Roma - citta eterna (English) by Organisatie Oude Muziek

festival oudemuziek 26 aug | 04 sep 11 Utrecht

Festival venues

P 7 15

P 8 19 13

14 22

P 21

GVU 18 4

5 6

Festival Centre Pandhof, Domplein Festival box office Aula, Academiegebouw Domkerk Dom Tower Senaatszaal 2 Bibliotheek Utrecht, Oudegracht 167 3 Centraal Museum, Nicolaaskerkhof 10 4 Doopsgezinde Kerk, Oudegracht 270 5 Fundatie van Renswoude, Agnietenstraat 5 6 Geertekerk, Geertekerkhof 23 7 Jacobikerk, St.-Jacobsstraat 171 8 Kunstuitleen Utrecht, Maliebaan 42 9 Lutherse Kerk, Hamburgerstraat 9 10 Museum Speelklok, Steenweg 6 11 Nicolaïkerk, Nicolaaskerkhof 9

12 Ottone, Kromme Nieuwegracht 62 13 Oudaen, Oudegracht 99 14 Pieterskerk, Pieterskerkhof 3 15 Rasa, Pauwstraat 13a 16 Sonnenborgh, Zonnenburg 2 17 St. Augustinuskerk, Oudegracht 69 18 St. Catharinakathedraal, Lange Nieuwstraat 38 19 St. Willibrordkerk, Minrebroederstraat 21 20 Universiteitsmuseum, Lange Nieuwstraat 106 21 Utrechts Archief, Hamburgerstraat 28 22 Utrechts Centrum voor de Kunsten, Domplein 4 23 Vredenburg Leeuwenbergh, Servaasbolwerk 1a 24 Winkel van Sinkel, Oudegracht 158 25 Zuylenspiegel, Zuilenstraat 5

GVU busses 19, 28, 39 to Vredenburg Leidsche Rijn, J.C. Verthorenpad 100

festival oudemuziek utrecht

30 candles The Festival Oude Muziek celebrates its birthday with the most beautiful and at the same time most obvious treat we could think of: a sparkling Festival brimming with music from before the earliest Middle Ages to the late Baroque. It all centres on Rome, the city that is the foundation for our culture in so many ways. We still build on its Antique legacy, we can still feel the effects of its eventful history, from which we only have to cite examples as the Renaissance, humanism and the Papacy as a new power on the international stage and the Counterreformation as emblems. The musical developments that accompanied all this movement is still largely hidden under the surface. As the world’s biggest early music festival, Utrecht wants to be an advocate for this unknown repertoire, or for music that we only think we know. Palestrina is one of those key composers in dire need of rehabilitation. But also in the cases of Du Fay, Frescobaldi and Corelli there’s still plenty to discover. Roma – città eterna promises some unforgettable moments, but you won’t risk the black hole afterwards. From October on, we continue.. during our concert season 11-12. Welcome to Utrecht, and enjoy!

Xavier Vandamme director 5

festival oudemuziek 26 aug | 04 sep 11 Utrecht

Festival Oude Muziek Utrecht 2011 - main programme

fri 26 aug Pandhof 10.00-24.00 hrs

sat 27 aug

sun 28 aug

mon 29 aug

tue 30 aug

10.00-24.00 hrs

| Centraal Museum

chant | Aula, entrance Pandhof | Aula, entrance Pandhof | ZSAula,Gregorian entrance Pandhof

| VB Leeuwenbergh

Alessandrini Stewart | Rinaldo | Laurent VB Leeuwenbergh Lutherse Kerk

11.00 ZS The Road to Rome ZS carillon ZS Du Fay

13.00 Tempo Rubato

15.00

Symphonia Per-Sonat La Dolcezza | Cantica St. Catharinakathedraal | Aula, entrance Pandhof | Geertekerk

| UCK

Incogniti | GliGeertekerk

Van Heyghen | Peter Lutherse Kerk

Brisk

Gregoriana P. | Schola St. Willibrordkerk

| Geertekerk Pieterskerk Pieterskerk Pieterskerk | | | Graindelavoix

17.00 La Colombina Daedalus Alamire

| UCK

| Geertekerk

Brisk Cappella de la Torre

20.00

& Graindelavoix The Sixteen | VBRosasLeidsche | Domkerk Rijn

| Domkerk / 20.15 hrs | Domkerk

| Domkerk

Les Talens Lyriques Concerto Italiano Mala Punica

| Jacobikerk

Caecilia-Concert Fenice | Het | LaJacobikerk | Lucidarium VB Leeuwenbergh St. Catharinakathedraal

| Profeti della Quinta | Comp.del Madrigale | Comp.del Madrigale

| Nicolas Achten

| Cantica Symphonia | Pessi & Eg端ez

Summer Academy

22.30 Opening Pandhof La Chimera

Pandhof Pieterskerk Geertekerk Geertekerk Geertekerk

24.00

R. Andueza & J. Baena Bertrand Cuiller

Aula, entrance Pandhof Aula, entrance Pandhof Aula, entrance Pandhof Aula, entrance Pandhof Lutherse Kerk

Du Fay and earlier Palestrina 8

Frescobaldi

Corelli

wed 31 aug

thu 1 sep

fri 2 sep

sat 3 sep

sun 4 sep

10.00-24.00 hrs

10.00-20.00 hrs

10.00-24.00 hrs

10.00-18.00 hrs

Organ Day Sistine Day: 6-21 hrs

| Rasa /10.00 hrs

| Nicolaïkerk

ZS plus Rome ZS Italian organs

| VB Leeuwenbergh

| Aula, entrance Pandhof | Aula, entrance Pandhof

ZS Madrigal poetry Debate Rome Brunch / 11.30 hrs

Aymes Magdalena Malec Corti | Jean-Marc | Nicolaïkerk | Francesco Lutherse Kerk Lutherse Kerk

| Tetraktys Lutherse Kerk

Compagnie Bischoff

Aurora | Ensemble Geertekerk

Holland Baroque Soc. Monica Huggett | Geertekerk | Geertekerk

Ars Antiqua Austria

| Geertekerk

Fruits Council | Rare Geertekerk

| Lutherse Kerk / 14-17 hrs

| St. Willibrordkerk

| cantoLX Ottone

Masterclass harpsichord Capilla Flamenca

| Nicolaïkerk

Mediterranea Capilla Flamenca | Cappella | St. Willibrordkerk / 18.3o St. Augustinuskerk

| Jacobikerk

| VB Leidsche Rijn

Fabio Bonizzoni

| VB Leidsche Rijn

Palatino | Concerto Jacobikerk

| Domkerk

I Barocchisti & RSI Concerto Copenhagen Huelgas Ensemble

| VB Leidsche Rijn

L’Arpeggiata

in Musica Liuwe Tamminga Capilla Flamenca | Diabolus | Nicolaïkerk | St. Willibrordkerk / 21.00 Domkerk / 20.15 hrs

| Geertekerk Geertekerk Geertekerk Geertekerk | | |

Gesualdo Consort Cappella Mediterranea La Sfera Armoniosa Egidius College

| Aula, entrance Pandhof | Lutherse Kerk

Marco Beasley Pierre Hantaï

Hopkinson Smith | Medusa Aula, Academiegebouw | Aula, entrance Pandhof

Giuseppe Maletto, tenor Artist in residence Giuseppe Maletto was part of the wave of Italians washing over early music in the 90s, revitalizing so much music. They brought their southern temperaments, but also a more expressive approach than that of the reigning northerners, thanks to their direct contact with Italian poetry and all its nuances. Maletto contributed primarily as a singer, first with Concerto Italiano, La Venexiana and other ensembles. At the same time he developed into a researcher and an artistic leader. His Cantica Symphonia are at the forefront of performing Du Fay, while he explores secular repertoires with his Compagnia del Madrigale. But still: Maletto will never be just a conductor, because he is a singer at heart. Exceptional as this seems, it is exactly how it should be. A sign of his modesty, but also of his incredible knowhow.

sat 27 aug, 15.00

Cantica Symphonia / Du Fay: Motets

sat 27 aug, 24.00

Cantica Symphonia / Du Fay: Missa Ecce ancilla Domini et al.

mon 29 aug, 11.00 Summer school / Du Fay: De rationibus musicae mon 29 aug, 22.30 La Compagnia del Madrigale / Marenzio tue 30 aug, 22.30 La Compagnia del Madrigale / Palestrina et al.

Diego Fasolis, conductor Artist in residence Conductor Diego Fasolis combines exceptional technique and unsurpassed knowledge of the repertoire with a huge list of accomplishments. Voices are his passion, whether he accompanies them at the harpsichord, if he works with them to put together an exquisite madrigal or if he invites them for a project with his own I Barocchisti. His efforts have been rewarded with numerous prizes for his recordings. Fasolis owes his prominent place in Utrecht mostly to the energy he devotes to Palestrina. He spends hours unlocking the hundreds of masses and madrigals that appear step by step with Edizione Nazionale, like working on a cathedral that he may not see completed himself, a tribute to a composer who is in serious need of defenders like Fasolis. The Festival could not wish for a better guest.

wed 31 aug, 17.00 Coro della Radiotelevisione svizzera / Palestrina: Missa de Beata Virgine thu 1 sep, 20.00 I Barocchisti & Coro della Radiotelevisione svizzera / Caldara

Veronika Skuplik, violinist Artist in residence Violinist Veronika Skuplik might just have been born in the wrong era. The 17th century is clearly her home, a period of elegant flair and sharp contrasts. Suavità combined with an almost unpolished musical power. Where many violinists take the fact of leading as their core principle, Skuplik operates from curiosity. Of course she still plays first violin this Festival, for instance with Concerto Palatino, L’Arpeggiata and her own La Dolcezza, but she takes on that role discreetly, as a prima inter pares. Her almost vocal playing lends a special patina to the Corelli sonatas she will perform in Utrecht. After peeling off all layers or out-ofplace ornamentation, she recalls the early days of the virtuoso, full of poetry and poise. The fact that she built the most creative programme around these pieces, with vistas of Germany and England, is more proof that we’re dealing with a truly Baroque spirit.

mon 29 aug, 15.00 La Dolcezza / Corelli: opus 1 wed 31 aug, 20.00 Concerto Palatino / Frescobaldi: Missa La Monica sun 4 sep, 20.00

L’Arpeggiata / Monteverdi: Mariavespers

29 feb-4 mar 2012 Movimento / tournee Hammerschmidt (see p.118) 12

Italian harpsichord, anon. ca. 1670 Instrument in residence Italian harpsichords come in various sizes and forms, but their typical light build and limited proportions guarantee a very recognizable sound. This anonymous Neapolitan instrument was built around 1620/40. It is a rare privilige to have this musical treasure available for almost the entire Festival Oude Muziek, and to hear it being played by international top players like Pierre HantaĂŻ, Laurent Stewart and Francesco Corti. With special thanks to Historisch Centrum Het Markiezenhof, Bergen op Zoom

Carlo Russo organ, 1713 Instrument in residence The Roman organ literature from the 16th and 17th centuries is exceptionally rich, even though it is hardly played â&#x20AC;&#x201C; or well understood. During this Roman Festival, we would like to change that, but that would only be possible with a suitable Italian instrument tuned in meantone. This small jewel, built in 1713 by Carlo Russo, with just 6 registers, will be installed in the NicolaĂŻkerk, where it will shine all day on 1 September. With special thanks to Robert Kohnen

fri 26 aug

1900

Arie Abbenes carillon u p.18 Dom Tower / also on screen in Leidsche Rijn

2000

Rosas & Graindelavoix Cesena Vredenburg Leidsche Rijn

2230

Opening Festival Centre Pandhof & retrospective 30 years Festival Pandhof

2400

Nicolas Achten Roman solo repertoire Aula, entranceÂ Pandhof

fri 26 aug 20.00 hrs VB Leidsche Rijn concert no. 2

a € 35 / € 25 / € 7 b € 30 / € 20 / € 7 Vriendenconcert no interval Rosas, De Munt (Brussel), Festival d’Avignon, Théâtre de la Ville (Parijs), Grand Théâtre de Luxembourg, Guimarães 2012, Steirischer Herbst (Graz), deSingel (Antwerpen), Concertgebouw Brugge with special support From K.F. Heinfonds

Rosas / Anne Teresa De Keersmaeker Graindelavoix / Björn Schmelzer

Cesena: Music from the Codex Chantilly This Festival about Rome starts with the antiRome: between 1307 and 1377, the Popes resided in Avignon. Rosas, Europe’s most prestigious dance group of the moment, together with the polyphonists of Graindelavoix, created this festival production around Avignon as the breeding ground for the Italian Renaissance.

