Private Edition Issue 57

Perfecting perfection

HOLD YOUR BREATH AND LOOK TO THE SKIES

STITCHED – AFRICAN LUXURY FASHION

FINE DINING ON THE QUAYSIDE

FROM THE EDITOR

ISSUE 57 2023

RECLINING IN A LEATHER armchair, reminiscent of the one my grandfather bought just after his apartment complex introduced cable TV in the 1980s, I was invited to sit back and watch as what looked like a designer cabinet started to move. Like a whisper its ‘doors’ rose and opened up, turning into speakers, revealing a 77-inch television screen. If the drama of a designer furniture piece turning into a telly (albeit an exquisite one) wasn’t enough, when the picture appeared and the sound hummed through the surroundsound speakers, I held my breath. I was transported onto stage as Freddie Mercury sang ‘Radio Gaga’ to a sea of entranced fans during Live Aid in 1985. The crispness of the sound and image were extraordinary. It struck me how much work had gone into the design and technology of this equipment, creating the excellence of the experience and eliciting such an emotional response in me.

It’s called being inspired but the over-used word doesn’t do justice to the experience. There’s something about being in close proximity to brilliance, knowing a person has aimed for excellence and achieved it, that makes you want to live a greater and bigger life. I’m lucky enough to sometimes be offered the opportunity to witness human excellence. Whether test-driving a luxury vehicle, the interior so beautiful you’re compelled to run your hand over it, or scrutinizing the delicate and intricate workings of a beautiful timepiece, I’m always delighted and yes, inspired, by the people who’ve had the vision and ability to create such masterpieces.

Earlier this year I had the pleasure of sitting in the conservatory at the Mount Nelson in Cape Town. While being served artfully-crafted petit fours, and a singular carrot cake shaped into a green apple, I marvelled at the display of beautiful luxury fashion lines being created by a

new generation of South African fashion designers. In ‘Stitched’ (page 28), you can meet the extraordinary individuals who are destroying glass ceilings and shifting international perceptions.

In ‘Hold your breath and look to the sky’ (page 20), we explore the emerging future of air transport and discover that the sci-fi future of aviation has already landed. Think air taxis in Paris.

Private Edition had the exclusive privilege of recently meeting Roll’s Royce CEO Torsten Müller-Ötvös to talk electric motoring, hot-weather testing, changing clientele and the advent of the Private Office in ‘The Best, Evolved’ (page 48).

And in ‘Where the Fine go to Dine’ (page 52), we meet exemplary chefs who’ve finally put the V&A Waterfront on the map for memorable meals and upscale culinary experiences.

Being surrounded by things that don’t always work properly, and things that are hard to fix, can get you down. Between the challenges, though, it’s worth remembering that human excellence continues to prevail and offer glimmers of excitement and hope.

SUSAN NEWHAM-BLAKE EDITOR

EDITOR SUSAN NEWHAM-BLAKE snewham@tppsa.co.za

CREATIVE DIRECTOR TARYN RHODA

ART DIRECTOR TINA REDDELL

COPY EDITOR WENDY MARITZ

ADVERTISING EXECUTIVE BERNICE BLUNDELL bernice@adplacements.co.za

073 618 1882

EXECUTIVE DIRECTOR MARK BEARE

MANAGING DIRECTOR SUSAN NEWHAM-BLAKE

PRODUCTION DIRECTOR JOHN MORKEL

HUMAN RESOURCES MANAGER LIZ WOLFE

FINANCIAL MANAGER NAEEMA ABRAHAMS

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Private Edition is published by The Publishing Partnership (Pty) Ltd, 8th Floor, Tarquin House, 81 Loop Street, Cape Town 8001. Copyright: The Publishing Partnership (Pty) Ltd 2023. No portion of this publication may be reproduced without prior written consent from The Publishing Partnership or the authors. The publishers are not responsible for any unsolicited material. The opinions expressed are not necessarily those of The Publishing Partnership or the editor.

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ISSN: 2218-063X

37 THE BOULDER TYPE

An architect’s weekend home in Palm Springs redefines desert modernism

44 CLOCKING THE CHANGES

The ultimate in car marque and fine watchmaker collaboratations

48 THE BEST, EVOLVED

An exclusive interview with Rolls-Royce’s CEO, Torsten Müller-Ötvös

52 WHERE THE FINE GO TO DINE

Cape Town’s V&A Waterfront is rolling out the red carpet for fine diners

58 SUSTAINABLE SIPS

Forward-thinking barkeeps are turning away from the carbon miles of far-flung ingredients

62 WALKING THE SALT ROAD

An Italian holiday guaranteed to give you a reset

66 A QUIET LAND

Finding the magic in Namibia’s vastness

The digital luxury guide

Private Edition Digital is a dedicated luxury news and lifestyle guide that features reviews, opinions, videos and stories about the best, most exclusive cars, watches, art, travel, style and much more. Find us online at PrivateEdition.co.za, or like Private Edition magazine on Facebook and be the first to discover the latest developments and news from the world’s most covetable brands, curated by the digital team behind Private Edition. You can also subscribe to our newsletter for a roundup of the latest trends and stories every two weeks, so you never miss a moment in luxury.

For the best life has to offer, PrivateEdition.co.za is an essential resource.

THE BRIEFING

STYLE

In high spirits

FOLLOWING THE LAUNCH OF THE FIRST CHAPTER OF LOUIS VUITTON’S HIGH-JEWELLERY COLLECTION, SPIRIT, LAST JUNE, SPIRIT CHAPTER II WAS SHOWCASED DURING COUTURE WEEK.

Spirit Chapter II is the fourth high-jewellery collection designed by Francesca Amfitheatrof, Louis Vuitton’s artistic director for watches and jewellery. The designer has an innate belief that jewellery and its wearer are inextricably linked.

‘I don’t think anything else in the world has the power to hold the spirit of a person as much as jewellery does,’ she says. This collection comprises 30 unique pieces – featuring the iconic codes of the Maison – set across four universes that reflect the values of the house: Liberty, Destiny, Fantasy and Radiance. louisvuitton.com

The beautiful kitchen

LUXURY ITALIAN KITCHEN BRAND OFFICINE GULLO OPENS ITS FIRST SOUTH AFRICAN SHOWROOM.

Luxury Italian kitchen brand Officine Gullo opened the doors of its first South African showroom in Strand Street in the heart of Cape Town earlier this year. Officine Gullo is a pinnacle of Italian excellence, producing luxury metal kitchens, professional cooking appliances and kitchen accessories.

‘Besides being one of the most beautiful cities in the world, Cape Town is recognised globally as a contemporary design hub, making it a desirable destination for Officine Gullo,’ says general director Andrea Gullo.

The showroom displays items from all of Officine Gullo’s main collections, and presents two complete kitchens, featuring products from the Tailor Made and Contemporanea collections. Various cooking ranges, appliances and accessories are also on display for the public. Visitors have the opportunity to experience the beauty of the materials in person, while admiring the brand’s classic designs, which have been translated into timeless creations intended for the world’s most prestigious homes.

‘Cape Town is home to a large concentration of highlevel interior designers. There are also several famous architects based in the city who are responsible for creating an internationally recognised and admired style. This reputation has resulted in many of our international customers choosing to build either their main or vacation homes in the area,’ says Gullo. officinegullo.com.

STYLE

Shades of delight

OMEGA’S NEW RANGE OF OCEAN-INSPIRED SHADES.

Omega has launched the Aqua Terra Shades collection for its Seamaster range. Atlantic Blue, Lagoon Green and Terracotta – as well as two gold-hued choices – use nature as inspiration. The original Aqua Terra range was launched in 2002, named for Omega’s twin focuses of land and sea, and quickly gained a loyal following of those who appreciated the blending of urban and outdoors. Two different sizes are available, with polished stainless steel cases either in 38mm or 34mm, and all presented with a Co-Axial Master Chronometer movement. Brass dials are sun-brushed outwards from the centre and there’s a distinctive wave-edged design on the back. The two 18K gold models feature Omega’s own long-lasting alloys, along with a bezel paved in 46 diamonds, totalling 1.77ct. omegawatches.com

TASTINGS

Dressed to the nines

SEA POINT’S NEWEST LUXURY ROOFTOP RESTAURANT AND COCKTAIL LOUNGE IS WORTH A VISIT IF JUST FOR THE VIEWS.

With floor-to-ceiling glass, The Nines (a new offering by The Kove Collection) presents an immersive viewing experience of the crisp blue Atlantic Ocean, calling out for long lunches with good friends that quickly turn into sunset drinks or even perhaps romantic moonlit dinners.

The menu focuses on the concept of ‘classics done right’. Lates Seabass, Lezena Spatchcock Roast Chicken and Seafood Risotto vie for attention. All the dishes have been carefully chosen and developed to speak to provenance and produce-forward cooking.

The entire aesthetic is not unlike the rest of The Kove Collection, reflecting its vision of luxurious comfort with organic shades of sand, tan and stone carried through to plush couches and oak panelling. And with dining room, lounge, cocktail bar and 200m2 deck, it’s not a matter of will you stay, but for how long?

‘We wanted to create a warm and inviting space where people can come to indulge in incredible food,’ explains Alison Thomas, head of operations. ‘The Nines is a special venue where people can come to create memories for years to come with the people they love.’

The Nines is open for lunch and dinner, seven days a week. nines.co.za

STYLE

A left-hander’s collector’s piece

PATEK PHILIPPE’S RECENT LAUNCH OF THE NEW COMPLICATIONS

5373P-001 HAS AN INTERESTING STORY BEHIND IT. BUT THE MAISON’S NEW WATCH FOR LEFT-HANDED CLIENTS ISN’T, IN FACT, ITS FIRST.

In 1925 a curious request came out of Pittsburgh, Pennsylvania. ‘Make me the finest watch in the world but make it for a left-hander.’ Patek Philippe duly obliged the steel baron; the 18K gold, cushion-shaped, single-button, split-seconds chronograph took two years to make and was shipped to the epicentre of the steel-making world as something of an oddity. For 95 years it was also the only left-hander the celebrated Geneva Maison ever made. Now the company has announced a new Complications 5373P-001 and it’s likely to become an instant classic – contemporary as well as timeless – complete with platinum case and the thinnest split-seconds chronograph movement perpetual calendar ever built. The charcoal, black and red elements suggest a sports edge, a theme continued on the strap. Laying hands on one will be a real feat; numbers will be limited, and initial interest has been enthusiastic. patek.com

ART

The artist and the toolmaker

ARTIST, BLACKSMITH AND TOOLMAKER CONRAD HICKS USES TRADITIONAL BLACKSMITHING TO CREATE ASTONISHING HAND-FORGED METALWORKS.

Whether creating sculpture or functional objects, Conrad Hicks sees his artistic practice as an instinctive search for beauty through toolmaking. Describing his approach as ‘intuitive forging’, he allows his materials and labour-intensive process to determine the outcome. In the course of cutting, pressing, heating, hammering and stretching metal, he discovers an archetypal language that expresses his subconscious and executes the message.

A primary concern is the central role that toolmaking has played in human evolution and our pursuit of beauty. He says, ‘A blacksmith is a toolmaker. Whether the tool is used to cut or to communicate, they all hold the values of our society and represent our cultural achievement and become sacred objects.’

Hicks’ work can be found in private collections around the world, and at well-known Cape Town landmarks such as Kirstenbosch Botanical Gardens, Tokara Winery, Ellerman House and the 2010 World Cup Fan Walk. southernguild.co.za

DEPARTURES

A room over the ocean

PART OF THE LIZ MCGRATH COLLECTION, THE PLETTENBERG SITS ON A ROCKY HEADLAND ALONG THE PRISTINE GARDEN ROUTE SO CLOSE TO THE OCEAN YOU FEEL LIKE YOU’RE PART OF IT. BY

PAIGE DORKIN

It is not surprising the Garden Route, and Plettenberg Bay in particular, has seen one of the biggest increases in demand for property. With exceptional landscape and quality of life, the Garden Route has all the ingredients a holidaymaker or ‘semigrater’ could dream of. For those looking for an exclusive escape, there is arguably, only one place to stay. Known as the jewel in the crown of the Garden Route, The Plettenberg was ranked by Condé Nast Traveler in the 2022 Reader’s Choice Awards as one of the Top 15 hotels in all of Southern Africa. It offers 5-star service, panoramic views with the best seaside position, but all in a relaxed atmosphere. It has direct access to pristine Lookout Beach, one of only six Blue Flag beaches in the area, and is within easy reach of many of the Garden Route’s main attractions.

It’s difficult to overstate the impact of its location with a panoramic view of the ocean often teeming with dolphins, clearly visible from the bed of a sea-facing room, or frequent whale sightings from the terrace while having breakfast. Two infinity pools look across the bay and onto the silhouetted mountains of the Outeniqua in the distance. The hotel’s 35 rooms and two private villas exude old-world elegance in a coastal palette and manage to pull off a romantic seaside getaway as adeptly as a family holiday.

Robberg Nature Reserve – a World Heritage Site and rare treat for hikers – is a short drive from the hotel. The Plettenberg is also the perfect base from which to explore some of the Garden Route’s famous montane forest ecoregion.

While the coastal town is a favourite summer-holiday destination, there’s much to be said for going off-season, when it’s quieter and the weather more temperate. You’ll also have more luck finding a prized pansy shell on the beach – the fragile skeleton of a washed-up sea urchin, bearing a perfect five-petal flower pattern.

CemAir offers daily direct flights from Cape Town and Johannesburg to Plettenberg Bay Airport with an increased schedule over peak periods.

flycemair.co.za

THE TALENT NURTURER

Elana Brundyn has long championed African art and artists and believes in celebrating the continent’s every success.

WORDS JULIA FREEMANTLE

THE ARTS HAVE AN inextricable relationship with the tradition of patronage – ardent supporters and nurturers of talent who have safeguarded its various mediums through the ages. This has evolved over time, and patrons in the 21st century come in many forms: champions of creativity, connectors and changemakers.

Elana Brundyn – a cultural entrepreneur, curator, former gallerist and consultant – wears all of these hats.

A vocal advocate for African excellence, her passion lies in sharing with the world the success stories of the continent, and encouraging Africans to tell these more confidently themselves. ‘For thousands of years Africa has been part of a complex network of global exchange, and has shaped the course of global innovation to a far greater extent than it is given credit for,’ she notes.

Brundyn’s long career in the contemporary art world makes her uniquely poised to advise, educate and champion it, but it’s her natural boundless energy and warmth that makes her enthusiasm impactful. ‘Art and culture are powerful and influential. And their most attractive characteristic is that their power is soft and persuasive,’ she says.

Her own personal love of collecting and researching contemporary art laid the foundations for the formation in 2006 of the eponymous Brundyn Gallery in Cape Town, which focused on developing young artists. But that wasn’t enough to satisfy her desire to use her influence more altruistically. ‘I dreamt of a role where I could contribute to the greater good of art and artists beyond the confines of a commercial gallery,’ she says. This manifested over time in philanthropic roles on family boards and trusts, as director of Institutional Advancement and External Affairs at Zeitz MOCAA and as CEO of Norval Foundation.

‘To build museum platforms for the likes of Zeitz MOCAA, Norval Foundation and the Boschendal Gallery has been my life’s calling.’

One memory that stands out for her during her time with Norval was hosting renowned sculptor Yinka Shonibare CBE and his team on their first visit to South Africa. ‘I had a dream of bringing the first Shonibare wind sculpture to Africa. It made no sense that this British-Nigerian superstar did not have a permanent example of his work on the continent,’ she says. The Norval family agreed and supported acquiring ‘Wind Sculpture (SG) III’ (2018). ‘Yinka helped choose a permanent place for the piece. It was so enriching to discuss the process with him over dinner. He has an incredible mind. And the exercise of placement itself was fascinating, as it required special weather reports to assess the wind direction and strength of the site. Fitting for a sculpture of such significance to need an in-depth weather report!’

