NEVER LAZY
International Art, Design and Fashion
Winter 2014 Anna Dyszkiewicz Chris Devour David Beger Ekaterina Grigorieva Hye-Jin Yang
Ignacio Rivas I Waited For You Jennifer Massaux Julie Gilgenmann Karol Banach Katarzyna Czerniak Laura Tedeschi Leila Jacue Madiha Abdo Magda Pietruszka
Max Tan Oda Bakkeli Eide Paolo Prisco Pierre Folk Serrah Russell Tina Picard Verena Mandragora Veronica Dragonetti Viktoriya Khalabuzar
Sixteen --- Winter 2014
Contact Queries, feedback and submissions: neverlazymagazine@gmail.com
Find us online: www.neverlazy.net www.facebook.com/neverlazy
Editors Abbie Cohen
Jessie Cohen
Founder
Founder
Features Editor
Art Editor
Contributors
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Anna Dyszkiewicz
Leila Jacue
Chris Devour
Madiha Abdo
David Beger
Magda Pietruszka
Ekaterina Grigorieva
Max Tan
Hye-Jin Yang
Oda Bakkeli Eide
Ignacio Rivas
Paolo Prisco
I Waited For You
Pierre Folk
Jennifer Massaux
Serrah Russell
Julie Gilgenmann
Tina Picard
Karol Banach
Verena Mandragora
Katarzyna Czerniak
Veronica Dragonetti
Laura Tedeschi
Viktoriya Khalabuzar
On the Cover ‘Paint Flow’
Photography Veronica Dragonetti Styling Martina Frattoloni & Claudia Frasca Model Monika Naspinska at Icemodels
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Editor’s Letter
No matter the concept or camera of choice,
at the dawning of a new year—from Pierre
a photograph is a captured breath of life
Folk’s intelligent and thought-out project
and experiences to which each of us can
By the silent line (p.116), to a complex
relate. We love a good photographic series,
photomanipulated shoot by cover artist
and that is why we’re putting a spotlight
Veronica Dragonetti (p.46). Alongside these
on this medium in our Winter 2014 issue,
masterful artists, we’re excited to feature
with a collection of unique photographers
intriguing works by carefully curated fashion
and fifteen exclusive editorial stories for
designers, collagists and illustrators with
you to feast your eyes on. These are talents
particularly distinctive styles. Enjoy this issue,
and works that we are keen to celebrate
and have a lovely New Year! ∞ A C
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------Chris Devour
“ I N S PI R E A N D B E I N S PI R E D . �
Using black and white to best express his
fascinated with collecting things that
personal aesthetic, Romanian photographer
I thought were visually interesting to look
Chris Devour excels at shooting moody,
at, so photography seemed like the best
evocative stories brimming with style and
way to capture a moment from my own
a rather disturbing darkness. In an insightful
perspective. I also draw and make
interview, we ask Chris about his beliefs,
illustrations or mixed media work.
his strategic play with geometry and his love for natural light.
I am starting my Masters degree in Diplomacy and Security and I have a Bachelors degree in International Relations
Tell us a bit about yourself...
and European Studies. It is a different perspective, but my artistic passion
I am 23-year-old photographer from
for photography remains.
a small town in the northwest region of Romania called Oradea. I started taking
What are your beliefs, as an artist?
pictures four or five years ago. It started as a documentation of the things or people
I believe everyone has a different perspective,
I found interesting around me. I was always
and that is the best part of art. When you >
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are creating, you find something new about
my photography, so I think black and white
yourself, pushing your limits with every
describes the message that the picture
project. It takes a lot of effort and time before
is trying to send more effectively. I also use
you can create a style of your own, but if
colour but not as often; it depends a lot on
you do it with enough passion then the final
the mood of the setting, and usually when
product is always a great achievement.
I do use it, it must be colder tones.
What does the use of black and white
How do you play with geometry and
symbolise to you?
lighting and what do you try to convey through this?
