2
Megan wears Miss Shop dress $79.95, Bardot coat $139.95, Sachi Heels $239.95, Miss Shop tights, all from The Basement at Myer. 4
The idea of walking in a Winter wonderland is a foreign concept for us sandgropers, who start complaining about the weather as soon as it drops below 20° Celsius. Though global warming seems to have confused Mother Nature, thus making seasons fairly indistinguishable from one another, X-Press Fashion hasn’t forgotten the season, and has created a kitschy winter shoot to transport you to a far off snowy paradise. Venture through When Yeti Met Bettie and warm yourself on a log fire, introduce yourself to the Sub Gang Collective’s Yeti, or make snow angels with bean bag balls - not quite the same as snow, but at least they don’t make your clothes wet. While it’s unlikely it will ever snow in Perth, you can still wrap yourself up in a bundle of warm sartorial delights, and head out into the crisp air armed with wooly winter accessories such as beanies, gloves and scarves. Make the most of the slightly cooler weather – layer up your outfits, pull on a pair of boots, and find yourself a bright coat to add a touch of colour to drear, grey days. Have fun with your Winter dressing, after all – if our species keeps up its current rate of consuming and emitting foul toxins into the atmosphere, we may not have many Winters left to look forward to! Emma Bergmeier
Cover: Megan wears Alice McCall dress from Billie & Rose $430, vintage necklace from Gorgeous Vintage And Collectables, vintage gloves from Gorgeous Vintage And Collectables $30, Melissa Ultragirl flats from Pulse $95. Andrew wears Kostym denim blazer from Billie & Rose $220, Autonomy jeans from Pulse $200, Elementree tee from Method, scarf from Politix $79, beanie from Politix $69, Tuape boots from Politix $399.
Publisher: Joe Cipriani Fashion Editor: Emma Bergmeier Sales & Marketing Manager: Chris Coufos Fashion Account Manager: Marlen Fahuas Production Coordinator: Kathleen Harris Design: Dwight O’neil Reception: Feeona Stenton Accounts: Lillian Buckley Distribution: Distribution@Xpressmag.Com.Au Published by: Columbia Press Pty.Ltd. A.C.N. 066 570 803 Registered by Australia Post. Publication No PP600110.00006 Suite 73/102 Railway Parade, City West Business Centre, West Perth, WA 6005 . Locked Bag 31, West Perth, WA 6872. Phone: (08) 9213 2888 Fax: (08) 9213 2882 Warranty and Indemnity: Advertisers and/or their agents by lodging an advertisment shall indemnify the publisher, and its agents, against all liability claims or proceedings whatsoever arising from the publication. Advertisers and/or their representatives indemnify the publisher in relation to defamation, slander, breach of copyright, infringement of trademarks of name of publication titles, unfair competition or trade practices, royalties or violation of rights or privacy and warrant that the material complies with revelant laws and regulations and that its publication will not give rise to any rights against or liabilities in the publisher, its servants or agents. Any material supplied to X-Press is at the contributor’s risk. No responsibility will be taken by the publisher, its servants or agents.
Megan wears Sewn dress from Pigeonhole $176, Capelet from Pigeonhole $120. Andrew wears Josua Andreas shirt from Planet $167, jeans from Politix $199, jacket from Pigeonhole $350.