She has now come full circle in founding Brundyn Cultural Consultancy, through which she advises on and executes high-level cultural programmes, exhibitions and public commissions, and oversees the establishment of art collections for individuals and museums.

‘I believe more than ever in the value and influence of culture. The past decade has taught me to take a long-term and purposedriven perspective,’ she says.

This sense of purpose is underscored by the inspiring and affirming experiences she’s had with artists over the last 20 years. ‘My proudest moments have been working with and learning from, among others, Ibrahim Mahama, Wim Botha, Mmapula Mmakgoba Helen Sebidi, William Kentridge, El Anatsui, Yinka Shonibare, Michael Armitage, Athi-Patra Ruga and Liza Lou. Our exhibitions, which delved into the practices and worlds of these amazing artists, created very special memories for me.’

In time, Brundyn would like to see the development of new audiences for the visual arts, and for it to become more accessible to a wider spectrum of people. ‘For me cultural place-making has moved beyond the idea of being a “nice to have” and into an important role of ensuring economically viable, healthy, sustainable communities.’

Education is crucial here. And this comes down to the role of art as a language that must be understood to be effective. ‘Like any language, art has its own set of rules that are not always immediately apparent. To understand what is being communicated, we must be able to understand that language,’ she says.

Once the language is decoded and the conversation is in progess, the sky is the limit. ‘I have been awed by the standard of excellence in artists’ practices in Africa, and it is wonderful to see the world finally recognising the creative talent of our continent. A pivotal moment for me in this regard was hosting a group of high-profile museum patrons from London, Monaco, Milan and Zurich during Lagos Fashion Week and Art X Lagos in Nigeria. It was their first visit to Africa and rightfully it blew them away.’

And how do we, as art lovers rather than industry insiders, also contribute to the furthering of African excellence? Brundyn feels we should be cognisant of and celebrate our achievements.

‘The strength of a society lies in its continued economic and cultural growth. We have to support and elevate our cultural stars.’ 

‘THE STRENGTH OF A SOCIETY LIES IN ITS CONTINUED ECONOMIC AND CULTURAL GROWTH. WE HAVE TO SUPPORT AND ELEVATE OUR CULTURAL STARS.’

‘THE STRENGTH OF A SOCIETY LIES IN ITS CONTINUED ECONOMIC AND CULTURAL GROWTH. WE HAVE TO SUPPORT AND ELEVATE OUR CULTURAL STARS.’

THIS PAGE Zeitz MOCAA (left) and Norval Foundation (below) are ardent supporters and exhibitors of African artists and their work.

OPPOSITE PAGE African-art champion Elana Brundyn.

BEING ROGER BALLEN

The release of renowned photographer Roger Ballen’s most comprehensive monograph, Ballenesque: Roger Ballen: A Retrospective, provides the artist with an opportunity to reflect on his illustrious career. Martin Jacobs catches up with him about four decades of photographing South Africa.

IN THIS COUNTRY AN INTEREST in the arts isn’t a prerequisite for recognising the name Roger Ballen. For many, the award-winning photographer is most synonymous with powerful, disturbing and often bleak portraits of the inhabitants of our platteland, captured at the time of apartheid’s abolition. For younger generations, 2012’s music video collaboration, I Fink You Freeky, with cult South African band Die Antwoord, served as a pop-culture introduction to many of the recurring motifs in the photographer’s work. With more than 181 million YouTube views, the video’s visuals are testimony to the power of all that is Ballenesque. In 2022, any South African still unaware of Roger Ballen was given little chance but to sit up and take notice.

He was one of a handful of artists selected to represent South Africa at the Venice Biennale Arte 2022. It is an honour that speaks volumes about the contribution the New York-born artist has made to local photography over the four decades he has chosen to call South Africa home. His year was also bookended by the rerelease of two monographs previously published on his work: Boyhood, his first ever publication, and Ballenesque: Roger Ballen: A Retrospective, republished in paperback format.

The kernels of Ballen’s present-day conceptual explorations are apparent in early works, like his 1993 portrait of adult twins Dresie and Casie, photographed in the then Transvaal. The image is arguably the poster child for a body of work that considers the apartheid government’s ironic failure to secure the wellbeing of its country’s minority. Thirty years on and the image is as potent as ever, one that Ballen regards as a standout among the many portraits from his Platteland and Outland series reproduced in the book. ‘Millions of people have seen it; few have forgotten it.’ he says. The themes of marginalisation and alienation explored

Ballen’s more recent works, like those opposite, include recurring motifs that examine the fears of our collective psyche.

in such early portraiture have evolved in the last 30 years into recurring motifs that examine the fears of our collective psyche. His works from the past two decades increasingly exist in the overlaps of photography, installation, painting and drawing, and are populated by representations of the macabre. In the series like Boarding House and Asylum Of The Birds, naïve drawings in chalk or charcoal on windowless walls coexist alongside dolls, ‘dismembered’ body parts and animals. ‘The idea of using drawings in my photographs came about as a result of interaction with my subjects, many of whom would regularly draw on the walls of their rooms,’ explains Ballen. Animals, too, have with time become integral to Ballen’s imagery. ‘Beginning with the Outland project in the mid-1990s, I started to photograph birds, not in their natural environment but in the homes of people who kept them as pets. Birds are not seen flying in the heavens but being bound to the confines of human habitation.’

The human environment has been an ongoing fascination of Ballen’s, and is apparent in his 1986 series published in Dorps: Small Towns of South Africa. ‘Most photographers are obsessed by the foreground of an image, by what the lens is focused on. Contrarily, I have tended to start more with the background, with the express intention of later unifying the photograph. Ultimately, every element in an image, as in nature, must be present for a particular reason, contributing to a larger whole.’ Of the series published in the book, he says, ‘I went inside, metaphorically and literally. In the hinterland of South Africa my aesthetic was born.’ The shallow depth of field, windowless interiors and walls adorned with family photographs, calendars, religious iconography or crudely strung wires that characterise his series

from the 1980s and 1990s continue to manifest in abstracted ways in series like Ah Rats of 2014. Here, the space between the camera and the wall is greatly narrowed, and the wall becomes a collage-like layering of texture, paper, fabric and drawing.

‘Archetypal symbols from the deepest level of the subconscious pervade my photographs. This place cannot be tamed; it has its own rules and functions according to its own laws,’ reflects Ballen of the increasingly disturbing images that define his more recent work, and subsequently the latter chapters in Ballenesque: Roger Ballen: A Retrospective. ‘My photographs are intended to break down the boundaries of logic and language and in so doing, shatter the enclosing walls of habit and fear. Most people do not forget my work; it has the uncanny ability to transform their state of being.’ 

PHOTOGRAPHY: ROGER BALLEN, MARGUERITE ROSSOUW (PORTRAIT)

HIS WORKS FROM THE PAST TWO DECADES EXIST IN THE OVERLAPS OF PHOTOGRAPHY, INSTALLATION, PAINTING AND DRAWING.

HOLD YOUR BREATH

SKY AND LOOK TO THE

From dirigibles to drone taxis, KEITH BAIN explores the emerging future of air transport and discovers the sci-fi future of aviation has already landed.

THE VIEWS WILL BE GORGEOUS – and exhilaratingly expensive. If OceanSky Cruises, a Swedish company, forges ahead with its (already selling) airship adventures, those with sufficiently deep pockets will soon be rekindling a mode of travel dormant for almost a century.

Airships – aka dirigibles – died out, not only because of the horror of the 1937 Hindenburg disaster (the airship caught fire and crashed), but because they’re slow and were usurped by now ubiquitous jet planes.

OceanSky, however, intends using dirigibles’ slow-travel velocity advantageously – it’s punting sightseeing and exploration rather than a get-there-quick transport solution. One planned expedition is a 36-hour flight over the North Pole at a cost of $200 000, which does not include flights to Longyearbyen in Svalbard, Norway, where the voyage begins.

Developed by the UK firm Hybrid Air Vehicles or HAV, the hybrid airship (nicknamed ‘The Flying Bum’) was initially built for military surveillance over Afghanistan and first flew in 2012; a nifty redesign has turned it into a swanky pleasure palace with just eight cabins and a glass-bottom floor so passengers can take in the premium views.

That’s if it takes off: OceanSky has been delayed by several failed test flights over the last few years. It had planned a maiden voyage to Antarctica last year, but is now looking to launch in 2024 or 2025.

Still, if plans get off the ground (and the airship stays in the sky), the advantages are many. Since no runway is required, touchdown in remote places – on land and water – is possible wherever there’s sufficient space.

It’s reckoned that airships produce up to 90 percent fewer emissions than passenger jets; while OceanSky’s Airlander 10 is currently powered by four diesel-engine drive propellers, HAV aims to have made it emission-free by 2030.

And whereas the Hindenburg was filled with flammable hydrogen, Airlander 10 (incidentally, about the length of a football field and the world’s largest flying vehicle) is filled with inert helium. Plus, OceanSky’s founder and CEO, CarlOscar Lawaczeck, says its ‘bicycle speed’ take-offs and landings make it much safer than jumbo jets.

While speed will prevent dirigibles from competing with commercial passenger flights, another race is on to remove carbon from the commercial flight sector entirely. Air New Zealand recently promised to have a zero-emissions aircraft in the sky by 2026 (other airlines are scrambling to make similar claims). And in January, the first (10-minute) test

OceanSky’s dirigibles will be ultra-luxurious flying hotels affording unparalleled views of such remote destinations as the North Pole.

flight of ZeroAvia’s 19-passenger hydrogen-powered plane took place in the UK’s Cotswolds region; it’s said to be the largest plane of its kind to have flown, although only one of the hybrid test plane’s engines was powered by hydrogen fuel cells – the other was run on conventional jet fuel.

Still, this puts the world closer to low- or zeroemissions flights; both Embraer and Airbus believe that by 2035 hydrogen-fuelled aircraft will be in service. ZeroAvia envisions a 90-passenger plane with a 1 125-kilometre range, while Universal Hydrogen, a competing US company, has plans to test a 50-seater with a hydrogen fuel-cell system early this year.

Also in the works? An experimental ‘Flying-V’ plane that’s said to be 20 percent more fuel-efficient than jumbo jets, which they could well replace.

Meanwhile, in the race to kickstart the so-called ‘Urban Air Mobility’ sector, drone taxis and flying cars, once relegated to the realm of science-fiction, are undergoing furious testing from Dubai to Paris, Seoul to Stuttgart.

By 2019, the sector had in excess of 70 companies developing flying vehicles, ranging from the single-seater drone-like Jetson ONE (powered by a Tesla battery) to electric aircraft that take off and land vertically, like helicopters or hovercraft, and can also drive on roads.

In May 2021, a European Union Aviation Safety Agency (EASA) study reported that the sector may see ‘drone-like flying objects capable of transporting passengers and cargo in dense cities thanks to

their ability to land and take-off vertically’ deployed in Europe within three to five years. However, Paris is applying pressure to have its airborne transport system operational in time for next year’s Summer Olympic Games.

Last March, Volocopter, a German industry leader promising to ‘bring air mobility to your life’, conducted its first crewed eVTOL (electric vertical take-off and landing) flight in France; in November, they tested a passenger flight in conventional air traffic – it launched from an airfield outside Paris.

Volocopter, which is competing with companies such as Lilium, Joby Aviation Uber and Airbus to have the first flying taxi certified by regulators, leads with the idea that it will improve cities by bringing emission-free, sustainable and more efficient transport solutions to cities. ‘By offering all-electric flights over cities, we make room on the streets,’ are the claims on its website.

In Singapore, they’ve built a prototype Voloport, the equivalent of a bus terminal, from which the flying machines will be dispatched.

Meanwhile, 2023 will see full-scale testing of an electric flying car showcased in January at CES, the US’s top tech fair. The four-seater ASKA A5 is able to take off like an eVTOL plane, but can additionally be driven on roads after landing.

Certification for the A5 is expected by 2026, but ASKA, which is based in Silicon Valley’s Los Altos, is already taking deposits for its electric flying cars, priced at $789 000. It can fly at 240km/h for 400

ABOVE Volocopter’s VoloCity urban taxi prototype above Paris, where it may launch in time for the 2024 Olympics.

OPPOSITE PAGE

In the sky above Singapore, the Volocopter 2X is one of several eVTOL aircraft competing to redefine urban mobility.

kilometres; on roads, it will reach 112km/h and will be chargeable at normal EV stations.

ASKA isn’t alone. Slovakia’s Klein Vision AirCar has already flown between Slovakia’s Nitra and Bratislava airports. Japan’s SkyDrive Inc. hopes to have its flying car on the market this year.

The regulatory (and logistical) hurdles are daunting, though. Even a single disaster will likely trigger a backlash. While safety is a key issue, other concerns include increased noise pollution and how wildlife –including urban bird populations – may be impacted. And beyond matters of traffic control, cybersecurity,

and emergency handling, there is the rather obvious question of determining where all these airborne vehicles will land within urban settings.

Then again, in the flying-car future realities envisioned by The Jetsons, Blade Runner and The Fifth Element, solutions were apparently found to such problems.

Those imagined realities are undoubtedly upon us, bringing to fruition Henry Ford’s prediction – in 1940 – that ‘a combination of airplane and motorcar is coming’. ‘Mark my words,’ said Ford. ‘You may smile. But it will come.’ 

The evolution of Watches and Wonders in Geneva continues. Where 2022’s fair was ostensibly a digital masterclass, 2023’s event took to the streets.

WATCH CULTURE

WORDS PETER FROST

LAST YEAR’S WATCHES AND WONDERS

summit was watched by nearly 300 million people across the globe, a necessary two-step as the world stayed largely at home, afraid of travel and unable to make it to the Swiss epicentre of watch culture. Expertly streamed as only the Geneva tech stars can, it allowed legions of fans and ordinary people to tune in and watch specialists, traders, marketers and engineers discuss key brands, trends and talking points. A huge success by any measure. This year, as well as the digital and convention centre components, organisers decided to mark the global reopening by expanding the launches, discussions and celebrations onto the streets of the city itself: Geneva’s famous convention centre remained at the core, but surprises awaited visitors in town.

Chief among those was the festival atmosphere along the Rue du Rhône and at the old water pumping station in the middle of the Rhône River, the Pont de la Machine. The Pont is the home of the Fondation de la Haute Horlogerie and the Michelangelo Foundation for Creativity and Craftsmanship, a superbly thought-through choice for the Watches and Wonders’ outreach programme. With concerts and street entertainment, it was a veritable carnival, all aimed at celebrating the concept of time.

Back at the convention centre that broadest of themes was underlined by photographer Karine Bauzin, whose

ABOVE

Tudor’s

THE 2023 SHOW HIGHLIGHTED THE GROWING POPULARITY OF WATCH CULTURE.

exhibition ‘What time is it?’ examined the relationship between time and people, and how it is perceived across the globe. She asked individuals in 20 different countries that simple question and her 10-year-in-the-making interpretation of their answers was on display in the Salon. It was just one question preoccupying visitors and exhibitors alike. The metaverse, NFTs, blockchain and circularity were on many minds, as was the evergrowing collectibles trend. And availability; off the back of news that Rolex was opening three new workshops to try and keep up with demand, everyone was talking about growing waiting lists for key new and popular watches.

Democratisation seemed to be a concern too. In a bid to make the summit more than just a trade fair, organisers opened the convention centre Salon to the public for two days and included talks on topical, everyday issues such as what makes a watch valuable and how to start a vintage watch collection. Five key trends emerged. Much discussed was the explosion of women’s fashion watches and the evolution of connected watches. Other themes were the increased

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new Black Bay 54 pays homage to the brand’s first dive watch, launched in 1954; TAG Heuer’s Plasma Diamant d’Avant-Garde timepiece; Omega’s Seamaster range introduced the new Aqua Terra Shades collection.

RIGHT

Patek Philippe’s new alliance between haute horlogerie and haute joaillerie reinterprets its most complicated wristwatch in a white-gold version set with emeralds and diamonds.

role of digitisation in sales and marketing, the tricky issue of sustainability and the rise and rise of the microbands, such as Kerbadanz and U-Boat.

