork, as well as groups who have pushed the performance envelope with their content and audience experience. In the art world today, both locally and nationally, collaboration is the key to engaging and entrancing an audience, and the Tucson-based Artifact Dance Project is clearly both an innovator and practitioner par none. The group’s March performance at the Tucson Scottish Rite Cathedral is entitled “The Grand Parlor,” and it has all of Artifact’s signature elements on display in a smorgasbord for the senses. According to Artifact’s Managing Director and Co-Artistic Director Ashley Bowman, the performance is envisioned as an “Americana Vaudeville” evening of years past. The wide variety of acts, includes modern dance, tap, a contortionist, a little clown work and even homage to Noah’s ark. As with all Artifact Dance performances, music is a key element to the experience. Ben Nisbet has again created the sonic portion of the evening, which will be performed live during the evening. Works include classical standards such as; Saint Saen’s Danse Macabre and Rossini’s Barber of Seville overture along with works by Dvorak, Tchaikovsky, Schubert and Gershwin. Musicians for the evening include; Derek Granger, Ken Marrs, Mary Turcotte and Samantha Bounkeua. A ringmaster, Artifact Dance company member dancer Cindy Cantos, will guide the intimate audience on their journey through the evening’s 14 vignettes, which will also feature a short intermission. The show is both family friendly and adult friendly with cocktails available to complete the cabaret experience for those of appropriate age. Of special note is the location for the “Parlor” performances, in the Tucson Scottish Rite Cathedral’s Grand Parlor. The building, listed on the National Register of Places, recently celebrated its 100th anniversary and is a local landmark that would have hosted events such as this in the past. The local Masonic Order still uses the facility for functions, but recently it has been used more and more by the community for special events, largely due to its vintage character and downtown location. Several of last year’s Tucson Fashion Week runway shows made use of the space very effectively, and the Artifact’s Grand Parlor performances will again transform the space into a unique location for arts performances. With such a wide variety of components to the show, it’s hard for Bowman to pick a favorite section. One has to imagine that the entire presentation of a modern dance company’s interpretation of the American Vaudeville performance style in a century-old building, will be something to remember for a long time. This is sure to be one of the performing arts seasons highlights. n
Artifact dancer Alissa Dill.
The Grand Parlor, by Artifact Dance Project takes place March 18-19-20 at the Tucson Scottish Rite Cathedral, located at 160 S. Scott Ave. Tickets are $25 or $20 for students and are available in advance or at the door.
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at Tucson Music Hall A Fusion of Afro-Cuban music and Contemporary Jazz Albert-George Schram, conductor
Saturday, March 12, 8pm • Sunday, March 13, 2pm A fascinating journey through the music of Latin America and the U.S. From the sultry melancholy of Astor Piazzola and the burning Afro-Cuban jazz of Tito Puente, to the rhythmic playfulness of jazz great Dave Brubeck and the pop strains of The Beatles, Mambo Kings will be your guide on a Latin jazz tour of the Pan American experience. See and hear more at www.mambokingdom.com
Friday, March 18, 8pm Sunday, March 20, 2pm Andrew Grams, conductor Anya Matanovic, soprano Eric Neuville, tenor Charles Wesley Evans, baritone TSO Chorus, Bruce Chamberlain, director Friday, March 18, 5:30pm Tucson Arizona Boys Chorus Borderlands Brewing Company call 620-9159 for more details. Orff: Carmina Burana
The Music of Led Zeppelin: A Rock Symphony Friday, March 25, 8pm Some of the greatest songs in rock and roll, an incredible light show and the Tucson Symphony Orchestra! Led Zeppelin’s sheer blast and power, riff for riff, with new musical colors added by the full TSO. Classics like “Whole Lotta Love” “Immigrant Song,” “Dancin’ Days” and the iconic “Stairway to Heaven” plus “Kashmir,” “All My Love” and more favorites that featured orchestral instrumentation. Come ready to be amazed and dazed but not confused!
PURCHASE YOUR TICKETS TODAY! | 520.882.8585 | TUCSONSYMPHONY.ORG
March 2016 | ZOCALOMAGAZINE.com 15
Z arts
Zodiac Heads, Gold Monkey, by Ai Weiwei
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Ai Weiwei’s Dazzling Political & Cultural Zodiac Hits the TMA by Herb Stratford
The art world has been in love for some time with Chinese artist Ai Weiwei, thanks to a fabulous 2012 documentary (Ai Weiwei: Never Sorry), his stunning “bird’s nest” Olympic stadium design and countless exhibitions around the globe, such as the recent installation at Alcatraz prison. Weiwei is not just the latest flavor in the art world, he is a genuine genre-busting genius who frankly has few, if any peers in contemporary art. Weiwei is somewhat less appreciated for his brilliant takes on culture, history, appropriation, world politics and the interplay of each of these things with each other. His Circle of Animals/ Zodiac Heads: Gold at the Tucson Museum of Art, is both beautiful and a profound statement about so much more than beauty. On display in the lower reaches of the main galleries at the museum, the work is a semi-circle composed of 12 oversized animal heads made of gold-gilded bronze set on wooden pedestals. The work, from 2010, depicts the 12 animals of the Chinese zodiac, which includes; a snake, dragon, bear, horse, dog and others. While the sculptures are exquisite to look at, with lifelike details including human characteristics in some of the heads, it is really the back-story that makes this a powerful piece of artwork. The series, his first major public sculpture project, has been on tour in two formats; bronze, and in gold, since 2011. While the work will also appear in Phoenix later this year, Tucsonans get to see it first as it will be on display through June 26. Previous stops of the tour read like a who’s who of destinations including; the Tuileries Garden at the Louvre, the Hirshorn in DC, the LA County Museum, Cleveland Museum, The Adler Planetarium in Chicago and also stops in London and Brazil. The original heads in the piece were part of the famed water clock fountain at the imperial retreat in Beijing, China and were designed by the Italian Jesuit Giuseppe Castiglione. The palace, elaborate gardens and fountain were destroyed in 1860 by British troops during the second Opium war, and looted as an act of revenge by Lord Elgin who also looted the Acropolis in Athens. Just seven of the twelve heads survived, and when they surface outside of the country at auction, they are a sore point as many Chinese believe they belong in China and not in the west. Weiwei thinks otherwise, and his interpretation of the work, as an oversized commentary, includes his own versions of the five lost heads, and his work speaks to questions of power, cultural appropriation, art and world history.