Opening Festival Centre Pandhof & retrospective 30 years Festival

fri 26 aug

The Festival Oude Muziek celebrates its 30 years, not only with 10 days of exquisite early music performances, but also with a special present. The Festival thanks Utrecht for being its host for those 3 decades with a photographic retrospective on the Dom square. Right besides, the Pandhof is your destination for a snack, a drink and fitting musical entertainment.

Pandhof

Nicolas Achten, voice, lute and harp

fri 26 aug

Roman solo repertoire

The midnight concert series: a treat for those night owls and food for thought in the small hours. Nicolas Achten, a unique multivalent and a modern bard, takes care of opening the series with virtuosic music by Frescobaldi, Landi, Mazzocchi and Kapsberger.

22.30 hrs free admission open daily; see p.92 for programme

24.00-0.45 hrs Aula, entrance Pandhof concert no. 3

€ 10 / € 10 / € 5

New: Carillon Festival Oude Muziek From the start, the Dom carillon has played a major role in the Festival Oude Muziek: following the ringing of all the bells, there would always be a concert to open the Festival, and more concerts would appear during the 10 days, always with arrangements of music related to the Festival’s themes. This year, we take the next, logical step: the carillon will be the subject of its own Festival Oude Muziek. With carillon concerts by established and starting carillonneurs, a debate about the future of the carillon, visits to the playing chamber high up in the tower and a special tour of the bells for children. There is another circumstance that coincides with the Festival’s 30th birthday: city carillonneur Arie Abbenes will say his current post farewell. To mark this transition, he will play a festive programme with recorder player Saskia Coolen before formally saying goodbye on the Dom Square. The new Carillon Festival thus becomes a present from the Festival Oude Muziek for its parting carillonneur, who in turn can present it to the city and the many early music lovers who visit. Naturally, the 1664 Dom carillon built by the brothers Pieter and François Hemony features prominently. But also a second Hemony instrument, the lighter carillon of the Nicolaïkerk, will sound in the new Festival.

Programme listening place Dom: Festival Centre Pandhof, entrance Domplein (also live-streaming on a screen) fri 26 aug, 19.00-19.45 hrs / Dom Tower also live-streaming to Vredenburg Leidsche Rijn Arie Abbenes, Utrecht city carillonneur Pasquini, Trabaci, Bononcini sat 27 aug, 11.00-12.00 hrs / Dom Tower Arie Abbenes, Utrecht city carillonneur (incl. Close to the carillon, see p.95) Corelli: Sonatas, concerto grosso sat 27 aug, 12.00 hrs / Church towers city centre Utrechts Klokkenluiders Gilde: Bell concert and walk Members of the Utrecht Bell Ringers Guild will fill the city with a concert of bells, starting with the bells of the Dom Tower that will slowly grow in sound with all 13 bells. One by one, the other towers will join in the concert. At 12.15 hrs, two guides will take a group along the bell ringing trail through the city. Western route: Domplein (statue Jan van Nassau), Domkerk, Academiegebouw, Pieterskerk, Janskerk, St. Augustinuskerk, Jacobikerk. Southern route: Domplein (statue Jan van Nassau), Buurtoren, Lutherse Kerk, St. Catharinakathedraal, Nicolaïkerk, Geertekerk, Bartholomeus Gasthuis. sun 28 aug, 9.30 hrs / Dom Tower Members of the Utrecht Bell Ringers Guild will demonstrate how to ring bell by hand. Maximum number of participants: 25 personen. Assemble at the door of Domplein 21, participation is free.

sun 28 aug, 11.00-12.00 hrs / Aula, entrance Pandhof (€ 5 / concert no. 15, see p.32) Panel discussion: The future of the carillon, led by Leo Samama, with Bob van Wely, Bernard Winsemius, Geert D’hollander and Arie Abbenes. sun 28 aug, 12.30-13.30 hrs / Dom Tower Arie Abbenes, carillon & Capella de la Torre Frescobaldi, Pasquini sun 28 aug 14.00-15.00 hrs / Nicolaïtoren Geert D’hollander, stadsbeiaardier Antwerpen Corelli, Locatelli sun 28 aug 16.00-17.00 hrs / Dom Tower Bernard Winsemius, stadsbeiaardier Amsterdam Cavazzoni, Zipoli, Caccini, Marcello, Vinci et al. mon 29 aug, 11.30-12.15 hrs / Dom Tower Janno den Engelsman, stadsbeiaardier Zierikzee Fringeconcert: Frescobaldi, Quagliati, De Macque, Vivaldi et al. tue 30 aug, 11.30-12.15 hrs / Dom Tower Arie Abbenes, Utrecht city carillonneur Scarlatti, Carissimi, Stradella, Bononcini: Sonates, aria’s wed 31 aug, 11.30-12.15 hrs / Dom Tower Arie Abbenes, Utrecht city carillonneur Italiaans verrassingsconcert thu 1 sep, 11.30-12.15 hrs / Dom Tower Wim van den Broeck, student Mechelse Beiaardschool Fringeconcert: Zipoli: Suites fri 2 sep, 11.30-12.15 hrs / Dom Tower Arie Abbenes & Rosemarie Seuntiëns, carillon quatre mains Concerti grossi van Corelli, Händel en Hellendaal 20

sat 3 sep, 11.00-12.00 hrs / Dom Tower Arie Abbenes, Utrecht city carillonneur (incl. Close to the carillon, see p.95) Frescobaldi: Canzoni; Händel: Aria’s, concerto grosso sun 4 sep, 9.30 hrs / Dom Tower Members of the Utrecht Bell Ringers Guild will demonstrate how to ring bell by hand. Maximum number of participants: 25 personen. Assemble at the door of Domplein 21, participation is free. sun 4 sep, 12.15-13.15 hrs / Dom Tower Carillon for children (see p.95) sun 4 sep, 13.00-13.30 hrs / Dom Tower-Pandhof Arie Abbenes, carillon & Saskia Coolen, recorder Jenkins, Farnaby, Marais, Van Nieuwkerk sun 4 sep, 13.30 hrs / Pandhof, Domplein Farewell Arie Abbenes as city carillonneur He is Utrecht’s best known and at the same time most anonymous musician: after 25 years of service, Arie Abbenes is about to retire. All this time, he has put his heart into the Festival Oude Muziek, so of course he is there when we create a new carillon festival. At 13h, Arie will play his farewell concert with recorder player Saskia Coolen, after which the audience can say goodbye in person on the Domplein.

Tunes from the Dom carillon On the hour Bonporti: Aria from Inventio Sexta voor violin and b.c. 15 min. past Corelli: Fragment from Gavotta uit sonata op.5 no.10 30 min. past A. Scarlatti: Cara e dolce, aria 45 min. past Frescobaldi: Fragment from Canzon Quinta

sat 27 aug

10002400

Festival Centre Pandhof Pandhof

1030

Children’s Workshop Mister Zwoei Pandhof

1100

Summer school / The road to Rome Centraal Museum

1100

p.92

Arie Abbenes / carillon Dom Tower

p.18

1100

Fringe various venues

p.97

1215

Gelui en klokkenwandeling Church towers city centre

p.18

1300

Tempo Rubato / Clementi: à quatre mains VB Leeuwenbergh

1400

Fringe various venues

1500

Cantica Symphonia / Du Fay: Motets St. Catharinakathedraal

1500

Brisk / Mister Zwoei, a musical children’s show Utrechts Centrum voor de Kunsten

1530

Fringe & Fabulous Fringe various venues

1700

La Colombina / Victoria: Vesper psalms Geertekerk

1700

Brisk / Mister Zwoei, a musical children’s show Utrechts Centrum voor de Kunsten

1900

Festival bulletin / AVRO-NTR-Radio4 Pandhof

2000

Summer Academy Early Music / Vivaldi Jacobikerk

2000

The Sixteen / Palestrina, Allegri, Anerio Domkerk, entrance Pandhof

2230

La Chimera / 17th-century monody Pieterskerk

2400

Cantica Symphonia / Du Fay, Festa et al. Aula, entrance Pandhof

p.97

sat 27 aug 10.30 hrs Pandhof

Children’s Workshop Mister Zwoei with members of Brisk

This workshop for children aged 6-12 is in Dutch only.

concert no. 4

€7 with performances at 15.00 and 17.00 hrs

sat 27 aug 11.00 hrs Centraal Museum concert no. 5

€5

Madeleine Pfundt & Sara van Dijk Summer school / The road to Rome

The ‘distance’ between Utrecht and Rome isn’t that big. Many native artists hazarded across the Alps to witness the experiments of the Renaissance up close. Musicologist Madeleine Pfund and art historian Sara van Dijk discuss the relation between music and the visual arts of the era. After the duo lecture, you can visit the exhibition Utrechters dreaming of Rome for free. (see also p.77)

Tempo Rubato

Clementi, Giordani etc.: Sonates à quatre mains

sat 27 aug 13.00 hrs

No student of the piano can escape Muzio Clementi: this clever pedagogue flooded the market eagerly with easy to play sonatines. But his total oeuvre is much more varied and interesting, worthy of rehabilitation. Antonio Piricone and Megumi Tanno, together the fortepiano duo Tempo Rubato, won the Van Wassenaer Concours in 2009 with a dazzling performance.

