On Tap Fall 2018 by vsuenglish

ONTAP

FALL 2018

Cover Art by Armani Bibbs

CONTENTS 6 The Art of Listening // Savannah Finney 8 Crochet Club // Olivia Cote 11 You’re Gonna Make It After All // Arelexus Brown 13 The Real Deal of Beauty 101 // Destany Flowers 15 The Youtube Takeover // D’yanna Coffey 20 Black English // Dominique Brinson 23 He’s Conceited - And He Has A Reason // D’yanna Coffey 26 Home Away From Home // Sydney Heatherly 28 Lost Art of VSU // Selena George 30 Digital Takeover: Computer Animation at VSU // Folake Amoda 32 Voices Down, Hands Up // Savannah Finney 34 The Story of Rockbot at VSU // Sydney Heatherly 35 Tattoos: Deeper Than Ink // Folake Amoda 38 Valdosta State’s Blazin’ Brigade // Selena George 40 Spinning Through the Past: One Record at a Time // Arelexus Brown 42 Gnarly Dude! // Destany Flowers 45 Kool Comics // Dominique Brinson 48 Taking a Look at the Bigger Picture // Jada Dukes 52 Fashion; A Never-ending, Self-revolving Door of Change // Jacorey Moon Contributers: Darrell Fike: Faculty Adviser Armani Bibbs: Student Featured Artwork

STAFF Dominique is a sophomore English major from Warner Robins, Georgia. For most of his time in middle and high school, Dominique was unsure of what he wanted to pursue for a career. Recently, he has gotten more into reading and creative writing. Although, he still doesn’t quite know what he wants to pursue, he’s sure it’s something creative. Dominique moved to Valdosta after he finished 10th grade, but he hopes to move out from Georgia in the future. Dominique’s hobbies include reading, writing, playing video games, and even a little screenwriting here and there.

Livi Côté is a fifth-year psychology major with minors in French and creative writing. She is president of the Creative Writing Club, editor of Odradek, On Tap, and Odradek, and a writing and French tutor at the Academic Support Center. Her relationship with words is rocky but monogamous. She’s not sure who wears the pants. When she’s not crocheting in front of the TV, she is pursuing self-actualization, a lofty goal which will involve perfecting her French, learning jazz clarinet, learning to cook, reading more, and becoming a writer.

Arelexus Brown is a Junior English major and the author of You’re Gonna Make It After All: A Guide To Being Single The Primetime way and Like A Record: Spinning Through The Past One Vinyl At A Time . Arelexus is a transfer student from Albany State University and was highly active in her high school newspaper. After graduation, Arelexus plans to pursue a career in Journalism and hopes to write for a magazine or have a career in Broadcast Journalism. Her hobbies include reading, writing, shopping and watching Audrey Hepburn films.

Folake Amoda, a sophomore psychology student from Atlanta, Georgia, is the author of “Digital Takeover” and” Deeper Than Ink.” What time she doesn’t spend improving her creative and narrative writing skills is used in learning psychology and political science in hopes of being a future forensic psychologist and/or U.S diplomat. Her hobbies include cooking, writing, binging Netflix and Hulu shows and traveling.

Destany Flowers is a freshman English major. She is 18 years old and was born in Jesup, Georgia. Growing up in a small town, she developed a profound love for books. She would spend all her free time reading and making up her own stories to read to her younger brothers. Her goal is to graduate with a bachelor’s degree in English and become a editor at Penguin Random House LLC. and one day publish her own book. During her free time, she will either study or read some of her favorite novels. She also wants to be more involved with her college and join more journalism courses and hopefully, one day become the president of the creative writing club.

D’yanna Coffey, author of “The Youtube Takeover” and “He’s Conceited - And He Has a Reason”, is a junior English major with a minor in African American studies. She is a native of the historical city: Savannah, Georgia. Aside from writing for OnTap, she is also a member of S.A.V.E.D (Students Against Violating the Earth/ Environment) and Black Student League. Her passion from writing was inspired by her mother, a poet and published author herself. In her free time, she enjoys yoga, watching foreign films, learning new languages, and watching TED Talks.

Selena is a sophomore English major from Gainesville, Florida. She has spent most of her life around the Valdosta area, but plans to head North after Graduation. Apart from VSU’s Fire Pit, Selena is an active staff writer for OnTap magazine and the Spectator. Though she hopes to later become a fiction editor for a large publishing company, the majority of her current articles focus on the arts and politics. This was her first semester with both student news organizations and she can successfully say they’ve improved her journalism skills while worsening an already massive coffee addiction. In the rare occurrence of free time, Selena enjoys reading just about any novel, photography, traveling, and and making music.

Sydney Heatherly is a freshman at VSU majoring in psychology. Throughout middle and high school, she was interested in creative writing and had a strength for her writing classes. Sydney was born in Virginia and but lived most of her childhood in Buckhannon, West Virginia. She enjoys watching Netflix, listening to music and doing makeup. Sydney hopes to be a rehabilitation counselor for teenagers!

Bethany Davis is a Junior Art major with a focus in graphic design and illustration. This is her second time working with OnTap magazine as creative director. Apart from OnTap, Bethany works as the graphic designer for The Spectator and she is excited and greatful for every opportunity to utilize her creative skills and learn new ones along the way. Apart from graphic design, she likes to explore different forms of artistic expression including drawing, painting, and sewing, some of which are featured in this issue as well.

My name is Jacorey Moon and I’m the Managing Editor for OnTap Magazine. I’m a senior marketing major with a minor in journalism. Starting Fall 2018 I’ll be the new Special Projects Manager for The Spectator. After graduation, I plan on going to graduate school to major in journalism. After graduate school, I dream of working for prestigious fashion publications like Vogue, Elle or GQ. In my free time I like to binge watch shows like Will and Grace and read fashion magazines.

When we decided to produce an artistry themed issue, we knew we wanted to showcase every form we could think of including unconventional art. We wanted to emphasize the idea that artistry can take on different shapes, characteristics and titles. You no longer have to clutch an easel and a paint brush or a chisel and mallet to be considered a true artist. According to the MerriamWebster Dictionary, an artist is defined as someone skilled or versed in learned arts or simply, one who is adept at something. The ability to create a shirt with a spool of thread or to make a cold, barren room feel like a home away from home takes a certain finesse that shouldn’t be underestimated. In the words of the famous artist, Henri Matisse, “creativity takes courage.” It takes courage to go into public arenas and dance in front of a camera for an hour and post them online and it takes courage to just say fuck it and choose to believe in your talents regardless of harsh criticism. And It takes a certain amount of courage seek out the raw, unfiltered truth and give a voice to the voiceless. I am beyond proud of my team of talented writers and my diligent editorial staff. My time as Editor in Chief has taught me valuable lessons and given me the opportunity to flex my creative muscles. My hope is that every reader gains a new perspective of what it

means to be an artist. -Jada Dukes 5

The

Art of Listening By Savannah Finney

Wait for the person to complete a thought without interrupting. Also, ask for clarification on anything that could have been misconstrued.

Emotional validation is a human necessity; everyone needs someone to talk to. It is important to not only have someone you can vent to about the test you think you failed or the breakup you are still getting over, but to reciprocate those feelings of empathy towards others. Everyone wants to be understood and empathized with, but how can you become a better listener yourself?

Most of the time, your friends will come to you to be listened to, not for advice. Kaitlyn Robinson, a sophomore psychology major, said, “Most people like to talk about themselves and bring something up, so they can talk about their own problems.” It can be frustrating when you go to a friend so you can talk about what is bothering you, and instead of listening, they pull a 180 and make it about themselves. It can be easy to turn the topic and focus on yourself, but listen more than you speak, and understand that your friend just wants to get their feelings off their chest.

Psychology Today outlines communication skills that will make you a better listener and allow you to better connect with the person venting to you. For starters, a good listener talks less and listens more. According to Heidi O’Connor, the assistant director of VSU’s Counseling Center, “I think a really common pitfall to listening is answering, is to acknowledge somebody only to have a platform to share your own story. For example, when someone says, ‘I hear you, let me tell you about this time the same thing happened to me, but worse,’ be present and focused on them in that moment. Save your story for after they’ve felt heard and understood by you.” Interrupting and putting someone down will cause them to feel lower than they already are, so it is important to make sure you give them the spotlight to talk about their problems instead of using it as an excuse to talk about you.