Ironically, Weiwei’s outspoken criticism of his home country, which gets him in trouble on a regular basis, is a direct result of the Chinese government’s treatment of his family that started when he was just a small child. His father, a renowned poet, was exiled for decades and as soon as Weiwei was able to travel to the west, he did. He landed in New York City at the perfect moment of time to hone his artistic and activist skills, arriving on the international art scene in 1999. He then found even more international acclaim due to his work on the Olympic stadium in 2008 with the Swiss architects Herzog and De Meruon. But things went south in 2008 when Weiwei created an artwork criticizing the government after the devastating earthquake that caused the collapse of 7,000 schools. This led to his being beaten by the police and his eventual incarnation for trumped up tax evasion charges. Weiwei was eventually freed and allowed to leave China and currently resides in Berlin, Germany where he teaches and continues to create work that is both beautiful and thought provoking. Two of the missing original five heads in the series, the dragon and ram, were recreated and re-visioned by Weiwei based upon period research of similar artwork during the Ming (1368-1644) and Qing dynasty (1644-1911). The other three “new” heads of the rooster, dog and snake, were made after real life observation of the animals and have a slightly modern feel to them, which brings the work into a contemporary frame of mind. In addition the scale, and elaborate presentation in gold turns the original, smaller water fountain nature of the historic work on its end. Weiwei has taken something that was originally opulent and quite frankly multi-ethnic, with its European design and Asian history, and made it grossly obese and garish for the modern global world. This is an important and thoughtful work of art by one of the world’s most important living artists that really needs to be seen in person. Do yourself a favor and spend some time with the installation, as it is presented in a way that you can walk around each head and really examine them, but also keep in mind the tortured history that they represent and the role artists take in communicating messages across time. n Ai Weiwei: Circle of Animals/Zodiac Heads: Gold is on display at the Tucson Museum of Art, located at 140 North Main Ave. through June 26. TucsonMuseumofArt.org
March 2016 | ZOCALOMAGAZINE.com 17
145 S. 6TH AVENUE ICONIC DOWNTOWN BUILDING
BUZZ ISAACSON 520.323.5151 18 ZOCALOMAGAZINE.com | March 2016
Z art galleries & exhibits ARIZONA HISTORY MUSEUM Above and Beyond: Arizona and the Medal of Honor is on view through May. Hours: Mon & Fri 9am-6pm; Tues-Thurs 9am-4pm; Sat & Sun 11am-4pm. 949 E. 2nd Street. 520-628-5774. ArizonaHistoricalSociety.org
ARIZONA STATE MUSEUM First Folio! The Book That Gave Us Shakespeare is on view Feb 15th to Mar 15th. Intimacy of Faith, featuring retables and ex-votos from the Gloria Fraser Giffords and the Giffords family on view through May 2016. Hours: Mon-Sat 10am-5pm. 520-621-6302. 1013 E. University Blvd. StateMuseum.Arizona.Edu
BAKER + HESSELDENZ FINE ART Skulls: Photographs by Francois Robert and Cedric Delsaux: Dark Lens are open until Mar 26th. Hours: Tues-Fri 11am-4pm, Sat 10am-2pm or by appointment. 100 E. 6th St. 520-760-0037. BakerHesseldenz.com
CENTER FOR CREATIVE PHOTOGRAPHY The Lives of Pictures: Forty Years of Collecting at the Center for Creative Photography is on view to May 14th. Hours: Mon-Fri 9am-5pm, Sat-Sun 1-4pm. 1030 N. Olive Rd. 520-621-7968. CreativePhotography.org
CONTRERAS GALLERY Father and Son Art Show with Frank Rose and Owen Rose is on view from Mar 5th to 26th with an opening reception on Mar 5th from 6-9pm. Hours: Weds-Sat 10am-4pm. 110 E. 6th St. 520-398-6557. ContrerasHouseFineArt. com
DAVIS DOMINGUEZ GALLERY Paintings by Mike Stack, paintings and collage by David Pennington and sculpture by David Mazza is on view from Mar 4th to Mar 23rd. Hours: Tues-Fri 11am-5pm; Sat 11am-4pm. 154 E. 6th St. 520-629-9759. DavisDominguez.com
DEGRAZIA GALLERY IN THE SUN DeGrazia After Dark featuring nocturnal paintings by Ted DeGrazia and The Way of the Cross are on view to Aug 24th. In the Little Gallery Priya Lin, Charcoal and Petals is on view Mar 6th to 18th and Carol Signore, Gourds is on view Mar 20th to Apr 1st. Hours: 10am-4pm daily. 6300 N. Swan Rd. 520299-9191. DeGrazia.org
DESERT ARTISANS GALLERY
Color Crush featuring Sharon Bertrand, Le Craven, Nancy Cressler, Tad Lamb, Judith Probst and Dikki Van Helsland continue to May 1st. Trunk Show: Le Craven is on Mar 5th from 10am to 1pm. Hours: Mon-Sat 10am-5pm; Sun 10am-1:30pm. 6536 E. Tanque Verde Rd. 520-722-4412. DesertArtisansGallery.com
DRAWING STUDIO The Colored Pencil Way: Works in colored pencil by Leslie Hawes is on view Mar 5th to Apr 3rd with an opening reception on Mar 5th from 6-9pm. Free colored pencil demonstration on Mar 12th from 1-4pm. 2760 N. Tucson Blvd. 520620-0947. TheDrawingStudiotds.org
ETHERTON GALLERY Sightlines featuring works by Dick Arentz, Jody Forster and Daniel Leivick runs Mar 8th to Jun 4th with an opening reception on Mar 12th from 7-10pm. Hours: Tues-Sat 11am-5pm. 135 S. 6th Ave. 520-624-7370. EthertonGallery. com
IRONWOOD GALLERY Society of Animal Artists: Art and the Animal a flagship exhibition of The Society of Animal Artists is on view to Apr 3rd. Hours: Daily 10am-4pm. 2021 N. Kinney Rd. 520-883-3024. DesertMuseum.org
JOSEPH GROSS GALLERY Wynne Neilly: Female to “Male” is on view Jan 21st to Apr 8th. Hours: Mon-Fri 8am-5pm. 1031 N. Olive Rd. 520-626-4215. CFA.arizona. edu/galleries
MADARAS GALLERY Annual Spring Open House and First-Ever All Artist Show is on Mar 4th from 4-7pm. 3001 E. Skyline Dr. 520-615-3001. Madaras.com
MERCI GALLERY Paris Illuminated by Amanda Rockafellow is on view until Mar 30th. 630 E. 9th St. 520-623-2114. MerciGallery.com
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art galleries & exhibits Z
Right to left: UNTITLED, oil on linen by Mike Stack; TEMPORARY ART (detail), collage by David Pennington; AHMKIQ, mild and stainless steel by David Mazza, all showing at Davis Dominguez Gallery.
MINI TIME MACHINE Feel Big Live Small is on view to Apr 17th and Miniature
TUCSON MUSEUM OF ART Ai Weiwei: Circle of Animals / Zodiac Heads: Gold
Military Figures by Joe Seibold will be on view through the end of 2016. Hours: Tues-Sat 9am-4pm and Sun 12-4pm. 4455 E. Camp Lowell Dr. 520-881-0606. TheMiniTimeMachine.org
222 E. 6th St. 520-262-3806. MoenMasonGallery.com
is on view to June 26th. Into the Night: Modern and Contemporary Art and the Nocturne Tradition is on view to July 10th. Continuing exhibitions include: Big Skies/Hidden Stories: Ellen Wagener Pastels; Waterflow: Under the Colorado River Photographs by Kathleen Velo; String Theory: Contemporary Art and the Fiber Legacy. El Nacimiento closes on Mar 20th. Hours: Tues-Wed & Fri-Sat 10am-5pm; Thurs 10am-8pm; Sun 12-5pm. 140 N. Main Ave. 520-624-2333. TucsonMuseumofArt.org
MUSEUM OF CONTEMPORARY ART Max Estenger, 1991-2016 and Nicole
TUCSON PASTEL SOCIETY Southwest Inspiration is on view until Mar 13th and
Miller, Every Word Said: History Lessons from Athens and Tucson and For All, Selections From the Arts for All Archive are all on view through May 29th. $5 MOCA members, $15 non-members. Hours: Weds-Sun 12-5pm. 265 S. Church Ave. 520-624-5019. MOCATucson.org
Mesch, Clark and Rothschild Show, Tucson Way of Thinking is on view until Apr 28th. E. River Rd. 520-615-5365. TucsonPastelSociety.org
MOEN MASON GALLERY See website for details. Hours: Thurs-Sun 12-5pm.