I started turning more to black and white as time went by because I found it to be
I love natural light, 99% of my work is done
more expressive for my own style. I use
with natural light. I try to shape my ideas
dark tones and sometimes symbolism in
and projects based on it and the geometry >
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of the setting. I have and see how light can
Every project is memorable. I am lucky
give a shoot an interesting perspective. I don’t
enough to have people and friends around
use complicated locations; sometimes it is
me that inspire me in my work, so it’s hard
just a plain room.
to pick only one project out of all.
What concepts will you be exploring
What does your dream shoot look like?
through your work next? I don’t think I have a dream shoot. If the idea, I hope I will get to shoot all of the concepts
the setting and of course the people I am
I have in my mind. But with patience and
working with inspire me, then it was a good
time, I am sure I will make that happen.
day.
I have a concept of recreating the seven deadly sins through my own style, with
A word of wisdom to share with us?
a very simple minimalist touch to it. I also hope to do a lot of editorials for clients.
I wish I could let my photos say that. I would encourage everyone to keep pushing their
What does your studio look like?
limits and follow their passion. Inspire and be inspired. ∞
My studio is basically everything around me. From a wall in my room and light coming through the window, to the city streets or a plain field. CHRIS DEVOUR What has been your most memorable
http://chris-devour.tumblr.com
project to date, and why?
http://cargocollective.com/chrisdevour
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Viktoriya Khalabuzar
P H OTO G R A P H Y V I K TO R I YA K H A L A B U Z A R STYLING VARVARA BARTO
IN BLOOM M A K E U P K R I ST I N A RYA B C H Y N A M O D E L L E R A KO S S AT S TA R S Y S T E M K I E V
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Although we’ve left the warmer days behind, the youthful and spirited ‘In Bloom’ has us feeling warm and jovial. Shot by photographer Viktoriya Khalabuzar, this sweet editorial project is a portrait of innocence and playfulness that comes in a splash of vibrant retro hues. Styled by Varvara Barto and with make-up by Kristina Ryabchyna, ‘In Bloom’ brims portrays summer in a fun and refreshing manner, that gives us all the sunshine we need to last us through the winter. ∞ AC
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VIKTORIYA KHALABUZAR http://v-kh.tumblr.com vickykhalabuzar@gmail.com
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------Leila Jacue
PHOTOGRAPHY LEILA JACUE
SNAFU ART DIRECTION DAVID LEON M O D E L N I C K H A DA D AT A D A M M O D E L S
The mysteriously-titled ‘SNAFU’, an exclusive story by returning photographer Leila Jacue, is an intriguing study of the contemporary, clean-cut man. Shot in N e w Yo r k , i t i s m o d e r n a n d c l a s s i c y e t p r e s e n t s a hidden story that captivates its audience. Secretive yet all the more seductive, this is a photo shoot that epitomises the nonchalance and detachment of city dwellers with fascinating ease. ∞ AC
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LEILA JACUE http://www.leilajacue.com leilajacue@gmail.com
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------I Waited For You
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Waterlust The SS15 Collection
Brooklyn-based designers Melanese Reid and
You (IWFY) is deeply rooted in romanticism.
Charleston Pacius, the duo behind fashion
We wanted our customer to feel like our
brand I Waited For You, present a powerful
garments are what they’ve been waiting for.
line of garments in soft hues and shapes
From the moment we conceived IWFY, we
reminiscent of ocean waves. Together, they
knew this was our path and something we
speak to NeverLazy Magazine about the
had desired to create for so long.
story behind their brand, their strong roots in romanticism, and the key themes in their
Tell us a bit about how you brought
latest collection.
IWFY to life and where you see the label progressing in the near future.
Who are Melanese Reid and Charleston Pacius? What is the story behind I Waited
We initially created IWFY to cater to all of
For You?
the women we would see or encounter in the street on a daily basis. They were working
We are two New York-based designers on an
women who had a killer sense of style and
endless mission to capture the essence of
a heightened awareness of themselves.
a modern and artistic woman. I Waited For
Every one of our collections, from the initial >
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----- “I Waited For You is deeply rooted in romanticism. We wanted our customer to feel like our garments are what they’ve been waiting for.”