Secondly, a good listener engages fully when listening to a friend. Maintain attention by making eye contact, being direct and honest, and nodding or vocalizing to affirm you are listening. Robinson said, “It can be frustrating when someone sits on their phone, complains about their problems, doesn’t give feedback, is a ‘mhm’ kind of person, or just tells you what you want to hear so they can go back to what they were doing before.” 6

You can avoid the common mistake of being un-

involved by focusing on the other person. O’Connor said, “A good listener isn’t thinking about what else they have going on that day. Their sole focus is understanding what that other person is saying and letting them know they’re heard in an effective way. People feel heard when you are making eye contact, willing to prompt for more information, and, most importantly, empathize.” She advises that you should “go into every conversation genuinely interested in what they have [to say].”

actively listening and believe their feelings are reasonable and valid. O’Connor says, “To truly empathize, you must step in that other person’s shoes and see it from their perspective.” When empathizing, prioritize the other person’s needs. Let them know you hear them and you are trying to see from their perspective. Relationships, whether romantic or platonic, are about balance. They should be partnerships in which both people give 100 percent, providing a comforting and safe space. In a healthy relationship, if you put your needs aside to help someone else, they will do the same for you.

Thirdly, empathy makes a person feel like you are

By Olivia Cote

In years of yore (2014), an RA in Reade Hall named

with their hands, crochet offers a comfortable reprieve. When Ro-Ze finishes a crochet project, she said she feels “relaxed and accomplished.” The rhythm of certain patterns is good for anxiety. It’s common knowledge that creative activities are good for the mental health, boosting your sense of selfefficacy (your belief in your ability to complete a task), and crochet is no different. You started with some yarn you fell in love with at the craft store, and you used your skills to make it into something new. When you hold a finished project in your hands, you find empowerment and pride in the words “I made that.” And in sending a picture to everyone you know.

Oyinda Bangbola decided to teach some of her residents to crochet. Oyinda was used to unraveling her own projects when she made a mistake, but her budding students yelled and laughed when she unemotionally pulled out rows of their mistake-ridden work. Before long, the small group of novices and experts met in the Reade Hall study room every week, whipping up granny squares, purses, and stuffed animals. When Oyinda graduated, leadership shifted, but the club continued, coming together every week to “stitch and bitch.” The club now meets in the library under the leadership of Ro-Ze Hodgson, a junior business management and accounting double major. Although the club has passed hands a few times, the warm and supportive sense of community has transcended the years. “We foster a community learning environment where everyone who knows something can teach someone else,” Ro-Ze said. Some weeks they still learn a specific project together, but other weeks they just work on their own projects and chat.

The biggest obstacle facing the Crochet Club is finding an adviser to officialize the club. If you know of a faculty member who crochets—or even knits (they’re desperate)—please contact Ro-Ze Hodgson at aehodgson@valdosta. edu. In the meantime, if you’re interested in the club, send a message to the same email address, heat up your curlers,

Everyone prefers a different kind of project. Some people make giant blankets which take ages to finish, some make clothing like beanies and crop tops, and many enjoy amigurumi, the Japanese term for crocheting small stuffed animals and other cute toys. Others have not yet mastered crochet and attend the club just to socialize or learn, starting from the very basics. Ro-Ze appreciates the low-pressure environment: “No commitment, no experience level, no judging,” she said. “Just friends with the same hobby.” The Crochet Club gives stressed college students an excuse to do something for themselves. “It creates a comfortable environment to focus on something I don’t normally create the time to do,” said Magnolia Rodriguez, a junior biology and mathematics double major. For one night a week, Crochet Club members shut the study room door on their due dates and responsibilities to spend some time with a soothing craft and each other. “I can sit and be an old lady with a bunch of other people my age who enjoy being old ladies,” said Kayleigh Keough, a sophomore ASL and French double major. Something about working with the hands soothes the soul. For those who fidget or don’t know what to do

and buy a pair of bedroom slippers, because you’re about to become one with your inner grandma.

Youâ&#x20AC;&#x2122;re Gonna Make It After All

A GUIDE TO BEING SINGLE IN THE PRIMETIME WAY By Arelexus Brown

As the temperature gradually drops and leaves change from bright greens to deep ambers, it can only mean one thing: Cuffing season is on the horizon.

to see a carefree, twenty-something woman making the best of her solo journey. In fact, over the past fifty years, television has portrayed unmarried women in increasingly positive ways, giving generations of single girls bright, fashionable and inspirational heroines to look up to.

That’s right—cuffing season. That time of year when it seems like everyone gets into a relationship just in time for the holidays and cold weather. Just when single people finish braving the “Summer Fling,” they are forced to endure another three months of the constant reminder that they walk alone.

In the mid-1960s, Marlo Thomas broke the mold for the portrayal of women on television with her primetime sitcom, “That Girl”. Thomas’ character, Anne Marie, moves from her hometown to the big city to pursue an acting career.

Being single can be hard. With constant pressure from society to pursue romantic relationships, it’s hard not to feel like the odd one out. But here’s the untold truth: Being single is normal and quite enjoyable.

A sitcom that focused on an independent woman leaving the nest to build a life for herself was nearly incomprehensible at this time, as most women on television had only been portrayed as mothers and wives. Thomas created the mold for the single girls we know and love today.

As much as relationships are praised in popular culture, so is the idea of being an independent, unattached woman. Just turn on any television and you’re bound

How do the single women of television make life without committed relationships look so desirable in a world that shames women who prefer not to commit to men?

Following Anne Marie’s lead, a slew of primetime single girls found themselves taking a leap of faith.

“New Girl,” in which the protagonist accidentally moves in with three men following a breakup.

Leap Before You Look

The primetime single girl walks the road less traveled. She does what many of us are forced to do with flare, optimism and style. Leaving a dead-end relationship, starting a new job or moving to a big city can be a daunting step forward. Sometimes you just need a little push to be your best and truest self. Seeing single women take the plunge, survive and thrive without the help of men assures viewers that they, too, can make it after all.

“That Girl’s” successor, “The Mary Tyler Moore Show,” that surpassed its forerunner in cultural significance, would follow the same mold. Moore’s character, Mary Richards, sets off to Minneapolis after breaking things off with her noncommittal boyfriend. This classic departure reappears in later sitcoms such as “Suddenly Susan” and “Friends,” in which the heroines are introduced as runaway brides—and most recently

Dream Big

One of the many things that makes the single women of television so memorable are their varying personalities. There’s fashion-forward socialite Carrie Bradshaw, quirky and sweet Jessica Day, bubbly and humorous Mindy Lahiri and clever and headstrong Olivia Pope. There’s always a little something that appeals to each individual viewer. When asked about the impact these single girls make, Dr. Catherine Oglesby, head of the Women’s and Gender Studies department at VSU, provided interesting insight into how viewers connect to these the single women of television. “People get messages from whatever they’re watching and or reading based on their own background,” said Dr. Oglesby. She said that many of the single women on television are “very white and very middle class.” The portrayals of their lives may not be the most realistic to viewers, but what makes them so impactful is that allowing these single women into our homes has made many aspire to be like them. So, just because you don’t live in a New York apartment with a closet full of Manolo Blahniks doesn’t mean you can’t aspire towards it. In fact, many cite primetime single girls as inspiration for pursuing careers in journalism and fashion, two popular career choices amongst single girls of television. In a world dominated by men, a single girl must go headfirst for what she wants.

Don’t Dwell, Excel

The main appeal of the primetime single girl is that she enjoys being single. It’s very rare to hear single women of television lamenting their uncoupled state. They never complain about being single, but rather enjoy it. “It’s not that [they’re] single, it’s that [they’re] independent,” Dr. Oglesby said. “To not be emotionally or financial dependent on somebody and be healthy.” How wonderful is it to be an independent woman in a male-dominated society? To thrive on your own when the world says you should have someone by your

side? While there’s nothing wrong with having a significant other, it is certainly not a requirement to successfully navigating life. 12

The single women of television who we admire are a testament to this very truth, and we toss our hats in the air for those who blaze the path alone, fictional or otherwise.

THE REAL DEAL OF BEAUTY 101 By Destany Flowers

Everyone at Valdosta State Everyone at Valdosta State University has a unique style, shown through everything from their clothing, nails, hair and lashes to accents and heritage. Students never fail to express themselves through their outer appearance.

three lashes in a group, with the longest lashes on the bottom and the shortest lashes on top attached together.” As far as eyelash extensions, those are “just one synthetic eyelash,” Weekes said. She advises all-new consumers of fake lashes not to purchase inexpensive lashes and expect great results.