PHILABAUM GLASS GALLERY & STUDIO California Dreamin’ featuring works by Mark Abildgaard, Bob & Laurie Kliss, Nick Nourot and Rick Satava is on view to May 28th. Hours: Tues-Sat 10am-5pm. 711 S. 6th Ave. 520-884-7404. PhilabaumGlass. com
PORTER HALL GALLERY Nina Duckett & Lisa Kanouse is on view Mar 1st to 31st with an opening reception Mar 10th from 5-7pm. Hours: Daily 8:30am-4:30pm. 2150 N. Alvernon Way. 520-326-9686. TucsonBotanical.org
SETTLERS WEST GALLERY See website for details. Hours: Tues-Sat 10am-
UA MUSEUM OF ART Modern Myth, showcasing 19th and 20th century representations of mythological stories from the museum’s permanent collection is open until May 1st. Continuing exhibitions include: Blake Little: Photographs From the Gay Rodeo on view to Mar 6th and Fires of Change is on view to April 3rd. Hours: Tues-Fri 9am-5pm; Sat-Sun 12-4pm. 1031 N. Olive Rd. 520-621-7567. ArtMuseum.Arizona.Edu
UA POETRY CENTER Everything’s Saying: With My Hands I Hear My Eyes, New Works by Crane Giamo is on view until Apr 23rd. Hours: Mon & Thurs 9am-8pm; Tues, Weds, Fri 9am-5pm. 1508 E. Helen St. 520-626-3765. Poetry.Arizona.Edu
WEE GALLERY “Big Art” Titus Castanza is on view Mar 5th – 27th with an opening
5pm. 6420 N. Campbell Ave. 520-299-2607. SettlersWest.com.
reception on Mar 5th from 6-11pm. Hours: Thurs-Sat 11am-6pm; Sun 11am-5pm. 439 N. 6th Ave, Suite #171. 520-360-6024. GalleryWee.com
SOUTHERN ARIZONA WATERCOLOR GUILD Fiesta Sonora Show and
WILDE MEYER GALLERY Prime Time is on view from Mar 3rd to Apr 2nd with
March Workshop Wall Gallery Exhibit are on view Mar 8th to Apr 3rd with an opening reception on Mar 17th from 5-7pm. Hours: Tues-Sun 11am-4pm. Williams Centre 5420 East Broadway Blvd #240. 520-299-7294. SouthernAzWatercolorGuild.com
an opening reception on Mar 3rd from 5-7pm. Hours: Mon-Fri 10am-5:30pm; Thurs 10am-7pm; Sat 10am-6pm; Sun 12-5pm. 3001 E. Skyline Dr. 520-615-5222, WildeMeyer.com
WOMANKRAFT ART GALLERY Art from the Heart is on view until Mar 26th. Hours: Weds-Sat 1-5pm. 388 S. Stone Ave. 520-629-9976. WomanKraft.org
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Z performances photo: Kálmándy D Pécs
designer jewelry & art
UA Presents Habib Koite and Acoustic Africa, March 24.
ART.IF.ACT The Grand Parlor, March 18-20, Scottish Rite Cathedral, 160 South Scott
Spring Sale
Ave., ArtIfActDanceProject.com Evon Perez R
553 N. 4th AVE. (520) 390-2602
hummingbirdmarket.com
The Finest Hummingbird Nectar
ARIZONA FRIENDS OF CHAMBER MUSIC Winter Chamber Music Festival, March 13-20, TCC Leo Rich Theatre, 260 S. Church Ave. 577-3769, ArizonaChamberMusic.org
ARIZONA OPERA Don Giovanni, March 5 & 6, TCC Music Hall, 293-4336, AZOpera.com
Broad-billed illlustration by George West
ARIZONA THEATRE COMPANY Of Mice and Men, March 5-26, Temple of
Ace Hardware Civano Nursery Green Things Harlow Gardens Mesquite Valley Growers OK Feed & Supply Old Town Artisans Picture Rocks Hardware
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BALLET TUCSON Spring Concert - Dance and Dessert 2016, March 18-19-20, Stevie Eller Dance Theatre, University of Arizona, 1737 E. University Blvd. 903-1445, BalletTucson.org
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Music and Art, 330 S. Scott Ave. 884-8210, ArizonaTheatre.org
BERGER PERFORMING ARTS CENTER Old Blind Dogs, March 26, 1200 W. Speedway Blvd. BergerCenter.com Made in Tucson
hummingbirdmarket.com 22 ZOCALOMAGAZINE.com | March 2016
BLACK CHERRY BURLESQUE March 4, Surly Wench Pub, 424 N. 4th Ave. 882-0009, TucsonBurlesque.com
performances Z BORDERLANDS THEATER Barrio Stories, March 3-6, TCC Plaza BROADWAY IN TUCSON 42nd Street, March 30 – April 3, UA Centennial Hall. 903-2929, BroadwayInTucson.com
CARNIVAL OF ILLUSION March 26, Lodge on the Desert, 306 N. Alvernon Way, Tucson, AZ 85711, CarnivalOfIllusion.com 615-5299
FOX THEATRE Joe Satriani, March 2, Keb’ ‘Mo, March 3, Peter Frampton, March 9, David Crosby, March 25, Alan Parsons Live Project, March 27,17 W. Congress St. 6241515, FoxTucsonTheatre.org
THE GASLIGHT THEATRE The Cisco Kid, Through March 27, Rise of the Sheik, March 31 – June 5, 7010 E. Broadway Blvd. 886-9428, TheGaslightTheatre.com
INVISIBLE THEATRE Ethel Merman’s Broadway, March 5 & 6, at the Berger Center for the Performing Arts, 1200 W. Speedway Blvd. Let’s Live a Little, March 10-13, at IT 1400 North 1st Ave. , 882-9721, InvisibleTheatre.com
LIVE THEATRE WORKSHOP 5317 The True Stories of the So-Called Big Bad Wolves, Through March 13, E. Speedway Blvd. 327-4242, LiveTheatreWorkshop.org
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Every Friday and Saturday at 7:30pm, 3244 E Speedway Blvd 861-2986, UnscrewedComedy.com
ODYSSEY STORYTELLING SERIES Strange, March 3, 7:00pm, The Screening Room, 127 East Congress, 730-4112, OdysseyStorytelling.com
PCC THEATRE ARTS Crazy For You, Through March 6, 2202 W. Anklam Rd. 206-6670, Pima.edu/cfa
THE ROGUE THEATRE Miss Julie, through March 13, 738 N. 5th Ave. 5512053, TheRogueTheatre.org
SEA OF GLASS DeGrazia Spanish Guitar Band, March 5, The Crystal Trio, March 11, Makana, March 16, Temanos Quartet, March 26, 330 East 7th St.
SOUTHERN ARIZONA TRANSPORTATION MUSEUM
Silver Spike
Festival, March 19, Downtown Depot, 414 North Toole Ave.
TUCSON SYMPHONY ORCHESTRA Mendelssohn’s Reformation, March 5 & 6, Catalina Foothills High School Auditorium, Mambo Kings, March 12 & 13, Carmina Burana, March 18 & 20, Music of Led Zeppelin, March 25, TCC’s Music Hall, 260 S. Church Ave. 882-8585, TucsonSymphony.org
UA’S ARIZONA REPERTORY THEATRE The Tempest, March 6 – April 3, Tornabene Theatre, 1025 N. Olive Rd. 621-1162, web.cfa.arizona.edu/theatre
UA PRESENTS Dublin Guitar Quartet, March 2, PilobolusDance Theatre, March 6, Igudesman & Joo, March 23, Acoustic Africa, March 24, Star Trek: The Ultimate Voyage, March 28, Centennial Hall, 1020 E. University Blvd. 621-3341, UAPresents.org
Odyssey Storytelling Series presents “Strange” curated by Simon Donovan, Thursday, March 3. March 2016 | ZOCALOMAGAZINE.com 23
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Z arts
Gavin Troy in his studio
Soul Sk8er & Creator
arts Z
By Craig Baker
For Tucson artist Gavin Troy, the act of creating art isn’t so far removed from skateboarding, which was—and still remains—his first love. “It parallels skateboarding in a lot of ways,” says the 48 year-old Troy. “The best part of skateboarding was always entering into the unknown, or creating something from nothing, and I think that’s still happening in my work now,” he says. Troy grew up skateboarding with his friends throughout junior high and high school in Tempe, Arizona, during a sort of revival period for the sport which was sparked by the invention of urethane wheels in the 1970s. The increasingly maneuverable boards gave skaters the ability to carve and expanded the arsenal of tricks one could perform on a board. Still, at least in Phoenix, Troy says it still wasn’t what he’d call a popular pastime. “There was kind of a wave there for a little bit in the vertical skate scene,” says Troy, “but it hadn’t really hit the mainstream yet.” As a result of this minor boom, private skate parks opened up across the US in the late 70s. The ride was short-lived, though, as most of these parks closed in the very early 80s for liability and insurance reasons, leaving skaters to find their own means of expression. When the parks closed, Troy and his pals went guerilla with their efforts. “It was very underground,” says Troy, “very DIY, though we didn’t have that term yet. But it was all about making things on your own—we just made do with what we could find.” Troy says that he and his friends began skating in empty pools and building their own ramps with the help of blue prints provided by skate zines like Thrasher. And they got good at it. Good enough, anyway, for Troy to receive his first sponsorships from Gullwing Trucks and G&S skateboards during his senior year of high school. From there, Troy began making rounds on the competition circuit as a sponsored amateur. But sidelined by a broken ankle while attending Mesa Community College, he turned his attention to other passions. He started his own zine at that time, began printing t-shirts, and signed on as a contributing photographer with Transworld Magazine, all of which he says helped him to fund his travels around the southwest. Then, another shift in the skateboarding Troy skating a backyard industry several years later finally pushed Troy out of the professional skating arena altogether. “Vert skating kind of died,” explains Troy, “and a whole new generation came up; kind of a new street generation.” Troy says he tried to keep up with the trends and adjust his style of skating to fit the constantly-changing industry mold but ultimately felt like the pressure to perform was taking the fun out of the sport for him. “I kind of went underground from that scene and just started skating as a soul sport for myself,” he says. He let his sponsorships lapse, quit competing, and made his transition to art by attending ASU, where he ultimately received a degree in mixed media. Intimidated by the department’s focus on realism, it wasn’t until nearly the end of his college career that he first picked up a paintbrush. And, says Troy, it was about another year after graduation that he “just let go” and he says “the work just started coming out after that.” He calls his preferred method “stream-of-consciousness painting,” and says that, often times, it’s like he is “being shown something” as opposed to trying to create a particular image. “There are times where I may have a specific thing in my mind,” says Troy, “but then things shift and show me something new while I’m working on a piece.” Thus, he says it can be difficult to ‘turn it on’ at will and for that reason prefers more of a freeform approach while working in his studio, often jumping between multiple projects during the course of a single day.