Indeed, independence turned out to be a key leitmotif. Small, indie companies are increasing their market share because they can reach their audiences directly through cheap digital channels. That digital revolution – social commerce essentially – means that houses big and small are increasingly using influencers on social media to sell their ideas, ethos and brands, and that was very much in evidence at Watches and Wonders. Panels discussing the benefits, and pitfalls, of such a strategy were popular.

And, of course, the vast array of launches. Rolex led the buzz with their wildly popular coloured dials, Patek Philippe and Cartier won praise for their careful progression (the waiting list for new and popular watches needs careful management), TAG Heuer marked the 60th anniversary of Carrera, Tudor’s Pelagos 39 caused a stir, and Omega, Cartier, Panerai, IWC, Hublot and Chopard delivered surprises, delight and innovation. Breitling also gladdened hearts with displayed versions of their recently launched Ford Thunderbird Top Time range of car-inspired watches. Léon Breitling’s company also showed the new heritage-inspired Premier B01, referencing the company’s iconic timepiece of the 1940s. The Thunderbird joins the Ford Mustang, Chevrolet Corvette, and Shelby Cobra chronographs.

The 2023 show highlighted the growing popularity of watch culture, with new audiences joining afficionados and collectors to better understand the beautiful and sometimes complex world of horology. As a successor to Baselworld and SIHH, it looks set to grow ever stronger, which ironically is a curate’s egg; many of the top manufacturers are struggling to keep up with demand, and the democratisation of the industry is only exacerbating the problem. Still, the success bodes well for the future, genuine craft celebrated in an increasingly throwaway world.

IT WAS A VERITABLE CARNIVAL, AIMED AT CELEBRATING THE CONCEPT OF TIME.

TOP FROM LEFT Breitling’s Top Time B01 Ford Thunderbird features the colours and emblem of its classic-car counterpart; Karine Bauzin’s ‘What Time Is It?’ citywide photographic installation.

RIGHT Cartier added the Normale to a long line of iconic Tank watches; Rolex introduced colourful versions of its classic Day Date.

A new generation of South African fashion designers is destroying glass ceilings, shifting international perceptions, and pouring their souls into luxury lines that authentically express their vision for the future while tapping into their love of heritage, culture, artisanship and the environment.

WORDS KEITH BAIN

STITCHED

ON A PERFECT SATURDAY afternoon in November, a succession of uncommonly beautiful models strode between tables set up in the lounge, the conservatory-style restaurant and out on the terrace of the Mount Nelson, Cape Town’s preeminent colonial-style hotel.

By catwalk standards, their pace was slow, a kind of dreamy half-time measured to allow seated guests to take everything in. The soundtrack packed a different kind of punch: beefy, streetwise, resoundingly urban African rhythms suggesting something cinematic, almost operatic, like the unfolding of a new era.

Several of the gathered fans of Laduma Ngxokolo, creator of luxury knitwear brand Maxhosa Africa, had travelled from Mthatha, Johannesburg and Durban to witness this moment. Others at the salon-style show were fashion acolytes and fellow designers lending support (and love) to a creative powerhouse many deem a superstar of his generation.

Ngxokolo did not disappoint.

In an era when European ramps are beset by tricksy upsidedown dresses and fit-for-a-costume-party outfits featuring life-size animal heads, it was a joy to witness the showcasing of clothing with genuine soul, outfits expressing a vision, and gutsy garments suffused with meaning beyond surface thrills and visual shocks.

The collection, which had already launched in London, involved no silly tricks or shortcuts, nothing inauthentic. Simply one sublime piece after the other, each outfit firmly rooted in Maxhosa’s brand identity, what Ngxokolo calls ‘an African cultural aesthetic in a modern context’.

From fit-for-a-king bathrobes to streetwear-inspired outfits, exquisite blouses and pleated skirts, comfortable slacks and golf shirts, socks and stockings, cardigans and sleeveless tops, on display was also an extraordinary variety, each garment finessing the distinctive, graphic-style patterning, bold colour schemes and sumptuous detailing for which Maxhosa is known.

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A head-turning lady’s suit from Maxhosa Africa.

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Laduma Ngxokolo’s latest collection, ‘Alkebulan’, is a future-forward interpretation of heritage-inspired design; the colours and patterning are Maxhosa Africa signatures.

IT WAS A JOY TO WITNESS THE SHOWCASING OF GUTSY GARMENTS SUFFUSED WITH MEANING BEYOND SURFACE THRILLS AND VISUAL SHOCKS.

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Bold patterns and an emphasis on handcrafted elements from Cape Town-based architect-turned-fashion designer Sindiso Khumalo. Her new range was showcased as part of a series of salon-style fashion shows at the Mount Nelson, hosted by sustainable fashion NPO, Twyg.

‘With every new collection, I try to figure out the zeitgeist, listen to the mood of the moment, be as honest as possible,’ Ngxokolo says. ‘I don’t create work that compromises, nor filter my thoughts. I always want some sense of educating, of having purpose and meaning behind everything we put out.’

The collection, ‘Alkebulan’, was named for an attribution for Africa that Ngxokolo says was used by globe-trotting Egyptians, Somalis and Ethiopians in pre-colonial times.

Dipping into a fantasy of this unheralded history, Ngxokolo says he imagined how these Africans might have dressed; he tried ‘capturing that essence in a modern context’. How, he wondered, might Alkebulan’s world travellers dress today?

And so, in a sense, he has constructed a line of Afrofuturist clothing – rooted in the cultural anthropology of the continent, it looks creatively to a dream of tomorrow.

Ngxokolo says ‘the love of culture, of heritage’ is in the DNA of every Maxhosa product. Each garment also expresses the brand’s identification with artisanal practices going back generations, and a commitment to working with local crafters using locally sourced fibres. The aim is to grow a sustainable local luxury fashion industry that not only exports to rich countries, but also ends its reliance on imported textiles.

HERITAGE OF THE HAND

If Maxhosa’s identity is built on culture and anthropology, then Sindiso Khumalo’s is one of nostalgia.

The Cape Town-based designer whose latest collection was also shown during the Mount Nelson’s weeklong series of fashion events, made her name when she shared in the coveted LVMH Prize in 2020. That year she also took the Independent Designer prize at the Green Carpet Fashion Awards.

Khumalo says she spends inordinate amounts of time in vintage stores and antique shops, ‘studying old portraits, being curious about what I see’.

‘I like exploring the past, digging really deep,’ she says. ‘I’m a classic nostalgic.’

Informed by this interest in the past, each of her covetable lines of clothing is built around research into a muse – a woman from history, either celebrated or unacknowledged. She says that tapping into history in this manner is ‘very healing, very important for my creative process’.

She’s also something of a textile geek. ‘I’m always researching new textile techniques. Or looking at old techniques that may have died out or are seldom used anymore.’

She says traditional fabrics contain stories to be uncovered. ‘Every garment in our collections starts with the textile and with a conversation around what it is we are trying to say with that fabric.’

Khumalo’s love of textiles came via her mother who taught her to sew when she was 12. Her grandmother was a pattern cutter. ‘I still have her pattern book from 1947 – she taught my mom how to sew and then my mom taught me.’

Her nostalgic bent also feeds into her obsession for handcrafted materials. ‘Just about everything is done by machine nowadays, which means that something produced by hand is a great luxury,’ she says. ‘Where someone’s hand is involved in the act of creation – be it a sculpture, a painting, a dress – there’s tremendous value.’

To create the time-consuming, handmade elements in her designs, Khumalo forges long-term relationships with artisans, be they the in-house ladies who produce crochet components for her garments or the crafters in Burkino Faso making the handwoven cottons she uses.

‘I want to help maintain a heritage of the hand, make clothes that will last, that can be passed on to future

generations,’ she says. ‘Making something by hand is a generous act… If I can translate that generosity into my clothing lines, I feel like I’ve done my job.’

BEYONCÉ AND BEYOND

Similarly passionate about handcrafted materials are Mmuso Potsane and Maxwell Boko, the duo behind

‘JUST ABOUT EVERYTHING IS DONE BY MACHINE NOWADAYS, WHICH MEANS THAT SOMETHING PRODUCED BY THE HAND IS A GREAT LUXURY.’

Joburg-based fashion brand MmusoMaxwell. Their latest collection showed at the Mount Nelson a day after Maxhosa’s presentation.

Finalists for last year’s International Woolmark Prize, which recognises rising fashion stars working with merino wool, they took home the competition’s Karl Lagerfeld Award for Innovation. In 2018, they grabbed the spotlight by designing an outfit for Beyoncé when she performed in South Africa.

Not bad considering they’d only teamed up in 2016.

Boko and Potsane say one struggle faced by African designers hoping to break internationally is pigeonholing. ‘There’s an expectation about clothing from Africa, a belief that you’re supposed to employ a certain aesthetic – bold, colourful, out there – to represent your culture or whatever,’ says Potsane. ‘That’s just not us.’

‘People tell us they expect to see a lot of colour because we’re from South Africa,’ says Boko. ‘They have this perception, and then are surprised by our aesthetic minimalism.’

The clean lines and tailored look of their designs may stray from expectations, but they are nevertheless rooted in their affinity for natural fibres, for handmade elements, and for a line of influence that they trace to the people who raised them: women.

Although rooted in a respect for the clothing worn by their mothers, aunts and grandmothers, designers Mmuso Potsane and Maxwell Boko have imbued their MmusoMaxwell brand with a contemporary, sophisticated aesthetic, notable for handcrafted elements and natural fibres.

‘The funny thing about our very patriarchal, heteronormative society is that most of us are raised by our mothers, our grandmothers, our aunts,’ says Boko. ‘They influenced and shaped us. You see in our early collections the very heavy interpretations of how our aunts and grandmothers dressed.’

Over time and with mounting confidence in their own creative instincts, they have edited and streamlined those influences to arrive at the chic modernism that defines their brand identity.

Also part of their creative DNA is a love for ‘that artisanal, handmade feeling’, which Potsane says they have instinctively always gravitated towards.

Boko says his affinity for handcrafted elements is linked to his formative years in ‘very rural’ Eastern Cape, where ‘we only got electricity in 2008 and we fetched water from the river’. He believes that kind of childhood fostered a natural respect for what’s produced by hand.

Using natural fibres is also critically important, Boko says. ‘Not just because they are good for the earth, but because those fabrics look and feel better compared to, say, polyester.’

Potsane, who grew up in the Free State in ‘less rural’ circumstances and discovered fashion thanks to a daytime TV soap opera, says that another aspect of their brand’s personality is the articulation of cultural identity at the intersection of traditional craftsmanship and sophisticated design.

Without censoring themselves to fit external expectations of how African fashion should look, they’re creating outfits rooted in a heritage backstory, but expressed in unexpected, highly nuanced ways.

In other words, like Ngxokolo and Khumalo, they are telling African stories from an African perspective. And they are doing so in a fabulously contemporary medium: luxury fashion. 

OVER TIME, BOKO AND POTSANE HAVE EDITED AND STREAMLINED THOSE INFLUENCES TO ARRIVE AT THE CHIC MODERNISM THAT DEFINES THEIR BRAND IDENTITY.

Bang & Olufsen has become synonymous with excellence in both design and sound quality. Renowned for its high-end speakers, headphones and sound accessories, the goal is always to reproduce the sound the artist intended you to hear.

SOUND OF THE BEAUTY

The Beolab 28 creates a slimline silhouette that belies the acoustic mastery within.

Bang & Olufsen’s core capabilities are built on 95 years of heritage in sound, design and craftsmanship.

WHILE IT IS OFTEN SAID that great minds think alike, the phrase is especially pertinent when applied to two pioneering engineers from Denmark whose lifelong close working relationship developed into one of the most innovative partnerships in the consumer electronics industry.

Bang & Olufsen was founded in 1925 in a small town in Denmark. Two young Danish engineers, Peter Bang and Svend Olufsen, began a modest production of radios in the attic of the Olufsen family home. Committed to their original vision statement (‘A never-failing will to create only the best … persistently to find new ways’), Bang & Olufsen has grown into the luxury lifestyle brand it is today.

THE HERITAGE

The relentless determination to create products that push the boundaries of audio technology continues to place the company and the brand at the forefront of audio innovation. Bang & Olufsen’s core competencies are best articulated in its three brand pillars: beautiful sound, timeless design and unrivalled craftsmanship. ‘The magic happens in the meetings between design, acoustics and the entire thinking behind mechanics, hardware and software,’ says acoustic engineer Jakob Dyreby.

as possible to what they intended you to hear,’ says Dyreby. When you’re listening to something, whether it’s a person speaking or music, you only hear a fraction of the sound coming directly from the source. What you’re ultimately hearing are reflections of the original sound source coming from the surrounding materials. The moment a loudspeaker is placed in a room, the surrounding materials (glass, marble, wood, carpet), the size of the room and the position of the speaker will all affect the sound. With Active Room Compensation and Active Room Calibration, Bang & Olufsen compensate for all these elements by using internal or external microphones enabling delivery of the intended sound.

TIMELESS DESIGN

THE SOUND EXPERIENCE

All products are created to deliver the most seamless and powerful sound experience. ‘We aim to reproduce what the artist, the producer and the recording engineer intended for you to hear. How they put the sound together. No matter if you’re listening to your favourite artist from a big set of loudspeakers in your living room or if you are travelling with your headphones. It is our goal to reproduce the sound as close

The elegant Beovision Harmony is as much about design as technological brilliance with speakers that glide open when turned on.

Design starts by seeking true innovation to make each product better. Innovation is the inspiration that drives form speakers in your living room or if you are travelling with your

‘WE AIM TO REPRODUCE WHAT THE ARTIST, THE PRODUCER AND THE RECORDING ENGINEER INTENDED...’

THE GOAL IS TO CREATE PRODUCTS THAT FIT IN THE HOME BY USING NATURAL AND HONEST MATERIALS.

and expression and the end result is design that is performance-driven and magical. For Bang & Olufsen, design is a language; it’s the visual communication between a brand and the potential end-user. And it’s all about the materials, textures and shapes.

Designers have different opinions. Some want the technology to disappear and some want to highlight it. For Bang & Olufsen, timeless design is when form and function blend together so that the product communicates what it is.

The collaboration between the designers and the engineer is the key to success. While the engineers are very proactive in finding solutions, Bang & Olufsen always works with external designers who bring a fresh eye to the industry and challenge the norms.

UNRIVALLED CRAFTMANSHIP

Only authentic materials of the highest quality are used. From pearl-blasted aluminium, authentic leather and Scandinavian wood to the fabrics that cover the products, the company is committed to craftsmanship. The goal is to create products that fit in the home by using natural and honest materials. If it looks like wood, it is wood.

Craftsmanship is about creating an emotional appeal that naturally draws one to touch the products to feel the texture. At Bang & Olufsen, success is that moment when a customer reaches out to touch a product.

BEOVISION HARMONY

Beovision Harmony comprises a stunning design – the thin screen rests close to the floor partially covered by the

two oak aluminium fronts that house the powerful sound centre. When it’s turned on, the two front panels fan out and the screen rises to the perfect viewing height. Beovision Harmony is also available on a wall bracket, where the same magical movement can be experienced.

BEOLAB 28

Beolab 28 is slimmer and smarter than any stereo loudspeaker you’ve experienced. Connect wirelessly, stream music instantly, and immerse yourself in powerful sound performance that adjusts to your space and position.

Its unique slimline silhouette only takes up 25cm of floor space, introducing an illusion of floating in the air. Available in a wide range of colours, materials and finishes, and paired with the Beovision Harmony, you have a complete Bang & Olufsen home cinema set-up.

BEOPLAY A9

The Beoplay A9 has become a modern design icon and a strong product statement for Bang & Olufsen. It is a product that continues to impress customers 10 years after its launch. Whatever the interior style, it can blend in beautifully or stand out confidently. At the same time the basic design of a simple circle is long-lasting and unobtrusive.