Just because it’s cold doesn’t mean you don’t have to make an effort when it comes to piecing your outfits together – don’t think of the chilly weather as a sartorial hurdle, view it as a great opportunity for layering multiple garments. When it comes to dressing for the colder months, focus first on coats – there’s no point putting an awesome outfit together then covering it with a sub-par outer garment. Many designers have presented blazers in their Autumn/Winter collections and they’re a good investment – even in Summer, blazers are great for throwing over a casual outfit, and depending on where you work, you may even be able to get away with wearing a brightly coloured blazer over drab work apparel. If blazers don’t tickle your fancy, turn your attention to classic trench coats, cut just above the knee. There are some beautiful trench coats for fashionable men and women on the market – just steer clear of any that fall far below the knee, and definitely no leather trenchcoats, or chances are, you’ll end up looking like an extra from The Matrix. Androgyny is still in this season, so tight fitting, tailored pants should be quite high on your Winter shopping list. Follow Karen Walker’s lead and pair your skinny pants with a blazer, to create a chic and sophisticated look. If your outfit is looking a bit too businessy, try pinning an eye-catching brooch to your ensemble, or invest in a brightly coloured winter hat. Just because androgyny is still in style doesn’t mean that dresses are off limits – there are plenty of beautiful patterned dresses around town, with many designers opting for floral or plaid prints. If you’re feeling daring, take a leaf out of Runaway Lovers’ book and pair a patterned dress with patterned leggings – you’re guaranteed to stand out considering most people opt for boring old black in Winter. Catsuits make their return in Autumn/Winter collections, bringing a bit of Studio 54-esque glamour to the streets of Perth. Be warned though, catsuits have the potential to produce the much feared camel toe (or moose knuckle if you’re of the male variety), which is guaranteed to take your outfit from chic to shit in three seconds flat. Speaking of moose knuckles, guys need to be wary of overly tight skinny jeans – while skinny cut jeans are definitely in fashion, if you go for an overly tight pair you’re likely to repel would-be suitors, and deplete your sperm count, in one fell swoop. IT professionals rejoice! Geek chic is still running strong this season, with vintage spectacles, bow ties and brogues all making their return to store shelves. Fashionable bow ties aren’t always easy to find, but Pigeonhole and Gorgeous Vintage And Collectables have a great range, and Sydney based label All Of Our Lives has a whole collection of neckwear. Whatever you choose to wear this Winter, have fun and be daring! You only live once, so make your outfits count!
Runaway Lovers
Nana Judy
Karen Walker
Emma Bergmeier
6
Alpha 60
Gorgeous Vintage
Clothing now at Planet ROUTE 66 EXTINCT FRIENDS OF COUTURE 2BLOCKSOUTH ONE TEASPOON SWEAR LONDON BLANK NEW YORK DIGBY & IONA LILI NOOKIE BLOOD IS THE NEW BLACK ALEX PARDEE UPPER PLAYGOUND ARMS & ARMORY GENERICS ACCESSORIES
OPEN 10AM TO LATE EVERY DAY OF THE YEAR / 636 - 646 BEAUFORT ST, MT LAWLEY / PH: 9328 7464 / WWW.PLANETVIDEO.COM.AU CLOTHING@PLANETVIDEO.COM.AU
WINTER
2009
Photography – Tarryn Gill & Pilar Mata Dupont Stylist – Emma Bergmeier Assistant Stylists – Hannah McGrath & Rebecca Pattison Make Up – Samantha Enticknap for MAC Hair – Head Studio King Street Models – Megan @ Scene, Andrew @ Scene Yeti & Tree Stumps – The Sub Gang Collective
Megan wears This Is Genevieve dress from Merge $275, Digby & Iona ‘moustache’ necklace from Planet $260, Zanthus cardigan from Merge $180. Andrew wears Poynter tee from Planet $32, Scotch & Soda blazer from Billie & Rose $320, Autonomy jeans from Pulse $200, Swear London sneakers from Planet $130. 8
Into
PIGEONHOLE 2Ҭ EHDW GHVLJQ IRXQG RҬ WKH EHDWHQ WUDFN
&KHFN XV RXW RQOLQH DW SLJHRQKROH FRP DX
IDVKLRQ
VWDWLRQHU\
KRPHZDUHV JLIWV
ELF\FOHV
7a shafto lane 401 murray street QFSUI t
16 bon marche arcade CBSSBDL TUSFFU QFSUI t
ORPRJUDSK\
DFFHVVRULHV
pigeonhole www.pigeonhole.com.au
Megan wears 1970s Lurex dress from Gorgeous Vintage And Collectables $329.95, Generics bangle from Merge $55. Andrew wears Cheap Monday jumper from Merge $90, Wind In The Willows jacket from Pigeonhole $290, Autonomy jeans from Pulse $200, Harley Black boots from Politix $399. Mr Yeti wears vintage velvet bow tie from Gorgeous Vintage And Collectables $34.95 10
Andrew wears Cheap Monday shirt from Billie & Rose $125, Cheap Monday jeans from Billie & Rose $90, Swear London sneakers from Planet $130, vintage bow tie from Gorgeous Vintage And Collectables $34.95. 12
5EJPAN‘
,-5 -.#, SSS >EHHEA=J@NKOA ?KI =Q
Megan wears Maise blazer from Billie & Rose $410, Petals In Disarray top from Method, Pants from Forever New in Harbour Town $59.95, Rabbit brooch from Pigeonhole $45, Generics bangle from Merge. Andrew wears vintage cardigan from Gorgeous Vintage And Collectables $48, Elementree tee from Method, Spectacles from Pigeonhole $55, jeans from Politix $169. 14
772A HAY STREET PERTH
9322 721O
OPEN 7 DAYS
PEPE DENIM SUMMER IN STORE SOON...