The students and faculty on campus always look proud, no matter what they are wearing; they know their worth and how their beauty is different from everyone around them. This is real deal of beauty at Valdosta State University: diversity.

Weekes said that the first step in applying eyelashes is to apply mascara. “This curls your natural lashes, creating a shelf to support the weight of your falsies,” she said. Next, you should cut the lash band in half, making it easier to apply. Then, you should apply “a laserthin line of lash glue” to the lashes and wait a moment to let it dry a little. When applying the lashes to your lids, you should do the outer corner before the inner corner, “hugging that lash line tight.” Finally, Weekes said, “If you want an eye-lifting effect, place the outer extension slightly above the natural lash line.”

Achieving such an effortlessly confident look is not easy, fast, or cheap. For example, getting your hair done can be very painful due to the tight gripping— not to mention the cost. So, two talented young ladies, Tatyana Weekes and Alexis DuPont, decided to bring their talents to VSU and help fellow students in need of a good makeover. Tatyana Weekes is a freshman majoring in Nursing and Health Sciences. Weekes has been applying lashes since 2016. “I can do both individual lashes and eyelash extensions, which is two different types of ways to wear fake lashes,” Weekes said.

The most frequentlyasked question Weekes receives is this: What is the most long-lasting lash glue to hold lashes in place throughout the day of a college student? Weekes said, “I would say the best eyelash glue would be Companion Eyelash Glue. It offers a strong and safe, long-lasting formula.”

As Weekes explained, individual lashes are “typically

The main question that everyone has about hair is how to take care of it to avoid damage. DuPont said that moisturizing will prevent breakage and encourage growth. Dupont recommends oils like coconut oil to “keep the hair strong and healthy.” She also said, “Avoid heat to your hair. Do hairstyles that are easy on your hair, like braids.”

Weekes said she wishes more girls knew about her services so they could avoid the expensive salons. “It benefits their self-confidence when they need a boost or just for a night out,” she said. Alexis DuPont is also a freshman, majoring in psychology, who has been doing hair for over five years now.

DuPont believes that offering non-mainstream services helps the students of VSU. “Girls will go and spend almost $200 through $600 to get their hair alone,” she said. “I used to go to salons all the time before I learned how to do hair, and I know it would be easier and cheaper if they got their hair done here on campus, in an environment they are familiar with.”

She learned how to do sew-ins, frontals, and wigs from her aunt and YouTube. “The most helpful would have been YouTube,” DuPont said. “It really showed me how to do things in depth.” For anyone interested in starting out in the hair industry, DuPont offered some dos and don’ts to avoid common mistakes. “First, if your client is in pain, stop and ask what is wrong and how you can make the pain stop,” she said. “Then, you should always give them what they want. Never short-cut your client because then you will lose a valuable client.” Finally, DuPont said, “When doing hair, you have to be creative and open-minded because doing hair is an art.”

Both of these girls are full-time students juggling school, work and their professions to bring color and artistry to this campus. Everyone on campus deserves to get all dressed up and walk with confidence with a new hairstyle or decked-out eyelashes. Above all, it’s good for people to express themselves and show their individuality to the University or better yet, the world.

The Youtube

TAKEOVER By D’yanna Coffey

Ah, YouTube: where you go to watch one video only to end up on the other end of the universe watching “How to Save the Entire Ant Population: A Step by Step Tutorial.”

channel to document my growth, not only in my hair, but in myself as well,” he said. Now, as a junior biology major with over 5,000 subscribers, Shaun reminisces on the beginning of his YouTube journey. “I got into it freshman year of college,” he said. “That’s when I really buckled down on the whole hair concept.

Ant Populations aside, viewing is much different from creating. It’s easy to watch, but that simple five-minute video probably took actual hours to create. As with any craft, YouTube creators put in a lot of work, especially full-time university students.

I watched tons of videos. Everything and anything about hair, taking care of it—the whole thing.”

Among those balancing college classes and creating content are two of Valdosta State University’s rising Youtubers: Ashley Montaque and Shaun Anderson.

Although he is a full-time student and member of BSL (Black Student League) and the NAACP (National Association for the Advancement of Colored People), Shaun is ready to take on the workload. “I know that a lot of work has to be put into being a Biology m a j o r, ” Shaun

Ashley Montaque, better known by her YouTube alias “ToldbyAshley,” is a sophomore mass media major with a passion for beauty. On YouTube, she is a beauty guru with 6,000 subscribers and counting. Basically, if you want to look (and feel) like Beyoncé, check out Ashley’s channel, where she offers step-by-step makeup tutorials, fashion hauls, hair reviews, and, if you missed church, quick Sunday inspirationals. “Every video I post is like a bit and piece of what I am, whether that be a makeup tutorial, a hair video, a vlog, life advice—anything,” she said. “I wanted it to be a mixture of anything that anybody could relate to, male or female.” Rivaling her in terms of popularity is Shaun Anderson, or as his subscribers know him, “Mettaboy Shaun.” Shaun, who specializes in natural haircare (and the art of being yourself), says his inspiration for YouTube began his freshman year of college. “I started my

YouTube is an open portal for those seeking to unleash their talent while helping others. But before dipping into the world of content creating, consider Ashley’s advice. “Do YouTube because you genuinely, wholeheartedly want to,” she said. “Just have a genuine passion for it and a reason for doing it.”

said. “But I’m ready to do it all.” Balancing classes, extracurriculars, and filming/ editing videos is no easy task, but Shaun said his viewers are what keep him going. “I realized YouTube was for me when people started reaching out to me from all over, especially the kids or the younger audience,” Shaun said. “They’d be like ‘Hey, you helped me so much with this video and how you do this. Do you have any more tips for me?’”

Shaun concludes with a brief checklist. “Be consistent,” he said. “Consistency is in the top three. Two, be original. Basically, everybody’s doing what you want to do, so you have to do it in your own unique way. Stay true to your colors.” He advises, only to end on a lighter note by flashing a bashful smile and concluding, “Have fun. This is fun. I enjoy doing it.”

But what does it take to become a Youtuber? According to Ashley, it’s research. “When I got my first camera, I had no idea what I was doing at all,” she said. “But then I kept researching. I literally had days where I was on YouTube for hours researching, like what’s the best vlogging camera? What’s the best DSLR camera?” Ashley balances classes, work, and extracurriculars like MAG (Media Arts Geniuses) and ASA (African Student Association) with YouTube. “My life is crazy,” she said. “I’m up until like 2 am.” As far as how she balances it all, she said that time management is key. “School comes first,” she said. “That’s the number one priority.” Gaining a following on YouTube is no easy feat, but these two Youtubers’ passion for their craft outweighs the long nights. These students represent the passion and drive of Valdosta State’s talented students.

Featuring Artwork by Armani Bibbs 17

WHICH HIS WORK OF ART YOUR PERSO

START

PLANNED AND ORDERLY OR GO WITH THE FLOW? PLANNED AND ORDERLY

GO WITH THE FLOW

WALLFLOWER OR SOCIAL BUTTERFLY? SOCIAL BUTTERFLY

PERSISTENCE OF MEMORY

NIGHTHAWKS

TORICAL DESCRIBES ONALITY? rULE bREAKER OR RULE FOLLOWER? BREAKER

WALLFLOWER

FOLLOWER

PERSISTENCE OF MEMORY

nUMBER 5

BLACK

englis By Dominique Brinson 20

More commonly known as Ebonics, Black Vernacular has been called “broken English” or “slang” and disparaged as a lesser form of language. Black Vernacular dates back to the beginning of American slavery. The slaves, unfamiliar with the English spoken by their captors, adapted a simplified “pidgin” English that they could all understand. Over time, the language has been adapted and passed down through generations of black families and can be heard all over the United States.

Dr. Tameka Hobbs, head of VSU’s African American Studies program, spoke of the “cultural carryover” as a possible explanation for the continued use of Black Vernacular. “It’s their own dialect,” she said. “It’s more intimate.” This language is especially prevalent here at Valdosta State University. According to VSU’s admissions website, over a third of the undergraduate student body is African American. This fact makes the school a hotspot for Black Vernacular. Just walking across campus, you often overhear students communicating in the language. Middle grades education major Christian Evans, said he heard about black vernacular from his ESOL class professor and his pastor,” showing how pervasive Black Vernacular is in black culture. Although he hadn’t known what it was called, he has used the language throughout his life. Having a common language can help people form relationships. “I believe it can be helpful because you can understand each other, and it kind of gives you a sense of comfort when talking to someone that talks like you,” Evans said.