Beoplay A9 fills any room with its powerful 480-watt digital amplifier system. The speaker drivers placed around its body create a more spacious sound experience, and with Active Room Compensation, Beoplay A9 measures the room to deliver the perfect sound experience – thanks to Bang & Olufsen’s nearly 100 years of acoustic research.

The Beoplay A9 is fully customisable, providing a blank canvas that you can paint in new colours or designs as fashion dictates. If you want to change décor, you can create your own look with a variety of textile covers and wooden legs. 

The Beoplay A9 has become an icon in the Bang & Olufson design repertoire.

Our 3 locations in South Africa: Sandton City, JHB • Mall of Africa, Waterfall City, Midrand, JHB • Silo, V&A Waterfront, CPT

BOULDER TYPE THE

On the outskirts of Palm Springs, an architect’s weekend home reimagines the city’s iconic aesthetic, redefines desert modernism and disappears into the rocky terrain.

WORDS MARTIN JACOBS

‘This is a different kind of Palm Springs vacation home, while still being extremely of its place,’ says architect Brett Woods of his family’s weekend retreat.

ASK ANY MID-CENTURY MODERN enthusiast or architecture lover what singular image most epitomises the southern Californian city of Palm Springs and the response you’ll receive will likely be ‘Poolside Gossip’. The iconic 1970 photograph by late American photographer Slim Aarons captures society women enjoying an afternoon by the pool. The warm yellow and lacy white of their clothing repeats throughout the image: in flowers, furniture (both indoors and out) and – importantly – in the era-defining desert modernism of a Richard Neutra-designed, mid-century home.

The building’s low-slung linearity, its floorto-ceiling wraparound windows, its seamless indoor-outdoor flow and backdrop of layered mountains is as much a protagonist in the photograph as the ladies that lunch. Built for Edgar J Kaufmann Sr, the original owner of Frank Lloyd Wright’s Fallingwater home, the house, which sold for over $13 million last year, inspired a wealth of architects, then and ever since. What they mastered was an aesthetic defined by flatroofed minimalism, designed for year-round living, the constant climate ideal for blurred boundaries between indoors and out.

So, when architect Brett Woods, one half of the Los Angeles-based studio Woods + Dangaran, chose to design a weekend retreat for his family in the desert city, it was only natural that his architectural starting point should be the work of the mid-century modernists. If only to reject it. ‘I consider this an anti-Palm Springs house,’ explains Woods. ‘It is not overtly mid-century modernist, there is no bright blue pool. It is in the hills, not the flats. This is a different kind of Palm Springs vacation home, while still being extremely of its place.’ Its place is the hillside gated community of Desert Palisades, a boulder- and cacti-crowded landscape with sweeping views of the San Jacinto and Santa Rosa mountains and the valley and city below. Adding further drama to the site are two arroyos (steep-sided, dry stream beds). An appreciation of, and respect for, this unusual desert terrain was to serve as inspiration for the home and inform decisionmaking, from the orientation of the structure to material choices.

The home spans the arroyos and perches above boulders, minimally impacting the landscape and preserving natural water channels.

ABOVE The facade, constructed from masonry blocks, steel, brass and glass, was designed to patinate with time.

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CLOCKWISE FROM TOP LEFT Landscape architect Chris Sosa introduced sustainable plants similar to those found in the immediate surroundings; a sculpture by artist Matthew Chambers creates interest at the end of a passageway; in the living room, soft furnishings repeat textures found outdoors; a glazed bridge with courtyard views connects the home’s two wings.

Its structure comprises two rectangular wings joined by a glass bridge. The larger of the wings, with views towards Palm Springs, is home to the master suite, two bedrooms and an expansive open-plan living space. A wall of glass doors slides open onto an outdoor entertainment area that includes a pool, fireplace, dining zone and lounge. Cross the bridge (flanked by two internal courtyards shaded by trellises and populated with indigenous plants) and one enters the smaller wing, home to a guest bedroom and garage. Desert modernism trademarks define the building: horizontal lines, the use of natural materials and expansive glazing, most notably in the living space with its 9m-long, floor-toceiling glazing. With an abundance of glass, the interiors are framed by breathtaking views of the desert regardless of room orientation.

It was these views that would determine Woods + Dangaran’s material palette. ‘The inspiration for the home was drawn directly from the natural landscape surrounding the house,’ says Joseph Dangaran. ‘The timeless material palette is well suited to the climate and will allow the building to naturally patina over time.’ It’s this palette that camouflages the structure within its environment. Comprising sand-coloured, textured concrete masonry units (CMUs), earth-toned plaster and brass

DESERT MODERNISM TRADEMARKS DEFINE THE BUILDING: HORIZONTAL LINES, THE USE OF NATURAL MATERIALS AND EXPANSIVE GLAZING.

IT’S NOT HARD TO IMAGINE WOODS AND HIS FAMILY ENJOYING AN AFTERNOON POOLSIDE, THE CONTEMPORARY EQUIVALENTS OF SLIM AARONS’ SOCIETY SQUAD.

cladding, the exterior beautifully reflects dawn and twilight and disappears within the landscape.

‘I wanted the interiors to feel desert-like, with sage greens and dusty pinks mixed into sandy, brown tones to create a muted palette that blends with desert terrain,’ says Woods, who briefed the studio’s interior design team on his family’s preferences. ‘It was important to cultivate a feeling of comfort and cosiness.’ Teak and travertine abound indoors, their warmth enhanced by furniture from brands including Knoll, Restoration Hardware, Cassina and Ligne Roset, and lighting by Flos, Lindsey Adelman and Apparatus. With such standout names in the world of design, one might expect the interiors to detract from the scenery outside, but they never do, opting instead for quiet understatement.

This is a home spared the vernacular, freed of brightly painted entrance doors and the city’s ubiquitous pink flamingos. ‘Our vision for the home was very much antithetical to the typical tropes of midcentury modernism that so define the iconic Palm Springs aesthetic,’ says Woods. But while the aesthetic may be changing (the team hopes this project will set the tone for future community developments), the lifestyle remains much the same. And it’s not hard to imagine Woods and his family enjoying an afternoon poolside, the contemporary equivalents of Slim Aarons’ society squad. 

ABOVE In the master suite, masonry blocks make a feature of an outside wall, framing the custom-made bedframe and headboard.

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CLOCKWISE FROM TOP LEFT A Lindsey Adelman chandelier hangs above a bespoke oak dining table in the open-plan entertainment space; floor-to-ceiling windows and travertine flooring create a seamless flow that typifies desert modernism; the low-iron glass adds an extra level of clarity to the views; a pale onyx vanity and sconces in the master bathroom reflect the owner’s appreciation of vintage glamour.

CLOCKING THE CHANGES

Premium car marques have partnered with the finest watchmakers for years; as 2023’s A-listers break ground, Peter Frost accents their collaborations.

IT’S 1905 AND LÉON BREITLING is standing beside a racetrack. The founder of the famed Swiss watch company, which still carries his name, is debuting what looks like a small pocket watch. Many around him think it’s just that; after all, here is one of Geneva’s most successful watchmakers. Except it’s not. Breitling, one of the world’s first true motoring enthusiasts, is trying out what he calls his tachymeter. Unbeknown to most of the assembled, he is about to change motoring history. The tachymeter will soon be standard in all motor cars, front and centre in the instrument binnacle. It will, of course, be known as the speedometer.

BENTLEY CONTINENTAL GT SPEED

Fast forward a century and Breitling’s association with motoring is still front and centre, albeit in the bespoke analogue clock gracing Bentley’s latest grand tourer. The marque’s collaboration with Bentley goes back to Léon Breitling’s grandson, Willy, who inherited his granddad’s love of speed and drove nothing else. Ever since, the two precision engineering companies have been collaborating, with Breitling creating timepieces such as the Bentley Breitling Tourbillon for memorable Bentley moments. And in 2002 the relationship bore fruit within the car. Bentley commissioned Breitling to create the analogue clock for the then new-to-market Continental GT, a car that would turn out to be Bentley’s brightest star. Star indeed – the latest Continental GT Speed has just won the coveted Auto Car and Sport award for Best Car 2023, the latest in a long line of awards for the handsome grand tourer.

Private Edition’s own recent test of the 2023 GT Speed confirmed Auto’s choice. Outwardly, Dirk van Braeckel’s muscular design suggests a grand tourer of the old school, ideal for bespoke, transcontinental explorations, two up, Louis Vuitton soft-sided duffels in the boot. Inside there’s evidence that Bentley is trying hard to marry tradition with current trends. Finishes include piano black or high-gloss carbon fibre

over the traditional oak or ash veneers, which suggest Speed’s sporting direction, but the rest references Bentley’s ageless élan. Organ pulls for the air vents. That bejewelled analogue Breitling clock. Bespoke needlecraft. Eleven or so of England’s finest hides for the seating and door inserts. It’s a beautiful, cultivated place that manages to be both cosy and spacious.

Fire up the 12-cylinder engine and there’s a distant throb rather than a roar, the first clue of an understated ethos and the upcoming experience. In the centre console there’s a Bond moment as the carbon-fibre cover rotates to reveal the infotainment screen. Press the ‘screen’ button on the console and the unit rotates again, this time presenting the driver with a trio of antique-inspired dials, one for outside temperature, one a compass and the last a stopwatch, so befitting of those early Léon Breitling days.

Select a drive mode (Sport, Comfort or Bentley), snick the gear lever into D and squeeze the throttle. The muscularity of the four-bank W12 is immediately evident, the 900Nm of torque available at just 1 500rpm. There’s a classic push in the small of your back, hinting at a Polaris missile amount of shove, just under your right foot.

So it proves. Push on and the 2.2 tonne Bentley miraculously sheds kilograms, an act of alchemy that is more impressive the faster the car goes. It’s magnificently fast. And lithe too. Indeed, agility only improves as you press on; and here’s what’s new for 2023. A suite of new technologies keeps things tidy, including an active anti-roll system thats limits leaning so well that it feels like cornering is defying the laws of physics. It means the new Speed is now even easier to drive quickly, that tweaked active suspension a real boon. Easy and satisfying. Which, after all, is what a Grand Tourer should be all about.

PORSCHE GT4 RS

If Bentley is all about muscular touring cars, then Porsche is first and foremost about performance, whether it’s in the

Dirk van Braeckel’s muscular design for the Continental GT Speed suggests luxury and comfort. Be in no doubt of its sports abilities though – a four-bank W12 engine, 900Nm of torque available at just 1500rpm, 440mm diameter front discs and 22-inch dark tint wheels mean indecent progress is guaranteed.

SUV, sports car or electric arena. Along for the ride during much of the company’s history has been Tag Heuer, which first joined forces with Porsche in 1963 when the watchmaker created the now highly collectible Carrera Chronograph to commemorate Porsche’s win at the 1954 Carrera Panamericana. It’s been a rollercoaster since then, signature pieces through the years – and an unforgettable cameo from Steve McQueen – as well as analogue clock options in some of Porsche’s most iconic cars. Today Porsche Design makes its own timepieces and dashboard clocks, choosing to reference its own wins and high points.

THE MUSCULAR DESIGN SUGGESTS A GRAND TOURER OF THE OLD SCHOOL, IDEAL FOR BESPOKE, TRANSCONTINENTAL EXPLORATIONS.

One such high point is undoubtedly Porsche Design’s Chronograph 718 Cayman GT4 RS, a watch that marked the recent launch of what is being regarded as one of Porsche’s

most collectible cars. This ultimate Cayman – a race car in street-legal drag – has the muscular 4.0-litre, flat six engine from the 911 GT3 behind the driver’s seat, making it a one-off rarity. On test it proves as exciting as its promise on paper, surprisingly comfortable too. Climb inside and the two-seater interior is roomier than expected and fully kitted out with all the modern conveniences: comprehensive infotainment, configurable digital dials ahead of the driver and a jet-fighter centre console bristling with tech. Only the material door pulls and full bucket seats give away the fact that it is a

machine meant for enormous speeds. It is, like all Porsches, seemingly hewn from granite and a delight to use, especially the emotive touch points – steering wheel, paddles, gear lever, brakes.

Fire up the engine and the sound is glorious. As the rev counter swings towards 9 000rpm the cacophony increases, the 4.0-litre, flat six bellowing behind the driver’s left ear. Yet around town and at middling speeds the mid-engined 718 is certainly more comfortable, arguably more liveable than expected. The new suspension dampers have much to do with this, absorbing the worst of South Africa’s less-than perfect road undulations. There’s also a console-operated front-lift system for the nose, so speed bumps are less worrying than might otherwise be. But drop the hammer and the GT4 RS shows its real mettle, hunkering down and bulleting for the horizon.

The mid-engined, rear-wheel drive layout means that there’s excellent balance in all situations and the fun factor is huge. GT4 RS’s steering, braking and that PDK gearbox are

magnificent, razor-sharp, lightning quick with plenty of feel and feedback. Indeed, few cars today manage the effortless speed of the GT4 RS, and even fewer do it with such joie de vivre. Take me to the hills, it seems to say, time to play.

ASTON MARTIN DBX 707

All that ability and performance history at Porsche suggest that the company should be in Formula 1, but fans will have to wait until 2026 to see that dream come true. There’s no such tardiness from Aston Martin though. The 110 year-old Gaydon-based outfit re-entered the ultimate racing area recently and marked the occasion with a collaboration with one of the oldest Swiss watchmakers, Girard-Perregaux. The Laureato Absolute Chronograph Aston Martin F1 Edition – quite the mouthful – is now seen on the wrist of Aston’s legendary driver Fernando Alonso, the instantly recognisable British Racing Green dial a dead giveaway in the pits. Aston Martin’s signature functional attribute – its side air vent – is incorporated into the watch.

Porsche’s ultimate Cayman sports a lithe body with larger brakes, new dampers and adjustable anti-roll bars, revised cooling, carbon in the body and a new seven-speed PDK gearbox. It all adds up to one thing: an icon in the making.

But if Aston’s raison d’être is heritage, it’s contemporary focus is on staying relevant. And for that, cue the DBX, the marque’s first SUV. Launched in 2020, it won many friends but worried the faithful with its less-than-ferocious Mercedessourced V8 engine. That was soon addressed this year by Aston’s new boss, Tobias Moers, who personally oversaw the upgrade of the engine and the release of the 707, a faster, sharper version of the standard DBX. Larger turbochargers increased the power dramatically, resulting in a blistering 0-100k/h time of 3.3 seconds.

DROP THE HAMMER AND THE GT4 RS SHOWS ITS REAL METTLE, HUNKERING DOWN AND BULLETING FOR THE HORIZON.

In real life that translates to serious fun. In the metal the 2.2-tonne SUV is Savile Row tailored, subtle even, Marek Reichman’s bonded aluminium, hybrid composite design a class act. Massive Brembo brake callipers behind the imposing 23-inch wheels mark the 707 as superior to its sibling, as do the louvred bonnet blades, gloss black

side sills, four exhaust pipes and the double ledge diffuser at the back. And inside it’s magnificent, its scent of leather and wool, hand-stitched seats beautiful and supportive, the dashboard a jet fighter command centre. It’s huge in there, entirely unsportscar-like, the individually tailored rear seats offering plenty of legroom. Out on the road it is immediately obvious that there’s plenty of power on tap, and the superb chassis and steering keep things true as speeds rise. Drop a couple of gears and the muscularity of the delivery is magnificent. It’s the kind of car that begs to be driven down an empty Karoo road. And thankfully, given its a proper SUV, that’s exactly what it can do.

Aston Martin’s first SUV behaves like a supercar; a 0-100k/h in 3.1 seconds is easily the beating of its rivals. Inside it is an executive lounge with plenty of space for four in individually crafted ‘pods’.

On the eve of Rolls-Royce’s 120-year anniversary, we spoke exclusively to CEO Torsten Müller-Ötvös about electric motoring, hot-weather testing, changing clientele and the advent of the Private Office.