“It’s a very timeless experience to come into this space and just kind of let go; to work on things and just see what starts to happen,” says Troy, adding that “it’s the same as if I was skating and taking a run in a pool or something— you’re getting creative with the line as your riding in a bowl, and the same kind of things can happen here in the studio, either on the canvas or on wood, or just moving around in the studio and working on different things.” And, oddly enough, this mindset reveals itself in his work, which presents with a mixture of amoebic geometric patterns that express a careful-yeterratic balance between smooth curves and sharp angles, alongside images of landscapes or village scenes that ride that line which separates the ethereal from the concrete. He shapes wood into abstract three-dimensional collages, uses bright sunset-hued acrylics to craft scenes of warped barrios and mountains, and harkens back to his original passion by shaping and painting one-of-a-kind skateboards by hand. And though he keeps a steady stream of work moving out of his studio space, his minimal approach to marketing means that this process makes up only a small portion of his income, which he supplements by teaching private students and running classes at the Tucson Museum of Art. Troy says that, after moving to Tucson to immerse himself in the art scene in 1998, he considered going back to school for a graduate degree at the UA, but he felt as though the payoff for his investment would be less than what has come to him simply by following his bliss. A chance encounter with his neighbor, permaculture expert Brad Lancaster, led to Troy’s first job in town working with local high school students to paint a mural in a community garden. “Moving here was like graduate school for me in a lot of ways,” he says, adding that he feels like he has more-or-less earned a Master’s in “survival of the artist in a community” just by living from day-to-day on an artist’s income since then. Much like his attitude toward skateboarding, Troy’s definition of success has never been one measured solely by financial gain, though he admits that he’s ramped up production since the birth of his ramp around 1987. son in 2011. Aside from keeping an eye on providing for that particular new addition to his life, Troy’s fixation on art has always been more about his own personal dialog with his subconscious. “This work is super healing for me because it’s showing me something that I can experience in a physical way, but it’s coming from a source that’s within myself,” says Troy. He says the greatest reward he’s experienced as an artist is hearing from people that his work has connected to them in some way similar to how it affects him; to know that his work is helping to brighten a public space, a living room, or even just one person’s attitude is enough to motivate him to keep producing. “Painting could be a selfish act or it could be a selfless act, and so I just try to make it more about not being here and just letting it come through as much as I can, and then sharing that with other people.” And in that respect—though he tends to adopt something of a role of the outsider quietly looking in—Troy is no doubt one of the most successful artists living and working in Tucson today. n You can find Gavin Troy’s artwork in the Citizens Art Studios (by appointment only or during scheduled Open Studio Tours), at 44 W 6th St; at Sky Bar; Solar Culture; or at etsy.com/shop/gavintroy. And look for an exhibit of his work in the Hotel Congress lobby in June. March 2016 | ZOCALOMAGAZINE.com 27
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Z borderlandghosttowns
30 ZOCALOMAGAZINE.com | March 2016
borderlandghosttowns Z
PEARCE
by Francisco Cantú / illustrations by Danny Martin This is the latest installment of Borderland Ghost Towns, an ongoing series which pairs architectural illustration by Danny Martin with short essays by Francisco Cantú
V
isitors to Pearce can be kept abreast of local happenings by thumbing through a copy of the monthly Ghost Town Trail News, available for fifty cents at nearby gas stations and the town’s few remaining retailers—the Pearce Mercantile, Old Pearce Pottery, the Goat Milk Soap Shop, The Prickly Pear Emporium. The newspaper’s editors are not named—it has no website, no official masthead—just a P.O. Box and an email address. Nevertheless, the paper’s existence serves as a reminder that Pearce and the adjacent communities that make up Cochise County’s “ghost town trail” still bear signs of life. The pages of the Ghost Town Trail News are filled with small stories, letters, and advertisements that gesture quietly at the nature of life in this once prosperous region: a shade canopy is erected over a community playground, a youth pastor discovers a smoldering brush fire, Betty Curtis and Melanie Pope host a Ladies’ Champagne Luncheon, sandhill cranes gather once again across the Sulphur Springs Valley. The most striking feature of the News, however, is the obituaries page, where the community continues to memorialize its dead after nearly a century of decline. “Mina Lourella (Hurley) Derrick was called home on December 24th, 2014 to reunite with her husband, sons, parents, siblings, and grandchildren. Mina was predeceased in 1987 by her husband, Britton Forrest Derrick. She was also pre-deceased by her sons…two granddaughters…her parents…three brothers…three sisters…” It is hard to read of Mina’s passing and not imagine her resilience, her ability to endure what seems like a lifetime of loss played out upon a landscape of abandonment. Can a place be considered a ghost town if it possesses a functioning newspaper, if it still has the means to commemorate its dead? According to Philip Varney, author of Arizona Ghost Towns and Mining Camps, a ghost town can be defined as having two characteristics: “The population has decreased markedly, and the initial reason for its settlement (such as a mine or a railroad) no longer keeps people in the community.” Varney asserts that ghost towns are not just ruined places of complete desertion, as we most commonly think of them, but also communities that still boast residents or even places that show “genuine signs of vitality.” The Pearce Mercantile, a two-story adobe building erected on Main Street in 1894, still stands as the town’s most recognizable landmark and occasional
gathering place despite being mostly closed to business for many years. The “Old Store,” as it is better known, was the subject of a letter from the editor published over a year ago, in the December 2014 edition of the News. “The weekend following Thanksgiving” writes the anonymous editor, “was over the top…Folks from all over came in to find a treasure, memory, gift to take home. Music played in the background and the old store truly was a store once again.” The editor paints the picture of a place suddenly and unexpectedly come to life, a scene of such genuine vitality that it causes them to be overwhelmed by emotion. “There were times,” the editor admits, “when I had to look away as something that pulled at my heart went toward the front door.” It is said that the miner Jimmie Pearce, the town’s namesake founder, first came to the Sulphur Springs Valley in the late 1800s to find peace in the great outdoors, to escape the grim bustle of Tombstone in twilight of its boom years. He did not come to strike gold, did not hope to re-enter the mining business by establishing the Commonwealth Mine, did not plan to erect a town that would swell to more than 1,500 residents. It seems appropriate, then, that Pearce has again become a quiet place. Perhaps there is something in this pocket of Cochise County that will always resist a sustained flourishing of population. But there is also an essential trait shared by all those who settle here that will forever push back against the prospect of being forgotten. At the edge of Pearce, the town cemetery contains a diverse assortment of grave sites, from unadorned headstones and wooden crosses to plots ringed by live agave and rose quartz. Inscriptions are in both English and Spanish, and headstones offer up small reminders of the irrepressible spirit of community residents. Angelita L. Mendoza, reads one headstone, 21 May 1924–13 Aug. 1925, Pearce Arizona. Next to it, an identical headstone with the following inscription: Maria del Carmen R. Mendoza, hija de Andres Mendoza y Rita Mendoza, nació en Elfrida Arizona el 16 de Julio 1928, dejó de existir el 7 de Septiembre de 1928. It is almost as if the Mendoza family, having already been abandoned by their first born, could not suffer further desertion without comment, as if they are somehow imploring us to acknowledge their loss nearly a century after its occurrence: Maria del Carmen was born, they will have us know, and then, two months later, ceased to exist. n
March 2016 | ZOCALOMAGAZINE.com 31
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Z community
Could Tucson Really Solve Its Homeless ‘Problem’?