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----- “Our main inspiration was a literal interpretation of the shapes and tones of the ocean.”
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collection to any moving forward, will always
of the ocean. We also drew inspiration from
be made to push this woman’s agenda in
the various tones and formations found
regards to fostering her style.
in tulips and rose petals. We really started with different translucent images of the sea
How do the both of you work
and nature.
collaboratively to produce such harmonious designs?
What would you say were the most fulfilling and challenging moments
Sometimes we work separately to develop
working on ‘Waterlust’?
a concept, or we cultivate a concept together right from the start. In certain instances it is
One of the most fulfilling moments would
a matter of compromising for the both of us,
have to have been transferring what we
but ultimately we both choose to do what’s
envisioned into a very literal collection that
best for the IWFY woman.
was still absolutely wearable. Being conceptual and wearable is always
What are the key themes and concepts
our challenge. We like the fact that SS15
you focused on for your SS15 collection,
really embodies the concept of being
‘Waterlust’?
innovative, creative and wearable, which is what our label is about. It was a big step in
Our main inspiration was a literal
the right direction for us. >
interpretation of the shapes and tones
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What are the most important values
books that inspire us and a quiet place
you share as creative individuals?
to draw.
In the short period of time we have
A word of wisdom to share with us?
been creating together, we have both learned that one must take chances to
Always try to have a vision of how people
continually progress, and also have a great
will dress in the future. Have a clear
understanding of the suggestive impact of
understanding of what you’re creating,
their work.
no matter how outlandish it may be, and be ready to aptly communicate your vision. ∞
How would you describe your ideal working and learning environment?
In a minimalistic and moderately-sized white space, where we could use the walls as our canvas. As for learning, any atmosphere with
I WAITED FOR YOU http://iwaitedforyou.net info@iwaitedforyou.net
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Veronica Dragonetti
Paint Flow PHOTOGRAPHY VERONICA DRAGONETTI S T Y L I N G M A RT I N A F R AT TO LO N I & C L AU D I A F R A S C A M O D E L M O N I K A N A S P I N S K A AT I C E M O D E L S
Gracing the cover of this issue, Veronica Dragonetti’s story ‘Paint Flow’ was originally created by the photographer as an artistic and experimental approach to post-production image editing: the result is a beautifully-hued story in which simplicity and minimalism mix with complex, cutting-edge forms. Through repetitive reconstructions, Veronica transforms each image’s narrative yet preserves the essence of the garments and shoot with originality and flair. We’re inspired by this story and are eager to present it to you as an exclusive contribution to our Winter 2014 pages. ∞ AC
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Jumpsuit Stylist’s Own Gloves Vintage
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Blouse Benetton Custom S k i r t H a n d m a d e Ly c r a S k i r t
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Jumpsuit Stylist’s Own Gloves Vintage
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Blouse Benetton Custom S k i r t H a n d m a d e Ly c r a S k i r t
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Blouse H&M Trousers Stylist’s Own Shoes Frav
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Blouse H&M Trousers Stylist’s Own Shoes Frav
VERONICA DRAGONETTI http://veronicadragonetti.tumblr.com http://www.behance.net/ShinPhotoVeronica
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Jennifer Massaux
PHOTOGRAPHY JENNIFER MASSAUX STYLING NIKKO KEFALAS HAIR ELOISE CHEUNG MAKEUP JOANNE GAIR M A N I C U R I S T E M I LY R YA N S E T D E S I G N E R PAT R I C K P E R R I E R M O D E L J A N D R A AT N E X T N Y M A K E - U P A S S I S TA N T S O P H I E H A I G A S S I S TA N T P H OTO G R A P H E R S DAV I D G E F F I N & A LV I O M A N C U S O RETOUCHING GISELA CALITZ
META