THE BEST EVOLVED

‘WOULD SIR HENRY ROYCE BE proud of what we’re doing here?’

Over a cup of coffee at Daytona’s showroom in Melrose Arch, Johannesburg, Rolls-Royce Motor Cars’ Chief Executive Officer Torsten Müller-Ötvös asks the entirely relevant question. The 120-year old company, the apogee of all that is luxurious, is confronting arguably the most significant evolution in its history. November 2023 will see the launch of the marque’s first all-electric car, the Spectre, a model that presages the company’s all-electric future by 2030. These are disruptive times.

It’s a future Müller-Ötvös apparently relishes. ‘It’s an honour - and I still feel the honour even after 14 years – to work for this great British institution; the world’s best-known luxury brand. Still, his position comes with enormous responsibility - ‘a positive burden’ as he puts it - to continuously take the best and make it

better. As it turns out it’s also a golden opportunity. To be brave, to grow the brand and to continue developing new markets.

But first, Spectre, the all-important electric car. Müller-Ötvös is in South Africa with the Rolls-Royce engineering team to carry out hot-weather testing on the prototypes of the luxury brand’s much-anticipated entry into the electric arena. ‘While it’s not yet the finished product, I can assure you that Spectre already represents a new benchmark of excellence in the automotive space, living up to my promise that it will be a Rolls-Royce first and an electric car second.’

Intriguingly, if Spectre is thoroughly modern, its genesis dates back to the turn of the last century. In April 1900, RollsRoyce co-founder Charles Rolls prophesied in The Motor-Car Journal that automotive electrification would become a reality.

‘The electric car is perfectly noiseless and clean. There is no smell or vibration, and they should become very useful when fixed charging stations can be arranged,’ Müller-Ötvös explains.

WORDS RENATE ENGELBRECHT

ROLLS-ROYCE STARTED TO EMPHASISE THE INDIVIDUALISATION OF EVERY CAR.

For Müller-Ötvös, being instrumental in fulfilling this prophecy is a major achievement. Spectre, he says, will be a huge success globally, gauging by feedback and a healthy preorder book.

Much of the hard work was done by the design team who, everyone agrees, did a superb job on the fabulous fastback coupe body. The sloping rear is particularly effective, harking back to the golden era of luxury boats.

The car will also offer the first major update of Charles Robinson Sykes’ ‘Spirit of Ecstasy’; Eleanor Thornton’s famed figure will lean into the breeze, her trademark ‘wings’ made to better resemble the cloak she is actually wearing.

And electric? Müller-Ötvös believes the world and South Africa is ready for it. Charging will mostly happen at client’s homes and office buildings (Rolls-Royce will include home stations in the purchase of the car). The vehicle’s range of 520km is more than sufficient, he says.

Spectre’s launch underlines a shift in focus for Rolls-Royce as a brand, emphasising new markets, creative ways of selling and innovative marketing strategies.

Key to the strategy was a clear idea of who’d be buying RollRoyce in the future. Müller-Ötvös interviewed private banks on what they thought future clients would be interested in. They forecasted much younger, more female, and increasingly casual clientele, and less inherited money. ‘It happened exactly as they forecast,’ Müller-Ötvös says.

‘When I arrived, 80% of our clients used the car as a chauffeuring car. Now, it’s exactly the other way around – 80% of our clients drive the car themselves, because they’re far younger. We have very successfully rejuvenated the brand. It sounds easy, but the average age was 56 when I arrived. Now it’s 42.’

How did they do it? Rolls-Royce became more approachable and started to emphasise the individualisation of every car. Starting with the Phantom in 2000, the company appealed to a younger market’s desire to own something truly bespoke; something that carries a personal story. Ordering luxury items off the shelf was no longer acceptable. It became about having something no one else had.

‘We’ve invested massively in our bespoke capabilities,’ says Müller-Ötvös, confident that no other luxury brand can deliver this on such levels.

The individualisation trend extends to buying the car. RollsRoyce has opened a suite of Private Offices across the world, effectively curated spaces with highly trained staff who can help customers work through a myriad of personal options for their car. Private Offices in Dubai and Goodwood will soon be joined by studios in Shanghai, Seoul and New York.

And in South Africa the Daytona Group is planning a brandnew Rolls-Royce showroom, indicating the luxury brand’s local success and the South African luxury market’s trust in RollsRoyce for the foreseeable future. The showroom will be launched in November, just in time for the launch of Spectre.

Spectre already represents a new benchmark of excellence in the automotive space.

BELOW The car marque’s updated iconic emblem, ‘Spirit of Ecstasy’.

WELCOME HOME

Hazendal welcomes guests to an exclusive country villa in the heart of the Cape Winelands.

VISITORS TO HAZENDAL estate in the Stellenbosch Winelands have yet another reason to linger at The Homestead. Hazendal’s remarkable Cape Dutch building, dating back to 1790, has been sensitively restored and converted into a luxurious five-bedroom exclusive-use Cape Dutch villa set in the heart of this historic Cape farm.

Hazendal is one of the oldest wine estates in South Africa, and was originally granted to Christoffel Hazenwinkel in 1699. The Homestead was built nearly a century later in 1790, the date still inscribed on the eye-catching rococostyle gable.

An extensive restoration and renovation process has seen this landmark example of vernacular Cape Dutch architecture sensitively rejuvenated – and reimagined – as a gracious private home offering an intimate yet opulent private villa escape for discerning visitors to the Cape Winelands.

The sumptuous suites feature inspiring interior décor subtly blending contemporary luxury with historical flour-

ishes. The Homestead is decorated with collectibles and antique furniture, including an array of original Cape Dutch furniture carefully chosen to transport guests to another era, while reflecting the layered history and style of the building. But perhaps most astonishing is the remarkable art collection with works by Vladimir Tretchikoff, Jacob Pierneef, Maurice van Essche and Pieter Hugo Naude among others.

The five bedrooms are located over two floors. The two larger bedrooms are located on the ground floor and feature four-poster king-sized beds with luxuriant linen and down duvets alongside curated period furniture. Upstairs, three more intimate en-suite bedrooms are decorated in a contemporary style, each offering a queen-size bed and high-quality linen and bedding.

The Homestead also features a library nook, intimate bar area and formal dining room, alongside a fully equipped modern kitchen. A private chef is available on request (at additional cost) to create a bespoke culinary experience within the comfort of the property. The Homestead can

accommodate up to 10 adults and two children and is booked as a single, exclusive-use unit to ensure perfect privacy. Dedicated staff are on hand 24/7 throughout each stay to assist with activities on the estate, transfers, or tours further afield.

After a lavish breakfast served in The Homestead’s dining room, or on the private terrace overlooking the gardens in fine weather, guests at The Homestead can enjoy unrivalled access to culinary, cultural, family and golfing experiences on offer at Hazendal. Overnight guests can enjoy curated art tours of the estate and Marvol Gallery, complimentary access to the Wonderdal kids’ edutainment centre, and a tasting experience in the Wine Lounge. Just a few steps from The Homestead, visitors can discover contemporary bistro-style cuisine or enjoy al fresco fare at the contemporary Beer Garden.

The estate also offers a wealth of outdoor activities for the entire family to enjoy. Wander in the expansive gardens to discover indigenous flora and inspiring outdoor art installations, or book a picnic basket to enjoy on the wide lawns of the historic werf precinct. Hazendal’s par-3 golf course and adjoining driving range offer world-class facilities for golfers, while the family-friendly Kleine Hazen Putting Park offers a memorable afternoon for the whole family.

Whether it’s culinary or cultural, indoors or out, Hazendal is truly a remarkable destination that suits all

tastes and desires. The Homestead is another unique stop on an exciting journey for this storied Cape estate.

With its remarkable blend of contemporary comforts and historical touches, The Homestead is the perfect address for multi-generational travellers, wedding parties, milestone celebrations and small groups to enjoy the luxury and charm of the Cape, in perfect privacy.

When not occupied by guests, The Homestead is open for day visitors to discover the art, furniture and history of the property on a self-guided tour.

For more information, and to book your stay, visit hazendal.co.za/homestead or scan the QR code. 

The Homestead at Hazendal in the Stellenbosch Winelands offers the perfect repose for up to 10 guests, with myriad activities including culinary discoveries, golf, art and culture and simple relaxation on the iconic heritage estate.

HAZENDAL IS TRULY A REMARKABLE DESTINATION THATS SUITS ALL TASTES AND DESIRES.

FINE DINING ON THE QUAYSIDE

Cape Town’s V&A Waterfront is rolling out the red carpet for hungry travellers, with a new focus on fine dining… finally.

WORDS RICHARD HOLMES

CAPE TOWN’S Victoria & Alfred Waterfront is one of South Africa’s commercial success stories. A rundown working harbour reimagined, repurposed and reinvigorated to create one of the most popular tourist destinations in Africa, drawing some 24 million visitors per year, all accomplished without losing the precinct’s sense of historic charm and character.

From the start, it’s been a hotspot for hotels and retail brands, but as a destination for memorable meals and upscale culinary experiences, it has long been lukewarm. Happily, that’s changing as a clutch of celebrated chefs set up shop on the quayside.

‘Some time ago we realised that one of the gaps we had was in the fine dining space,’ explains David Green,

OPPOSITE PAGE AND ABOVE The whimsical presentation of the canapés at PIER is in keeping with the style of the La Colombe group.

TOP John Norris-Rogers, head chef at PIER, was named Chef of the Year at the 2022 Eat Out Restaurant Awards.

CEO of the V&A Waterfront. ‘I’ve always taken the view that the Waterfront should have three or four top restaurants, and we’ve identified unique spaces that would work for these. Regarding fine cuisine, we have been talking to celebrity chefs for quite some time. They all want a destination location, so it’s taken a little while to unlock the right spaces within the Waterfront.’

For a bellwether of this new shift towards fine dining, look no further than PIER, which opened on the quayside in December 2021 with acclaimed chef John Norris-Rogers at the helm.

‘This was always an iconic site, and we wanted to be able to offer an experience that we thought the Waterfront really needed,’ explains Norris-Rogers, chatting during a rare gap between booked-out services. ‘There are very few places in Cape Town where you can have a fine-dining experience like this right on the water.’

PIER is one of seven restaurants in the La Colombe group, which has become something of a culinary juggernaut in Cape Town over the past decade. While most of the other restaurants are set in the lush Cape Winelands, PIER stands apart, the remarkable seafood-focused menu offering the perfect foil for the tableau of sea views enjoyed from every seat in the house.

Norris-Rogers – who won Chef of the Year at the 2022 Eat Out Restaurant Awards – has crafted a memorable 12-course menu that includes unique interpretations of La Colombe staples, alongside a few unforgettable PIER signatures. A highlight is surely the unforgettable oyster dish, where plump Saldanha Bay oysters are prepared on a trolley tableside for a dash of dining theatrics.

Served in bespoke oyster-shell ceramics, they are warmed through in a

Cap Classique velouté and topped with the crunch of fresh apple, cucumber and mustard salsa. The addition of delicate Imperial Heritage caviar brings a decadent flourish.

‘It’s a rework of another La Colombe signature, but the DNA of the dish is still there,’ explains Norris-Rogers.

Retaining the DNA of a hugely successful restaurant brand is also top of mind for restaurateur David Higgs, who will this year bring his acclaimed Marble dining experience to the V&A Waterfront. Since opening in Rosebank, Johannesburg, in 2016, Higgs’ upmarket homage to South African barbecue has become one of the country’s most talked-about restaurants.

‘We’ve been looking around for a new space for Marble,’ says Higgs. ‘It’s an international brand that’s worthy to be anywhere in the world so we had a good look at places like Dubai, but ultimately I have a strong connection to the Cape. I worked there for 20 years of my career, so it was a logical step rather than going overseas.’

For Higgs, the V&A is the perfect destination for the second outpost of his hugely popular brand.

‘It’s a bit of a no-brainer, actually. The Waterfront is a city within a city. There’s infrastructure, there’s parking, there’s power. The Waterfront offers solutions to all the things we battle with when running standalone restaurants. Plus, it attracts both local and foreign visitors, which is something that’s really important to us.’

‘THE V&A ATTRACTS BOTH LOCAL AND FOREIGN VISITORS, WHICH IS SOMETHING THAT’S REALLY IMPORTANT TO US.’

FAR LEFT At Marble everything on the menu enjoys a lick of flame from the custom-made woodfired grill.

LEFT With Marble’s new outpost, David Higgs makes a long-awaited return to the Cape.

THIS PAGE The blackened octopus with candied lemon and crushed paprika potato is a standout item on the Marble menu.

LEFT

TOP At TANG you’ll find striking plates and a modern take on classic Asian flavours.

Splash out on the buttery indulgence of West Coast rock lobster at TANG.

TOP RIGHT Executive chef Vixa Kalenga looks after the TANG kitchens in both Cape Town and Johannesburg.

Higgs has had an eye on the Waterfront for the past five years but was biding his time until the right location became available. The stars aligned in 2022 and construction began on an impressive new space in the heart of the Waterfront. A historic building is being sensitively revamped, with the top floor entirely reimagined to create a glass-walled space offering impressive city and harbour views.

While the final designs for Marble are being fine-tuned, the signature sense of arrival is sure to remain, from the elegant reception area to the homely lounge-bar that tempts diners into pre-dinner drinks.

‘The blueprint is the same,’ says Higgs. ‘What’s very important is that when you walk in, you know you’re in a Marble restaurant. The open-plan kitchen with the fire, the sense of theatre, that will always be there.’

What is likely to change to suit the setting is the focus of the menu. While prime cuts of aged beef and lamb are key to the offering at Marble in Rosebank, and will have a part to play here, the new Cape Town setting lends itself to a greater focus on seafood and vegetables. ‘Being in the Cape, we want to bring more of the Mediterranean into the experience,’ says Higgs. ‘There will definitely be more emphasis on seafood, all cooked on an open fire and in the Josper ovens.’

Another Johannesburg émigré that’s found a home at the V&A Waterfront is TANG, which opened in Cape Town in December 2022. And it’s a restaurant of two distinct spaces. The large terrace embraces the waterfront location, with views over the quayside and Table Mountain, while indoors offers a more upscale experience in an elegant space of pared-back décor, organic textures and marble tabletops.

Whichever you choose, the excellent menu is the creation of Executive Chef Vixa Kalenga, who oversees TANG in both Cape Town and Johannesburg.

While the offering is pan-Asian, there is – happily – little ‘fusion’ of the cuisines, with Kalenga instead allowing each region to retain its unique identity.

The small plates of ‘izakayas’ are a highlight, paying tribute to the casual ‘bars with food’ that are filled with salarymen on the streets of Tokyo. The yakitori chicken was as good as any in Tokyo, while the tuna tataki is unmissable. These are small plates, neatly presented and ideal for sharing, although you’ll want a portion of the fresh oysters – topped with a truffle-infused shibo salsa – all to yourself.

Swopping Tokyo for Hong Kong, there’s an upscale approach to the selection of dim sum and gyoza, here filled with everything from scallops and lobster to Wagyu beef, while Thailand makes an appearance in the wok-fried ‘Angry Duck’.

The robata grill uses charcoal imported from Mozambique for its unique combination of heat and smoke, a nod to the Japanese obsession with binchotan coal, and a selection of prime cuts from the fire will appeal to those of heartier appetite. But honestly? The real pan-Asian magic lives elsewhere on the menu.

Like in the signature dishes, there are large plates that you’ll happily not have to share. There’s black cod miso, made famous by Nobu, alongside soft-shell crab, salmon teriyaki and a host of seafood-focused main courses.

In truth, it’s hard to choose. And as the menu of upscale culinary experiences continues to evolve, it seems that the time has come to finally add the V&A Waterfront to your list of mouthwatering destinations in the Mother City.

SUSTAINABLE SIPS F

Mixologists are starting to pay attention to the impact of their creations, with forward-thinking bartenders shaking up an exciting selection of sustainable cocktails.