Finding common ground with someone else is a fundamental part of building lasting relationships, and Christian says he has formed lasting relationships with some of his friends. Dr. Hobbs attributes the language’s lasting impact to the fact that it was created “for us, by us.” However, the language does not resonate with each student the same way. Some limit their use of the language to strictly personal settings.

Lenah Allen English major, said, “I may use this language lightly if I’m talking to my friends, but I don’t use it on a daily basis.” Though she doesn’t use the language too often, she understands the benefits of a dialect that makes connecting easier. “I think it might enhance the

relationship because you feel more comfortable and can relate on another level,” Allen said.

that they are accustomed to using that informal English in formal settings.”

When asked if she has formed any lasting relationships using the language, Allen said, “Yes, I have. I see nothing wrong with using the language. Most of my friends have used Black English.”

These problems can discourage the use of the language altogether or contribute to the falsehood that all black people who use the language are “ghetto.”

However, Black Vernacular is not always held in high regard. Issues surrounding the language being “ghetto” or the use of the language in formal situations give rise to problems.

Despite these adversities, Dr. Hobbs said that black people should hold onto their culture, no matter the obstacles they might encounter along the way. “I believe that everyone should aspire to be themselves,” said Dr. Hobbs. “I’m from a small town. I like hip hop. You should always be you, no matter your status.”

That’s a problem that most students who use Black English have,” Allen said. “They use it so much

inno

FINNA D Lawd a E aw CEPT G K 22

HE’S

CONCEITED -

AND HE HAS A

REASON By D’yanna Coffey

Meet Conceited. Or rather, meet Treyvion Hills, a junior criminal

while a song with a more relaxed, mellow feel calls for slower, smoother moves. “Music and dancing, you just portray the music,” Treyvion said. “If you dance to a slow song, you’re going to be in your feelings. I don’t want to be dancing to a sad song and show that I’m happy.”

justice major at Valdosta State University. During the day, Treyvion blends in with the crowd, diligently attending classes in pursuit of his degree. But when the clocks hit 6 p.m. and classes finally pull to an end, Treyvion Hills is no more. Instead, a certain confidence and playfulness takes precedence as Conceited comes out to play. While Treyvion bears a bashful smile and the disposition of a humble Macon native, Conceited exudes a presence that is hard to ignore.

Portraying lyrics, emotions, and dancing requires subtlety. But where exactly does it start? Where do his movements begin before the entire concept of the dance comes together? According to Treyvion, it’s all in the feet. “Footwork—it always starts in the foot,” Treyvion said.

Often found on the steps of the Student Union, Conceited makes the dull concrete stairs his stage as he brings music to life in an underappreciated artistic sense: through dance.

The art of footwork, in which one moves from foot to foot in a quick series of movements to capture the rhythm and flow of the song’s beat and the artist’s lyrics, is just the warmup to the actual dance. But what is the actual dance? For Treyvion, it depends on what he hears. Of the numerous dance videos he’s produced during his time at Valdosta State, he says a majority of them are not planned. Many are freestyles, in which the dancer’s movements are spur of the moment. But according to Treyvion, this isn’t always easy. With mere seconds to come up with a move to match each lyric and change in flow, freestyling is a challenge, even for Treyvion. He said it’s hard to think of moves while freestyling because “you have one second to do it.”

While Treyvion is more easygoing and reserved, Conceited is full of energy, adapting to whatever environment the music creates for him. “Treyvion is the more laid back, serious side of me,” he said. “But Conceited is the dancing side of me.” Whether it be the more animated, upbeat movements for a Rae Sremmurd song, or a more focused, intensive series of moves for a Flipp Dinero track, he never fails to put on a performance that garners the attention of a crowd and praise from social media, where many of his videos have received hundreds of likes, retweets, and even the attention of rappers like Blac Youngsta and Swae Lee of Rae Sremmurd. But according to Treyvion, while the attention is well appreciated, it’s not the likes or retweets that drive him to record his daily dance adventures. He simply likes to dance. “If I hear it [music] and I like it, I’m dancing,” Treyvion said.

Despite many momentary struggles that come with dance—like forgetting a move, difficulty in learning new choreography, and adjusting to new genres— Treyvion has two very important mottos. The first is that there’s always room for improvement. The second: Don’t quit. He said that even in his most challenging moments, he remained persistent by constantly retrying even the most difficult moves. And above all, he took on his challenges with a positive mindset, by viewing them as something that can be overcome with practice and dedication. “Your greatest competition is yourself,” Treyvion said. “There’s always room for improvement. And I don’t resort to quitting; I like the challenge.”

But to Treyvion, dancing doesn’t mean simply doing a series of popular dances in front of a camera; it’s much more than that. He stresses the importance of lyricism—if a song is heavily lyrical, the dancer should try to portray the lyrics in time with the artist’s flow. This is also why Migos are Treyvion’s favorite group to dance to. Their energetic lyrics and eccentric flows make it easier to accentuate the movements of their lyrics. “The Migos [are] lyrical,” Treyvion said. “There’s two types of ways to dance: hype and lyrical. Hype is when you do all the backflips and flips. But lyrical is different. Lyrical is Lil Wayne and Gucci Mane. I can portray the lyrics they’re saying.”

Looking back on his journey, which started in a small dance troupe in Macon, Georgia, Treyvion deems it long but necessary. Despite initial plans to come to college and put dance on the back burner, Treyvion soon found himself drawn back in upon meeting fellow dancers who inspired him to give the world of dance another chance. According to Treyvion, coming to Valdosta State affected his decision to dance. “If I hadn’t come to Valdosta State, I wouldn’t be dancing,” Treyvion said.

Alongside expressing lyricism, he also stresses the importance of portraying emotions. A song with a more upbeat feel requires more energetic movement,

25 Featuring Featuring StudentArtwork Artworkby byArmani ArmaniBibbs Bibbs

By Sydney Heatherly Leaving home for college can cause a wave of emotions, from feeling overwhelmed to excited. Many students, especially those who moved far away from home, will decorate their dorms to capture the warmth and security of their rooms at home. It’s a warm feeling to walk into your dorm room and see a picture of your family or a stuffed animal you’ve had since you were a baby. Two freshmen in Patterson Hall, pre-nursing major Keyana Howard and criminal justice major Kennedy Davis, have decorated their dorm to create that same feeling of warmth. Davis’ favorite thing that she brought to campus was her camera and her Polaroid pictures, hung on her wall with a strip of duct tape. The Polaroid pictures are placed all over one of her walls and strung on her side of the window. On each picture, Davis wrote little explanatory phrases.

letter K with command strips and hot glue. Keyana Howard’s side of the room is very inviting, with all the colors and patterns. Hanging on the wall with super glue is a beautiful tapestry, filled with deep reds, subtle browns, and warm yellows, resembling a sunset. “I really like all of the colors and the detail that had been put into it,” Howard said. The most valued thing Howard brought to campus are a couple of blankets her mom bought for her. The blankets have multiple geometric shapes and numerous shades of pink and purple and hints of brown. “The blankets are really warm, and I can’t help but think of my mom when I feel them. When I think of my mom, I think of warmth and safety,” Howard said.

“I look at them and I get a reminder of home,” Davis said. One picture includes Davis on her last night home before she moved on campus, which she labeled “last night as a kid.” Another picture features her mom standing in the kitchen, making a fish face. “My mom is one of my best friends, and hanging out with her while she cooked dinner was always something I looked forward to,” Davis said. Davis had multiple elements all around her room that she had back home. She has a marble-patterned bedspread. Outside the room on her door, Davis hung up sunflowers, her favorite flower, and a wood block

At every university, there are the guidelines for what students can and can’t bring to the dorm. If Davis had her way, she would have her little sister, Legend, living in the dorm with her. “I’d want Legend to be here because she makes me laugh and is always fun to be around, even though she can be annoying at times,” Davis said.