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We are thrilled to introduce a new and exciting project b y N e w Yo r k- b a s e d a r t i s t J e n n i f e r M a s s a u x : ‘ M e t a ’ , a stunning editorial story made in collaboration with body painter and make-up artist Joanne Gair. With its quasi-surreal vibe, dark sophistication and discreetly sensual feel, this shoot is both ghostly and mesmerising. It is a memorable series of photographs by which to remember the rising photographer. ∞ AC
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JENNIFER MASSAUX http://www.massauxjennifer.com jennifermassaux@gmail.com
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------Karol Banach
Fun Streak Karol Banach is an illustrator whose signature style comes with a playful and youthful feel. A Graphic Design student at Nicolaus Copernicus U n i v e r s i t y i n To r u n , K a r o l b r i n g s h i s w o r k t o l i f e t h r o u g h t e x t u r e d l a y e r s , geometric shapes and eye-popping colour schemes, which together form complex and deeply intriguing pieces of art. Fresh, humorous and funky, Karol’s work injects streaks of colour and creativity into this issue in ways that are bound to stun and surprise. ∞ AC
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KAROL BANACH http://karolbanach.com vvvvork@gmail.com
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Anna Dyszkiewicz
Model Adrianna Zajdler at Millennium Model Management Makeup Agnieszka Nowak Hair Sergiusz Pawlak
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“ E V E RY T H I N G YO U C A N R E A D F RO M A PE R S O N I S W R I T T E N O N T H E I R FA C E . ” Polish photographer Anna Dyszkiewicz brings
study art, but I felt I needed to do something
out the sensibility, allure and innocence
more down-to-earth. About three years ago,
of her fresh-faced subjects, in magnetic
I was at work and just suddenly felt like
portraits that stun with ease. She tells us
trying out photography. I picked up a short
about her biggest fears, her anxiety when not
course and actually enrolled without owning
taking photos over long periods of time, and
a camera. I guess I’ve always had creativity
how she seeks inspiration from the likes of
in me—it just never really came out until
Helmut Newton and Richard Avedon.
recently.
Tell us a bit about yourself...
What do you love most about portrait photography?
My name is Anna. I’m a photographer living in Poland. I love music, movies, travelling
Everything you can read from a person
and, of course, pictures.
is written on their face. Portrait photography is like getting to know another person, trying
Could you tell us how you would describe
to see what’s inside them. When you get
your work?
closer to a person, it just becomes so much more intense.
Simple, classic, black and white. What are your biggest fears and When and how did you find an interest in
ambitions?
photography? One of my worst fears is actually doing an My story isn’t one of those stories where
interview and having to talk about myself.
I can say that I’ve always loved photography
I’ve never been a fan of describing myself.
and I’ve always been shooting. I wanted to
I just want to create pictures on my terms. >
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----- “Portrait photography is like getting to know another person, trying to see what’s inside them.”
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Model Amalie Schmidt at Le Management
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Who have been your main inspirations this year?
For the past year, though, one of my biggest influences has also been my friend and colleague Henrik Adamsen, a fashion
For me, inspiration isn’t just for this year.
photographer from Denmark. We talk quite
It’s always been four or five photographers.
often and shoot together as much as we can.
Helmut Newton was and always will be
Our talks and shoots together have,
number one. For me, Newton had control
I think, helped me develop so much faster
over every single detail, and I love that about
than I otherwise would have. He has helped
his pictures. Richard Avedon was more lively
me get over all my little amateur complexes
and happy, but still very “fashion”, reminding
and helped me believe in myself as
me that you can photograph amazing fashion
a photographer.
but still keep it edgy and stick to your art. Guy Bourdin for his complete control over
What keeps you motivated?
colours. And Peter Lindbergh—I don’t know, I’ve just always been connected to his
Again, it’s hard for me to name one thing.
pictures.