WORDS RICHARD HOLMES

OR MANY OF US, it’s become second nature to look critically at a restaurant menu. Is the meat free-range? How seasonal are the dishes? Was the fish caught sustainably? It’s often a bellwether for the quality of our experience, but it equally ties into a growing concern for the impact our meal has on the planet.

But when last did you do the same at a bar? Where did they source those limes? Out of season? What happens to the rest of the orange once the peel’s been flamed into that Old Fashioned? What about garnishes that are quickly discarded, or single-use napkins and straws?

Happily, a host of forward-thinking barkeeps are doing the questioning for us, turning away from the carbon miles of far-flung ingredients by exploring local and looking to closedloop systems. It’s a trend that began back in 2013, when Ryan Chetiyawardana opened White Lyan in London, eschewing ice, perishables and major brands in a bid to reduce his impact.

Cask opened in the quaint coastal city of Cork in Ireland in 2017.

CASK

OFFERS FOUR COCKTAIL MENUS PER YEAR, DIVIDED NEATLY INTO THE SEASONS.

‘Chefs have been championing seasonality and local produce for years, but as bartenders, I think we’re a bit behind the curve. I wanted to try and bridge that gap a little,’ explains Andy Ferreira, managing partner of Cask cocktail bar in the Irish city of Cork. ‘It certainly doesn’t make our life easier, but it makes it much more enjoyable.’

Cask offers four cocktail menus per year, divided neatly into the seasons, and Ferreira takes sustainability seriously. Outside of some key spirits, everything on his menu has to be grown and made in Ireland. That means no imported lemons or limes. No banana or pineapple. None of the tropical flavours you’d typically find on a cocktail menu.

Instead, Ferreira – whose parents hail from South Africa – looks to the local farms and hedgerows for inspiration. Rose petals in summer. Sloe and elderberries in the autumn. In the absence of lemon or limes, he turns to rhubarb and cooking apples for acidity.

‘In this part of Ireland you’re surrounded by nature, which means you’re surrounded by great ingredients, says Ferreira. ‘We wanted to really understand our native ingredients and, by doing so, we felt we had to cut out imported flavours.’

And it’s not just about fresh ingredients. Think of the bottles behind the bar. The kegs beneath the draught taps. The cellar of heavy glass wine bottles. They all have an impact, and owners are looking for innovative ways to mitigate this.

The London Essence Co. offers tonic on draught, cutting packaging by more than 90 percent, while in Australia’s Yarra Valley, the Four Pillars Distillery – carbon-neutral to boot – saves tons of glass each year by piping gin directly into the main bar.

BARLOK

At Cask the seasonal cocktail menu is built on Irish ingredients, with managing partner Andy Ferreira finding inspiration in local farms and fields.

FORWARD-THINKING BARKEEPS ARE DOING THE QUESTIONING FOR US, TURNING AWAY FROM THE CARBON MILES OF FAR-FLUNG INGREDIENTS.

For Paul Aguilar of Himkok Håndverks Destilleri in Oslo, it’s about a trinity of sustainability, with a focus on profitability, ecological impact and staff wellbeing.

At Himkok, ‘85 percent of the spirits served in our bar are made from our own distillery. We make our own gin, vodka, and aquavit,’ explains Aguilar. ‘Our owner, Erk Potur, has recently invested in a whiskey distillery that will be providing us with house whiskey to make our own cocktails within three years.’

In a bar that serves around 15 000 whiskey sours each year, serving spirits from the stills next door offers a considerable saving on cost, and carbon.

In Amsterdam, acclaimed cocktail bar Vesper – already famous for its hyper-local creations – became a leader in this niche with their ‘Trash the Place’ project, which looked to create a zero-waste approach to cocktails.

A similar philosophy is behind the world’s first sustainable cocktail bar at sea, which launched on Norwegian Cruise Lines’ inaugural Prima-class cruise ship, Norwegian Prima, in August.

In collaboration with Gabe Orta, a James Beard Foundation Award nominee, the ship’s elegant Metropolitan Bar includes a range of signature cocktails that takes a deep dive into sustainability behind the counter.

In the ‘Primadonna’, a play on the classic Old Fashioned, the sweetness comes from syrup made from surplus banana peels collected from the ship’s restaurants. It’s mixed with Flor de Cana rum that is made with 100 percent renewable energy. For those with a sweet tooth, the Metropolitan’s Croissant Mai-Tai comprises stale croissants cooked to a syrup, infused with cardamom, and shaken with rum, Cointreau and lime juice.

And Matt Whiley, founder of Sydney bar RE takes it even further. His ‘Never Wasted’ initiative collects offcuts and damaged produce from restaurants and markets to create his cocktail menu. He’s taken a closed-loop approach to the venue itself, fashioning the space out of recycled and upcycled materials. It’s a forward-looking approach to a time-honoured profession, helping guests cut their impact one inspired drink at a time. Cheers to that. 

OPPOSITE PAGE As well as distilling 85% of its own spirits, Oslo’s hydro-powered Himkok Håndverks Destilleri produces its own craft beer, wine and mead on-site.

THIS PAGE Himkok’s moody interiors belie the bold approach to sustainability.

BELOW Aboard the Norwegian Prima, the zero-waste cocktail experience delivers a dose of tropical cool.

While traversing Italian Alpine hills and meadows, and visiting small mountain inns, Richard Holmes discovers the type of holiday guaranteed to give one a reset.

SALT ROAD WALKING THE

THIS PAGE The views from the high ridgelines of the Via del Sale are worth the uphill climb.

BELOW At the historic Hotel Due Ponti, the hearty Italian cuisine draws hungry locals all the way from Genoa. Book ahead for a quiet room facing the Trebbia River.

IT’S REALLY NOT HARD to have a relaxing holiday in Italy. A little villa in the rolling hills of Tuscany. A seaside apartment gazing onto the impossibly blue seas of Sardinia. Perhaps a chic hotel on the shores of Lake Como. Take your pick. Happily, I knew I had made the right choice as I watched the clouds clear to sunshine, saw the dark forest open onto a path threading through high alpine meadows filled with flowers and, in the distance, make out the summit of Monte Chiappo, which would be the end of my day’s walk.

It was a journey that had started in Milan just a few days earlier. My plan was a simple one: hop the train an hour south, lace up my boots, walk to the coast across the Ligurian Apennines, and have a swim in the Mediterranean 100km south at the seaside town of Camogli. Simple, right?

Easier said than done, perhaps, but luckily the hard yards in planning had already been taken care of by On Foot Holidays, a UK-based operator that specialises in self-guided walking holidays. My accommodation each night was booked, I had route maps and directions, and my luggage would be shuttled from one guesthouse to the next each day. All I had to carry was a small rucksack with lunch, water, camera and a raincoat. And if I ran into trouble, a local fixer was a phone call away.

In Liguria that fixer was the ebullient Paul Lizoli, who greeted me at the door of Villa Arabella, the charming guesthouse he runs with his wife, Arabella, on the outskirts of the small farming village of Mornico Losana.

Over dinner – borage and ricotta ravioli, sautéed zucchini flowers and local wine – he explained how most of my route to Camogli follows the ancient Via del Sale, the ‘Salt Road’, on which mules once carried blocks of salt from the coast to the trading towns inland.

My first day was a gentle introduction, skirting wheat fields and hamlets where I dived into the deep forests to admire the tall corridors of towering beech trees. At times the Via del Sale was like walking through a wild arboretum, as I picked out downy oaks and chestnut trees

By late afternoon, I had left the forests behind and wandered down to the town of Varzi, once the wealthy centre of the region’s salt trade. My bed for the night was at Locanda le Cicale, where Greta and Enzo Coperchini greeted me with a cold beer and a plate of local salame di Varzi and salame cotto, made with pork from the family farm. After a shower and amble around town, dinner: a superb plate of fresh pasta with generous shavings of summer truffles.

I needed every calorie the next morning, as pelting rain and a stiff climb beyond Castellaro made me question my holiday choices, but by the time I hit my stride and the ridgeline to Monte Chiappo, all was right with the world. Birds sang, cowbells jangled and crisp mountain air blew away the cobwebs of a long month at my desk.

I was alone as I headed up and over Monte Chiappo, and my path ambled downhill to the charming mountain inn of Albergo Capanne di Cosola. The rooms were wood-panelled and cosy, gazing out across misty valleys as rain rattled the windows. The following day followed a familiar pattern of path-tracking the high ridgelines, and

remarkable views from the peaks. From Monte Carmo I could, for the first time, just make out the distant Mediterranean. But there was still plenty of hard walking ahead, as I tramped through villages, quiet in the siesta of a Sunday afternoon.

That evening’s inn was a highlight. Built on an island in the Trebbia River, the Hotel Due Ponti has been in the same family for six generations, with the low beams and deep hearth to prove it. I enjoyed simple yet superb local cuisine. Trofie pasta traditionally topped with basil pesto and peppery olive oil, followed by roasted pork off the open fire. From Monte Lavagnola the views of the Mediterranean are superb, and I wandered through low scrub and quiet villages to reach the bustling town of Calcinara. With Birra Moretti and more local salami to toast the sunset, I could almost smell the sea air and Camogli beckoning.

The next day, just five hours of walking brought me to the stone staircase leading to the final steps to the sea. The Genovese coastline stretched westward as I hurried down to the town, where pastel-coloured apartments rose up from a beach bristling with sun loungers and umbrellas. I was something of a strange sight in my hiking boots and crumpled hat, but my feet had earned a rest in the warm waters of the Med.

The rainy trails and endless hills were long forgotten as I soaked my feet and wondered, where next? 

ABOVE LEFT The countryside south of Milan delivers a bucolic landscape of olive groves and vineyards, rustic farms and quaint villages.

ABOVE RIGHT The sea at last! Looking west towards Genoa from above Camogli.

RIGHT From Camogli walk the coastal path, or hop on a local ferry, to reach the idyllic cove of San Fruttuoso, watched over by a 13th-century abbey.

THE DAY FOLLOWED A FAMILIAR PATTERN OF PATH-TRACKING THE HIGH RIDGELINES, AND REMARKABLE VIEWS FROM THE PEAKS.

A QUIET LAND

In a country where you can drive for hours without seeing another soul, magic can be found.

WORDS SUSAN NEWHAM-BLAKE

ALATE AFTERNOON LIGHT SETTLES on the open land illuminating the red boulders jutting out from the yellow-green savannah. A hawk glides slowly across the blue sky. In the far distance a herd of gemsbok grazes and, not far from them, red dust rises, kicked up by restless wildebeest. This is Namibia, the third least densely populated country in the world after Greenland and Mongolia. And while it might be understandable that the icy remotenesss of the aforementioned should hold less appeal for human life, it is harder to understand why so few live here. With good year-round weather and breathtaking landscape, the population is just over two million in a country the size of Germany and Spain combined.

At Habitas Namibia you can truly appreciate the beauty of this unique land. Located on a 50 000-hectare private wildlife reserve, the property offers 12 tented camps, a rim-flow pool, communal dining area and fire pit that overlooks the endless panoramic vistas across the savannah. It’s also relatively easy to get to, in terms of African distances. It’s a direct two-hour flight from either Johannesburg or Cape Town to Windhoek. From there a transfer will take you on the 45-minute drive to the

reserve’s gates where a game ranger will meet you in an open game vehicle. Once at the lodge the focus is on rest, restoration and reconnecting with nature. The natural elegance of the décor, the seamless blending of the tented suites and main lodge with the natural surrounds allows you to breathe out and connect with something slower and quieter within.

Opened in 2019, Habitas Namibia is one of a number of lodges under the Habitas group umbrella.

With lodges in Mexico, Morocco, Saudi Arabia and Costa Rica, what unites each location is the group’s ethos: to make as little mark on the land. Like the others, Habitas Namibia has been built sustainably using Habitas’ innovative modular build. The

Whether you’re looking out from the beautiful main lodge, rim-flow pool, luxury tented suites or spa sanctuary, the expansive beauty of the Namibian landscape can be soaked up, creating a sense of serenity.

THIS IS NAMIBIA – THE THIRD LEAST DENSELY POPULATED COUNTRY IN THE WORLD.

Don’t expect your run-of-the-mill activities – at Habitas Namibia, you can enjoy a bush braai with live local music and dance, game drives with a lesson in medicinal plants and sunrise yoga overlooking the savannah.

rooms have been created, delivered and assembled on-site using sustainable materials to minimise any environmental impact.

Habitas co-founder and CEO Oliver Ripley says, ‘We could not be more thrilled to establish our first “home” in Africa with the opening of Habitas Namibia. Namibia’s rich history, culture, landscape and wildlife lends invaluable perspective to those who seek greater understanding of the world through shared experiences.’

With regards to activity programming, don’t expect your run-of-the-mill safari experience as Habitas Namibia has a

distinctive offering in line with their ethos such as game drives complemented with a lesson in medicinal plants, indigenous spa treatments using the healing properties of the red ochre commony used by the Himba, sunrise yoga in the stillness of the savannah or a bush braai under the stars with local live music and dance, or even djembe drumming if you’re so inclined.

After dark, lying in a plush bed, the sound of the canvas tent being brushed by the night breeze, there’s a sense of the greatness of life with little standing between you and nature.  Visit habitasnamibia.com; flyairlink.com

ROCKLANDS, SEA POINT

Asking: R29.5 million | 4 Bedrooms | 4.5 Bathrooms | 2 Parkings

A fantastic opportunity to own a two level penthouse on our Atlantic Seaboard in a prestigious sort after complex. This Rocklands penthouse commands 616m2 of prime real estate, positioned on the ninth and tenth floors offering remarkable uninterrupted Atlantic sea and mountain views.  Offering you the scale of a freehold property, but with the security of a sectional title complex right on the promenade. Two secure underground parking bays and 24hour security completes this sort after residence. Grant Bailey: 0834445171; Office: 021 401 4338; Web ref: SIR103632.

SEA POINT, CAPE TOWN

Asking: R23.5 million, incl VAT | 3 Bedrooms | 3.5 Bathrooms | 2 Garages

This top floor, three en-suite bedroom apartment at the top of Cape Town’s most loved suburb of Sea Point unlocks two levels of ultimate sophistication and environmentally considered architectural design. What sets this home apart from the rest is its iconic use of coffered concrete ceilings and striking angular pockets that seamlessly blends indoor and outdoor spaces. Open plan kitchen, dining and living area welcomes with views stretching over the two balconies across the Atlantic seas and Robben Island. Off-street covered parking garage with direct elevator access. Rudi Jordaan: 066 307 1952; Office: 021 401 4338; Web ref: SIR104369.

BANTRY BAY, CAPE TOWN

Asking: R40 million | 3 Bedrooms | 3.5 Bathrooms | 2 Garages

Situated in the heart of Bantry Bay, this home has uninterrupted sea views and an expansive pool deck. Excellent flow from large living and dining rooms, completed with a wine cellar. The master suite features a walk in dressing room, spacious bathroom and has direct access to the terrace. Both the master and second bedroom boast unbeatable ocean views. The third bedroom looks out onto the back of the property, which features a second pool. Munya Mutanga: 074 762 2237; Maxine Schofield: 073 338 5827; Office: 021 401 4338; Web ref: SIR104640.

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LLANDUDNO, CAPE TOWN

Asking: R68 million | 6 Bedrooms | 6 Bathrooms | 3 Garages | 1376m2

Architecturally designed home overlooking the Nature Reserve and Ocean. The play of light, shadow and framed views from all aspects bring a sophisticated beach aesthetic through the use of natural elements. Generous indoor/outdoor spaces with a Miele kitchen and separate scullery and laundry. Six bedrooms en-suite feature rain showers, airconditioning, underfloor heating and balconies open to panoramic views. A Steam Room and 9m solar heated pool set on a lower deck opens onto the colourful garden. A pedestrian gate leads one down to the rocks and Sandy Bay Beach. Integrated home automation system, Inverter and Solar, Centravac, Security. Andrea Glew: 0798939197 Web ref: SIR104178.