I
by Craig Baker
t’s no secret that Tucson has long struggled with how to get a handle on the issue of local homelessness. An estimated 2110 people in Tucson were suffering from homelessness in 2014, as determined by a manual count performed by the Mayor and a crew of volunteers. In 2013, that number was closer to 5800 and, this year, the Mayor says his count was down to about 574. Mayor Rothschild says, for reference, that the annual “Gem Show is often the high mark for (homeless activity),” but that the show, which ended last month, was “relatively quiet” this year. It’s unclear, though, what role the “Homeless Ordinance,” enacted earlier this year, played in those figures or the level of related activity during the show.
34 ZOCALOMAGAZINE.com | March 2016
community Z Critics of the annual count point out that it is taken in the peak of winter, when many homeless individuals tend to hunker down for warmth. Others say that, since many people living on the streets or in the deserts surrounding Pima County make a habit of keeping themselves scarce, those numbers are inherently flawed. And since the city and county seem to have been systematically sweeping local parks and encampments clear of homeless persons as of late, it may simply be the case that those left just prefer to stay out of the way. The current struggle to manage the destitute masses all began in October 2011 when the ‘Occupy Wall Street’ movement found a home in Tucson. After being forced from several parks, protestors finally settled in Veinte de Agosto Park downtown in October 2013. Residents began setting up so-called “Dream Pods”—wooden boxes intended as makeshift homeless shelters—on the sidewalks in January 2014, and those were removed by the city in March due to public health concerns. There was talk of a ban on “urban camping,” then a Ninth Circuit appeal in favor of the campers and, ultimately, Veinte de Agosto—dubbed “Safe Park”—was closed outright in June. That same month, the city also allowed a 90-day contract with local church, City Central Assembly, to lapse, resulting in the closure of an associated low-demand shelter, which sent an additional five-dozen men back out on the streets. Of course, the interface between homeless individuals and local authorities didn’t end there. In fact, the problem more-or-less moved about two-and-a-half miles east to Jacome Plaza—the area in front of the Main Branch of the Pima County Library. Business owners complained about the continued aggregation of the un-housed and, come December 2015, an ordinance was passed by the Mayor and Council which limited the belongings of a person living on the streets to four cubic feet, restricted them to spending nights on sidewalks whilst maintaining five feet of open space, and required groups or individuals to apply for a permit to feed more than ten people in public. That same month, Pima County also began closing down homeless encampments in the surrounding deserts. By January, more than twenty such camps had been closed, some of which had existed for ten years or more. Pastor Tom Hill is the founder of the unconventional Workship (a combination of “Work” and “worship”) Church. Sort of a “homeless” organization itself, the church has no physical location, accepts no monetary donations, and has held its weekly services every Sunday since 2000 at the historic Z Mansion downtown. With minimal preaching and no sermon to speak of, Hill and his congregants feed somewhere on the order of 300 people-in-need at each event. There is also a clothing bank, an onsite health clinic and, of course, loud music in the background. Really, the scene has more the air of a party than that of a soup kitchen. Hill says it was clear early on the way things would go down. “We knew going in to all the discussions they were going to pass (the ordinance),” says Hill, “…so all of the lead-up to it was theater.” Still, he says he holds no ill-will toward the Council, saying that he understands that City Council was under an obligation to “make the downtown business guys happy.” And though it sidelined works from fellow-charities like the Soup Patrol, with whom Hill has worked in the past, Hill says that those organizations have simply found ways to “circumvent” the new requirements whilst working within the law. Soup Patrol, he says, now operates their mission to feed the needy on a piece of private property not far from their original go-to location, though he refuses to discuss exactly where for fear that it might be targeted for closure. Similarly, Hill says that a Catholic diocese on Fort Lowell agreed to open a shelter of its own in response to the closing of the CCA last June. And, with regard to those restrictions that affect the homeless population directly—the ones limiting property and access to places to rest—it seems that the people sleeping on the street are simply forced to get creative. “I try to stay out-of-sight, out-of-mind,” says Donald Myers (name changed), who says he fell into homelessness after a divorce coincided with the 2008 recession and
the loss of his job. Myers has found a bed at a transitional men’s shelter for the time being, though while on the street he says people “basically go around those laws.” As an alcoholic, Myers says that it can be difficult to live up to the expectations of most shelters. Though he’s managed to stay clean while waiting for subsidized housing, the place that is currently housing him has a zero-tolerance policy for alcohol use, as well as a breathalyzer. For chemical dependents and those suffering from mental illness, low-demand shelters are often the only option aside from the street, and typically such shelters will only offer beds for a few days at a time on a first-come, first-served basis. Others turn from assistance because very few shelters admit couples or tolerate pets, for instance. Vice Mayor Karen Urlich was one of just two who voted against the ordinance, citing difficulty of enforcement and a potential effect on the $8-10 million Tucson organizations receive each year in federal funding specifically to combat homelessness. “I think it will be subject to some review,” Urlich says of the legislation, “and I think court challenges could result, and that’s the last place that any of us want to be.” An evaluation of alignment with Department of Justice mandates which forbid the criminalization of homeless, as well as other factors like the Mayor’s annual count, are factored-in when the $4.5 billion total is divvied-up amongst organizations nationwide. Mayor Rothschild insists that there is no apparent threat to Tucson’s annual allocation of funding as a result of the new legislation, citing an extensive review of associated case law by city attorney, Mike Rankin. Still, Urlich says that the question of how best to address homelessness in Tucson probably shouldn’t have been turned over to legislators in the first place. Ulrich says that, long before legislating on an issue, “we always want to make sure we’re looking at the whole situation and engaging with partners to try and solve the problem.” Urlich is an advocate of a “Housing First” methodology—a practice which prioritizes placing homeless individuals into housing quickly, then dealing with their individual issues afterward on a case-by-case basis. “Housing really ought to be the first focus and the first offering,” says Urlich, “because it really helps people, once they’re secure in some kind of decent housing, to then engage in progressing in other areas of their lives, whether it’s mental illness or substance addiction. It’s really tough to grapple with those kinds of challenges in general for anybody. And if you couple those challenges with struggling to survive on the street, it’s virtually impossible.” Urlich says that support for the “Housing First” approach has recently spread to federal agencies like the U.S. Department for Housing and Urban Development and the Substance Abuse and Mental Health Services Administration, both of which contribute to that available $4.5 billion pool of federal funding. She points out that data increasingly shows that placing chronically homeless individuals directly into housing not only helps them in the short-term, but it also tends to relieve some of the burden of cost from taxpayers. Case studies from places like Utah, Toronto, New York, and the UK exist which appear to support these claims. And it’s not exactly like we’re dealing with a shortage of resources here in the Old Pueblo. A 2015 “State of Homelessness” report published by the National Alliance to End Homelessness suggests that only about 83 percent of the transitional housing beds available in the state of Arizona were occupied during 2014. And a report published by the Tucson Pima Collaboration to end Homelessness last September proclaimed that “Based on existing data, homelessness as it exists across the [Continuum of Care in Pima County] is an entirely solvable issue if resources are used properly”; that analysis cited 150-plus spaces in both Permanent Supportive Housing and Rapid ReHousing which were left vacant. It may be time for Tucsonans to start thinking seriously about reprioritizing and re-housing, then, when it comes to the local homeless population. And Rapidly. March 2016 | ZOCALOMAGAZINE.com 35
March 2016 | ZOCALOMAGAZINE.com 37
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poetry Z
Tucson Classic Because Tucson today is a veritable hotbed of working poets, we sometimes forget our city’s remarkable poetic heritage. Occasionally, to pay tribute to this heritage, Zócalo Poetry will feature a previously published poem (below), one we consider a Tucson Classic.