VB Leeuwenbergh

Cantica Symphonia / Giuseppe Maletto

sat 27 aug

Du Fay: Motets

Cantica Symphonia won general acclaim for their complete recording of Du Fay’s motets. Giuseppe Maletto based his interpretation on his own in-depth research, not hesitating to include instruments for extra effect. Often, Du Fay would mark key moments in 15th-century Italy with his music, as was the case with ‘Nuper rosarum flores’ to commemorate the consecration of Florence’s Duomo. Today, Utrecht can enjoy the result.

concert no. 6

€ 18 / € 16 / € 7

15.00 hrs St. Catharinakathedraal concert no. 7

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

sat 27 aug 15.00 hrs & 17.00 hrs Utrechts Centrum voor de Kunsten concert no. 8 concert no. 10

€7 from 6 Years

sat 27 aug 17.00 hrs Geertekerk concert no. 9

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

Mister Zwoei, a musical children’s show

Brisk with Hans Thissen, actor, Marc Krone, director, Freija Wouters, design and costumes Mister Zwoei lives in a workshop full of flutes. Then four dolls are delivered, that might come alive through music. But they’re not playing what mister Zwoei wants.. maybe the audience can help? The musicians play 25 different flutes. The daily things gain musical meaning, and funny things happen on stage and in the music.

La Colombina

Victoria: Vesper psalms, antiphons, motets This quartet of soloists, including soprano Raquel Andueza, has been winning audiences for southerns repertoires for decades. Spanish composer Victoria, one of the most important foreigners in Rome and the successor to Palestrina at the Seminario Romano, is of course far from unknown. But the same cannot be said for the striking vesper psalms on this programme, that have only recently been rediscovered.

AVRO/NTR Festival bulletin

sat 27 aug

Nearly every day, AVRO & NPS present a live broadcast Festival Bulletin on Radio4 before the evening concert, featuring interviews with musicians and the latest Festival news. The audience is welcome to sit in on the broadcast, presented by Maartje Stokkers and Mark Brouwers.

19.00 hrs Pandhof free admission also on: sun 28 aug 19.30 hrs mon 29 aug 19.30 hrs tue 30 aug 19.30 hrs wed 31 aug 19.30 hrs

Summer Academy Early Music Peter Van Heyghen

Vivaldi: Dixit Dominus, Magnificat, concerti A young generation of well-trained early musicians is ready to get going. In the new Summer Academy preceding the Festival, conductor Peter Van Heyghen, violinist Enrico Gatti and soprano Emanuela Galli train a select group of young professionals during a week of exploration around Vivaldi’s Roman music.

thu 1 sep

19.30 hrs

fri 2 sep

19.30 hrs

sat 3 sep

19.00 hrs

sat 27 aug 20.00 hrs Jacobikerk concert no. 11

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7 with koninklijk conservatorium den haag & utrechts conservatorium See also p.45 course roma - città eterna

sat 27 aug 20.00 hrs Domkerk, entrance Pandhof concert no. 12

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7

The Sixteen / Harry Christophers

Palestrina: Missa Assumpta est Maria en Mariaantifonen; Allegri: Miserere; Anerio: Magnificat etc The Sixteen enjoys a worldwide reputation as one of the finest performers of Renaissance polyphony. This concert exclusively features music written for the Sistine Chapel, like Palestrina’s Missa Assumpta est Maria and antiphons by various Roman composers. An all-time favorite is Allegri’s Miserere with its soaring soprano part.

La Chimera / Eduardo Egüez with Monica Piccinini, soprano Monteverdi, Caccini, Landi, Rossi, Marotta, Cenci etc.: 17th-century monody

sat 27 aug 22.30 hrs Pieterskerk concert no. 13

Monica Piccinini incarnates Adriana Basile, Monteverdi’s muse, who sang the best known madrigals of her time in the Roman palazzo of Cardinal Montalto. Among the pieces that have reached our time is Monteverdi’s famous Lamento di Arianna.

Cantica Symphonia / Giuseppe Maletto Du Fay: Missa Ecce ancilla Domini; Mouton, Des Prez, Festa: Motets

This second, more intimate programme of Cantica Symphonia, sung by just 4 musicians, Du Fay’s Missa Ecce ancilla Domini is the key work. Giuseppe Maletto supplements the mass movements with music to the Virgin Mary by famous contemporaries like Josquin des Prez and Mouton.

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

sat 27 aug 24.00-0.45 hrs Aula, entrance Pandhof concert no. 14

€ 10 / € 10 / € 5

sun 28 aug

10002400

Festival Centre Pandhof Pandhof

1100

Panel discussion / An end for the carillon? Aula, entrance Pandhof

1100

Fringe various venues

p.97

1230

Arie Abbenes & Capella de la Torre Dom Tower & Pandhof

p.18

1300

Rinaldo Alessandrini / Frescobaldi, Pasquini Vredenburg Leeuwenbergh

1400

Fringe various venues

p.97

1400

Geert D’hollander / carillon Dom Tower

p.18

1500

Per-Sonat / Roman hymns Aula, entrance Pandhof

1500

Peter Van Heyghen c.s. Lutherse Kerk

1530

Fringe & Fabulous Fringe various venues

p.97

1600

Bernard Winsemius / carillon Dom Tower

p.18

1700

Daedalus / Musa Latina: De Rore, le Jeune et al. Pieterskerk

1700

Capella de la Torre / Frottole Geertekerk

1930

Festival bulletin / AVRO-NTR-Radio4 Pandhof

2000

Het Caecilia-Concert / Frescobaldi Vredenburg Leeuwenbergh

2015

Les Talens Lyriques / Carissimi, Charpentier Domkerk, entrance Pandhof

2230

Profeti della Quinta / Palestrina, Rossi Geertekerk

2400

G. Pessi & E. Egüez / Frescobaldi et al. Aula, entrance Pandhof

p.92

sun 28 aug 11.00 hrs Aula, entrance Pandhof concert no. 15

€5

sun 28 aug 13.00 hrs VB Leeuwenbergh concert no. 16

€ 18 / € 16 / € 7

An end for the carillon?

Panel discussion with Leo Samama To highlight the new Carillon Festival, carilloneurs Arie Abbenes, Bernard Winsemius and Geert D’hollander and Bob van Wely discuss the future of their instrument. The discussion will be led by musicologist Leo Samama.

Rinaldo Alessandrini, harpsichord

Frescobaldi, Pasquini: Partitas and toccatas Rinaldo Alessandrini is the leader of the famed Concerto Italiano, but he keeps equally busy as a harpsichord player. Today he kicks off a series of concerts around the oeuvre of Frescobaldi. His works are contrasted with those of the unknown Bernardo Pasquini, the missing link between Frescobaldi’s keyboard style and the high Baroque.

Per-Sonat / Sabine Lutzenberger

Antique and early-Christian Roman hymns

sun 28 aug 15.00 hrs

Per-Sonat, five singers and instrumentalists around soprano Sabine Lutzenberger, explores the music of the first millennium. This programme traces the developments from the Greek Seikilos to early-Christian Byzantine, Old-Roman and Ambrosian chants.

Aula, entrance Pandhof

Peter Van Heyghen, recorder, Rainer Zipperling, violoncello, Kris Verhelst, harpsichord

sun 28 aug

In Corelli’s shadow: Caldara, Geminiani et al.

This chamber programma features Corelli’s colleague composers in early 18th century Rome. However, not Corelli’s own instrument, the violin, is central, but three instrumentz that dominated the Roman chamber music stage at the time.

concert no. 17

€ 21 / € 19 / € 7

15.00 hrs Lutherse Kerk concert no. 18

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

sun 28 aug 17.00 hrs Pieterskerk concert no. 19

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

sun 28 aug 17.00 hrs Geertekerk

Daedalus / Roberto Festa

Musa Latina: De Rore, le Jeune, Tritonius et al. At the dawn of the 16th century, the humanist movement found fresh inspiration in the poetry of Horace, Virgil and Ovid. Composers created a new ‘antique’ way of declamations that would turn vocal music in a completely new direct. Ensemble Daedalus is a specialist of the Italian Renaissance repertoire and show how Antiquity got reinvented in Rome.

Capella de la Torre / Katharina Bäuml

with José Pizarro, tenor

Cara, Festa, Mantovano, Pifaro, Tromboncino: Frottole

concert no. 20

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

Capella de la Torre is one of the leading groups of shawms and other Renaissance wind instruments, and this is their first vocal programme. The four-part frottola genre took 15th-century Rome by storm. A courtisane linked to the papal entourage put together the musical collection of these songs.

AVRO/NTR Festival bulletin

sun 28 aug

19.30 hrs Pandhof free admission also on: mon 29 aug 19.30 hrs tue 30 aug 19.30 hrs wed 31 aug 19.30 hrs

Het Caecilia-Concert

Frescobaldi: Canzone, fantasias and madrigal diminutions Frescobaldi’s canzones represent the dawn of the Baroque. Het Caecilia-Concert colours this repertoire with cornetto, trombone and dulcian, violin and harpsichord. Frescobaldi at his best!

thu 1 sep

19.30 hrs

fri 2 sep

19.30 hrs

sat 3 sep

19.00 hrs

sun 28 aug 20.00 hrs VB Leeuwenbergh concert no. 21

€ 21 / € 19 / € 7

sun 28 aug 20.15 hrs Domkerk, entrance Pandhof concert no. 22

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7

Les Talens Lyriques / Christophe Rousset

Carissimi: Historia di Jephte, Judicium Salomonis, Historia di Baltasar; Charpentier: Le Reniement de Saint Pierre Carissimi, een leven lang maestro di cappella van het Collegio Germanico in Rome, vond voor zijn dramatisch talent een uitlaatklep in het nieuwe geestelijk oratorium. Via Charpentier zocht deze theatrale oratoriumstijl vervolgens zijn weg naar noordelijk Europa. Een kolfje naar de hand van operaspecialist Christophe Rousset.

Profeti della Quinta / Anthony Rooley Palestrina: Motets; S. Rossi: Jewish hymns

sun 28 aug 22.30 hrs

Lutenist Anthony Rooley, Britain’s pioneer of the Italian madrigal, is back. Together with the five young Basel-based singers of Profeti Della Quinta he shines a light on the age-old ties between Rome and Jerusalem. Just like Palestrina supplied the Christian church with polyphony, Salomone Rossi provided the Italian synagogues with a repertoire of their own.