Saturday & Sunday
July 25 th - 26 th
HYDE PARK HOTEL
331 Bulwer St, West Perth. 10am - 4pm.
Ar t wo r k b yH e
le n
Designer arts and craft market, showcasing West Australian Talent. a Tay
www.madeontheleft.com
Australia and the world has really stood up and taken note of Perth in the past few years. With so many talented musical acts, comedians, artists, film-makers, performers and designers calling Perth home, it’s a wonder that the dreaded ‘dullsville’ tag still gets thrown around at all. Whether it’s because we’re so isolated, or because we’re so determined to not let that isolation belittle our creative industries, artistic types living in Perth are flourishing. In the last decade or so, Perth’s fashion industry has grown in leaps and bounds, with new shopping districts popping up, and many entrepreneurial fashion graduates launching labels. X-Press Fashion steps on campus to find out what 2009’s fashion graduates have to offer. Emma Bergmeier
“Together, two years ago, with a successful previous student from Fremantle (and long time friend) Yasmin Jebb, we created a women’s resort label, Me and Mr Martini. Both working in retail areas for many years we felt there was a niche in the market in quality women’s resort or lounge wear, items that you can throw over your bathers being sun smart as well as stylish. Or wear to relax everyday. “With the knowledge and skills we had learnt from studying as well as the support from our lecturers, we felt confident to enter the market. It has been a great learning experience.” Dunn has fond memories of her TAFE studies, “Challenger is a fantastic place to study; you just need to visit the Studio on Cliff Street in the heart of Fremantle to see what a vibrant and creative environment it is to be in. “The skills we learnt are so versatile, from the creative and design process through to illustration, computer illustration and the practical: pattern making, grading and of course the construction and up to the challenge embellishing techniques. The business side, which is so important, is also 2008 Challenger TAFE graduate Penny Dunn highly focused on.” With both designers working full time, Dunn and Jebb focus Upon graduating from TAFE or university, many students relish their on Me and Mr Martini in every spare minute, dreaming up luxurious newfound freedom – ceremoniously burning course readers and resort wear for warm Summer days. The pair is determined to produce unit outlines, vowing never to write another essay again, but for 2008 well made and stylish garments, “we want to create a quality product that Challenger TAFE graduate, Penny Dunn, the workload only increased satisfies the market, ” she responds when probed about what her and Jebb when she finished her studies. hope to achieve with the label. A motivated individual, Dunn set about launching a label as “I think for a design to stand out it needs to be able to soon as she finished her Certificate IV in Clothing Production, with good be appreciated by a wide range of people. ‘God is in the details’, it is friend Yasmin Jebb along for the ride. sometimes the small things that will give the most impact. “The ‘Birds of a Feather Tu-Tu dress’ was my favourite piece from my end of year range. As the light glows through tulle, the appliqué birds come to life, giving the dress a life of its own. I think that is what people enjoyed about it.” So as a fashion graduate with her foot in the industry door, what advice would Dunn offer prospective students? “Get involved with as much as you can, whether its competitions such as the WA Design Awards or dressing backstage at a parade such as Style Aid. They are all great experiences and you never know the people you will meet and the direction they may take you!”