Learning How It’s Done At the Bocce Club Saturday mornings at the Sons of Italy we watched them in action-grandfathers, uncles, and their Canadian friends from the textile mills.
MIAMI HEART by Jane Miller
(reprinted with permission from American Odalisque, Copper Canyon Press, 1987)
Jane Miller has lived in Tucson for over twenty-five years, teaching in the University of Arizona's Creative Writing Program. She currently is Visiting Professor at the Michener Center in Austin, missing the trails, tacos, and temperature of the Sonoran region. Her most recent poetry collection is Thunderbird, Copper Canyon Press, 2013.
But we knew everything they did meant something, though we didn’t know what, so we went on gaping at them as if they were movie stars and mimicked them all week after school in the gravel lot behind the cotton mill-wobbling up to an imaginary line, swearing in three languages—safe from frowning spinster teachers, giggling huddled girls: sure of ourselves as we would never be again.
--Bob Longoni
Bob Longoni was a faculty member at both the University of Arizona, where he also directed the Poetry Center in 1969-70, and Pima Community College, from which he retired in 1993. He has since published two collections and continues to be an active part of the poetry scene in the Phoenix area, where he now lives.
Bob Longoni photo: Cybele Knowles
In a long text, on live TV, in an amphitheater, in the soil, after the post-moderns, after it is still proven you can get a kiss out of a pretty girl, after the meta-ritual lectures, after the flock to further awareness bends “south,” and Heinz switches to plastic squeeze bottles, as one flies into St. Louis listening to Lorca’s “Luna, luna, luna…,” beyond Anacin time, after, God help us, the dishwasher is emptied again, and Miss America, Miss Mississippi, reveals she has entered 100 pageants since age six, Packers’ ball, first down after a fumble, the corn detassled, the assembly of enthusiasms awakened, and we meet in a car by the river, not not kissing, considering making love, visiting Jerusalem, the awful daily knowledge we have to die in a hospital on the sixth floor, in a lecture, on live TV, or in an amphitheater at half-time, at one’s parents’ condo, over pasta, in a strange relative’s arms, in debt, along the coast, staring at a lighthouse, the heart bumping, bumping the old pebble up the old spine, a squirrel scared up a sycamore by an infant, along this stench of humility, along that highway of come, charge card in hand, I shall give my time freely and the more I dissemble, the more I resemble and the more I order, the more I reveal I hide, the better, the faster I sleep the more I remember to go elsewhere, a movie, excuse me, now I must whisper not to disturb the patrons, now I must drive, now park, tramp to the edge of the world, roughness, ferocity, cannibalism, bite, chew, transmogrify, inside the lungs the little revolutionaries, between the thighs the reflex it’s too this, it’s too that, it’s not enough, similarly, and more particularly, it’s raw twice over, it’s the imagination draining its husks, left-handed, because comparison is motive, which is why one writes with one’s desire.
Legs wobbling, pipes or cigarettes dangling from their lips, they never spilled their beer, swore a lot—in skillful Italian, clumsy English, intimate French-glancing at us without looking our way, pretending they didn’t mean the words.
Jane Miller Zócalo invites poets with Tucson connections to submit up to three original, previously unpublished (including online) poems, any style, 40 line limit per poem. Our only criterion is excellence. No digital submissions, please. Simultaneous submissions ok if you notify ASAP of acceptance elsewhere. Please include the following contact information on each page of your manuscript: mailing address, phone number, and email address. Ms won’t be returned. Notification of acceptance or rejection by email. Zócalo has first North American rights; author may re-publish with acknowledgment to Zócalo. Payment is a one year subscription. Address submissions to Zócalo, Poetry, P.O. Box 1171, Tucson, AZ 85702. The poetry editor is Jefferson Carter.
March 2016 | ZOCALOMAGAZINE.com 39
Z film
The Wave Embrace of the Serpent
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film Z
Brilliant, Unique and Psychedelic Film Fun by Herb Stratford This month at the Loft Cinema, an eclectic mix of films include; a nearly lost cinema classic, an Academy Award nominee, a Norwegian disaster flick and a 70mm classic western. But there’s also a great mix of campy classics like Big Trouble in Little China, Galaxy Quest, The Dark Crystal and Star Trek II, The Wrath of Khan. Also of note is a special screening of the powerful documentary Citizen Four. Visit LoftCinema.com for the full schedule of films.
March 4 Who says only American’s know how to make good disaster films? The Wave from Norway, is a very entertaining drama that follows one family’s experience after a massive rock slide sets off a tsunami that separates them and devastates the town they live in. Based on a real-life potential disaster, the film is taught, at times beautiful, and honestly pretty entertaining. It's in Norwegian, with English subtitles.
March 11 The Columbian film Embrace of the Serpent is remarkable for a number of reasons one being that it is that country’s first-ever Academy Award nominee, but also for its stunning black and white cinematography. The film focuses on Karamakate, an Amazonian shaman who is the last survivor of his people, and the two scientists he helps guide through the jungle over the course of 40 years. The story is inspired by the real-life journals of two different explorers who traveled through the Colombian Amazon in 1909 & 1940 in search of the sacred and difficult-to-find Yakruna plant. This film is astounding, beautiful and powerful.
March 18 Orson Welles’ classic 1965 black and white masterpiece Chimes at Midnight has been re-released and is giving film and Shakespeare fans another chance to see what the cinema master does to the tale of Falstaff. Written and directed by Welles, who plays Falstaff as well and gets a connecting story between Henry IV and other well-known literary characters. This was the last film directed by Welles and is worth a look, as it has rarely been on screen since its short release in 1967.
March 19 Now that the Loft has the ability to screen 70mm prints, Tucsonans are getting treated to a terrific slate of films that would otherwise not be seen in this nearly “lost” format on a regular basis. On tap in March is the classic 1969 Western The Wild Bunch from director Sam Peckinpah. The violent and genre-bending film was quite controversial in its day, and is a fascinating piece to watch given the resurgence of the western thanks to directors like Quentin Tarantino who pay homage to it in their own work. There’s just one show at 7pm, so don’t miss it. n March 2016 | ZOCALOMAGAZINE.com 41
Printin� Co. Good Printin� Since 1942 42 ZOCALOMAGAZINE.com | March 2016
XIXA appears live at Club Congress on Friday, March 11.
Schedules accurate as of press time. Visit the web sites or call for current/detailed information.
2ND SATURDAYS DOWNTOWN Congress Street, 2ndSaturdaysDowntown.com Sat 12: Please see web site for details.
BOONDOCKS LOUNGE 3306 N. 1st Ave. 690-0991, BoondocksLounge.com Wed 2: Nancy & The Scarlet Lettermen Fri 4: The Garcia Brothers Sat 5: Johnny Ain’t Right Sun 6: Heather Hardy & Lil’ Mama Band Mon 7: The Bryan Dean Trio Wed 9: Kathy Davis Thu 10: Titan Valley Warheads Fri 11: Frank & Friends Mon 14: The Bryan Dean Trio Fri 18: Irish Dance Party Sat 19: Heather Hardy & L’il Mama Sun 20: The Last Call Girls Mon 21: The Bryan Dean Trio Thu 24: Titan Valley Warheads Fri 25: Anna Warr & Giant Blue Sat 26: The Coolers Sun 27: Po, The Band Cd Release Party, Undercover And Special Friends All Star Jam Mon 28: The Bryan Dean Trio
BORDERLANDS BREWING 119 E. Toole Ave. 261-8773, BorderlandsBrewing.com Fri 4: Ezekiel Morphis
CAFE PASSE 415 N. 4th Ave. 624-4411, CafePasse.com Thursdays: Jazz with Glen Gross & Friends
ches lounge 350 N. 4th Ave. 623-2088, ChesLounge.com For information please visit the web site.