If Keyana had free range of her room, she would make it brighter. “I’d definitely paint these walls yellow and add some flowers to the walls, because these cement walls are not cute whatsoever,” Howard said. One inevitability when packing for college is that you’re going to leave something behind. Both Howard and Davis forgot to bring things to campus when finalizing their packing choices. Howard wishes she had brought a gift her boyfriend Nathan gave her. “He bought me this huge, life-sized elephant for our anniversary, and the elephant is my favorite animal,” Howard said. “But I didn’t know how much room I was going to have with sharing a dorm with another person. If I keep the elephant on my bed, then it should be fine.” Davis forgot some pictures she wanted to hang. “I have family in Laddonia, Missouri, and I forgot to get pictures of my family while I was up there over summer break,” Davis said. “Hopefully next year I’ll be able to have some pictures of them.”

One of the most problematic guidelines for a lot of students is that candles aren’t allowed. “I wish we were allowed the candles, but I know back home my mother scolded me for leaving the wick burning whenever I left the room,” Davis said. “So instead I bought a wax warmer. All you need for it is a lightbulb. It’s amazing, and the wax lasts forever.” In the dorm room, there is a set number of wall outlets, which was a setback for Howard. “I made sure one of the first things I bought was a surge protector. Since we can’t bring an extension cord. I’d highly recommend all students investing in one.” Howard said. There are many ways to decorate the dorm room you are given, whether it be with color and crazy designs, or with personal family memories, reflecting your personal aesthetic. Guidelines can feel overbearing, but they are put in place to keep everyone safe. But, there are many alternatives which don’t break rules and can still make the dorm beautiful and unique.

LOST ART OF VSU By Selena George

Art on college campuses generally goes unnoticed. Between pesky 8:00 a.m.’s and studying for midterms, the minds of students are often preoccupied, so a thirty-year-old sculpture outside Odum library, though beautiful, doesn’t receive the attention it deserves. Taking art outside of galleries starts conversations while enhancing the image of our campus. Sculptures and paintings sprinkle lecture halls, waiting to be admired. For example, the painting of a woman on the Odradek bulletin board in West Hall lives a mystery. Few students notice her ominous stare and even fewer know her origin.

Every student has passed by the “dragon” in front of Odum library, but few know that he is actually a creature from Norse mythology. Son of Loki and the giantess Angrboda, Fenrir was a giant, wolf-shaped creature foretold to bring the death of Odin during Ragnarök, a sort of Norse apocalypse. Nine feet tall and made of painted steel by Charles Hook, VSU cherishes our own Fenrir. Don’t worry, Odin’s chain still binds him—but legend says that if the beast is released, all nine worlds will burn, the earth will sink deep into the sea, and friend will perish foe.

“My Big Red” is a fifteen-foot, painted aluminum sculpture placed between Reade and Langdale hall. Crafted by Robert Coon in 2004, it’s said to be the now-retired artist’s largest piece.

In 2012, Mark Dickson added “Guardian” to our outdoor art collection. “Guardian” is an abstract sculpture representing a hybrid being: Dickson mixed technology with the simplicity of human form to create a steel creature that guards Valdosta State students on their late-night treks from Odum and the Fine Arts building.

DIGITAL TAKEOVER

computer animation at vsu

By Folake Amoda

It’s 2016. You’re sitting in the movie theater watching Chris Pratt come alive in front of your eyes, running from dinosaurs. Your heart jumps and dashes as you watch prehistoric animals battle, and you extend your hands to touch the 3D figures. It’s exhilarating, and you can’t help but notice how realistic the dinosaurs look. Is that T-rex really animatronic, or did the producers covertly

create a time machine? In fact, the Tyrannosaurus rex and all the animals in Jurassic World were simply computer animations. Initially only used for science, engineering, and other research purposes, computer animation came alive in the mid-1960s and has been engaging viewers ever since. From famous films like Lord of the Rings and Frozen to popular video games like Zelda and The Last of Us, computer animation has developed unique techniques to bring characters to life and mix reality with fantasy. VSU’s computer animation history starts a few decades later, in 1985. Professor Hollis Barnett began teaching the course, along with the first-ever computer lab in the Fine Arts Department. He taught ten students with only one computer and was even able to make a graduating class out of this. “I taught them how to use it, and we would break down the number of hours they could work on it and we divided the time amongst the students in the class until we slowly expanded over time, Barnett said” Barnett has been interested in computer animation since he did his post-graduate work, after graduating in sculpting where he found his passion for computer animation. “They were just starting to get computers into schools, and I did some experimental work with computer animation at Memphis State University. It was so fun and challenging, I never left it, he said” One of the computer animation projects Barnett created while at VSU, “Statue Dance,” is set against a landscape of Valdosta’s very own Sunset Hill Cemetery. Barnett then computer generated a statue in the foreground dancing to “Stayin’ Alive” by the Bee Gees—all in a matter of a few days. He teaches this computer animation course on Tuesdays and Thursdays from 8 a.m. – 11 a.m. While an early feat for some, this class is worthwhile for plenty of students, including junior graphic design major Nina-Louise Guyette.

When Howard digitally animates, it always starts with a sketch. “I draw everything out in my journal, almost like a storyboard, and then I go to design it,” Howard said. “Modeler is the program we use the most. It’s designed there and then moved to Layout, where it makes the design start walking and talking and even sound can be added to it.”

Although this is only her first time taking an animation course, Guyette has been involved in the arts for years. Citing How to Train Your Dragon as one of the things that got her interested in computer animation, she hopes to work on movies and television shows, and she believes the class is helping her to achieve that. “Barnett’s class has been pretty fun so far,” Guyette said. “He takes it kind of slow for everyone to catch up with everything. I’ll be taking his class for as long as they let me.”

Currently, Howard is working on a short friendship story about a cat and a dog spending a day together, which she credited to her love of animals and “watching way too many Disney movies.” “The easiest part is done, though,” Howardsaid, because animating is more difficult than drawing. “It took me almost 2 weeks to get the body correct,” Howard said in reference to the progress of her animations. “I’m hoping to be finished by finals week.”

As advice for aspiring animators, Barnett said, “You can never think you know it all. It’s always changing and there’s always a new software that needs to be learned.” And don’t just take it from a beginner—senior photography major Elizabeth Howard, who’s taken almost every photography course VSU has to offer, said, “I never thought I would get up this early since my freshman year, but coming here makes it all worth it.” Howard started taking Barnett’s class in order to gain experience in digital animation, in her effort to one day open her own photography store. “I love anime and cartoons and video games, and I wanted to do something around that,” she said.

Howard, both a digital animation student and a traditional photography student, said that the biggest difference between the two is patience. “With traditional photography, I can just go out into the field and work, but with computer animation, there are just some things you can’t rush,” she said. This doesn’t stop her love for both, as she finds the challenge of taking something she’s drawn and bringing it to life with her own hands one of the most rewarding experiences.

DOWN

HANDS

By Savannah Finney

Walking down the hallways of Hopper’s first floor, you might see residents using their hands to communicate in American Sign Language (ASL). Little known to most students, the first floor of Hopper is the ASL Specialty Academic Residence Community (SPARC), which allows students involved in ASL to better practice their interpreting skills with their peers. The poster placed on the door reads “Voices off, hands up.” In regard to this rule, Sydney Boucugnani, freshman deaf education major living in the SPARC, said, “The only rule I know about is to sign as much as possible. Most of the time, our floor follows that.”

This rule allows signers to better connect and learn with their hallmates. Boucugnani said, “The most interesting part of this community is learning all the variations of sign. American Sign Language has many regional signs, and with many of us coming from different parts of Georgia and Florida, it’s cool to see all the variations of sign.”

Depending on what the RA has planned, the SPARC residents do a variety of activities together. Sometimes, the ASL staff come and host presentations on ASL. Other times, residents play games with “voices off, hands up” or simply get together and watch a movie. The RA also teaches ASL lessons each week in a downstairs lounge. Living in close quarters is a terrific way for ASL majors, minors, or even just those who know how to sign to become closer through hand signals instead of talking. However, this living community is not the only opportunity for students interested in ASL to get involved. In addition to their weekly meetings at 6 p.m. in the Education Building,

their classes. Personally, I feel like the senior class is like a diverse family. Whenever we all come together, it feels like a family reunion.”

the ASL club puts on events such as movie nights, game nights, and ASL story time at the local library. Senior ASL interpreting major Leah Sutton describes deaf awareness events “where students can volunteer, have fun, improve their signing skills, and learn about deaf culture.” Students can also volunteer for the Deaf Field Day that takes place each fall, when local schools bring their deaf or hard of hearing students to VSU to participate in fun recreational activities together.

Valdosta State is one of only two colleges in the state of Georgia that offer degrees in ASL, the other being Georgia State University. Both Sutton and Boucugnani agree that the ASL program here at VSU is excellent. The professors within the field are passionate about what they do and dedicated to helping their students improve their skills.