Geertekerk

Giovanna Pessi, double harp & Eduardo Egüez, theorbo, guitar

sun 28 aug

Frescobaldi et al.: Music from the Chigi manuscript This third nocturne will carry you away on the sounds of Giovanna Pessi, a young harp player from Basel, and Eduardo Egüez, one of the most experienced lutenists and improvisors. Together they made fresh arrangements of early 17th-century keyboard repertoire in the Vatican Chigi manuscript.

concert no. 23

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

24.00-0.45 hrs Aula, entrance Pandhof concert no. 24

€ 10 / € 10 / € 5

mon 29 aug

p.92

10002400

Festival Centre Pandhof Pandhof

1100

Summer school / Du Fay: De rationibus musicae Aula, entrance Pandhof

1100

Fringe various venues

p.97

1130

Janno den Engelsman / carillon Dom Tower

p.18

1300

Laurent Stewart / Frescobaldi, Froberger Lutherse Kerk

1400

Fringe various venues

1500

La Dolcezza / Corelli, Rosenmüller, Purcell Geertekerk

1530

Fringe & Fabulous Fringe various venues

1700

Alamire / Palestrina: Miss and Motets Pieterskerk

1930

Festival bulletin / AVRO-NTR-Radio4 Pandhof

2000

Concerto Italiano / D. Scarlatti, Melani, Fabri Domkerk, entrance Pandhof

2000

La Fenice / Kapsberger, Stradella, Pasquini et al. Jacobikerk

2230

La Compagnia del Madrigale / Marenzio Geertekerk

2400

R. Andueza & J. Fernández Baena / Canzonetten Aula, entrance Pandhof

p.97

mon 29 aug

Guido Magnano

11.00 hrs

Summer School / Du Fay: De rationibus musicae

Aula, entrance Pandhof concert no. 25

€5 in english

mon 29 aug 13.00 hrs Lutherse Kerk concert no. 26

a € 18 / € 16 / € 7 b € 16 / € 14 / € 7 harpsichord in residence

with Cantica Symphonia / Giuseppe Maletto

Guido Magnano teaches mathematics at Turin university, but he is also the organ player in Cantica Symphonia. With live examples from Du Fay’s Missa Se la face ay pale he explains the crucial role of numbers on the structures in the composers’s music.

Laurent Stewart, harpsichord Frescobaldi, Froberger

Through Froberger, probably the best-known of Frescobaldi’s students, this particular style made its way to Germany and France, where it found an enthusiastic audience. Laurent Stewart juxtaposes both masters with a robust sense of poetry that makes him the exceptional keyboard player he is.

La Dolcezza / Veronika Skuplik

Corelli: Trio sonatas opus 1; Rosenmüller: Triosonatas; Purcell: Sonates of three parts With only 6 opus numbers, Corelli succeeded in making the Italian violin school universally popular. La Dolcezza, the group around the German violinist Veronika Skuplik, will give ravishing interpretations of a selection from opus 1. Pairing Corelli with trio sonatas by famous contemporaries Rosenmüller and Purcell, his music is heard in a surprising context.

Alamire / David Skinner

Palestrina: Missa Aspice Domine and motets Two editions have already been devoted to Palestrina’s works, but they hardly get used. A third opera omnia reveals his musical signature based on new research. The mixed voices of English ensemble Alamire, famous for its sensuous timbres, will sing Palestrina’s Missa Aspice Domine from the new edition.

mon 29 aug 15.00 hrs Geertekerk concert no. 27

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

mon 29 aug 17.00 hrs Pieterskerk concert no. 28

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

mon 29 aug 20.00 hrs Domkerk, entrance Pandhof concert no. 29

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7

Concerto Italiano / Rinaldo Alessandrini D. Scarlatti: Stabat Mater; Melani: Motets; Fabri: Psalms

Concerto Italiano, at the international top for over 20 years, sings 17th- and 18th-century music that is seldom performed. Bis surprises from this Roman repertoire are Fabri’s 9-part Confitebor and Melani’s 9-part Litanie per la Beata Vergine. As a cherry on this delicious pie, they will perform Scarlatti’s famous 10-part Stabat Mater.

La Fenice / Jean Tubéry

Kapsberger, Stradella, Pasquini et al.: Canzonas, sinfonias, sonatas, toccatas La Fenice, lead by cornettist Jean Tubéry, explores the popular early Baroques repertoires of the Roman courts. Kapsberger was part of the entourage of Cardinal Barberini, Stradella was a favorite of ex-Queen Christina of Sweden, while Pasquini operated under the protection of Prince Giambattista Borghese.

La Compagnia del Madrigale Giuseppe Maletto

Marenzio: Madrigals and canzonas Bringing together a few of his experienced colleagues, Giuseppe Maletto created a new 6-part ensemble for the Italian madrigal. He dedicates this concert to Marenzio, who contributes no fewer than 500 pieces to the genre. According to Maletto, ‘his expression, his extreme refinement and his innovation make him the best in the field.’

mon 29 aug 20.00 hrs Jacobikerk concert no. 30

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

mon 29 aug 22.30 hrs Geertekerk concert no. 31

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

mon 29 aug 24.00-0.45 hrs Aula, entrance Pandhof concert no. 32

€ 10 / € 10 / € 5

Raquel Andueza, soprano & Jésus Fernández Baena, lute

Landi, Kapsberger, Mazzocchi, Pasqualini et al.: Canzonettas Raquel Andueza made a big impression 2 years ago when she performed Spanish and Italian songs, at the same time full of passion and with barely held-back intensity. In this midnight programme, accompanied by Jésus Fernández Baena, she performs canzonettas by the fine fleur of 17th-century Rome.

tue 30 aug

p.92

Fringe various venues

p.97

1130

Arie Abbenes / carillon Dom Tower

p.18

1300

Schola Gregoriana Pragensis St. Willibrordkerk

1400

Fringe various venues

p.97

1500

Gli Incogniti / Corelli, Bonporti Geertekerk

1530

Fringe & Fabulous fringe various venues

p.97

1700

Graindelavoix / Palestrina: Mass and Motets Pieterskerk

1930

Festival bulletin / AVRO-NTR-Radio4 Pandhof

2000

Mala Punica / Ars Nova in Rome Domkerk, entranceÂ Pandhof

2000

Lucidarium / Una festa ebraica St. Catharinakathedraal

2230

La Compagnia del Madrigale / Palestrina Geertekerk

2400

Bertrand Cuiller / Frescobaldi, Cifra et al. Lutherse Kerk

10002400

Festival Centre Pandhof Pandhof

1100

Summer school / Gregorian chants Aula, entranceÂ Pandhof

1100

tue 30 aug 11.00 hrs Aula, entrance Pandhof concert no. 33

€5

David Eben

Summer School / Gregorian chants David Eben, researches and the force behind Schola Gregoriana Pragensis walks the audience through the various notations of Gregorian chant. You will enjoy a surprising and adventurous confrontation with the form.

in english

tue 30 aug 13.00 hrs St. Willibrordkerk concert no. 34

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

Schola Gregoriana Pragensis / David Eben Music from early Gregorian traditions

At the end of the 10th century, Adalbertus, bishop of Prague, fled to Rome because he was unable to manage his boisterous flock. The Pope sent him back immediately, a group Benedictine monks following in his wake, to found a monastery in Bohemia. Their chants became the way to christianity.

Gli Incogniti / Amandine Beyer

Corelli: Triosonatas opus 2; Bonporti: Invenzioni da Camera opus 10 French violinist Amandine Beyer is a true rising star with her engaging and sensuous sound. With her Incogniti, she gives a truly personal interpretation lecture of Corelli’s trio sonatas opus 2, and music by Bonporti who was probably among his students and whose 12 collections of instrumental music became popular all over Europe.

Graindelavoix / Björn Schmelzer

Palestrina: Missa Papae Marcelli, motets Graindelavoix’ unconventional approach to Palestrina’s impressive Missa Papae Marcelli starts from the great variety of virtuosic vocal styles and traditions present in Rome. Björn Schmelzeen insiders the piece as a laboratory where he searches for a balance between artificial and natural pathos and where equilibrium, structure and ornament find each other in a polyphonic fabric.

tue 30 aug 15.00 hrs Geertekerk concert no. 35

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

tue 30 aug 17.00 hrs Pieterskerk concert no. 36

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

tue 30 aug 20.00 hrs Domkerk, entrance Pandhof concert no. 37

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7

Mala Punica / Pedro Memelsdorff

Ars Nova in Rome: Caserta, Ciconia, de Radom et al. The Holy See returned to Rome in 1377 after the better part of a century in Avignon. Along came a host of northern-European musicians. Mala Punica, the group of recorder player Pedro Memelsdorff, is at home in the melting pot of musical influences that was the result of this international influx.

Lucidarium

Una festa ebraica

tue 30 aug 20.00 hrs

Rome is home to one of the oldest jewish communities in Europe. The arrival of christianity may have been a constant threat, but they would never disappear. Lucidarium chose some of the most beautiful pieces from their repertoire, including the music for the circumcision ceremony brit milah.

St. Catharinakathedraal

La Compagnia del Madrigale

tue 30 aug

Palestrina, di Lasso, Arcadelt, de Macque: Madrigals While Palestrina’s masses can hardly me counted among popular repertoire, his madrigals almost never get performed. La Compagnia del Madrigale, with stars like Rossana Bertini, Giuseppe Maletto and Daniele Carnovich, sing this music from Palestrina’s early years and pieces by his colleagues, under the direction of Palestrina specialist Diego Fasolis.

concert no. 38

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7 no interval

22.30 hrs Geertekerk concert no. 39

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

tue 30 aug 24.00-0.45 hrs Lutherse Kerk concert no. 40

€ 10 / € 10 / € 5 harpsichord in residence

Bertrand Cuiller, harpsichord

Frescobaldi, M. Rossi, Ferrini, Cifra, Gaffi, Pasquini Frescobaldi has put many of his contemporaries in the shadow because of his notoriety. Even so, many of them contributed greatly to the flourishing of the Roman keyboard repertoire. Bertrand Cuiller, who may be one of the most convinving harpsichordists active in France today, freshens up our image of the 17th-century keyboard literature.

Edizione Nazionale delle opere di Giovanni Pierluigi da Palestina In 2003 verscheen het eerste deel van wat een gloednieuwe opera omnia van Palestrina moet worden. Het redactieteam onder leiding van professor Francesco Luisi bewandelt hierbij een andere weg dan de voorgaande twee complete Palestrina-edities, die in de 19de en de 20ste eeuw werden gepubliceerd. Naast een versie in moderne notatie biedt de uitgave, behalve het facsimile in de oorspronkelijke mensurale notatie, ook een zogeheten ‘semi-diplomatische’ versie. Daarin is de presentatie in partituur gecombineerd met belangrijke uitvoerings praktische elementen uit het origineel. Hoofddoel: Palestrina’s muzikale ‘handtekening’, die met de omzetting naar een modern notenbeeld verloren ging, weer in ere herstellen. Sun wordt de enorme muzikale nalatenschap van Palestrina toegankelijk gemaakt voor een bredere groep dan alleen de muziekwetenschappers, met als gedroomd resultaat dat het werk van de Principe della Musica vaker zal gaan klinken. Hoewel er van de geplande 49 delen nog maar 3 zijn verschenen, maakt het Festival Oude Muziek meteen ernst met dit streven: nagenoeg alle concerten met muziek van Palestrina zullen worden gezongen uit de nieuwe editie. Missen, Motets en Madrigals van de renaissance-meester komen in niet minder dan 11 concerten tot klinken. De ervaring van Palestrina-specialist Diego Fasolis: ‘We baseren nu al onze uitvoeringen op dit materiaal, en nu pas kunnen we doordringen tot de essentie.’