it’s only natural Natalie Fardella
Birds Of A Feather Dress by Penny Dunn 16
As a young girl growing up, Natalie Fardella was always aware she had a soft spot for anything creative, but it wasn’t until she finished high school that she realised it wasn’t just a soft spot – it was a full blown love affair with aesthetics. “Growing up I picked up some basic sewing skills and was taught to knit. I had a fascination with my mum’s sewing machine, often playing around with scraps of fabric and buttons,” she remembers fondly.
continued on page 18
Design by Natalie Fardella
attitude allowed innovation creativity competency the west australian institute of fashion and textiles is not just for show for over 30 years, waift has maintained its reputation as second-to-none for designer fashion, production management and manufacturing processes what are our points of difference latest technology, professional practice, hands-on approach, career pathways, industry links and mentorships for training that is inspiring, instructive & relevant
08 9267 7500
In her final year of Fashion and Textile Design at the WA School Of Art Design and Media, Fardella is busily preparing her final collection, which will be showcased at a graduating students’ parade later in the year. “It’s still early days, but I’m currently exploring and working with new ideas for my collection. I really enjoy textile design so I’m hoping to incorporate a lot of print and fabric manipulation into my pieces. As for silhouettes, that’s still a work in progress.” When asked how to describe her design aesthetic, Fardella lists classically beautiful traits, such as “feminine, detailed, elegant, dark and individual”. Her creations often reference the natural landscape in an abstract manner, crossing the divide between the organic and the artifical. “I like to look to nature for inspiration. I love really natural organic colours and shapes with lots of depth and movement. I find having a good concept and storyboard with a few really strong images helps when I’m designing.” As a designer interested in all things organic, Fardella prefers to work with natural fibres over their showy, synthetic counterparts, “I’ve recently had an obsession with silk. It’s beautiful to work with for both textile purposes and garment construction and I love natural fibres. I’m also beginning to explore bringing knit work into my designs.” When asked what distinguishes her designs from those of her classmates, Fardella reveals that it’s all in the details. “I like to really think about intricate finishes and details within a garment when I design. Also paying attention to the inside of a garment as well as the outside finishings.” Now nearing the end of her studies at Central TAFE, Fardella looks back at her first two years of study with fondness, having equipped
Designs by Andrea Wolf 18
her with the skills she’ll need to make it in the industry. “The thing I love about Central TAFE is the strong focus and emphasis on design and design process, and textiles. Central has helped me to push myself as a designer and develop my own personal style.” Though she doesn’t have an exact vision for her label yet, Fardella is determined to make it in the fashion industry, and looks forward to seeing where it takes her. “Ideally I’d love to travel a bit and be inspired by other environments and cultures. Possibly study some more, or work for another designer. I’ll be focusing on further my skills and gaining as much experience as possible within the industry.”