Reminiscing on why she became interested in ASL, Sutton says, “I chose to research the ASL and deaf community for my senior project in high school. I discovered a whole group of people and culture that I’d never experienced before. I fell in love with the language and developed a passion to advocate for the deaf community.”

For anyone wanting to learn ASL, just jump in and try to join as many activities as you can. Sutton said, “Learning how to communicate in ASL is exciting. Don’t be afraid to attend an ASL event on campus if you do not know sign language. Everyone starts somewhere.” There are many people here at VSU who know ASL and would love to help. The deaf community provides its own culture with unique individuals, and when you learn ASL, you are able to interact with this amazing group of people.

Overall, students in the ASL program at VSU are friendly and supportive of one another. Just like with any major, the students become acquainted with each other within the first few years through events and classes, but as they progress through the program together, they become closer.

“You might just get hooked!” Sutton said.

Sutton said, “I know quite a few senior ASL Interpreting majors who have become very close friends through

THE STORY OF

ROCKBOT

AT VSU By Sydney Heatherly was playing in the Student Union. “When students aren’t picking, I have about twenty-two different playlists,” Fondren said. “Rockbot picks from those playlists. In addition, Rockbot has its own music to play. So, it can be pop music, sometimes it can be hip hop.”

Drake, Toto, and Post Malone: the three most popular artists that are played on campus through Rockbot. Based on the records of music preferences from the student union, Palms Dining Hall and Blazer Sports Grille. On the app Rockbot, users can create profiles or log in with social media accounts such as Facebook and request songs to play over the speakers at locations that enable it. Evan Fondren works at the Student Union as a reservation coordinator and has a great influence on Rockbot. “Palms dining hall is the original place that first got Rockbot integrated on campus. It was introduced roughly six months ago, and now is used at Palms, SU, and Blazer’s Sports Grill,” Fondren said.

Admins can block out certain songs, and Rockbot has its own filter for obscenity. “I was trying to engage with all students so I added hip hop, and only about three songs were able to play from that playlist,” Fondren said. He also encountered a problem with certain songs affecting students’ behavior: “I personally had to ban Never Gonna Give You Up by Rick Astley,” Fondren said. “Students tended to go crazy when it was played. I unbanned it one day just to see what students would do, and they couldn’t contain themselves.”

Before Rockbot, the Student Union was the only place that played music. There was an iPad set up in the Student Union at the tables near Which Wich where students could go and play songs through Spotify or their Pandora accounts, which technically isn’t legal, so the Student Union shifted to iHeartRadio. However, this still wasn’t 100% legal. The Union switched to Rockbot because Rockbot pays for a music license, eliminating any legal troubles.

Overall, Rockbot isn’t that popular. A lot of students had no clue what Rockbot was until they came to VSU. “Rockbot service at VSU is one of the only places in Valdosta that offer the interactive version of Rockbot,” Fondren said. “Panera Bread has Rockbot, but you can’t go and select songs to be played. From what I’ve seen at different places that do offer the service, they aren’t interactive either. The first month that we had Rockbot, we had the most interaction compared to anywhere else that offered Rockbot.” Not many universities allow their students to DJ their public spaces. Rockbot is another way VSU showcases its students’ diversity and individuality.

“What makes the service unique is that students can interact with it, and we can get data as to what they like to listen to,” Fondren said. According to the data, the artists range from AC/DC to Migos to Hannah Montana. The Rockbot admins can program certain music to play for certain events or when students are not selecting songs. For example, around homecoming, 90’s music

TATTOOS: DEEPER THAN INK By Folake Amoda

he ancient practice of tattooing, once thought of as taboo and as a sign of rebellion, has since become a staple of human expression and freedom. Roughly one in five Americans has one, as more and more people, especially young people, are engraving their attitudes on their persons. But it’s not just attitudes that are leaving a permanent mark on one’s bodies. Tattoos create a layer of beauty that lies in choosing to keep the remains of bonds, lessons, and experiences with us until our skin and bones are indistinguishable from the soil six feet beneath our feet. Ink, if we allow it to, has the ability to pull our minds back to a moment in time when we decided whatever was in front us or within us meant something. A tattoo could be a gesture memorializing a love one, whether it be platonic, familial, or romantic, or the freedom and relief that arrives from leaving one. They can represent joy, sadness, or they can mean nothing at all. And sometimes, tattoos are a depiction, that we ourselves, are simply enough to honor. Regardless of meanings or indications, tattoos are here to stay and a good walk around VSU’s campus leads to some hidden art gems you won’t find anywhere else.

I got a tattoo of my wife when she was 18, when we first met and started dating. We’ve been married 48 years, come March and I got the 2nd tattoo of my daughter around ten years ago. I just wanted to give credit to my loved ones. ~ James Taw, Professor of History

I got my brother’s name [Tevarion] when I was 14 due to him dying of brain cancer the year before. He was special to me and I know he’s in a better place, so I added the wings and halo around it.

I got this piece on my sternum because I wanted it. It’s pretty and I love it. Tattoo #4 and still counting. ~ Kennedi Mitchell

~ Jaquavious Sims

My tattoo is a matching one that I got with my father. It’s an infinity sign with my birthday (7/1/99) and his birthday (7/1/66). We’re exactly 33 years apart and we got the tattoo to symbolize our relationship. I was in my best friend’s living room and some guy was there and asked if anyone wanted a free tattoo and I was like yeah! The tattoo is just a bass cleft for my love of my music and the three stipes are for my fraternity, phi mu alpha.

~ Kiara-Monae Johnson

~ Zack Serrott

I got my first tattoo on my inner arm and it’s my dad’s handwriting and says I love you so much. I got it because my dad is my favorite person on earth. I honestly just can’t wait to get more. ~ Maya Timmons

I got this tattoo done in my junior year of high school because I’ve wanted a mouth tat for a while and I say yeeWWt a lot. I highly recommend people to get lip tats. It’s like your own little secret. ~ Samantha Weaver

CELEBRATING 35

YEARS OF EXCELLENCE By Selena George Beginning with less than a hundred members, the Blazin’ Brigade has entertained fans at VSU football games for 35 years, and it all began in 1983. Fast forward to Fall 2018, and the Brigade marches on under the direction of Benjamin Harper. It is one of the largest organizations here at VSU with about 150 members, and the number is constantly rising. The band includes members from just about every major on campus, while open to any student interested in joining. Dr. Harper has been teaching at VSU since June 2017. He has a Bachelor of Music Education from Iowa State University, a Master of Music in Wind Conducting from The University of Kansas, and a Doctorate degree of Musical Arts in Wind Conducting from Texas Tech University. He writes all of the halftime shows that the marching band performs, and it’s obvious that he loves his job.

When they enter band camp each summer, they go in without a hint of what the theme or drill will look like but leave with minutes of music memorized and sets plastered in their minds. If you’ve never been in band, trust that this is no easy feat. Putting on halftime shows is not confined to just running out on a field to smile, and while the satisfaction of perfecting a performance is slow-burning, this win is worth it. Nothing in marching band is about the needs of individuals but those of the entire team. If one person fails, they all do. Making use of every member to create formations on the field takes skill and dedication. Students leave this program with more than just the skills to play an instrument. They grow as people and form bonds that will last lifetimes. Not only does being in the Brigade teach them music, but it shows members what it takes to succeed in a professional environment. They learn problem-solving methods, how to speak with professionals, interview skills, the ability to work under pressure with a group of people, and the confidence to do all of the above. You can see them perform each season at games, tailgates, pep rallies, Valdosta’s Southern Open Marching Band Exhibition, and a few scattered high school events as they look to recruit new members.

There’s nothing like leaving the stadium victorious, red and black war paint smudged across your cheeks and a smile stretching from ear to ear. Inspiration for the shows comes from what is popular at the time, with twists to please older fans as well. Harper considers the demographics of the audience while setting a stage that his musicians enjoy playing on, and this method has yet to fail.

SPINNING

THROUGH THE PAST

By Arelexus Brown

The earth is the galaxy’s most diverse planet, populated with billions of people, each vastly unique. However, there is one language that is universally understood: Music.

“I didn’t really get into music until my senior year of high school,” said Taylor. “I was listening to a lot of what people would consider alternative/underground hip-hop at the time: Tribe, Blackstar (Mos Def & Talib Kweli), MF DOOM. I started a music blog so I could share my music taste. From there, I began to blog on a Tumblr page that actually gained a mini cult following. My music taste began to broaden to several other genres of music: Brazilian music, jazz, African music, Detroit techno and so many more.”