I just have to take pictures. If I don’t shoot
I’ve never been a fan of digital photography,
for two weeks, I grow anxious. I have to go
the ways that the old photographers did it
and create something because that’s how
seem to be more real. We just don’t do it that
it feels, you know, I have to do something...
way anymore, I feel.
something creative. I guess I’m addicted.
I buy coffee table books from these great photographers and keep them in my home.
What are you looking forward to for the
I put them in my living room and in the
year to come?
hallway, and leave them open. When I walk past them it feels like I have a picture to look
I don’t know... shooting more. I don’t feel like
at, and as I flip the pages every day it’s like
looking for new things to happen. If you’re
putting a new painting up on the wall.
just doing your thing, doing it the best you >
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Model Tia Shannon at Models 1
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Model Aneta at Eastern Models
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Model Kandy at GAGAMODELS Makeup Natalia Gorbaczewska-Kuzniak Hair Sergiusz Pawlak
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Model Adrianna Zajdler at Millennium Model Management
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----- “If I don’t shoot for two weeks, I grow anxious. I guess I’m addicted.”
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can and loving what you do, new and fun
For the first couple years you make stuff, it’s
things will happen. I don’t expect things to
just not that good. It’s trying to be good, it
happen. I just go with the current and see
has potential, but it’s not. But your taste, the
what happens.
thing that got you into the game, is still killer.
I also hope to travel more and visit
And your taste is why your work disappoints
my favourite city in the whole world,
you. A lot of people never get past this
Copenhagen. I like meeting new people and
phase, they quit. Most people I know who do
I love the people there, they are so friendly
interesting, creative work went through years
and helpful. They have amazing models
of this. We know our work doesn’t have this
and an amazing atmosphere, too, and I love
special thing that we want it to have. We all
shooting there.
go through this. And if you are just starting out or you are still in this phase, you gotta
A word of wisdom to share with us?
know it’s normal and the most important thing you can do is do a lot of work. Put
It’s hard to put it into a sentence but when
yourself on a deadline so that every week
you’re taking pictures, always give the best
you will finish one story. It is only by going
of yourself. Treat every model and artist as if
through a volume of work that you will close
you’ve always wanted to work with them. Give
that gap, and your work will be as good as
every shoot 100% of yourself. I once found
your ambitions. And I took longer to figure
this very nice tip that I wish someone had told
out how to do this than anyone I’ve ever
me about when I started out in photography.
met. It’s gonna take a while. It’s normal to
These are not my words; they’re just so very,
take a while. You’ve just gotta fight your way
very true:
through.” –Ira Glass ∞
“Nobody tells this to people who are beginners, I wish someone told me. All of us
ANNA DYSZKIEWICZ
who do creative work, we get into it because
http:// annadyszkiewicz.pl
we have good taste. But there is this gap.
info@annadyszkiewicz.pl
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Model Signe Romer at Le Management
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------Laura Tedeschi
WHITE WAITING
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Overall Serena Novello Bracelets Helga Kovacs
PHOTOGRAPHY LAURA TEDESCHI STYLING ELENA FRISO M O D E L K E N DA L L O ’ R O R K E AT FA S H I O N HAIR & MAKEUP VERONICA RAMSES A S S I S TA N T P H OTO G R A P H E R S R I C C A R D O S TO C CO & M I C H E L E VA N G E L I S TA LO C AT I O N S LO W P H OTO S T U D I O
Photographer Laura Tedeschi believes in creating a balance between energy and order, to produce work enriched with imagination. Influenced by cleanliness, the artist presents a bold and commanding set of images that reflect her inspirations and make for an unforgettable editorial story.
First and foremost, who is Laura Tedeschi?
I think like most artists, the best way to describe myself is by showing my work. It isn’t for nothing that we decide to express ourselves through our art. Unfortunately, I do not yet have a portfolio that can give you a clear idea of who I am, so what I can do is advise you to follow my work and >
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Jumper Serena Novello Bag Helga Kovacs Ring and Brooch Lisa Grassivaro
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Jacket Sara Boatto Backpack Helga Kovacs Bangle Lisa Grassivaro Sneakers Serena Novello
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Necklace Helga Kovacs Bangle Lisa Grassivaro
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discover something new about myself as I
the essence of each of our work, waiting
release them in the future.
to emerge into the world and show our passions.