wed 31 aug

p.92

10002400

Festival Centre Pandhof Pandhof

10001300

Summer school plus / Björn Schmelzer Rasa

1100

Fringe various venues

p.97

1130

Arie Abbenes / carillon Dom Tower

p.18

1300

Jean-Marc Aymes / Frescobaldi, Luzzaschi et al. Lutherse Kerk

1400

Fringe various venues

1500

Ensemble Aurora / Corelli, Stradella, Lonati et al. Geertekerk

1530

Fringe & Fabulous Fringe various venues

1700

Coro della Radiotelevisione svizzera / Palestrina Pieterskerk

1930

Festival bulletin / AVRO-NTR-Radio4 Jacobikerk

2000

Concerto Palatino / Frescobaldi Jacobikerk

2015

Diabolus in Musica / Missa Magna Domkerk, entrance Pandhof

2230

Gesualdo Consort Amsterdam / Nanino et al. Geertekerk

2400

Marco Beasley / Du Fay, Corneti, Kafavis Aula, entrance Pandhof

p.97

wed 31 aug 10.00-13.00 hrs Rasa concert no. 41

€ 10 in english

wed 31 aug 13.00 hrs Lutherse Kerk concert no. 42

a € 18 / € 16 / € 7 b € 16 / € 14 / € 7 harpsichord in residence

Björn Schmelzer

Summer school plus / Rome as a layered space Music is sound in space, as simple as it gets. But is that the truth? Musician and thinker Björn Schmelzer has for years been fascinated by the notion of locus (place) and opens the discussion in this extended summer school, talking with specialists like architecture historian Deborah Howard. The topic is Rome as a multi-faceted space, the importance and dynamics of space, sound and psycho-acoustics…

Jean-Marc Aymes, harpsichord

De Macque, Luzzaschi, Pasquini, Frescobaldi, Froberger et al. Jean-Marc Aymes recently completed his recording of Frescobaldi’s keyboard oeuvre. This makes him the ideal guide in our voyage of discovery through this delicate and largely unknown repertoire. Genius Frescobaldi appears between De Macque and Froberger, reconciliating pure polyphony with new and expressive instrumental liberties.

Ensemble Aurora / Enrico Gatti

Corelli: Triosonatas opus 3; Stradella, Lonati, Mannelli: Triosonatas and sinfonias Violinist and Stradella specialist Enrico Gatti surprised during the Festival Oude Muziek 2006 with his performance of San Giovanni Battista. This year, he returns with four colleagues to interpret Corelli’s opus 3, a collection he recorded earlier. These pieces are contrasted with those of Stradella and some other of Corelli’s friends.

Coro della Radiotelevisione svizzera / Diego Fasolis

Palestrina: Missa de Beata Virgine, Marian motets Diego Fasolis and his hand-picked singers of the Coro della Radiotelevisione svizzera to make recordings using the new Palestrina edition. He calls his experience ‘almost mystical, because only now we can understand the subtleties and the many interpretative possibilities of Palestrina’s music.

wed 31 aug 15.00 hrs Geertekerk concert no. 43

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

wed 31 aug 17.00 hrs Pieterskerk concert no. 44

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

wed 31 aug 20.00 hrs Jacobikerk concert no. 45

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7

Concerto Palatino / Bruce Dickey

Frescobaldi: Missa sopra La Monica, canzonas With countertenor Alex Potter, tenor Jan Van Elsacker and bass Joel Frederiksen among its members, Concerto Palatino presenteert manifests itself in a rich solistic configuration, featuring cornetto player Bruce Dickey, trombonist Charles Toet and violinist Veronika Skuplik. Central piece is Frescobaldi’s mass for double choir, based on the international superhit La Monica. The (not so religious) take-away: oh mama dearest, please don’t send me to the convent…

Diabolus in Musica / Antoine Guerber Missa Magna

wed 31 aug 20.15 hrs

The 70-year papal residency in Avignon made the medieval city to the cultural centre of Europe. The best franco-flemish composers developed new repertoires, including the polyphonic mass. Diabolus in Music, with its 6 male voices, shines a light on one of the earliest examples of the genre: the 14th-century Missa Magna.

Domkerk, entrance Pandhof

Gesualdo Consort Amsterdam

wed 31 aug

Harry van der Kamp

Nanino, Giovanelli, Cifra, Mazzocchi et al.: Madrigals Last season, Gesualdo Consort Amsterdam finished their complete recording of Sweelincks vocal oeuvre to universal acclaim. Time to return to the repertoire that made them big: the Italian madrigal. This programmes offers a rich picture of 50 years of Roman madrigals, ranging from Palestrina, Cenci and Marenzio to Michelangelo Rossi and Mazzocchi.

concert no. 46

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

22.30 hrs Geertekerk concert no. 47

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

wed 31 aug 24.00-0.45 hrs Aula, entrance Pandhof concert no. 48

€ 10 / € 10 / € 5

Marco Beasley

Du Fay, Corneti, Beasley, Kafavis: Canti His solo concert for midnight is ‘an invitation to dream’, according to Marco Beasley, one of Utrecht’s favorite singers. Whether he tells true tales about love and death or fairy tales about princesses and knights, battle cries or love poetry, the story is always the catalyst for our imagination, and nourishment for our soul.

Festival book 2011 The Festival book is your indispensible guide to the Festival. This year, English summaries will complement the full programme details, programme notes and essays. Also included: a CD with fresh material from artist in residence Giuseppe Maletto. If you add the book to your order, you will receive a voucher to pick up a book at the Box Office in the Pandhof. Order now to enjoy the discounted price of 8 â&#x201A;Ź. During the Festival, the book costs 10 â&#x201A;Ź.

thu 1 sep

10002000

Festival Centre Pandhof Pandhof

1100

Summer school / The Italian organ Nicolaïkerk

1100

p.92

Fringe various venues

p.97

1130

Wim van den Broeck / carillon Dom Tower

p.18

1300

Magdalena Malec / Frescobaldi, Froberger, Kerll Nicolaïkerk

1400

Fringe various venues

14001700

Masterclass Neapolitan harpsichord Lutherse Kerk

1500

Holland Baroque Society / Corelli, Locatelli Geertekerk

1530

Fringe & Fabulous Fringe various venues

1700

Odhecaton / Palestrina, Nanino et al. Pieterskerk

1700

Fabio Bonizzoni / Frescobaldi Nicolaïkerk

1930

Festival bulletin / AVRO-NTR-Radio4 Jacobikerk

2000

I Barocchisti & Coro RSI / Caldara Jacobikerk

2000

Liuwe Tamminga / Frescobaldi Nicolaïkerk

2230

Cappella Mediterranea / Monteverdi, Strozzi et al. Geertekerk

2400

Pierre Hantaï / Frescobaldi, Byrd, Bull et al. Lutherse Kerk

p.97

thu 1 sep 11.00 hrs Nicolaïkerk concert no. 50

€5 organ in residence

Reitze Smits

Summer School / The Italian organ Exclusively for the Festival, an original Italian organ from 1713 will be installed in the Nicolaïkerk. Organist Reitze Smits demonstrates the working and esthetics of the instrument and offers an insight in this seemingly inscrutable repertoire. This organ day (1 lecture + 3 concerts) is also available as a day ticket: € 40 / € 35 / € 20, concert no. 49.

thu 1 sep 13.00 hrs Nicolaïkerk concert no. 51

€ 18 / € 16 / € 7 organ in residence

Magdalena Malec, organ, harpsichord Frescobaldi, Froberger, Kerll

Johann Caspar Kerll found success all over Europe. No surprise that he was so eager to travel to Rome, thanks to his contacts in Brussels, to study with Carissimi. This was just after the death of Frescobaldi, whose style crossed the Alps with Froberger and Kerll. Magdalena Malec, a Polish organ talent trained in Basel, makes her Utrecht debut.

Masterclass Neapolitan harpsichord with Pierre Hantaï

thu 1 sep 14.00-17.00 hrs

Once again, the Festival can welcome a historic guest: an original Neapolitan harpsichord from 1670, builder unknown, from the collection of Het Markiezenhof in Bergen op Zoom. Under the guidance of Pierre Hantaï, a few select young professionals get a chance to learn from this 17th-century instrument, and you can witness the process.

Lutherse Kerk

Holland Baroque Society

thu 1 sep

Corelli: Trio sonatas opus 4; Locatelli: Trio sonatas Holland Baroque Society, with their original approach and technical prowess, has carved out a solid place for themselves in the early music avant-garde of this moment. They play Corelli’s trio sonatas opus 4 in combination with works by the Italian Pietro Locatelli, who perfect the genre in Amsterdam in his own, extravagant way.

concert no. 52

€5 harpsichord in residence

15.00 hrs Geertekerk concert no. 53

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

thu 1 sep 17.00 hrs Pieterskerk concert no. 54

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

thu 1 sep 17.00 hrs Nicolaïkerk concert no. 55

€ 18 / € 16 / € 7 organ in residence

Odhecaton / Paolo Da Col

Palestrina: Missa Salvum me fac Domine; Jacquet de Mantua, Nanino: Motets The 12 men of Odhecaton give their performances a special sonority. Palestrina’s 5-part Missa Salvum me fac Domine is preceded by the motet of the same name, written by Jacquet de Mantua, which served as a model. Another motet is by Palestrina’s almost equally famous student Nanino. .

Fabio Bonizzoni, organ, harpsichord

Frescobaldi: Toccatas, canzonas and capriccios Fabio Bonizzoni will focuss completely on Frescobaldi’s free and virtuoso toccata, the passacaglia form, the song-based canzona and the fugatic capriccio. In two mirrored concert parts, he demonstrates the differences in interpretation when the music if performed on harpsichord or organ.

Liuwe Tamminga, organ

Frescobaldi: Missa della Madonna et al.

thu 1 sep 20.00 hrs

Frescobaldi’s most famous collection is Fiori musicali, containing the organ masses in which the instrument dialogues with the singers of the schola. This music marks the highpoint in Frescobaldi’s Roman oeuvre and was an example for all of Europe. Liuwe Tamminga, Dutch organist in Bologna of many years, knows this music like the back of his hand.

Nicolaïkerk

AVRO/NTR Festival bulletin

thu 1 sep

19.30 hrs

concert no. 56

€ 18 / € 16 / € 7 organ in residence

Jacobikerk free admission also on: fri 2 sep

19.30 hrs

sat 3 sep

19.00 hrs

thu 1 sep 20.00 hrs Jacobikerk concert no. 57

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7

I Barocchisti & Coro della Radio televisione svizzera / Diego Fasolis Caldara: Polychoral sacred music

Caldara succeeded Handel as the maestro di cappella at the Roman Ruspoli residence. The manuscript at the heart of this programme is from that period. Diego Fasolis selected some polychoral psalms for choir and orchestra and takes a spacial approach: the musicians are placed at 4 different locations in the church, creating magnificent dialogues between choirs and soloists.

Cappella Mediterranea / Leonardo García Alarcón with Mariana Flores, soprano & Fernando Guimarães, tenor Monteverdi, Mazzocchi, Strozzi, L. Rossi et al.: Madrigals Argentinian harpsichord player Leonardo García Alarcón evokes a warm Roman summer evening with his young group Cappella Mediterranea. Soloists Mariana Flores and Fernando Guimarães sing madrigals from Rome and Venice.