SANDOWN, JOHANNESBURG

Asking: R29.950 million | 5 Bedrooms | 5.5 Bathrooms | 4 Garages

A generously proportioned home with a magnificent open floor plan, clean lines and a focus on functionality. This home uses natural materials like wood, glass, stone and concrete with large windows and doors, extra high ceilings to allow natural light to flow through the home. Set in a private and landscaped garden on ±2104sqm² of land. A large capacity generator, solar geysers and a borehole linked to an automatic sprinkler system, fully automated state of the art security with separate server room runs the house seamlessly. Marc: 082 854 7272; Alan: 082 490 0940; Web ref: 5682908.

BRYANSTON, SANDTON

Asking: R18 million | 5 Bedrooms | 5.5 Bathrooms | 4 Garages

A stunning architectural masterpiece (house 1200sqm). A spectacular canvass awaiting the discerning buyer – walls of glass, never-ending windowscapes with views – an amazing tri-level home – 5 double bedroom suites – main bedroom with lounge – study, Open-plan superb gourmet kitchen with prep kitchen to banquet-size reception rooms – home/theatre /games room – social lounges – cellar – gym – 4 garages – double staff accommodation (self-contained) –full automation – borehole – top, top security. Manuela: 082 552 7119; Web ref: 5616944.

HOUGHTON ESTATE, JOHANNESBURG

Asking: R11.5 million | 5 Bedrooms | 4 Bathrooms | 2 Garages

Tasteful and splendid. Sparkling pool and delightful garden for weekend pleasures. Stylish and Graceful Reception Areas, superb open plan kitchen flows onto the expansive outdoor patio. Cosy family room with Morso fireplace, study. 5 superb bedrooms, 4 en-suite. Huge Pyjama lounge. Exceptional finishes throughout. North facing, sunny and bright. 2 Garages and off street parking, municipal gas, top end security, CCTV cameras, staff accommodation. A dream come true. Superb position. Sabina: 083 254 6981; Michael: 076 202 3388; Web ref: 5705992.

WEST CLIFF, JOHANNESBURG

Asking: R23 million | 5 Bedrooms | 8.5 Bathrooms | 4 Garages

Views - Top of the line finishes and amenities. Borehole, Gas, Generators - Off the grid supreme. Elevate your lifestyle in this Architect design, 5 bedroom spacious family home under imported European roof tiles. Enjoy Magnificent patios with outlook to lush verdant foliage. Set on ± 4015m2 of flat lawns with practice court / basket ball, surrounded by a canopy of towering trees. State of the art Wine cellar, gym, sauna, plus enormous entertainers games room through glass sliders to patio and training pool. Security of the highest order. Specialised Guard House. Beverley: 082 412 0010; Web ref: 5693876.

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SANDHURST, JOHANNESBURG

Asking: R6.5 million | 3 Bedrooms | 4 Bathrooms | 2 Garages

Set within a secured, established estate. Open plan reception rooms. Bi-fold doors create a seamless transition from the interior to the inviting decked pool terrace and garden space. 3 Spacious bedrooms each with private bathrooms, guest bedroom with private access and dedicated lounge area, main and guest bedrooms with balconies, main with walk-in closet. Power back-up. Underfloor heating / air-conditioning / alarmed / CCTV / 24 hour guarded access / intercom / storage. Double auto garage with direct access into the home. Fully walled, electric fencing and intercom. Karen 083 435 7703, John 083 271 0231; Web ref: 5566536.

PARKVIEW, JOHANNESBURG

Asking: R5.850 million | 4 Bedrooms | 2.5 Bathrooms | 2 Cottages

An enchanting Country house. Featuring an enormous 2023 Party patio and pool area for all year entertaining or the quiet 1910 stoep for early morning coffee and croissants! Stunning entrance hall with high pressed steel ceilings takes one into a large formal lounge with fireplace. Large dining room leads out to the entertainment area. The eat-in kitchen is functional and well equipped with large laundry and utility room and breakfast area opening onto a private court yard. 4 Bedrooms, 2½ bathrooms, mes all with wooden doors, floors and high pressed steel ceilings. Theodora: 082 553 8525; David: 082 565 6367; Web ref: 5701056.

PARKHURST, JOHANNESBURG

Asking: R7.5 million | 3 Bedrooms | 3.5 Bathrooms | 3 Garages

Unparalleled and luxurious lock up and go living. Walls of glass on the northern side flow seamlessly onto the spacious covered patio and pool and garden courtyard beyond. The 5-star main bedroom suite features a luxurious dressing room and en suite bathroom with the northwestern corner overlooking and opening onto the calming pond and surrounding deck. Two further de-luxe bedroom suites with generous cupboard space and delicious designer bathrooms complete the separately positioned and secured bedroom wing. The completely private guest suite or cottage presently serves as a very popular and money-spinning Airbnb component. Willem: 082 442 1497; Cornel: 082 468 8247; Web ref: 5621073.

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SENDERWOOD, BEDFORDVIEW

Asking: R12.9 million | 4 Bedrooms | 6 Bathrooms | 3 Garages

Situated in the leafy suburb of Senderwood, lies a luxurious gem of a home. One of three homes in a complex, the modern and slick architecture grants the perfect setting for entertaining. The double-story, open plan design home with a skylight, allows sunlight to filter through illuminating the centre of the home. There are two dining areas and three lounges. Last but not least is the ultimate entertainer’s dream - a cinema room. A contemporary bar with fully stackable doors opens up onto the outside area where guests can mingle comfortably. Charlene: 082 448 0440; Jodi: 072 110 0276; Web ref: 3962788.

LINDEN EXT, RANDBURG

Asking: R3.985 million | 4 Bedrooms | 3.5 Bathrooms | 3 Garages

Spacious! Immaculate! Luxury home designed for relaxed comfortable living, featuring sophisticated elegance, excellent finishes and interactive open plan layout effortlessly blending in the landscaped outdoors. Spacious lounge with fireplace, dining room, entertainment room with built-in braai, open patio and garden with outdoor braai and firepit boma, modern kitchen and scullery, 4 spacious bedrooms, 3 bathrooms, large home office with own entrance, 3 garages, ample parking, staff quarters and 2-bedroom rental cottage. Also: armed response, garden irrigation system, internet connection. Central location near excellent schools! Just move in and enjoy! Maria Minik: 083 380 2939; Office: 011  476 8303; Web ref: 5599319.

EDENBURG, SANDTON

Asking: R9 to R10.5 million | 6 Beds | 6.5 Baths + 2 Guest Baths | Double Garage

Cape Dutch Classic Masterpiece. Exquisite home or Airbnb set in a quiet cul-desac in Edenburg, Sandton. Lovely patio’s, green rolling lawns. Spacious, modern, unique with incredible finishes. 4 Large open reception spaces, 6 bedrooms, 6.5 bathrooms all en-suite, library, high ceilings, screeded floors, wooden fireplaces, large upstairs entertainment areas including a guest cottage, wine cellar, modern kitchen with granite tops, hob, gas stove, pantry & scullery. Lush garden with rock pool, koi pond and water features. Automation system, wired in generator, computerized borehole, alarm system, as well as surround sound throughout. 2000 & 750m² of absolute grandeur under roof. Jenni Jacobs: 082 820 8242; Shaun Jörgensen: 083 535 5967; Office: 011 476 8303; Web ref: 5756683.

FERNDALE, RANDBURG

Asking: R3 million | 3 Bedrooms | 2.5 Bathrooms | 2 Garages

New modern designer duplex Cluster Home. Luxurious sophistication - architecturally designed and master-crafted to perfection. A vision in trendy white & grey high end finishes a home that dreams are made of. Modern large lounge and dining room. Covered patio, leading out to a low maintenance garden with a pool. Open-plan Caesar stone duco cabinet kitchen. Open-plan cosy pyjama lounge, 3 bedrooms, 2.5 bathrooms (MES) - stunning master suite. Double garage, extra parking, gas geyser and pre-paid electricity. Electric perimeter fencing. Close to Randburg CBD shopping malls & Western Bypass. Excellent P & H schools & recreation centres.

Lizelle Jansen: 076 983 8147; Office: 011 476 8303; Web ref: 5692478.

NORTHCLIFF, RANDBURG

Asking: R6.2 million, neg. | 4 Bedrooms | 3.5 Bathrooms | 3 Garages

Double volume entryway. Open-plan living areas, wood-burning fireplace, dining room, kitchen, separate scullery. Patio overlooking pool and garden with automated irrigation. Study. 4 Bedrooms, 3 full bathrooms. Direct access garage for 2 large vehicles. Flatlet/ domestic room with kitchenette and ensuite shower, basin, and toilet. Additional: Solar geyser, Aluminium frame windows, Central Evaporative cooler, Skylights, Built-in braai, Storage room for garden tools, Communal Park for kids to kick ball and enjoy the jungle gym. Experience untroubled and calm living in this 24 Hour guarded upmarket estate, close to all amenities. Ria de Wet: 082 824 6925; Office: 011 476 8303; Web ref: 5682862.

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VAL DE VIE ESTATE

Asking: R27 million | 4 Bedrooms | 4 Bathrooms | 2 Garages

An exclusive family home nestled in a quiet cul de sac of Val de Vie estate. This home has been designed with space and tranquillity in mind, with big open spaces and big windows that are strategically placed and used as “picture” windows. This home is a true entertainers dream with inside and outside living seamlessly flowing together. A true modern masterpiece. Winette Hattingh: 073 434 9675; Helene Tallie: 082 807 4438; Office: 021 770 0230; Web ref: SIR104798.

PEARL VALLEY GOLF ESTATE

Asking: R25 million | 5 Bedrooms | 5.5 Bathrooms | 3 Garages

Infused with an atmosphere of sophistication and refinement, this splendid, north facing home, is perfectly located, overlooking the 8th fairway in the sought-after Pearl Valley Golf Estate. The home’s architectural symmetry, its expansive entertainment area and perfectly manicured gardens heighten your expectations! You will discover that each room tells a cohesive story of elegance and gracious living. The finest finishes complement this beautiful home. Marli Scheppel: 083 988 5691; Suritha van Tonder: 084 440 4283; Office: 021 867 0161; Web ref: SIR104645.

PEARL VALLEY GOLF ESTATE

Asking: R20.45 million | 5 Bedrooms | 6 Bathrooms | 3 Garages

Exquisite north facing family home situated in a quiet location. Sophisticated simplicity, a contemporary style 4 bedroomed family home with servants quarters or a 5th bedroom. Luxury and functionality combined to create a truly harmonious family home. Spacious plus loads of light filtering through situated in close proximity to the Pearl Valley Club House. Bordering a green open space. Desiré Crowther: 082 576 4962; Office: 021 867 0161; Web ref: SIR104094.

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THE ACRES, PEARL VALLEY GOLF ESTATE

Asking: R11.65 million | 3 Bedrooms | 4.5 Bathrooms | 2 Garages

Situated in The Acres, at Pearl Valley. Modern double storey architect designed home on a large stand. Designed with easy entertaining and luxury in mind. High quality finishes, air conditioning, modern cupboards and vinyl flooring. 4 Spacious bedrooms, 5 bathrooms, pyjama lounge and great entertaining areas and with patio. Swimming pool, build in braai, fireplace all included. Plots ranging from 749m2-864m2, surrounded by breath-taking vistas and picturesque mountains. The quality lifestyle you deserve, a dream come true in the Val De Vie Wellness Estate, “the valley of life.” Annette Barnard: 082 820 1888; Office: 021 770 0230; Web ref: SIR104302.

DE ZALZE WINELANDS GOLF ESTATE, STELLENBOSCH

Asking: R14.3 million | 5 Bedrooms | 4.5 Bathrooms | 2 Garages

This home was built with families in mind and is being offered to the market for the first time since it was built. Situated on a quiet and private cul de sac with easy access to the main gate, this home has been so well planned with spaces for the family to enjoy together and spaces to offer privacy as well. Lazy summer days can be enjoyed on the shady pool pavilion and entertaining is a pleasure on the deep covered patio at poolside with built in braai. The patio is enclosed with frame-less, stacking glass doors making this a haven at any time of the year. Chris Cilliers: 082 568 1122; Office: 021 809 2760; Web ref: 5228686.

LONGLANDS COUNTRY ESTATE, STELLENBOSCH

Asking: R14.8 million | 4 Bedrooms | 3.5 Bathrooms | 2 Garages

An exceptional home where luxury and style are in abundance, situated in the secure upmarket Longlands Country Estate. The welcoming sound of water coming from the fountain in the courtyard, invites you into an imposing foyer that gives a hint of the dimensions, textures and attention to detail that lie within. This home exudes the art to defined living with only the most elegant and stylish finishes ranging from marble to solid French Oak. Maggie Smit: 083 712 5716; Office: 021 809 2760; Web ref: SIR104743.

STELLENBOSCH

Asking: R22 million | 6 Bedrooms | 6 Bathrooms | 2 Garages

Located below the majestic Helderberg Mountains amidst precious vineyards this double-storey house fitted throughout with high-quality materials stands out due to its French classic interior design paired with high-ceiling, lightflooded rooms. The smallholding of approximately 1.3 ha is situated in one of the most sought-after areas between Somerset West and Stellenbosch on the slopes of Helderberg Mountain can either be used as a family home or as a boutique guesthouse. Detlef Struck: 079 597 1727; Office: 021 851 4450; Web ref: SIR104082.

FRANSCHHOEK

Asking: R10.95 million | 4 Bedrooms | 4 Bathrooms | 2 Garages

This magnificent home is extremely spacious and the fittings and finishes are all of the highest standard. A double volume entrance with imposing staircase sets the tone of the rest of the accommodation. The property comprises three stands which have been consolidated and generously planted with trees. La Petite Provence is a sought-after estate in the fascinating village of Franschhoek. Bev Malan: 082 901 6966; Moira Barham: 082 896 3597; Gary de Valle: 082 464 8038; Office: 021 876 8480; Web ref: 5332189.

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STRAND

Asking: R13.5 million | 3 Bedrooms | 3.5 Bathrooms | 5 Garages

Situated directly on the beach this penthouse on 13th floor offers highest standard and timeless design with incomparable 360-degree views towards Table Mountain, Cape Point, False Bay and the Helderberg Mountains. The double volume apartment combines elegant style and exquisite materials of glass and stainless steel. Detlef Struck: 079 597 1727; Wolfgang Jakob: 082 577 1526; Office: 021 851 4450; Web ref: SIR104080.

FAIRHAVEN COUNTRY ESTATE, SOMERSET WEST

Asking: R12.9 million | 3 Bedrooms | 2.5 Bathrooms | 2 Garages

This architectural home is designed for entertaining and modern - day luxury living. Crafted with uncompromising quality and meticulous attention to detail. A fusion of light and space, step inside and enjoy the life that you have always dreamed about. Fairhaven Country estate is an upmarket development overlooking the magnificent mountain ranges of the Helderberg, bordered by the historic Morgenster wine farm. Chantal Botes: 083 702 5460; Office: 021 851 4450; Web ref: SIR104699.

WELLINGTON

Asking: R16 million | 13 Bedrooms | 13 Bathrooms | 1 Garage

A well-established Hospitality Business, conveniently situated on the outskirts of the historical town of Wellington, in the heart of the Winelands, set on extensive private grounds, witch slope gently down to the river. Guest House - on a B&B and Self Catering basis - with Conference Facility & Spa Treatments Room. On the premises is a Owners Family Home with its own pool, complementing a private easy living lifestyle. Eddie Van Pachtenbeke: 071 003 0363; Office: 021 876 8480; Web ref: SIR104224.

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FARM, PAARL

Asking: R35 million, excluding VAT | Size: 27 Hectares

An Estate in the popular Winelands area in the Western Cape, on the slopes of Klein Drakenstein mountains. The stately 1050 sqm residence of grand proportions was built with a large and extended family in mind - certainly also ideal for a guesthouse. Unsurpassed valley and mountain views. Soil, water and climate suitable for the cultivation of quality fruit, grapes and a multitude of crops. Currently producing export plums, wine grapes and olives. Danie Hauptfleisch: 083 627 2148; Office: 021 870 1011; Web ref: 3770004.