eco chic
Andrea Wolf Some mothers have their child’s outfits planned even before they’re born – selecting matching booties and bonnets so that their offspring are the most stylish from day dot, determined for them to be the chicest in the maternity ward. Luckily for Perth lass Andrea Wolf, she was not born with such a mother, rather finding herself in a family where she was encouraged to help choose and design her own clothing. “I was taught to sew by my mother as a child – she used to make some of mine and my sister’s clothing, and would always let us help in deciding the design/colour of the outfit, which is how I learnt how to use patterns, cut fabrics and sew. “I like creating and design, not just necessarily fashion. Clothing is just the way I express most of it. But the starting interest in clothing design came out from a frustration in being unable to buy the interesting clothes that I wanted in Perth (try to find interesting black in the middle of summer!) and also annoyance in the amount of clothing not being produced in Australia and Perth, its quality and the ethics in general of some of the fashion industry.” Armed with her social conscience and a desire to dress differently, Wolf entered into a Diploma of Textiles, Clothing and Footwear at the West Australian Institute of Fashion and Textiles. “I started out doing the night classes whilst working in retail during a year off uni, just to try it out and enjoyed it so much I never returned to uni and continued the course fulltime.” Over the next few months, Wolf will concentrate on her graduating collection, which she says will feature many intricate details. “I will be presenting softly deconstructed garments – handdyed, gentle tailoring, it’s all in the details. Inspired by the Victorian notion of decadence but the true origin of the word, which comes from the Latin decadere, meaning to fall, decay or rot, which is also the name of the collection.” When questioned as to who she can imagine wearing her designs, Wolf answers from the heart, “idealistically, someone who really cares about the garments they wear and what it takes to produce them. But really anyone who admires your design enough that they are willing to wear it (especially if they bought it themselves!) is the ultimate compliment regardless of anything else.” Upon discovering how environmentally unsustainable clothing production can be, Wolf set about finding a way to reduce her carbon footprint as a consumer of fabrics, and discovered eco alternative fabrics and finishes are the way to go, “it came about from learning how destructive current growing, dyeing and manufacturing methods can be,” she responds when probed about her choice of material. With no plans for a label as yet, Wolf is open to opportunities, especially those with sustainability in mind. “I would like to see where this year takes me and what opportunities arise. For the moment, I am enjoying meeting and working with all sorts of creative people, such as Sydney label Friedrich Gray who I’ll be doing work experience with in July, which I’m really looking forward to. I’d also like to do some more work with textiles as I find it, especially with all the weird and wonderful technology, really fascinating.”
Design a stylish career Train in Fashion at Challenger TAFE and you’ll get the hands-on, industry-relevant training needed to design a cutting-edge career in the clothing industry. Our action-packed CERTIFICATE IV IN APPLIED FASHION DESIGN & TECHNOLOGY provides entry into the Diploma and helps establish valuable (and fashionable!) contacts for your future career. We have strong support from the WA fashion industry and students training in the Visage Fashion Studio – our state-of-the-art fashion production facility based in Fremantle’s West End – have regular contact with many local designers. To find out more, call a Course Information Officer on 9239 8189 or email: info@challengertafe.wa.edu.au Visit our website:
CTA2209
www.challengertafe.wa.edu.au
dressed for success Katharine Zulberti
A day in the life of a WAAPA Costuming student is nothing to sniff at – on top of attending classes and completing assignments like their peers, Costume students go above and beyond to create impeccable garments for use in WAAPA’s many and varied productions, as well as working backstage as Costume supervisors and dressers for theatrical productions. Though it’s tough work, costumier in the making Katharine Zulberti relishes the challenge, loving that her course provides her with the opportunity to work on productions in all genres. Her current focus is 42nd Street, a spectacular stage show by WAAPA’s music theatre students that requires a huge range of garments to reflect the styles of Depressionera New York. When she’s not creating costumes at WAAPA, Zulberti focuses her attention on clothing design with a keen interest in flattering the female form. “It’s all about flattering the body,” she notes. “Everyone is unique in their shape and insecurities. Working with actors gives a really good insight into the importance of the person feeling comfortable in their garment. It’s important that they feel a certain way and it correctly reflects the character they want to portray. This directly translates into fashion, as everyone wants to look great, and feel confident and comfortable, and a garment/costume goes a long way to the person being able to project that. “I suspect people don’t think about the psychology of fashion enough. Designers can get caught up in