How formal is your training as a fashion photographer?
Tell us about your ideal work environment…
Immediately after studying photography, I joined the photography studios of the
Often, hurrying through work does not leave
Benetton group in Italy. I now work mainly for
space for imagination and concentration to
United Colors of Benetton, Sisley, Playlife and
achieve the best results, in line with my idea
Killer Loop. I shoot some of their look books
of photography. My ideal work environment
and still life photography for their catalogues.
would be characterised by a balance between
Aside from this, I have been fortunate
energy and order, in which the work cannot
to collaborate with other established
spoil the aesthetics of photography.
photographers. What have been some of your most How would you define your aesthetic in
fulfilling projects so far?
three words? I know it could be strange to say, but ‘White Light, clean and ordered.
Waiting’ is the most satisfying work I have done so far.
What were your key inspirations behind your editorial submission ‘White Waiting’?
A word of wisdom to share with us?
The stylist and I started thinking of creating
“Choose a job you love, and you will never
an editorial around a collaboration with
have to work a day in your life.” –Confucius ∞
emerging designers, hence the choice of setting the whole thing in a white
LAURA TEDESCHI
environment. We wanted to convey
laura.tedeschi.photo@gmail.com
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Earrings Lisa Grassivaro To p S a r a B o a t t o
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Jewels Lisa Grassivaro Pouch Helga Kovacs Pants Serena Novello
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To p a n d P a n t s S a r a B o a t t o P o u c h H e l g a Ko v a c s Ring and Earrings Lisa Grassivaro
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Bodysuit Sara Boatto Backpack Helga Kovacs Jewels Lisa Grassivaro
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------Ignacio Rivas
From Another Planet
Argentinian collagist Igancio Rivas, 25, shares
everything, but manual collage really caught
a series of vibrant collage works in which he
my imagination, and that is what I do now.
mixes nature with fun geometric figures. He speaks of his attraction to manual collage
How would you describe your work
and muralism in an exciting interview with
in three words?
NeverLazy Magazine, which reveals his experimental character and his proudest
From another planet.
moment so far as a creative individual. What mediums have you explored Tell us about yourself and your creative
and which do you most enjoy?
practice... I have explored many mediums: digital and I fell in love with collage last year, and ever
analogue photography, painting, manual and
since then I haven’t been able to stop creating
digital collage, sumi-e (Japanese ink wash
them. I made my start in the art world with
painting). But the one thing that I’ve really
photography, and then I moved on to painting
enjoyed most is muralism. It’s really exciting
on skateboards and canvases. Now I do
to paint on the streets, but unfortunately >
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----- “I like to work in chaos.”
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I can’t do it regularly because it is so
photographs is my favourite? The one I’m
expensive and time-consuming.
going to take tomorrow.”
How experimental are you with your art?
What are your resolutions for the New Year?
I like to work in chaos. I don’t have much space in my studio...
To have fun, I guess! (laughs)
What has been your proudest moment so
A word of wisdom to share with us?
far, as an artist? Always keep trying, no matter what happens, When a stranger tells me that my art is an
because the best is yet to come. ∞
inspiration for them. That makes me happy.
What inspires you most? IGNACIO RIVAS I like this quote by Imogen Cunningham
http://ignaciorivasart.tumblr.com
because that’s how I think, too: “Which of my
https://www.behance.net/Ignaciorivasart
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------Max Tan
CR A F T I NG T H E U N C O N V E N T IO N A L At 26, Max Tan brings a confident contribution to the Singaporean fashion design scene. Inspired by a recent trip to India as well as his cultural background, the designer crafted unconventional, hybrid garments as part of a new collection for his eponymous line, MAX.TAN. We are excited to present his latest work, along with insight into his influences and aspirations, in an exclusive interview. >
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PHOTOGRAPHY GAVIN YEOH A RT D I R E C T I O N M A X TA N ASSISTED BY ZHIYING YUAN & JASON SON M A K E U P E LY N K H O O M A K E U P & E LY N K H O O Z Y I MODEL LUTH SEAH ZHIQIANG WARDROBE JACQUELINE TEO & YI YUAN S T U D I O A S S I S TA N C E X I E Q I A N Q I A N & DY L A N C H N G
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Who is Max Tan? Tell us briefly about
versus feminine, reconstruction and
yourself, your training as a designer‌
deconstruction.