Pierre Hantaï, harpsichord

Frescobaldi, Byrd, Bull, Farnaby, Gibbons et al.: Capriccios, fantasias, toccatas French harpsichord player Pierre Hantaï is known for his personal approach to music. In this concert he looks at parallels between Frescobaldi’s exquiste keyboard works and those of the English virginalists. During his only travel abroad, the Italian encountered British music in Brussels. The question is: who inspired whom?

thu 1 sep 22.30 hrs Geertekerk concert no. 58

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

thu 1 sep 24.00-0.45 hrs Lutherse Kerk concert no. 59

€ 10 / € 10 / € 5 harpsichord in residence

fri 2 sep

p.92

Fringe & Fabulous Fringe various venues

p.97

1130

A. Abbenes & R. Seuntiëns / carillon Dom Tower

p.18

1300

Francesco Corti / Frescobaldi, Trabaci et al. Lutherse Kerk

13001700

Early Music Exhibition Museum Speelklok

p.96

1400

Fringe various venues

p.97

1500

Monica Huggett and friends / Corelli: opus 5 Geertekerk

1530

Fringe & Fabulous Fringe various venues

1700

The Brabant Ensemble / Palestrina Pieterskerk

1700

Cappella Mediterranea / Frescobaldi, Palestrina St. Augustinuskerk

1930

Festival bulletin / AVRO-NTR-Radio4 Vredenburg Leidsche Rijn

2000

Concerto Copenhagen / Corelli, Muffat, Händel Vredenburg Leidsche Rijn

2230

La Sfera Armoniosa / Quagliati Geertekerk

2400

Medusa / At Lucrezia Borgia’s court Aula, entrance Academiegebouw

10002000

Festival Centre Pandhof Pandhof

1100

Summer school / Madrigal poetry Vredenburg Leeuwenbergh

1100

p.97

fri 2 sep 11.00 hrs Vredenburg Leeuwenbergh concert no. 60

€5

fri 2 sep 13.00 hrs Lutherse Kerk concert no. 61

a € 18 / € 16 / € 7 b € 16 / € 14 / € 7 harpsichord in residence

Alma van der Berg

Summer School / Madrigal poetry The tales of Ariosto and Tasso are central to the Italian literature, and thus a major source of inspiration for the madrigal composers. Musicologist Alma van der Berg finished her PhD research into this emotional poetry in 2010 and knows music and text like no other.

Francesco Corti, harpsichord

Palestrina, M. Rossi, Trabaci, Gesualdo, Frescobaldi et al.: Ricercares, toccatas, canzonas Young Italian harpsichord player Francesco Corti, who followed part of his eduction in the Netherlands, clarifies the way in which the Roman keyboard music evolved in the 16th and early 17th centuries. From the pure polyphony of Palestrina, Gesualdo and Trabaci developed individualism, leading to Rossi and Frescobaldi who blazed a trail for the Baroque.

Monica Huggett and friends Corelli: Solosonatas opus 5

fri 2 sep 15.00 hrs

Monica Huggett is a Baroque violist with a huge reputation. Together with cellist Joe Chrouch, harpsichord player James Johnstone and lutenist Elisabeth Kenny she devotes a concert to Corelli’s best known opus, number 5. This collection, the only with solo sonatas, also includes Corelli’s favorite: the variations on the rousing folia theme.

Geertekerk

The Brabant Ensemble / Stephen Rice

fri 2 sep

Palestrina: Missa Ad coenam agni providi and motets

The Brabant Ensemble, uniting an energetic new generation of British ensemble singers, returns to the Festival with Palestrina’s 5-part Missa Ad c oenam agni providi, a work for Lent. Easter motets by Palestrina and predecessors, including Guillaume Du Fay’s setting of the hymn ‘Ad coenam agni’ and the 6-part Regina coeli by Morales makes this programme complete.

concert no. 62

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

17.00 hrs Pieterskerk concert no. 63

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

fri 2 sep 17.00 hrs St. Augustinuskerk

Cappella Mediterranea / Leonardo García Alarcón Frescobaldi en Palestrina: Madrigals

b € 18 / € 16 / € 7

Both Palestrina and Frescobaldi wrote madrigals in their youth. This breezy repertoire was a creative laboratory for every nascent talent. Obviously, they each went their way: Palestrina was to become a premier church musician, Frescobaldi chose the organ. Cappella Mediterranea bring their most beautiful and moving madrigals together.

fri 2 sep

AVRO/NTR Festival bulletin

19.30 hrs

concert no. 64

a € 21 / € 19 / € 7

VB Leidsche Rijn free admission also on: sat 3 sep

19.00 hrs

Concerto Copenhagen / Lars Ulrik Mortensen

fri 2 sep

Corelli: Concerti grossi opus 6; Muffat, Händel: Concerti grossi and arias

20.00 hrs

with Maria Keohane, soprano

VB Leidsche Rijn concert no. 65

Corelli devoted his final printed opus to the brand new concerto grosso: a group of soloists called concertino enters a musical duel with the strings of the ripieno. The idea was attractive to other big composers like Handel and Muffat. Baroque orchestra Concerto Copenhagen invited Swedish soprano Maria Keohane to complement the programme with arias from Handel’s early, Roman period.

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7 with vredenburg

bus to geertekerk € 5 concert no. 66

fri 2 sep 22.30 hrs Geertekerk

La Sfera Armoniosa / Mike Fentross

with Emanuela Galli, soprano & tba, mezzo soprano

Quagliati: Madrigals

concert no. 67

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

fri 2 sep 24.00-0.45 hrs Aula, entrance Academiegebouw concert no. 68

€ 10 / € 10 / € 5

La Sfera Armoniosa took its name from the collection of songs published by Quagliati in 1623 to celebrate the marriage of a cousin of Gregory XV with a niece of Gesualdo. The pieces, mostly in a modern concertato style for one or two sopranos and violin, will be performed with a rich continuo section.

Medusa / Patrizia Bovi

At Lucrezia Borgia’s court The life of Lucrezia Borgia (1480-1519), a bastard daughter of Pope Alexander VI, was filled with deceit, murder and incest. At the same time, she was a woman of remarkable artistic and intellectual power. Singer and harpist Patrizia Bovi paint a musical portrait of Lucrezia’s youth in Roma and her later years as Duchess of Ferrara.

sat 3 sep

6002200

Capilla Flamenca & Psallentes♀ St. Willibrordkerk

10001700

Early Music Exhibition Museum Speelklok

p.96

10002400

Festival Centre Pandhof Pandhof

p.92

1100

Debat / ‘Such strange people, those Romans…’ Aula, entrance Pandhof

1100

Arie Abbenes / carillon Dom Tower

p.18

1100

Fringe various venues

p.97

1300

Tetraktys / Velut, Lebertoul, Libert et al. Lutherse Kerk

1400

Fringe various venues

1500

Ars Antiqua Austria / Stradella, Biber et al. Geertekerk

1530

Fringe & Fabulous Fringe various venues

1700

B’Rock / A. Scarlatti: Serenata ‘Flora Pellegrina’ St. Augustinuskerk

1900

Festival bulletin / AVRO-NTR-Radio4 Pandhof

2000

Huelgas Ensemble / Palestrina, M. Rossi et al. Domkerk, entrance Pandhof

2230

Egidius Kwartet & College / Arcadelt Geertekerk

2400

Hopkinson Smith / Da Milano, Kapsberger Aula, entrance Pandhof

p.97

sat 3 sep 6.00-22.00 hrs St. Willibrordkerk passe-partout: € 40 / € 35 / € 20 concert no. 69

concerts € 10 / € 10 / € 5 concert no.

Capilla Flamenca & Psallentes♀ Dirk Snellings

A day in the Sistine Chapel anno 1450 Experience a ‘Sistine Day’: standing around a huge codex on a lectern, Capilla Flamenca and Psallentes reconstruct the services in polyphony and chant as it could have sounded before the Council of Trent. Key figures are Du Fay and Brassart who wrote the most beautiful music for Mary, virgin and mother of God.

70, 71, 73, 75, 78, 80

6.00 hrs 9.00 hrs 11.30 hrs 15.00 hrs 18.30 hrs 21.00 hrs

Matins (with coffee and a croissant) Lauds Small hours Missa de beata virgine Maria Vespers Compline

‘Such strange people, those Romans…’ Debate on the true nature of Rome and the Romans

sat 3 sep 11.00 hrs

To whom does Rome belong? How is the relation between Church and city. Who are the true Romans? And how do you organize life in a city where history is piled on in layers? These topics will be discussed by Klaus de Rijk, head of cultural affair at the Dutch embassy in Rome, Vatican-watcher Stijn Fens, oboe player and born Roman Alfredo Bernadini als classicist David Rijser.

Aula, entrance Pandhof

Tetraktys / Kees Boeke

sat 3 sep

Tussen de Concilies van Konstanz en Bazel: Velut, Lebertoul, Libert et al.

13.00 hrs

with Zsuzsi Tóth, soprano & Carlos Mena, countertenor

concert no. 72

€5

Lutherse Kerk concert no. 74

Dutch recorder player, gambist and olive farmer in Italy Kees Boeke has specialized in early vocal-instrumental music with his group Tetraktys. Today, he focusses on the period 1418-1440: even half a century after their.

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

sat 3 sep 15.00 hrs Geertekerk concert no. 76

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

sat 3 sep 17.00 hrs St. Augustinuskerk

Ars Antiqua Austria / Gunar Letzbor

Stradella, Pandolfi Mealli, Lonati, Biber: Sinfonias and solo sonatas Until the end of the 17th century, string composers Stradella and Lonati were the big names in papal Romes. Meanwhile, in imperial Vienna, Pandolfi Mealli and Biber led the pack – until Corelli sprinted ahead of them all with his revolutionary innovations. Violinist Gunar Letzbor is a specialist of the Austrian Baroque repertoire and explored some new sources.

B’Rock / Eduardo López Banzo with Sabine Devieilhe, soprano & Antonio Giovannini, countertenor

A. Scarlatti: Serenata ‘Flora Pellegrina’ (1705)

concert no. 77

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

The Corsinis, a rich bankers’ family, led an opulent life in Rome. To celebrate the marriage between the heir Bartolomeo and Maria Vittoria Altoviti, they pulled out all stops. Scarlatti’s Flora pellegrina was performed at the garden party and went on to become an international success. B’Rock invited soloists Sabine Devieilhe, last year’s star in arias by Rameau, and equally bright-futured Antonio Giovannini.