designing these extravagant creations that just don’t work with a human form. That’s where having a very construction based education helps. You know what will and what will not translate well into a finished garment.” That said, it’s no surprise then that the human body is her main source of inspiration. “I love the challenge of creating illusion with garments. That’s one of the greatest things about studying costume. We have to create characters with our garments, and sometimes the performer may need some garment based assistance in doing so. This requires a certain amount of thought going into them, such as creating hips where there aren’t any or slimming someone down with long lines.” Though she isn’t working towards a graduating collection, Zulberti will still get to show off all her hard work and at The Hilton no less! “The exhibition for my graduation will mostly be work that I have done for the academy. It will be held in the Parmelia Hilton foyer from the 23-27 November. I will be showcasing period garments, including corsetry, Victorian costume, period menswear, including a military uniform, millinery and an evening gown that is currently being used in a performance of 42nd Street at the Regal Theatre. I have also had a design accepted into the Perth Fashion Awards and it will be on display as well.” Reflecting on why she initially applied to WAAPA, Zulberti reveals that it was the many opportunities offered to WAAPA students that enticed her to enrol: “The academy has given the opportunity to explore a vast amount of styles across many eras. “I’ve been required to create historical replicas and it’s giving me a broad knowledge of fashion and construction history. They also have a strong focus on purposeful construction and design. The course requires you to think about how the garment will be used, as in this case for the purpose of performance, and design and construct accordingly. It’s really this thoughtfulness and practicality in design and construction that made Costumes by Katharine Zulberti it the best option for me.” 20
Costumes by Stephanie Rhenelt
on the fashion front line Stephanie Rhenelt
Many students wait until their studies are over before they start thinking about what they will do when they graduate; ECU Contemporary Fashion student Stephanie Rhenelt isn’t one of them. Now in her final year of study, Rhenelt has already launched her label Caldidesign, with items for sale on Etsy.com (the crafty version of Ebay). This entrepreneurial designer has her eyes set firmly on the future, with a vision to create fashion forward garments unlike any previously seen. “It is important to me that my garments are innovative - something never seen before, which I find the ultimate challenge in fashion.” Quite a challenge indeed considering humans have been clothing themselves in one form or another for thousands upon thousands of years, but X-Press Fashion has faith she’s up to it! Rhenelt is a designer with a philosophy – fashion isn’t just about aesthetics to her, she feels it’s an outward expression of the person inside, stating she would like to dress “anyone who is aware of their personality, who knows what they want and have the inner freedom to dress as they feel like, regardless of outer influences. I am not a fan of trends and what I like to call ‘the mainstream’. I think a spice of antifashion is necessary to keep being distinctive.” Determined to be innovative and different, Rhenelt has developed a keen interest in fabric manipulation, as it allows her to take something mass manufactured and make it unique, “I enjoy manipulating the fabric to make it my own, giving them part of me as a maker, in a sense.” “The course at ECU is very art based and conceptual which I find very important for the creative process of making garments. It gives the students the opportunity to explore their own interests in a supportive and challenging way. I enjoy being able to do what I love doing: designing and making garments.” Like her peers, Rhenelt is working on her graduating collection but is keeping quiet about what it consists of, “It is a very exciting process and I am looking forward to the final presentation. The only thing I can tell is they will be interesting…”
Central TAFE
Rose Skinner Advanced Diploma Art and Design
Interested in a career as a practising artist, jeweller, fashion designer, graphic designer or in an arts-related business? The Art Portfolio at Central TAFE runs courses in Art, Jewellery, Fashion and Textile Design and Graphic Design Production and is a great starting point for you career. The courses in the Art Portfolio emphasise a practical and hands-on approach to learning. The experience gained will be demanding of your creative talent, skills and commitment and is the first step towards your rewarding career as an Artist or Designer. Semester 2 full-time places may still be available - please email enquiry.art@central.wa.edu.au for more information. OF
S
LI
A
WE
RN
AUST
RA
A09-040
N
THE
TH
T
OF TE
N
E
ERNME
ERNME
OV
OV
G
T
1300 300 822 www.centraltafe.wa.edu.au
G
Megan wears Anise catsuit from Pulse $112, 1930s Fox fur cape from Gorgeous Vintage And Collectables P.O.A, Antler necklace from Pigeonhole $39, Generics Hold Me Closer clutch from Merge $60. Andrew wears They Thank You tee from Pigeonhole $72.50, Claude Maus bomber from Billie & Rose $870, Pants from Pigeonhole $150, Beanie from Pigeonhole $55, Generics Take Me Home tote from Merge $90. 22
I HAVE LEARNT WHAT INSPIRES ME
TO CREATE MY WORK.