I’m a fashion designer who has been been
What were your inspirations for your SS15
designing my eponymous line, MAX.TAN,
collection?
since Spring/Summer 2010. I received my training at Nanyang Academy of Fine Arts,
The initial inspiration was my recent trip
an institution in Singapore from which I
to India at the starting point of my SS15
graduated in 2006.
collection. The abundance of fabrics and
I love pattern drafting and, having a rebel
drapes was a liberating experience for me.
streak in me, cannot resist breaking drafting
Infinity, karma, reincarnation, a looping
rules and exploring unconventional shapes
action: these were some key words that
and silhouettes. Most of my collection stems
sparked off the collection on the drawing
from maximising minimal ideas. I love playing
board.
with volume, modified shapes, masculine
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I began to question if it is possible for >
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a garment to have no ends, no conventional
angle in a garment can change the way
hems, nor cuffs and details. The exploration
it hangs or how it hugs the body.
of this vast idea results in hybrid garments with no hems; ends of garments that are
Describe your ideal work atmosphere or
lengthened and flipped up, transformed into
environment to us…
whole new garments altogether. Sleeves that are joined together and draped behind
Being with my team at the start of each
a wearer’s bodice. I’ve always worked with a
collection. The exchange of creative ideas
monochromatic palette but have introduced
in my studio recharges me and provides me
colours in this collection.
with the affirmation to move forward in this creative field.
How does your cultural background influence the way you work?
What are some values you find important, as a designer?
I think the Asian influence in my work is evident in the way I cut my clothes.
I would say, art consists of fashion
My garments are most often made out of
but fashion is not art, unfortunately.
very simple shapes and construction. A clever
As designers, it is important to stay >
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----- “Most of my collection stems from maximising minimal ideas.”
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relevant and to design products that relate
Who would you most like to collaborate
to people. Creating a balance between these
with?
two seemingly similar terms (art and fashion) is a continuous effort that I need to make as a
My seamstress mum has been a huge
designer.
influence on my life and my aesthetics. I have always wanted to develop a collection
How would you define your work and
about her. It will be interesting to hear
aesthetic style? Where do you aspire to be
what she thinks about my clothes and
in the near future?
my unconventional approach to garment construction.
Serious but never severe, minimal but never simple, fragile but never weak. I am learning
A word of wisdom to share with us?
the intricate language of geometric forms, that explore the space between the wearer
Stay hungry. ∞
and the garment. I love the late 80s when Japanese designers took Paris by a storm with their shapeless but highly intelligent clothing. I aspire to be like
MAX TAN
such Japanese masters one day.
http://www.max-tan.com
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----- “The exchange of creative ideas in my studio recharges me ”
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------Pierre Folk
By the silent line With his photographic series ‘By the silent line’, Paris-based photographer Pierre Folk creates a captivating world, in which he uses an abandoned railway track to convey mankind’s fast-paced and forgetful nature. We dive deep into Pierre’s explorative series, which connects mankind to all that surrounds it.
Tell us a little bit about yourself and your experiences with photography...
I’m a 28-year-old photographer currently living in Paris. I guess I’ve had a lot of early experiences with photography. Like many kids, I had a camera in hand from time to time but didn’t take it seriously. This radically changed a few years ago, when a friend of mine showed me ‘Sleeping by the Mississippi’, a project by Alec Soth. I was blown away. >
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Later on I discovered more and more
What were the challenges behind this
photographers such as Nadav Kander, Ferit
series?