Huelgas Ensemble / Paul Van Nevel Palestrina: Missa Ut-re-mi-fa-sol-la; M. Rossi, Graziani, Festa: Motets

The foundation under Palestrina’s 6-part Missa Ut-re-mi-fa-sol-la is breathtakingly simple. Still, he manages to manipulate this range of 6 tones into a true masterpiece, one of the best works in his oeuvre. The Huelgas Ensemble, celebrating its 40 years, chose some accompanying motets by Palestrina’s excellent Roman colleagues.

sat 3 sep 20.00 hrs Domkerk, entrance Pandhof concert no. 79

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7

sat 3 sep 22.30 hrs Geertekerk

Egidius Kwartet & College / Peter de Groot Arcadelt: Motets, chansons, madrigals

b € 18 / € 16 / € 7

The 4 men’s voices of the Egidius Kwartet is an adamant defender of unknown repertoire from the pens of Dutch and Franco-Flemish composers. For this programme, they also call on a 10-person Egidius College to follow in the footsteps of Arcadelt, who was Palestrina’s predecessor as maestro de’ putti at the cappella giulia from 1539.

sat 3 sep

Hopkinson Smith, luit

concert no. 81

a € 21 / € 19 / € 7

24.00-0.45 hrs Aula, entrance Pandhof concert no. 82

€ 10 / € 10 / € 5

Da Milano, Kapsberger

Hopkinson Smith has been an indefatigable advocate for his instrument since the 70s. In the concert, he shines a light on two of Rome’s key lute figures: Francesco da Milano, who worked under three Popes in the early 16th century, and Kapsberger who would pave the way for the Baroque with his innovative writing.

Friends enjoy benefits Every year, more than 60,000 early music enthusiasts visit the 200 concerts of the Festival Oude Muziek Utrecht and our concert season. Do you agree that it’s important to support talent? Is you heart in early music? Sounds good to visit our concerts for less?

Become a Friend (Vriend) of early music, for just € 40 per year. But you can do more, as outlined on our website.

sun 4 sep

10001700

Early Music Exhibition Museum Speelklok

p.96

10001800

Festival Centre Pandhof Pandhof

p.92

1100

Fringe various venues

p.97

1130

Brunch con maestro Van Nevel Aula, entrance Pandhof

1300

Compagnie Bischoff / Via dolorosa: Liszt, Glowicka Vredenburg Leidsche Rijn

1300

Arie Abbenes & Saskia Coolen Dom Tower-Pandhof

p.18

1330

Farewell to Arie Abbenes Pandhof, Domplein

p.18

1400

Fringe various venues

p.97

1500

The Rare Fruits Council / Corelli, Muffat et al. Geertekerk

1500

cantoLX / Frescobaldi, Cage Ottone

1530

Fringe & Fabulous Fringe various venues

1700

Cantar Lontano / Danckerts Domkerk, entrance Pandhof

2000

L’Arpeggiata / Monteverdi: Maria Vespers Vredenburg Leidsche Rijn

p.97

sun 4 sep 11.30-13.00 hrs Aula, entrance Pandhof concert no. 83

€ 18 / € 16 / € 7 catering: oud london

sun 4 sep 13.00 hrs concert 13.30 hrs farewell Pandhof, Domplein free admission with Utrechts Uitfeest

Brunch con maestro Van Nevel Interview: Thea Derks

The Huelgas Ensemble celebrates its 40 years, which is a great opportunity to invite artistic leader Paul Van Nevel to the Festival’s traditional Sunday brunch. Van Nevel has a colourful reputation: our premier specialist of polyphony and an ardent lover of the cigar brought out a CD titled The Art of the Cigar for this anniversary. Thea Derks will interview him about this and more of passions.

Farewell to Arie Abbenes city carillonneur of Utrecht

He is Utrecht’s best known and at the same time most anonymous musician: after 25 years of service, Arie Abbenes is about to retire. All this time, he has put his heart into the Festival Oude Muziek, so of course he is there when we create a new carillon festival. At 13h, Arie will play his farewell concert with recorder player Saskia Coolen, after which the audience can say goodbye in person on the Domplein.

Compagnie Bischoff / Romain Bischoff with Ronald Brautigam, Érard piano 1878, Jan Van den Bossche, director

Via dolorosa: Liszt, Glowicka Via Crucis, Liszt’s visionary meditation on the stations of the Cross, is at the heart of Compagnie Bischoff’s new production Via dolorosa. Magnum photographer Carl De Keyzer will lend his visual support. Kasia Glowicka composed an epilogue on Michelangelo’s touching poem La notte.

The Rare Fruits Council / Manfredo Kraemer Corelli, Stradella, Scarlatti, Geminiani, Muffat: Concerti grossi and sinfonias

This programme illustrates through the works of Corelli’s Roman colleagues and students how influential the creater of the concerto grosso was. Geminiani even arranged Corelli’s solo sonatas to fit the new genre, with the La Follia variations as the undisputed highpoint. The Rare Fruits Council with star violinist Manfredo Kraemer is strong as always in this repertoire.

sun 4 sep 13.00 hrs VB Leidsche Rijn concert no. 84

€ 19,50 / € 17,50 / € 15,50 coproductiom with klarafestival brussel, liszt concours & vredenburg

sun 4 sep 15.00 hrs Geertekerk concert no. 85

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

sun 4 sep 15.00 hrs Ottone concert no. 86

€ 21 / € 19 / € 7

sun 4 sep 17.00 hrs Domkerk, entrance Pandhof concert no. 87

a € 21 / € 19 / € 7 b € 18 / € 16 / € 7

cantoLX / Frank Agsteribbe

Frescobaldi: Arie Musicali; Cage: Aria & Song Books The non-conformist musicians of cantoLX set up a refreshing musical battle between two radically different styles of singing. Even though the esthetics and sound world of 17th-century Frescobaldi and the 20th-century Cage are miles apart, both went on a solitary search for new ways of expression, resulting in surprising and sometimes shocking vocal feats.

Cantar Lontano / Marco Mencoboni

Danckerts: Missa de Beata Virgine, motets Danckerts, composer from Zealand, entered the papal chapel in 1538. Recently, a yet unknown manuscript was discovered, from which Cantar Lontano assembled a programme around the virgin Mary. In 2007 Marco Mencoboni led an extraordinary vespers reconstruction, and he will now once again play with the acoustic possibilities of the Domkerk.

L’Arpeggiata / Christina Pluhar Monteverdi: Mariavespers

Audience favorite L’Arpeggiata, led by lutenist Christina Pluhar, ensures a magistral final concert. Monteverdi’s Vespro were once written as a job application to the Pope. In vain, because Paul V made history by denying the most important innovator of the 17th century.

sun 4 sep 20.00 hrs VB Leidsche Rijn concert no. 88

a € 35 / € 32 / € 7 b € 30 / € 27 / € 7

Festival Centre Pandhof The Pandhof on the Domplein is the ideal place to wind down with a coffee or a snack, to browse the Festival CD shop or to discuss the goings on with other early music fans. For the 30th anniversary, a Festival retrospective can be enjoyed on the Domplein itself. The historic site of the Pandhof will also be the stage for a range of activities all day long.

NB Many, but not all activities are free; see the indicated page numbers for more information. In the Pandhof you can also find the Festival Box Office, open daily from 10.00-18.00 hrs.

Programme fri 26 aug: 10.00-24.00 hrs 19.00 carillon concert: Arie Abbenes (see p.18) 22.30 opening Festival Centre Pandhof 24.00 concert: Nicolas Achten (see p.17) sat 27 aug: 10.00-24.00 hrs 10.30 childrenâ&#x20AC;&#x2122;s workshop Meneer Zwoei / Brisk (see p.24) 11.00 Close to the carillon: Arie Abbenes + skybox (concert 11.00 hrs; walk up the stairs 10.30 hrs)* 12.00 Utrechts Klokkenluiders Gilde (see p.18) 14.00 fringe concert 15.00 city walk* 15.30 wine tasting 15.30 Fabulous Fringe: MĂŠlisande McNabney (see p.97) 19.00 live AVRO/NTR Festival bulletin 20.00 concert: The Sixteen (see p.28) 20.00 live-streaming on screen: The Sixteen 24.00 concert: Cantica Symphonia (see p.29) 92

sun 28 aug: 10.00-24.00 hrs 9.30 demonstration bell ringing (see p.18) 11.00 paneldiscussie: ‘Sterft de carillon uit?’ (see p.18 en p.32) 11.00 fringe concert 12.30 concert: Capella de la Torre & Arie Abbenes, carillon (see p.18) 14.00 fringe concert 15.00 concert: Per-Sonat (see p.33) 15.30 fringe concert 16.00 carillon concert: Bernard Winsemius (see p.18) 19.30 live AVRO/NTR Festival bulletin 20.15 concert: L es Talens Lyriques (see p.36) 20.15 live-streaming on screen: Les Talens Lyriques 24.00 concert: Giovanna Pessi & Eduardo Egüez (see p.37) mon 29 aug: 10.00-24.00 hrs 11.00 Summer school: Guido Magnano (see p.40) 11.30 carillon concert: Janno den Engelsman (see p.18) 14.00 fringe concert 19.30 live AVRO/NTR Festival bulletin 20.00 concert: Concerto Italiano (see p.42) 20.00 live-streaming on screen: Concerto Italiano 24.00 concert: Raquel Andueza & Jésus Fernández Baena (see p.44) tue 30 aug: 10.00-24.00 hrs 11.00 Summer school: David Eben (see p.48) 11.30 carillon concert: Arie Abbenes (see p.18) 14.00 fringe concert 19.30 live AVRO/NTR Festival bulletin 20.00 concert: Mala Punica (see p.50) 20.00 live-streaming on screen: Mala Punica wed 31 aug: 10.00-24.00 hrs 11.30 carillon concert: Arie Abbenes (see p.18) 13.00 garden tour* 14.00 fringe concert 15.30 kinderworkshop hommel maken* 20.15 concert: Diabolus in Musica (see p.59) 20.15 live-streaming on screen: Diabolus in Musica 24.00 concert: Marco Beasley (see p.60) thu 1 sep: 10.00-20.00 hrs 11.30 carillon concert: Wim Van den Broeck (see p.18) 14.00 fringe concert NB Pandhof closed at 20.00 hrs * see highlighted Pandhof activities on page 95

fri 2 sep: 10.00-20.00 hrs 11.30 carillon concert: Arie Abbenes & Rosemarie Seuntiëns (see p.18) 14.00 fringe concert 16.00 garden tour* sat 3 sep: 10.00-24.00 hrs 11.00 Close to the carillon: Arie Abbenes + skybox (concert 11.00 hrs; walk up the stairs 10.30 hrs)* 11.00 debat ‘Rare jongens, die Romeinen…’ (see p.81) 12.00 garden tour* 13.00 city walk* 14.00 fringe concert 15.30 wine tasting* 15.30 Fabulous Fringe: Les Esprits Animaux (see p.97) 19.00 live AVRO/NTR Festival bulletin 20.00 concert: Huelgas Ensemble (see p.83) 20.00 live-streaming on screen: Huelgas Ensemble 24.00 concert: Hopkinson Smith (see p.84) sun 4 sep: 10.00-18.00 hrs 9.30 demonstration bell ringing (see p.18) 11.00 fringe concert 11.30 brunch con maestro Van Nevel (see p.88) 12.15 kinderrondleiding klokken spelen* 13.00 Arie Abbenes, carillon & S askia Coolen, blokfluit (see p.18) 13.30 farewell Arie Abbenes as city carillonneur of Utrecht 14.00 fringe concert 15.00 city walk* 15.30 wine tasting* 15.30 fringe concert 17.00 concert: Cantar Lontano (see p.90) 17.00 live-streaming on screen: Cantar Lontano 18.00 Pandhof closed