The ways to access music have evolved over the years, but great tunes—whether they’re round, rectangular or digital—never go out of style. The resurgence of vinyl amongst Millennials and Generation Z is proof. With the opening of Vibes & Stuff, an independently owned record shop run by VSU alumni, vinyls are officially back on trend in Valdosta.

Other musical interests of Taylor’s include ‘60s Jazz, ‘80s Reggae and sampling from vinyl to create beats. Taylor’s love affair with vinyl would also develop later, beginning in 2012 when he saw a video of drummer and producer “Questlove” of Jimmy Fallon’s House band The Roots showing off his record room.

The shop is owned and run by Le’Shawn Taylor, a music lover and 2017 sociology graduate of VSU. Since its Sep. 1st opening, the shop has attracted attention from music lovers young and old. Taylor maintains an eclectic selection of vinyl, ranging from the most popular classics to rare obscurities.

That video would inspire him to begin his own collection. “It looked so cool seeing him be so knowledgeable about his collection,” said Taylor. “I went to Goodwill one day, picked out 5-6 records with album covers that caught my eye, and the rest is history.”

He personally sought out each record at record fairs and with flyers posted around campus requesting unwanted vinyl records. For Taylor, the idea of owning a business had never crossed his mind, but the closing of a local record shop inspired him.

In his personal collection, Taylor now owns over 1,000 records. While reprints of classics and modern vinyl releases have increased in popularity, his collection consists of original pressings. He admits to being unaware of the new vinyl craze during its peak, even citing it as a positive, less competition for his own vinyl searches. Like all trends, vinyl records have the potential to go out of style once and for all. However, Taylor does not see this happening anytime soon.

“I’d never thought that I would ever own a business, let alone a record store,” said Taylor in an email interview. “The idea came to mind a few months after our local record shop, Red Door Records, had closed. I missed having a record store to go to.” The new store gets its distinctive name, Vibes & Stuff, from a song by the hip-hop group A Tribe Called Quest, one of Taylor’s favorite bands.

“People are all over nostalgia nowadays, so I doubt it,” said Taylor. “There’s nothing like physically holding and owning the music you enjoy.”

Despite owning and selling an extensive collection of vinyl, Taylor admits that music has not always been on his radar.

With good vibes and nostalgia by his side, Taylor’s business is bound to flourish in the city without limits.

GNARLY DUDE! By Destany Flowers

So, how is skateboarding considered an art?

I started noticing around my first few days here at VSU that many students skateboard outside the Student Union, practicing tricks and often falling, but they always get back up and try again. These few students’ dedication to this underrated sport amazed me, so I interviewed skateboarder James Johnson.

“Skateboarding is an art because it has infinite creativity,” Johnson said. “There is literally no limit to the number of tricks that you can do with a skateboard. Every day, you see people on the internet posting videos of them creating new tricks and doing crazy stuff that has never been done before.”

Johnson is a freshman art and design major born and raised in Montgomery, Alabama. He is now four hours away from home to attend VSU. He has been skateboarding since he was only fourteen years old. “Skateboarding was never easy at all,” Johnson said. “In fact, it is very hard. I often fell and got many bruises from trying to land tricks.” However, the rider isn’t the only creative aspect of skateboarding.

Even though skateboarding can be such an involved art form, it can injure its rider. Johnson said, “Skateboarding is a very physical and dangerous sport. People are always at risk of breaking bones and hurting themselves. We skate at our own risk.” Despite this danger, most skateboarders neglect to wear protective gear.

The skateboard itself can be customized with art and has a special value to its rider. Skateboards come in many different shapes and sizes, from a shortboard to a coffin-shaped board.

“I just wear normal clothes,” Johnson said. “I have never worn protection while skateboarding and I probably never will. Very few experienced skateboarders actually wear protection. The only people who wear helmets, knee pads, etc. are tranny skateboarders.”

“There are different types used for different things,” Johnson said. “Penny boards are boards that just get you from point A to point B, but they are also used for riding down hills. A cruiser board is mainly for transportation, but they also have a kicktail, so if you wanted to do tricks or to just ollie up a curb you could. Finally, you have the traditional skateboard that you see today. These skateboards are used mainly for doing tricks, street skating, park skating and transportation.”

Tranny skating, short for transition skating, is another word for vertical skating, in which a skateboarder does tricks involving ramps or steep inclines. “A tranny skateboarder is someone like Tony Hawk who does mostly bowl and ramp skateboarding,” said Johnson. “Tranny skateboarders make up only 3% of the skateboarding population and the rest is street skateboarders.”

When you customize your skateboard, you have many options to choose from depending on your personal preferences. “I skate a traditional 8.25-inch wide Primitive skateboard deck,” Johnson said. “It is custom in the sense that everything I have on it I picked out. I have Spitfire Wheels, Bones Reds bearings, Venture trucks, and mob grip tape.”

Everyone has their own story about what brought them to their preferred art form, but what could bring someone to want to risk hurting themselves daily?

Skateboarding is an art in many ways. For instance, you can design your deck any way you like, and you can do complicated tricks. However, some people do not have the same positive attitude toward skateboarding. Some stores put up signs to ban skateboarding outside their shops.

“I got into skateboarding when I was fourteen,” Johnson said. “I saw a video on YouTube of a pro skateboarder named Aaron Kyro. He teaches people how to skateboard, so I started watching his videos and I became immediately inspired to skateboard. I saw how much creativity there was in skateboarding and it was basically a sense of freedom for me. There was no coaches or teachers to tell me what to do.”

Johnson said, “People put up those signs because they either don’t want their property to be destroyed or they are afraid that skateboarders will get hurt on their property and we will sue them. However, there are many forms of art that are illegal in some places.” When you consider something artistic, what criteria does it have to meet? “Art” can describe anything created and performed with intention.

Skateboarding is a talent that takes dedication and a lot of bruises to master, but it can be a stress reliever and a way to connect to other students. Hopefully, this will encourage the university to build something for these performing artists, giving them a place to feel at home.

KOOL

COMICS By Dominique Brinson One of the more obscure mediums of art is comic books. Comics have been prevalent in the United States since as early as the 1930s. The rise of these animated storybooks saw grand stories involving larger-than-life superheroes fighting off foes of pure evil. While many of these superhero stories are still told today, current comics increasingly tell stories of all varieties. Attributing to the comic influence is a local shop here in Valdosta. Opened in 2002, Kool Comics is the longest-running comic book shop in the history of Lowndes County. The store sells a variety of novelties such as roleplaying games and collectible figurines but prides itself on its extensive comic book collection. Kool Comics sells both old and new comics and even takes requests on titles to order. The store has hundreds of books on tap, from the easily recognized superhero titles to more obscure titles such as “Maneaters” or “Beyonders.” The interior of the store is a cacophony of colors and instantly catches the eye. Vibrant artwork adorns the shelves and boxes are filled with comics of the past. The man behind the counter, the mastermind of it all, is just a normal guy with a dream. Andre Oliver, the store’s owner, has a background in business and logistics. He served nine years in the US Air Force, specializing in logistics. Oliver also has a degree in psychology and an MBA. Oliver has always been ambitious, and the store’s creation is probably not a surprise 45 to anyone close to him.

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“When I discovered comics, I was probably about five,” Oliver said. “I was closer to ten when I visited my first comic book shop. This is my passion.” determination, Green Lantern had the will to survive and do just about anything,” Oliver said. “I took all that stuff to heart and, in some ways, I became those characters, and in other ways, I’ve always been like them.” Oliver even recalls the first comics he ever read.

“Ever since the age of 10, I aspired to make my mark in the world, and I figured the best way to do that was to become some type of entrepreneur,” Oliver said. “Interestingly enough, I’ve been selling things to people in one form or another since I was eight years old.”

“It was Amazing Spider-Man #199, a Daredevil comic, and I also remember reading a Fantastic Four book,” Oliver said. “I read a lot of Archie comic books, too.”

One of the values that Kool Comics prides itself on is hospitality. Oliver prides himself on treating every patron with the same level of respect when they enter the store.

These stories stuck with him enough that he would aspire to create that same passion in people for the rest of his life.

“I’m always going to greet everybody, ask them about their day,” Oliver said.