CLUB CONGRESS 311 E. Congress St. 622-8848, HotelCongress.com/club Tue 1: Protomartyr, Prom Body, Gay Kiss, Sleep Money Wed 2: Adara Rae & The Homewreckers, Pipelights, Jillian & The Giants Fri 4: Lando Chill, Altrice, Copper and Congress Sat 5: Metalachi, Sugar Stains Wed 9: Crystal Radio, The Electrified Donkey Band, Dustin Hamman Thu 10: Emily Kinney Fri 11: XIXA, Asian Fred Sat 12: North, Sleep Like Trees, Chronovorus Sun 13: Rocket From The Crypt Mon 14: Gungor Wed 16: Ape Machine, Gamma Like Very Ultra, Joel Crocco Fri 18: Mommy Long Legs, Dirt Friends, Boyfriends, Big Bad Sat 19: VenessaMichaels, Sid The Kid, Andrew Shuta, Bob Really, Jalph Sun 20: Sugar Candy Mountain with Mad Alchemy, Louise Le Hir, Naim Amor Tue 22: King’s Court Tour featuring
44 ZOCALOMAGAZINE.com | March 2016
Photo courtesy deadkennedys.com
Photo courtesy www.facebook.com/xixamusic
Z tunes
Dead Kennedys play The Rialto Theatre on Friday, March 11.
Slum Village, Black Milk, Phat Kat, Guilty Simpson Thu 24: Teen Fri 25: My Gold Mask, Alter Der Ruine, The Rifle Tue 29: Kawehi Wed 30: La Santa Cecilia
Thu 31: Hank Topless
coronet
DELECTABLES RESTAURANT
402 E. 9th St. 222-9889 CafeCoronet.com Wednesdays: Naim Amor
LA COCINA 201 N. Court Ave. 622-0351, LaCocinaTucson.com Wed 2: Miss Lana Rebel & Kevin Michael Mayfield Thu 3: Freddy Parish Fri 4: Greg Morton Sat 5: Harpist Vesna Zulsky, Nathaniel Burnside Duo Sun 6: Mik and The Funky Brunch Wed 9: Miss Lana Rebel & Kevin Michael Mayfield Thu 10: Louise Le Hir Fri 11: Greg Morton Sat 12: Harpist Vesna Zulsky Sun 13: Mik and The Funky Brunch Wed 16: Miss Lana Rebel & Kevin Michael Mayfield Thu 17: Mitzi Cowell Fri 18: Greg Morton, Cold Sweat Sat 19: Harpist Vesna Zulsky Sun 20: Mik and The Funky Brunch Wed 23: Miss Lana Rebel & Kevin Michael Mayfield Fri 25: Greg Morton Sat 26: Harpist Vesna Zulsky Sun 27: Mik and The Funky Brunch Wed 30: Miss Lana Rebel & Kevin Michael Mayfield
CUSHING STREET BAR & RESTAURANT 198 W. Cushing St. 622-7984, CushingStreet.com Saturdays: Cool Jazz, Jeff Lewis & Friends 533 N. 4th Ave. 884-9289, Delectables.com Fri 4: Leila Lopez Sat 19: Mitzi Cowell
ELLIOT’S ON CONGRESS 135 E. Congress St. 622-5500, ElliotsOnCongress.com Monday: Jazz Guild Jam Tuesday: Tommy Tucker
Ermanos 220 N 4th Ave, 445-6625 ermanosbrew.com Sun 6: Hank Topless Thur 10: Katie Haverly & The Aviary Sun 13: Mike Hebert Prison Band Sun 20: Kevin Pakulis Sun 27: Jillian & The Giants Thu 31: Hey Bucko
FLYCATCHER 340 E. 6th St. 798-1298, TheFlycatcherTucson.com Thu 3: Pale Dian, Mute Swan, Night Collectors Sun 13: Sam Outlaw Mon 14: Electric Six Wed 16: Fleetwood Mac Tribute Sat 19: Junior Boys, Jessy Lanza
FOX TUCSON THEATRE 17 W. Congress St. 624-1515, FoxTucsonTheatre.org
Photo by Hartmut Springer.
Photo courtesy Sea Of Glass.
tunes Z
Joe Satriani appears at Fox Tucson Theatre on Wednesday, March 2. The DeGrazia Spanish Guitar Band appears at Sea Of Glass Center For The Arts on Saturday, March 5.
Wed 2: Joe Satriani Thu 3: Keb’ Mo’ Sun 6: TAO: Seventeen Samurai Wed 9: Peter Frampton RAW Fri 18: Cherish The Ladies Sat 19: Rave On! Sun 20: Steppin’ Out Live with Ben Vereen Thu 24: Acoustic Africa Fri 25: David Crosby Sun 27: Alan Parsons Live Project
HACIENDA DEL SOL 5501 N. Hacienda Del Sol. 2991501, HaciendaDelSol.com Nightlly: Live Music on the Patio For information please visit the web site.
The Hut 305 N. 4th Ave., 623-3200 huttucson.com Sundays: Acoustic Open Mic, with Cadillac Mountain Fridays: Sunset Soul with Kelsey St. Germaine Saturdays: Mike & Randy’s 430 Show with Top Dead Center
Merci Gallery 630 E. 9th St. 623-2114 MerciGallery.com Sat 5: Sonny Boy Thorn Sun 20: Balearic Beats by Toby Roberts & Thomas B Sat 26: Shana Halligan
MONTEREY COURT 505 W. Miracle Mile, MontereyCourtAZ.com Wed 2: Nick McBlaine & Log Train Thu 3: Corey Spector FrI 4: Sofia Talvik
Sat 5: Mean Mary Sat 12: Keith Alan Mitchell Sun 13: Nancy Elliott & Friends for Sunday Brunch, SxSW Show Tue 15: The Tucsonics Wed 16: Eric Schaffer & The Other Troublemakers Fri 18: Eliza Gilkyson, Nina Gerber Tue 22: Bose Tour with Jeff Campbell, Megan Slankard, Jamie Kent, Matt Szlechetka Wed 23: Shapiro Brothers Thu 24: Touch of Grey Fri 25: Off The Ground Sat 26: Key Ingredients of African Soul Sun 27: Nancy Elliott & Friends for Sunday Brunch Tue 29: Community Center Thu 31: Flying Balalaika Brothers
Sat 12: Acorn Bcorn, Katterwaul, B4 Skin, Lemon Drop Gang, Whoops Sun 13: Nightwish, Sonata Arctica, Delain Tue 15: Silverstein, Being As An Ocean, Emarosa, Coldrain, Rarity Thu 17: Between The Buried And Me, August Burns Red Fri 18: Summer Slaughter & All Stars Sat 19: John Hiatt, Rick Brantley Sun 20: The Sword, Royal Thunder Mon 21: Big Smo Tue 22: X Ambassadors Wed 23: Mobb Deep, Big Meridox, EZ Goin’ Tue 29: They Might Be Giants Wed 30: Lecrae
PLAYGROUND TUCSON
1003 N Stone Ave (520) 622-8872 BWRoyalSun.com Sun-Tue: Happy Hour Live Music Sundays: Ivan Denis
278 E. Congress. 396-3691, PlaygroundTucson.com Sundays: The George Howard Band
Plaza Palomino 2990 N. Swan Rd., 907-7325 plazapalomino.com See web site for more info.