* see Pandhof activities on the next page 94

Pandhof activities highlighted garden tour Pandhof / Sies Jonkman Sies Jonkman, gardener of the historic Pandhof, tells the story of this ancient garden of historic native plants and herbs. In Dutch. wed 31 aug, 13.00 hrs, fri 2 sep, 16.00 hrs, sat 3 sep, 12.00 hrs; free city walk / Ingeborg Behari Once the Domplein was a Roman castellum guarding the borders of the empire. City guide Ingeborg Behari takes you on a tour along the traces of Roman Utrecht and other beautiful spots. In Dutch. sat 27 aug & sun 4 sep, 15.00 hrs, sat 3 sep, 13.00 hrs; duration: 1,5 hrs; € 7,50 / € 5 / € 5 wine tastings / Oud London Caterer Oud London holds wine tastings where an expert will let you savour 3 red and 3 white wines from Italy. He will explain about Italian grapes like uvarara, barbera, friulano and the prugnolo gentile. In Dutch. sat 27 aug, sat 3 sep & sun 4 sep, 15.30 hrs; € 15 children’s carillon tour After a demonstration by Arie Abbenes, children can try their hand at the practice instrument in the Egmond Chapel. Later, they will climb the stairs to enjoy a carillon concert right below the bells, at 70 meters. In Dutch. sun 4 sep, 12.15-13.15 hrs; 6-12 years accompanied by an adult; with Toerisme Utrecht; € 5 children’s workshop hummel / Lies Muller Make your own plucked instrument. Hummels are very old onestringed instrument that will allow you to play a tune in no time at all. In Dutch. wed 31 aug, 15.30 hrs; 6-12 years; € 5 Close to the carillon Now you can not only hear Arie Abbenes, but also see him play. All the way up in the tower you can witness a concert up close, in the city carillonneur’s new skybox. Standing room only, involves a very long climb by stairs sat 27 aug & sat 3 sep, concert 11.00 hrs; walk up the stairs 70 meter 10.30 hrs; € 10

Early Music Exhibition Museum Speelklok

Dozens of stallholders will be presenting their wares at the Early Music Market, offering sheet music, instruments and recordings. They will be in the Nationaal Museum Speelklok; admission is free for those who have an admission ticket for the Early Music Market. Openingstijden: fri 2 sep: 13.00-17.00 hrs sat 3 sep: 10.00-17.00 hrs sun 4 sep: 10.00-17.00 hrs â&#x201A;Ź 5 / free admission for Vrienden tickets on sale at the museum

Free fringe concerts Outside of the official programme, the Festival Oude Muziek Utrecht offers numerous free fringe concerts every day, performed by young musicians, some still in their studies, some starting out their career in early music. These concerts are a welcome addition to the already charged Festival schedule and may be a step towards a concert in the official programme of Festival or Season. The concerts take place in historic venues all over the historic centre and last generally 45 minutes. Due to the often very small venues, for some venues free tickets must be obtained at the Festival Box Office (max. 2 per person) on the day of the concert. Afterwards, the musicians will ask for a voluntary contribution. The complete fringe programme will be published on www.oudemuziek.nl, as well as in the August issue of the Magazine and the pocket-sized Festival overview.

Fabulous Fringe Fringe concerts that we found especially noteworthy have a place in the series Fabulous Fringe. Everybody at 3.30, Lutherse Kerk, Aula, Doopsgezinde Kerk, Vredenburg Leeuwenbergh, Domkerk, St. Willibrordkerk, Pieterskerk or Museum Speelklok offer a stage for the most promising ensembles and soloists. These concerts are also free, but free tickets must be picked up beforehand at the Festival Box Office. Only available on the day of the concert, maximum 2 tickets per person.

sat 27 aug, 15.30 hrs / Aula, entrance Pandhof Mélisande McNabney, harpsichord J.S. Bach: Goldbergvariaties sun 28 aug, 15.30 hrs / Doopsgezinde Kerk Kyuri Kim c.s. Kyuri Kim, recorder / Jonathan Den Herder, violin cello Andrea Friggi, harpsichord Corelli, Mancini, Barsanti, Veracini mon 29 aug, 15.30 hrs / Vredenburg Leeuwenbergh Turigi Atsuko Murata, soprano / Thibault Viviani, flute Yoko Yamamoto, harpsichord / Toru Yamamoto, violin cello Mon Coeur Déconforté: Machaut, Purcell, Campra tue 30 aug, 15.30 hrs / Lutherse Kerk Una Cosa Rara Ana Melo, Naüm Monterde, Oriol Garcia, bassethoorn Mozart, Stadler, Martín i Soler, Vojtech Nudera

wed 31 aug, 15.30 hrs / Vredenburg Leeuwenbergh Ensemble Méridien Laia Frigolé, soprano / Elisabeth Bataller, Maria Gomis, violin Marta Vila, violin cello / Vega Montero, contrabas / Josep Maria Martí, theorbo / Juan de la Rubia, organ and harpsichord Roma e Venezia: Cavalli, Stradella, Rosenmüller, A. Scarlatti thu 1 sep, 15.30 hrs / Doopsgezinde Kerk Pierre-Antoine Tremblay, natuurhoorn n.n.b., fortepiano Beethoven, Ries, Cipriani, Potter fri 2 sep, 11.00 hrs / Domkerk, entrance Pandhof Seldom Sene Stephanie Brandt, Ruth Dyson, Eva Gemeinhardt, Hester Groenleer en María Martínez Ayerza , recorder Cristóbal de Morales, Juan de Cabezón, Tomás Luis de Victoria et al. fri 2 sep, 15.30 hrs / St. Willibrordkerk LinGon Victoria Liedbergius, soprano / Madoka Nakamaru, violin Rebecca Lefèvre, viola da gamba / Kanoko Miyazaki, harpsichord Queen Christina’s way to Rome: Baltzar, Zamponi, Cazzati, Scarlatti sat 3 sep, 15.30 hrs / Aula, ingang Pandhof Les Esprits Animaux Elodie Virot, traverso / Lena Franchini, recorder Javier Lupiánez, Tomoe Mihara, violin / David Alonso Molina, viola / Roberto Alonso, violin cello / Patrícia Vintém, harpsichord A Paris!: Boismortier, Dornel, Corrette, Rebel sun 4 sep,15.30 hrs / Pieterskerk Duo Blu Ensemble Valerio Losito, violin / Simone Vallerotondo, theorbo Settecento Romano: Corelli, Montanari, Lonati, Mossi, Castrucci

Colofon Brochure Festival Oude Muziek 2011 & Seizoen Oude Muziek 11/12 © 2011 Utrecht redactie: Jolande van der Klis lay-out: Hilde Wolters druk: Drukkerij Practicum, Soest foto’s cover en binnenwerk: Marco Borggreve foto’s musici: Tom Allwood, Simone Bartoli, Hans van den Bogaard, Marco Borggreve, Marie-Emmanuelle Brétel, Co Broerse, Koen Broos, Bouwe Brouwer, Tamar Brüggemann, Marcel Van Coile, Merlijn Doomernik, flickr.com/zamito44, Frank Eidel, Isabella Finzi, L orenzo Franzi, Vincent Garnier, Robert Glas, Benjamin Harte, Dietrich Hein, Michiel Hendryckx, Chris van Houts, Hiroshi Iwaya, Wouter Jansen, Marcel Köppen, Eric Larrayadieu, Philippe Matsas, Hans Mons, Philip Van Ootegem, Marcel Pelt, Radio4, Keith Saunders, Ien Schaars, Remke Spijkers, Hélène Tobler, Frank Toussaint, Daniel Vass, Annelies van der Vegt, Frederik De Vriese, Allard Willemse, Koos Witteveen Publicatiedatum 14 mei 2011, wijzigingen voorbehouden Voor actuele informatie: www.oudemuziek.nl

Het Festival Oude Muziek Utrecht 2011 (editie 30) is een productie van de O rganisatie Oude Muziek Met steun van Ministerie van Onderwijs, Cultuur en W etenschap, Provincie Utrecht, Gemeente Utrecht Culturele Zaken, K.F. Hein Fonds, Fentener van Vlissingen Fonds Mediapartners: Trouw, AVRO, Radio4 In coproductie met Vredenburg Utrecht, Universiteit Utrecht, NTR, VPRO, Museum Speelklok, Centraal Museum, Koninklijk Conservatorium Den Haag, HKU - Conservatorium Utrecht, RASA Wereldculturencentrum, MAfestival, Stichting Vrienden Oude Muziek en Stichting Muziekhistorische Uitvoeringspraktijk, Rosas, De Munt (Brussel), Festival d’Avignon, Théâtre de la Ville (Parijs), Grand Théâtre de Luxembourg, Guimarães 2012, Steirischer Herbst (Graz), de Singel (Antwerpen), Concertgebouw Brugge Met dank aan Historisch Centrum Het Markiezenhof, Utrechts Centrum voor de Kunsten, Toerisme Utrecht, Utrechts Klokkenluiders Gilde, Utrechtse Klokkenspel Vereniging, Het Utrechts Archief, Oud London, Björn Schmelzer, Arie Abbenes, Phili Abbenes-Welten, Marco Borggreve, Co Broerse, James Murray, Seeing & Hearing, Henk van der Feest, Kees Eijrond, Sies Jonkman, Nederlandse Ambassade Rome, Klaus de Rijk, Robert Kohnen, Yvonne Postma, Vrijwilligers Centrale Utrecht, Kerken Kijken Utrecht, Uitfeest Utrecht, Henk Klop klavecimbels & orgels en Jan Kalsbeek klavecimbels; beheerders, kosters en medewerkers van de genoemde instellingen en van de festivallocaties, alle festivalvrijwilligers Organisatie Oude Muziek Postbus 19267 3501 DG Utrecht info@oudemuziek.nl

t. 030 232 9000 f. 030 232 9001 www.oudemuziek.nl

Organisatie Oude Muziek directeur: Xavier Vandamme artistiek assistent / communicatie: Albert Edelman extern artistiek advies: Reitze Smits, prof. dr. Francesco Luisi productie: Tamar Brüggemann en Cato Ootes assistentie productie: Hanna Schreuders, Brigitte Nuchelmans en Go Bruêns hoofdredacteur publicaties: Jolande van der Klis DTP: Hilde Wolters financiën: Frank Rijnders bureau: Marijse Poutsma-van Dijken kaartverkoop: Wilmer de Jong assistentie kaartverkoop: Marijse Poutsma-van Dijken, Germaine Anema, Krista de Jong, Julia Zoet en Anne Boeschoten festivalstemmers: Eduard Bos en Edwin Beunk transport: Matthijs Kappers bestuur Organisatie Oude Muziek voorzitter: mevr. P.C. Lodders-Elfferich penningmeester: J.H. van der Tol RA leden: J. Hillmann, mevr. P.L. Meurs, mevr. B.E. van Vucht Tijssen bestuur Vrienden Oude Muziek voorzitter: D. Hoek penningmeester: J.H. van der Tol RA lid: J.H.A. Tromp

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