Jack Keroac said “great things are not accomplished by those who yield to trends and fads and popular opinion”. Art has to be part of one’s daily life or else it’s not honest. Contemporary Fashion at ECU helps me live out this idea by supporting my individuality, and stretching my horizons. The course is both intellectually and technically inspiring. I have learnt a lot about myself and what drives me to create the things that I create. – ECU Contemporary Fashion student, Meghan Hosie Mid year entry now open. Call 134 ECU (134 328), email futurestudy@ecu.edu.au or visit sca.ecu.edu.au
ECU Contemporary Fashion students speak for themselves
Megan wears Vintage cat suit from Gorgeous Vintage And Collectables $494.95, Digby & Iona necklace from Planet $352, Generics Daybreak clutch from Merge $55. 24
Andrew wears Button-up cardigan from Politix $149, Jeans from Politix $199, Vintage cardigan from Gorgeous Vintage And Collectables $95, Spectacles from Pigeonhole $55. Megan wears Petals In Disarray top from Method, Mocha Bella blazer from Merge $300, Donkey brooch from Pigeonhole $65, Extinct Jeans from Planet $198, Inniu boots from Shoe Rack at Harbourtown $50. 26
Megan wears bandage dress from Forever New at Harbour Town $89.99, Sequin Bow from Forever New at Harbour Town $12.95. Andrew wears Cheap Monday shirt from Billie & Rose $100, jeans from Politix $199, Spectacles from Pigeonhole $55. 28
Andrew wears Kostym denim blazer from Billie & Rose $220, Autonomy jeans from Pulse $200, Elementree tee from Method, scarf from Politix $79, beanie from Politix $69, Tuape boots from Politix $399. 30
WIN
ONE OF 10 EXCLUSIVE BRUNO PACKS! INCLUDING A DOUBLE IN-SEASON PASS TO THE FILM, A BRUNO T-SHIRT AND BRUNO HOTPANTS! THANKS TO UNIVERSAL PICTURES AND X-PRESS FASHION MAGAZINE
Get ready for Funkyzeit mit Brüno as Sacha Baron Cohen, the creator of Borat returns with another of his outrageous creations, the character of Bruno - a gay Austrian fashionista.
WIN
HOTPANTS!
X-PRESS
MAGAZINE Hittin’ the town since 1985
HEYA VASS UP!!
.com.au with Bruno in the subject line. To enter simply email win@xpressmag be 18 years or older to enter must You 8. July close s Entrie
Megan wears Nookie knit dress from Planet $200. Andrew wears X-Press tee $15, jeans from Politix $199, St Miguel jacket from Pigeonhole $250 32
Big brands. Big savings. A.
B.
C.
Ojay 2 button crop jacket RRP $299 Outlet $139.00 Cue ruffle neck dress RRP $249 Outlet $174.30 Shoe Rack purple ankle boots RRP $79.95 Outlet $59.95 Total look at outlet prices = Saving of over $250.00 A. The Perfume Connection Outlet Black Sun 100ml RRP $99.00 Outlet $69.95 In Black 100ml RRP $119.00 Outlet $79.00 B. Ojay bangles Outlet prices from $15.00 C. Sunglass Hut Outlet Prada RRP $380.00 Outlet $266.00 Dolce & Gabbana RRP $470.00 Outlet $329.00
Over 100 brand direct outlets harbourtownperth.com.au 840 Wellington Street, West Perth Ph: 9321 2282 | Open 7 days The advertised items may not be in store when you visit Harbour Town, but that’s half the fun of outlet shopping. Brand direct fashion at Harbour Town’s unbelievable outlet prices. Prices as at March 2009. Limited stock and limited sizes available.