“One comic per household,” Oliver said, laughing. “It doesn’t sound like much, but it’s actually a lofty goal.”

Oliver’s fascination with comics extends all the way to his youth.

So, if you’re an avid reader wanting to broaden your horizons or a creative person looking for a new medium to express yourself, try comic books. There’s a nice little comic shop here in Valdosta that would love to welcome you down the rabbit hole.

The comics he read, often superhero stories, helped make him who he is today. “Superman is full of hope, Batman’s full of

STUDENT WORK

Bethany Davis

A LOOK AT THE BIGGER PICTURE Artwork by Armani Bibbs 48

By Jada Dukes Senior art major Armani Bibbs has always had a knack for creating art. Since the third grade, he was teaching himself how to be a better artist. “I was always creative,” he said. “I couldn’t see myself doing anything else.” In the fifth grade, he earned a third place ribbon for a rendering of Michelangelo’s famed painting, “The Creation of Adam.”

Bibbs is more interested in expressing his creativity than the method through which he does so. Whether it’s through sculpting, web designing or music, Bibbs does his best to incorporate a message into every piece. He describes himself as a contemporary artist, but he doesn’t like to confine himself to one art form. His most memorable piece is one that took 24 hours to complete. He received an observation assignment to draw something with a lot of ripples, so he chose to recreate an image of his Miami Heat flight jacket. “It took me a full 24 hours,” Bibbs said. “The same people I saw one day, I saw the next day with different clothes on, showered.” His appreciation for the piece comes from the amount of effort that went into creating it, although he feels it didn’t receive the credit it deserved.

As he got older, Bibbs’ love for art developed into a passion for Photoshop and graphic design when he was introduced to the Adobe suite by his high school graphics teacher, Mr. Wayne. He spent his off days working on new techniques to improve his photo editing skills. “I kind of overdosed on Photoshop,” he said. Armani became so intrigued with Adobe Photoshop and graphic design that he decided to turn his interests into a business:DoitRightDesigns.

Bibbs received an 80 for his drawing and ultimately failed the course. “Sometimes, you really just gotta say fuck it,” he said. The biggest lesson Bibbs has learned from being an artist is that art is subjective. He stresses the importance of staying dedicated despite inevitable criticism because his most important critic is himself. “If you like it, then it works,” he said.

Under the banner of DoitRightDesigns, Bibbs created illustrations, logos, and mixtape covers for friends; his inspiration often coming from clothing brands like Nike and Jordan. When he graduated from high school, he decided he would pursue graphic design even further by making it his major. When he arrived at VSU, Bibbs realized there was more to art than just computer design and drawing. He admits that in the beginning he felt it was pointless for a graphic design student to take a class in ceramics or jewelry-making, but he has a newfound appreciation for what it really means to be an artist. “An artist is a creative person who can use his hands to change his ideas into tangible things,” Bibbs said. He lauds professors Mark Errol, Craig Hawkins and Evelyn Davis as some of the biggest influences on his art. Exploring the different mediums of art helped Bibbs Figure out his path in life. “It has actually led me to believe I don’t want to be a graphic designer,” he said. “Now, I want to be an artist.” He expanded the scope of his brand to encompass different forms of art, like architecture and fashion. Now he sells canvas paintings, takes photos and even delves into the realm of music. Last spring, Bibbs and fellow rapper and friend Noah Stephens were selected to perform an opening act for famous Atlanta rapper Waka Flocka Flame. Bibbs and Stephens auditioned through video submission. They were contacted by the VSU Campus Activities Board to perform and got the chance to meet Waka Flocka personally. Although he doesn’t consider music to be a serious career option for him, he enjoyed the experience and still pursues it as a hobby.

FASHION A NEVER-ENDING SELF-REVOLVING

DOOR

OF CHANGE By Jacorey Moon There are two typical consumers: a consumer that thinks of fashion as a trivial topic that doesn’t have much importance, and a consumer that’s interested in the “trendy” segment of fashion. Both consumers are seemingly incorrect in their approach. In fact, fashion is an art form. Through the years, the world has produced some of the most prominent and influential artists to ever live, and the fashion industry is not exempt. From the 80s to today, every year during fashion month (February & September), the fashion world fosters a new talent that pushes the global culture further. Alexander McQueen was dubbed “l’enfant terrible” during the beginning of his mainstream fashion career, because of his committal to juxtaposing the evil of real life with the beauty and nonconformity of fashion. But that did not stop McQueen. Hailing from London, McQueen has shaped European fashion into what it is today: a raging cesspool of fun, creativity and in your face elegance. Ask anybody who studies fashion and most will tell you that McQueen was an artist. He pioneered what we know today as true Avant-Garde, forward thinking, imaginative runway shows for the new millennium. Often showing piece that aren’t traditionally worn, McQueen always found a way to alter his creations into wearable pieces of art. From Kate Moss holograms, to spray painting robots, to psych ward patients, McQueen continued to show his unique perspective of where fashion and art, conjointly, can go.

Photo Courtesy of Vogue.com

Photo Courtesy of Ghetty Images

Alexander McQueen’s 2009 Fall show featured big prints, jumbo black and white houndstooth patterns, and over-the-top headwear. Most critics found this show to be misogynistic because of the “sex doll lips” that Alexander McQueen used as inspiration.

One of Alexander McQueen’s psych patients during his 2001 Spring/Summer show. The intricate beading and head bandages show just how much McQueen paid attention to detail.

Gareth Pugh went for a much darker appearance for his designs in his 2018 Fall show. The slouchy thigh-high boot was one of the staple pieces of the collection.

Gareth Pugh is a talented up-and-coming London designer, who designs his work by channeling the distinct similarities in fashion, art and culture. For his recent Spring/Summer 2019 Ready-To-Wear collection, Pugh featured and paid homage to the entities that fashion and culture tend to ignore, Pugh stated that his inspiration was, “London as a cradle for creative extremism.” Compared to other fashion weeks, such as New York and Milan where there’s more of a traditional and conservative casting ideal, Pugh made sure that his show stuck out during London fashion week, by casting gender-fluid models. A huge step for the fashion industry.

Photo courtesy of Indigital.tv

A photo from Gareth Pugh’s 2018 Spring/Summer show. Pugh has moved the culture forward, towards a more inclusive industry.

Rei Kawakubo created the slouchy, goth aesthetic of the 80s with her revisioning of what women want to look like. This notion is what made her a star in the fashion industry.

Photo courtesy of Indigital.tv

Photo courtesy of The Conde Nast Archives Rei Kawakubo, the creator of the surreal fashion brand Comme des Garcons, changed the direction of fashion in the 80s when she first launched it. At the time, every high fashion mainstream designer was embracing femininity and flashiness, while Kawakubo embraced the opposite: all black pieces, unflattering shapes, asymmetrical hemlines, weird flaps and folds and oversized silhouettes. Over the years, Kawakubo has shown exactly what can happen when fashion and art are married. She now creates collections of pieces that are not typically worn by people on the street, instead, it is all about the art of the piece.

In recent years, Rei Kawakubo has tried to make art pieces. This piece from her Spring/ Summer 2016 show was featured in the MET.

Photo courtesy of Indigitalimages.com 54

John Galliano is on a resurgence in the fashion industry after disappearing for quite some time. Over the years, Galliano has said and done some things that have led to his moment of fashion exile. But he has been working, since to make waves in the fashion industry. Galliano was producing artistic works that mimicked the efforts of Kawakubo today. He produced work that wasn’t traditional and was a piece of art rather than a consumable piece of clothing. He also put on elaborate runway shows that featured themes and cultural forwardpushing notions for the fashion industry. He found the happy medium between art and fashion and helped widen the lane for other designers to follow in his footsteps.

John Galliano made a statement with his Egyptian themed Christian Dior Spring 2004 Couture collection. This is an art piece that critics still speak of when they speak on Galliano at Dior.

Photo Courtesy of Vogue.com

John Galliano made over the top ruffles and flaps a main idea in his Spring 2004 Ready-To-Wear collection for Christian Dior. It was Moulin Rouge inspired.

Photo Courtesy of Vogue.com

Some think that high fashion runways are trivial and don’t project the likeness of what everyday people are wearing, but that’s incorrect. The runway shows are based on what designers, influencers and models see on the street. Therefore, streetwear influences fashion. So VSU, think about that as you stagger into your 9:30 Biology class, you never know who just might be watching.

Fashion is more than just what you wear day-to-day, it’s cultural art. 55

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