UPPER CONSTANTIA, CAPE TOWN

Asking: R21.9 million | 5 Bedrooms | 5.5 Bathrooms | 2 Double Garages

An impressive modern home in a great location with mountain views and quiet cul-de-sac position. Carefully designed by current owners to maximise the view and indoor/outdoor flow. 3 Reception Rooms. Exceptional attention to detail, no stone has been left unturned to create this exceptional family home. Full spec list available on request. Jo Thomas: 084 404 4120; Rouvaun McKirby: 071 671 0821; Web ref: 109557.

TOKAI, CAPE TOWN

Asking: R31.050 million | 4 Bedrooms | 4 Bathrooms | 3 Garages

Modern, edgy design and meticulous construction using natural materials allow this striking new Scandinavian-style home to harmoniously blend with the beauty of its natural environment. Set at the foot of the magnificent Steenberg mountains, the exclusive Steenberg Green boutique estate is close enough to the cosmopolitan centres of Cape Town, yet perfect for enjoying the peace of the countryside and delights of the Constantia vineyards and wine route.  With clean lines, neutral tones and loads of natural light, all the hallmarks of sustainable, luxury living are in here in abundance. Dave Burger: 083 458 3333; Steve Thomas: 084 471 4722; Web ref: 109506.

UPPER CLAREMONT, CAPE TOWN

Asking: R16.9 million | 5 Bedrooms | 4 Bathrooms | 2 Garages

Glorious Cape Heritage home in superb location with mountain views. A home for a lifetime - a sense of history and a leisurely lifestyle, with a magical garden for children and their pets offering high ceilings, wooden floors and original fireplaces, a fabulous eat-in country kitchen, sunny living areas and a wonderful covered terrace for easy entertaining. Versatile accommodation offers four large bedrooms all with bathrooms, and the most beautiful master suite with mountain views. A once off opportunity for a discerning buyer. Barbara Manning: 083 407 3656; Web ref: 3093289.

UPPER CLAREMONT, CAPE TOWN

Asking: R11.95 million | 5 Bedrooms | 5.5 Bathrooms | Double Garage

It is our pleasure to present this wonderful Victorian home in the heart of Upper Claremont. The property, circa 1902, has all the features one would expect in such a grand home; rooms of wonderful proportions, extra high ceilings, tall sash windows, wooden floors, original fireplaces, pretty courtyards  and a beautiful wrap-around verandah. This period property, with 3 separate, selfcontained units, is extremely versatile and could accommodate the large family, provide comfortable dual living, a B&B business or a work from home opportunity. Ruth Leach: 082 323 7550; Elaine Dobson: 082 413 7369; Office: 021 701 2446; Web ref: 109236.

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NEWLANDS, CAPE TOWN

Asking: R11.45 million | 3 Bedrooms | 3.5 Bathrooms | Double Garage

Situated in the high value, long-established suburb of Newlands Village, this open-hearted home is an entertainer’s delight. Palmboom Road is arguably the most sought after address in the village and is conveniently located within walking distance of the village restaurant hub and some of Cape Town’s best schools. The living areas encompass a magnificent kitchen designed with style and proportions that are elegant and generous with doors opening onto the chique checkered patio. This is the perfect space to enjoy a quiet sundowner or al fresco dining. Brandon Callis: 084 491 0906; Jennifer Lee: 082 562 5139; Web ref: SIR104815.

RONDEBOSCH, CAPE TOWN

Asking: R7.6 million | 5 Bedrooms | 3.5 Bathrooms | 4 Receptions | 3 Garages

We are delighted to present this 5 bedroom, double storey home with good street appeal. 3 spacious reception rooms – lounge, dining and family rooms. Excellent flow to the large covered veranda and sparkling, heated and salt chlorinated pool – an entertainers dream. Beautiful herringbone parquet floors, efficient wood burner in the family room heats up the downstairs area of the home. Master bedroom has gorgeous views of the mountain and has a large en-suite bathroom. Bedrooms 2 & 3 are both double sized. Upstairs guest suite with own en-suite. Kitchen has good storage, granite island, with Eurogas 5 plate oven and hob, plumbing for dishwasher & double fridge, separate scullery. Jane Stirton: 083 613 7863; Office: 021 701 2446; Web ref: 5083592.

KOMMETJIE, CAPE TOWN

Asking: R9.45 million | 6 Bedrooms | 5.5 Bathrooms | 1 Garage

This magnificent home with a Mediterranean flair, perfectly positioned a few steps from the ocean. The main home offers high ceilings and custom doors, the stone paved passage draws you down to the bedrooms and bathrooms while the stairs lead you to the lounge, dining room & kitchen with sliding doors leading onto the balcony to soak up the ocean vista. Special features create an enchanting space perfect for entertaining or simply, relax and recharge. The versatile second dwelling offers 2 beds and 2 baths with separate entrance, ensuring it’s fabulous for dual living or Airbnb. A roof top entertainment area boasts exceptional views, a rare vantage point that will take your breath away.Natalie Cooper: 083 630 0911; Office: 021 783 8260; Web ref: SIR104340.

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MARINA DA GAMA, CAPE TOWN

Asking: R5.2 million (fully furnished) | 5 Bedrooms | 6 Bathrooms | 1 Garage

This elegant home is situated in a tranquil setting on the water’s edge in Marina da Gama. The lounge with dome shaped ceiling, Oregon pine floors and fireplace connects with the kitchen/dining-room and is ideal for entertaining as it flows directly to the garden with a pool surrounded by views across to the Muizenberg and Constantiaberg mountain range. It boasts 4 king sized en - suite bedrooms and self-catering studio with own deck, bathroom and kitchen .There is a utility room with a bathroom, garage and secured parking for 5 vehicles. It is ideal for dual-living or for those wanting to operate an upmarket AirBnb. Jonathan Alexander: 082  570 9007; Paula Giusti: 082 770 7705; Office: 021 784 2260; Web ref: SIR10451.

PLETTENBERG BAY, GARDEN ROUTE

Asking: From R3,8 to R5,2million | 3 Bedrooms | 2 Bathrooms | Guest Toilet | 2 Carports

t’s on everyone’s lips - the beautiful Thulana Gardens! The new phase of Thulana Hill is launching with a new modern take, even-better quality finishes, and extra features. These open-plan apartments will be north-east facing, some with stunning views towards Keurbooms and the bay, and will have 3 spacious bedrooms and state-of-the-art finishes. The first block will comprise 10 open-plan apartments with the ground-floor apartments being 187m² and 193m², and the first and second-floor apartments range between 153m² and 158m². Each apartment comes with 2 covered carports and 8 garages will be available separately. Desré Reck 079 497 0008; Office: 044 533 2529; Web ref: SIR104633.

PLETTENBERG BAY, GARDEN ROUTE

Asking: R3.5 million | 3 Bedrooms | 2 Bathrooms | 2 Garages

Superb, modern north-facing apartment in a great location close to the beach. First level: open-plan kitchen and living areas lead out to a large partially covered patio with built-in braai and bar/entertainment area. This links to the open-plan dining area which makes for easy entertaining. Separate scullery and guest toilet. Second level: 3 bedrooms and 2 bathrooms (main en suite with a walk-in dressing area, 2 bedrooms have private balconies). A large unique roof garden patio has lovely views of the vlei and mountain; perfect for sundowners. Additional bathroom off the double garage. Access controlled complex with pool. Carrie Maclean 082 566 1881; Office: 044 533 2529; Web ref: SIR104968.

PLETTENBERG BAY, GARDEN ROUTE

Asking: R3.8 million | 3 Bedrooms | 2 Bathrooms | 1 Carport

Spectacular unique apartment with breathtaking views of Lookout Beach, Tsitsikamma mountains and the Bay. Comprising: 3 bedrooms, 2 bathrooms (one en-suite), open plan lounge and dining area, kitchen, open patio area, undercover basement parking bay, store room and staff room. The spacious open area leads out onto the patio through the frameless glass stacking doors, and all three bedrooms also offer sea views. Situated conveniently in the central hub of town, walking distance to all facilities, beaches and amenities. An ideal permanent residence, or a lock-up-and-go holiday apartment for family holidays. Paul Jordaan: 082 876 0577; Office: 044 533 2529; Web ref: SIR104703.

PLETTENBERG BAY, GARDEN ROUTE

Asking: R6.4 million | 4 Bedrooms | 4 Bathrooms | 2 Garages

Stunning, brand new home in Whale Rock Gardens Estate. Japandi style 4 en-suite bedroom modern home is a winner!  Calming, stylish ambience with an exquisite blend of Scandinavian décor and Japanese influences. Spacious open plan living area with lovely large glass door sliders lead out onto a patio. Some of the additional features: high ceilings, skylights, large serving area for catering, multi-purpose fireplace, 5000l water tank, pump, easy garden, perimeter wall, fibre, gas geysers, extra DB board for solar energy options, drying yard, double garage, top class finishes, ample cupboards, all appliances included, estate pool, 24-hour security, close to beaches, etc. Sue Harvey: 083 306 7499; Office: 044 533 2529; Web ref: SIR104612.

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FEATHERBROOKE ESTATE, KRUGERSDORP

Asking: R5.5 million | 3 Bedrooms + Study | 2.5 Bathrooms | 2 Garages

This beautiful, French Provincial feel, open plan family home offers a large, covered Patio with a built-in braai overlooking a sparkling pool and wellmaintained garden. The double-volume entrance hall leads to the dining room with a gas fireplace and a spacious modern kitchen with a gas stove and electric oven with a separate scullery. Two spacious living areas that leads out onto the dream entertainment patio with stacker doors. Leading up the staircase are incredible views of Featherbrooke where you will find 2 large bedrooms, a full bathroom and a gorgeous main bedroom with a walk-in closet and an en-suite Bathroom. This exceptional home within the very popular Featherbrooke Estate, offers a wonderful lifestyle. Bianca Parsons: 083 645 6590; Charmaine von Gordon: 079 882 3360; Office: 010 900 3450; Web ref: SIR104890.

RUIMSIG, ROODEPOORT

Asking: R10.999 million | 5 Bedrooms | 3.5 Bathrooms | 7 Garages

Exceptionally spacious, luxurious, well-loved home with an amazing lifestyle in the upmarket area of Ruimsig. This distinctive masterpiece offers two separate entrances, one to the thatched residential house and the second to the fully equipped office with an automated garage. The built-in bar that serves indoors as well as a covered patio, is perfect for entertaining family and friends as it looks over the sparkling pool. The modern kitchen has state-ofthe-art finishes and contains a separate scullery. The cherry-on-top, is a place that truly enhances your relationship with the outdoors as it leads to another entertainment area that is located on a dam. This very tranquil location is the perfect spot for sundowners and good for the soul. Zona Coetzee: 084 626 6119; Office: 010 900 3450; Web ref: 15209637.

MONAGHAN FARM, LANSERIA

Asking: R8.75 million | 4 Bedrooms | 4 Bathrooms | 6 Carports

A private tranquil haven in a relaxed country atmosphere. This modern, contemporary, spacious north-facing home offers a unique lifestyle with stunning views over the Magaliesberg and Renosterspruit Reserve. A thoughtful layout offers beautiful open plan living areas. Warm up your lounge area with the Italian pellet stove or the wood burning fireplace. The dining area has full glass stackable doors opening to the pool and lush indigenous natural garden. Stunning open plan designer kitchen and coldroom makes entertaining a pleasure. The three bedrooms all open onto the garden. A separate suite houses the 4th bedroom, also en-suite, ideal for guests.

Zona Coetzee: 084 626 6119; Office: 010 900 3450; Web ref: 5335787.

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BLAIR ATHOLL, LANSERIA

Asking: R15.95 million | 5 Bedrooms | 5 Bathrooms | 4 Garages

Nestled in the tranquillity of nature, this beautiful home offers everything one would expect to find when investing in a premier lifestyle security estate, which offers the utmost sense of safety and harmony. Set in the heart of the estate, this 5-bedroom, 5 bathroom home, double staff accommodation encompasses everything a family home could dream of being. The home boasts a separate basement cellar room with a bar and Morso fireplace, opening onto another outdoor entertainment area containing a built-in wood and gas braai. A mature treed garden with natural water features, a ground water catchment system and integrated automated irrigation makes for a harmonious and tranquil lifestyle. Zona Coetzee: 084 626 6119; Office: 010 900 3450; Web ref: 15209637.

SOUTHDOWNS ESTATE, CENTURION

Asking: R9.8 million | 4 Bedrooms | 4 Bathrooms | 2 Garages

The entrance hall flows through into open-plan living spaces, dining area, separate lounge with fireplace, to the kitchen. Downstairs include; Large main bedroom with en-suite bathroom, leading to swimming pool and garden, The en-suite open plan main bathroom. Bedroom 2 and 3 have a shared Open plan bathroom. Guest toilet bathroom. Solid walnut staircase leads to the upstairs TV Lounge and Studio living. Loft/TV lounge with open ceiling and durable vinyl flooring, blinds, steel balustrading around the room with a view into main living area leads to a private Studio/Bedroom with open ceilings, en-suite bathroom vanity, basin, shower, toilet and fully tiled walls & floors. External laundry/domestic quarters. Double garage. Lisa Kelly: 082 559 1395; Office: 010 510 0000; Web ref: SIR104440.

SOUTHDOWNS ESTATE, CENTURION

Asking: R9.8 million | 5 Bedrooms | 5.5 Bathrooms | 5 Garages

Downstairs includes your open-plan living space with bar area, dining, lounge/ TV opening onto a patio. The kitchen has quartz stone countertops, centre island breakfast bar, scullery and laundry area, walk-in pantry and cool room. Upstairs includes four well-proportioned bedrooms all en-suite with balconies. Master room en-suite includes a dressing area and walk-in closet. Pyjama lounge with sliding doors opens onto the upstairs balcony. Study/Gym room/Kids playroom with sliding doors onto the balcony. Downstairs guest suite/flatlet with bedroom, lounge, kitchen and private entrance 2 double garages. Staff accommodation with kitchenette, electric geysers, provision for water heating system and additional storeroom. Lisa Kelly: 082 559 1395; Office: 010 510 0000; Web ref: SIR104524.

SHAKAS ROCK, BALLITO

Asking: R18 million | 5 Bedrooms | 5.5 Bathrooms | 4 Garages

Beach front Splendour. A multi-level architectural masterpiece, feel the warmth and love in the design itself. Generous dimensions, good flow from indoor to outdoor entertainment areas. The curved glass windows and sky lights allow you to bask up the light and enjoy the never-ending ocean views. 5 well-appointed bedrooms, 4 ensuite. An executive lounge and study, entertainers dream downstairs offering dining area, lounges and an entertainment room with a pub, Rim flow pool and jacuzzi. Tanning deck, private access to the beach. “boathouse” to store your water toys. 3 expansive balconies from each level. 4 Lock up garages, d/b staff accommodation. Sabrina Errico: 082 414 8955; Office: 032 946 1818; Web ref: H1454.

VICTORIA COUNTRY ESTATE, VICTORIA BAY, GEORGE

Asking: R15.85 million | 5 Bedrooms | 5.5 Bathrooms | 2 Garages

Luxury and privacy abound! An exclusive, gated estate of only four properties, overlooking indigenous bush, to the ocean beyond. Set within spectacular grounds, of over two hectares, with Sandstone flooring throughout and walls of sliding glass, under a Mazista slate roof. Enter the courtyard with cocktail bar, dining areas and jacuzzi. Glass doors lead into the magnificent living areas, expansive kitchen, and ultra-luxurious main bedroom suite, TV room library, elevated deck and a second bedroom suite. Walk out to the massive, heated pool and terrace. The lower level comprises a third bedroom suite, two guest bedrooms and a shared bathroom. Beatrix de Waal: 072 394 8822; Office: 044 873 2519; Web ref: SIR104577.

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