Megan wears Runaway Lovers leotard from Pigeonhole $140, skirt from Forever New at Harbour Town $69.99, Limedrop rose necklace from Pigeonhole $50, Vest from Forever New at Harbour Town $29.95, Spectacles from Pigeonhole $55. Andrew wears Cheap Monday shirt from Billie & Rose $125, Cheap Monday jeans from Billie & Rose $90, Swear London sneakers from Planet $130, vintage bow tie from Gorgeous Vintage And Collectables $34.95. 34
“Hair is the most important fashion accessory. It is the only fashion item that you do not take off. It is the only item that you wear with every outfit daily. No matter what fashion trend you follow or represent, each trend has a distinct hair look to follow;” wise words from Head Studio’s Mark Cain, who knows just how important a good hair cut and colour are. Back in 1988, Mark’s parents launched Head Studio in Rockingham, with only two staff members and four chairs for clientele. Wind the clock forward to 2009 and Head Studio now has three beautiful salons, equipped with meticulous staff with impeccable customer service skills. Though his parents are still heavily involved in the day-to-day running of the Head Studio salons, they’ve passed the management torch to Mark and his sister Marie, who are set to take Head Studio to new heights within the hair and fashion industries. Other hair dressers have come and gone, but Head Studio has lasted the tests of time thus far – so what is it about Head Studio that keeps customers coming back? “In today’s ever changing world, where for example an iPod will come out or a new mobile phone and as soon as it comes out, there is one following it that is far more advanced and fashionable - the fashion industry changes even faster. Clients demand the best out of us each and every day. We have a strong passion to better ourselves in every way possible. From our technical skills to our customer service skills we have to keep evolving and we have to be the best at what we do. Our passion and hunger to succeed gets stronger each day. We are going to the top and we will do anything to get there. I guess that passion is a part of why clients keep coming back,” he offers. In addition to doing hair for fashion shoots such as When
Yeti Met Bettie, the talented Head Studio crew often competes in hair shows, to firmly position themselves as one of the strongest entities in the Australian hairdressing industry. When probed about their recent wins, Mark reveals that Head Studio was nominated for some very lucrative awards at a recent competition. “We recently traveled to Sydney to attend the 2009 Australian Hairdressing Awards. This is the Oscars of the hair industry. Head Studio was nominated in the Salon Team Of The Year award and Marie Cain was nominated in the New Creative Force and Colour Technician Judges recognition. Each category had four places which were narrowed down from thousands of entries from across Australia and New Zealand. Such an amazing effort - Head Studio was the only salon from Western Australia to be nominated for any creative work categories.” Each winter, Mark and Marie face the same problems, with clients often complaining about how hard it can be to maintain a fashionable hairdo when it’s rainy and wet, but don’t fret because they’ve figured out the remedy. “Winter is curly hair’s worst nightmare. Any moisture in the air and our curly ladies are up for a hard time. So all you need is a good leave-in crème or spray. Winter is seen to be a low maintenance season anyway. But colours will last better in winter, as a big part of fading in summer is due to clients being out in the sun and at the beach. So if you want more out of your colour look towards winter as a good time.” If you’re sick of your hairdresser sending you home with a mass-produced hairdo and shoddy colour job, give them the flick and make the conversion to Head Studio, chances are you’ll find the experience enlightening! As a special Winter treat, mention this article next time you visit Head Studio and you will receive a free treatment valued at $25. Emma Bergmeier
Andrew wears M111 Jeans $99.95, Riders by Lee tee $59.95, Dangerfield jacket $148, Blaq sneakers $59.95, all from The Basement at Myer. 36
Megan wears Pilgrim dress $159.95, Miss Shop belt, Red Robin socks $12.95, Coocachoo coat $188, all from The Basement at Myer. Andrew wears Mossimo tee $39.95, Grab jeans $189.95, Dangerfield jacket $158, Miss Shop gloves $12.95, all from The Basement at Myer.
Megan wears Dangerfield jumper $74, Coocachoo skirt $74, Miss Shop clutch $39.95, The Accessory Company beanie $24.95, Miss Shop stockings, Steve Madden Shoes, all from The Basement at Myer. Andrew wears Riders by Lee jeans $129.95, Mossimo tee $49.95, Dangerfield jacket $148, Miss Shop Scarf $24, all from The Basement at Myer. 38
Megan wears Pilgrim dress $239.95, Coocachoo stoll $48, Dangerfield jacket $148, Sachi shoes $239.95, Miss Shop gloves $24.95, all from The Basement at Myer.
40