RIALTO THEATRE 318 E. Congress St. 740-1000, RialtoTheatre.com Fri 4: Canned Heat, Tom Walbank Sat 5: Lethal Enjektion, Cryptic Wisdom, Southpaw, Solace In Nothing, The Endless Obsession, Waysted Youth, Monstrosity Thu 10: Neon Indian, Brydes Fri 11: Dead Kennedys, The Freeze, Doll Skin, The Besmirchers, Hotchicks
Royal Sun Lounge
Sea Of Glass--Center For The Arts 330 E. 7th St., 398-2542 TheSeaOfGlass.org Sat 5: The DeGrazia Spanish Guitar Band Fri 11: The Crystal Trio from Siberia Wed 16: Makana from Hawaii Sat 26: Temenos Quartet
SKY BAR TUCSON 536 N. 4th Ave, 622-4300. SkyBarTucson.com Tue 1: Tom Walbank, Naim Amor Wed 2: Open Mic Thu 3: Fire & Gold Belly Dance
Sat 5: Sirsy, Kelli Carpenter, Louise Le Hir Tue 8: Tom Walbank, Haboob Wed 9: Open Mic Thu 10: Hobart W. Fink, Deschtuco Fri 11: Cirque Roots Sat 12: Pipelights, Mohawk Radio, Iota Mon 14: Haunted Summer, Edith Crash Tue 15: Tom Walbank, Naim Amor Wed 16: Open Mic Sat 19: The Appetite, Demonyms, Thomas Rex Tue 22: Tom Walbank, Haboob Wed 23: Open Mic Thu 24: The Love Junkies, Mikal Shapiro Fri 25: Cirque Roots Sat 26: Ultra Violent Rays, Let Go of Everything Tue 29: Tom Walkbank, NAim Amor Wed 30: Open Mic Thu 31: Ned and the Dirt, Sundarata, The Rifle
SOLAR CULTURE 31 E. Toole Ave. 884-0874, SolarCulture.org Tue 8: Tal National Fri 11: Supernova, Ben Olayinka, Eliogold
Tap & Bottle 403 N. 6th Ave. 344-8999 TheTapandBottle.com Thu 3: Katie Haverly and The Aviary Thu 10: The Electric Blankets Thu 17: Jillian and the Giants Thu 24: The Bennu Thu 31: Tom Walbank and Austin Counts
March 2016 | ZOCALOMAGAZINE.com 45
Z tucsonstreetportraits by Andrew Brown / @aemerybrown
Top to bottom, left to right: Becca Hammen Caleb Gutierrez Robert Anthony Villa
46 ZOCALOMAGAZINE.com | March 2016
lookback Z
by Jeff Weber / @loljeffweber
Top to bottom, left to right: SWMRS headlining Club Congress (2/16/16) Gem and Jam Festival 2016 (2/14/16) TEDxTucson - TED2016 LiveCast Mixer Ai WeiWei Circle of Animals / Zodiac Heads: Gold exhibit at the Tucson Museum of art (2/15/16) Max Estenger exhibition opening (2/13/16)
June 2015 | ZOCALOMAGAZINE.com 47
48 ZOCALOMAGAZINE.com | March 2016
photos: Niccole Radhe
Z escape
escape Z
Madera Canyon Trails by Niccole Radhe
Arizona is a highly acclaimed and well-known birding paradise, and the Santa Rita Mountains happen to be one of the favorite pit stops for the myriad of winged migrants that visit our state. Over 230 species of birds are spotted here annually, including 15 species of humming birds alone. Tucked in the range is Madera Canyon, a world premier bird watching destination that welcomes hikers, mountain bikers, campers, photographers, and birding enthusiasts. This is an unforgettable place and spring is one of the best times to enjoy our home and revel in the diversity of the nature that lies in our own backyard. Madera Canyon is nestled in the northern facing slopes of the Santa Rita Mountain range, just a tamale-toss away from the Mexican border. Madera is the Spanish word for wood, named after the lumber camp that existed here in the 1800s during the great western migration. This sky island of thriving life emerges from a vast sea of dry desert, with wide ranging vistas all the way to Baboquiveri. The flowing springs and seasonal waterfalls that have carved out the canyon give life to the plants and animals that rely on this beautiful ecosystem for their survival. The animals here know no borders or nationalities, they speak only riparian. The canyon is home to a diverse array of avian, mammal and insect wildlife. It is home to the highest peak in the Tucson area, Mount Wrightson, topping off at 9,453 feet. Take a stroll through Bog Springs and Kent Spring trails to traverse many different life zones in one spring day. Hike under the shade of juniper and oak trees while the sweet sounds of birds and flowing water lure you higher into the green canyon. Bog Springs trail is one of the most popular trails in the area, it is short and rewarding. Yet even on the busiest weekends these trails seem serene and private, with less traffic than Catalina Mountain or Sabino Canyon trails. The Bog Springs trail is rated as a beginning (easy) hike according to the informational brochure that they give you at the visitor booth. However, it can easily be considered intermediate, with almost 2,000 feet of elevation gain in only 2.5 miles. Even though this entire loop is only 5 miles, it is a very steep trek that brings you from 4,820 feet up to 6,700 feet where it meets Kent Springs trail. This hike is worth every step! Bog Springs trailhead is located in the in Bog Springs Campground parking lot and is well marked, making it easy to find. The adventure begins up and down a winding and sunny dirt road for the first half mile before reaching a fork. A huge metal sign juts up to direct adventures with its’ rusty words. Bog
Springs trail is on the left hand side and Kent Spring is on the right. Sylvester Spring can be reached shortly after this point by taking the trail to the right towards Kent Spring. (Note: if going downhill is more difficult than going uphill it is best to take the steeper Kent Spring trail to Bog Springs because it will be easier on the knees in the long haul). These trails are just two of over 24 in the canyon and most are much more difficult than Bog Springs Loop. There are also a few enriched wildlife viewing zones that are conveniently located for easy access and are handicap accessible. Birds perch beautifully for visitors to witness, while the squirrels eat the leftovers dropped below. The canyon offers three different lodging choices, a gift shop, and a very helpful visitors center. Much of this is made possible by The Friends of Madera Canyon, a nonprofit volunteer organization affiliated with the U.S. Forest Service. Their wonderful staff provides informational brochures, clean-up crews, research and education programs, maintenance of trails, and finances the building of many of the facilities throughout the Canyon. For more information about this amazing place and the people who help make it happen visit FriendsOfMaderacanyon. org. This website can give all the information needed to donate, volunteer and prepare for an unforgettable visit to Madera Canyon. Making Your Escape: Madera Canyon is accessed from Interstate I-19 about 30 miles south of Tucson and 30 miles north of Nogales, AZ on the US – Mexico border. Exit I-19 at Continental Road and Madera Canyon. Turn east on Continental Road, continue straight ahead through a traffic signal, cross the Santa Cruz River, and turn right at the next four-way stop which is Whitehouse Canyon Road. Cross the railroad tracks and continue up the hill to the southeast. Slow down for the Continental School, cross the cattle guard and you are now in the Santa Rita Experimental Range operated by the University of Arizona for research on grasses, grazing, and range fire. After six miles turn right on the paved Madera Canyon Road. Heading south on Madera Canyon Road one will cross three one-lane bridges then climb towards Madera Canyon between Mt. Wrightson on the left and Mt. Hopkins on the right.
Follow Niccole on Facebook at “Take a Stroll with Niccole” to check out other outdoor excursions in Arizona and around the world or email with questions and comments to takeastrollwithniccole@gmail.com. March 2016 | ZOCALOMAGAZINE.com 49
Danny Martin’s
Tucson Neon Coloring Book 30 black and white drawings of Tucson’s historic neon signs.
2nd printing! Available online at: WoodAndPulp.com Or find it at any of these Tucson area outlets: Antigone Books, University of Arizona Bookstore, Arizona Experience Store, Art House Centro / Old Town Artisans, Bookstop, Blue Willow, Bookmans (all locations), Downtown Clifton, Hotel Congress, Loft Cinema, MAST, Pop Cycle, Presta Coffee Roasters, Stella Coffee, Yikes Toys, and Zia Records.
921 S. Meyer, $559,800
840 S. 8th ave, $253,000
211 S. 4th, $489,000
408 S. Convent Ave, $889,000
990 S. Meyer, $331,800