Kuyas, Joel Sternfeld, Chen Jiagang, Pieter Hugo, Alexander Gronsky... I suppose that’s
As a story within the story I was eager to
when photography became something really
express man’s need for escape. To underline
important to me.
this, I decided that it would be better not to include humans in the pictures; it would be
What does your series, ‘By the silent line’,
more powerful to evoke such a concept by
explore and express?
relying on people’s absence and different elements along the rails, such as chairs
As a photographer I have always been willing
and kid’s toys. As a result, I guess man’s
to explore the relationship between society
presence can be felt in the negative space
and its surroundings. La Petite Ceinture, an
of the story. A second challenge was to create
abandoned Parisian railway, is mostly idle
a dialogue between the images. I used the
and maintained for a purpose that is yet to
rails to establish a link between them.
be agreed on; it was a perfect subject for me
I also tried to have the viewer focus on the
to try expressing my point with. Thus, ‘By the
originality of the concept of this story, as well
silent line’ deals with our tendency as species
as on elements such as the passing of time. I
to move on to something else in a heartbeat.
needed my compositions to be as neutral as
Those paradigm shifts leave vestiges behind,
possible, to avoid introducing a disruptive or
as testimonies of our forgotten past.
complicating factor that the viewer would >
----- “As a story within the story I was eager to express man’s need for escape.”
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----- “My ambition is to dig into the way people live together.”
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unconsciously focus on. These are the
out of a photographic series or any piece
reasons why I fostered consistency between
of art is of course composed of concepts
the compositions and why the rails can be
the artist tried to convey but also – for
found in all of them.
a large part – of what one sees and feels. This depends on who one is, on one’s
How does this series represent your
affinities, etc. Ultimately I guess the
identity as a photographer?
interpretation of a series represents both the artist’s and the viewer identities.
I’m not sure if a series is fair to represent the
That being said, I believe ‘By the silent line’
identity of a photographer. What one takes
says a lot about what I try to express >
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as a photographer and unveils some of my
people live together and I’d like to start with
influences.
mountaineers living in small communities.
What locations did you shoot? Which were
A word of wisdom to share with us?
the most intriguing, and why? You could wonder why someone would get I wasn’t willing to document the railway so
into photography at a time when images
I didn’t photograph every corner of it; instead,
are all over the place. What’s the point in
I focused on the parts of it that were most
being a photographer when the whole world
evocative to me. The most intriguing sections
can be found online? I believe the power of
are the tunnels, as sometimes they’re
photography to be its ability to suggest ideas
more than a kilometre long. Turning off the
for the viewers to analyse independently.
flashlight in the middle of such a structure
But it’s also what frustrates me as, unlike
means experiencing almost complete
books, photographs are not very efficient
darkness. Imagination gets carried away
at telling stories. The medium always leaves
at even the smallest sound...
that distinct taste of a lack of something. I enjoy it and I don’t. I’ve been struggling
What other projects are you working on
with that particular issue. ∞
at the moment?
I’m currently working on preliminary research
PIERRE FOLK
for a series in the mountains in eastern
http://www.pierrefolk.com
France. My ambition is to dig into the way
contact@pierrefolk.com
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------Madiha Abdo
----- “I like people to experience what I feel during my process of image creation.”
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A Dark Imprint
Forms and figures take on new roles in the
photography at both college and university.
works of Madiha Abdo, a London-based
I use photography as a way of connecting
artist with a keen eye for black and white
with both the audience and my subject.
photography. As she aims to immerse the
For me, photography is indeed a means of
viewer into her work, Madiha values the
self-expression that allows me to document
storyline behind each of her highly contrasted
the interesting world around me. I like people
and dramatic shots. We talk to the artist
to experience what I feel during my process
about her inspirations, values and ideal work
of image creation and to have fun whilst
atmosphere.
viewing my images.
Tell us about yourself...
Who or what inspired you for this striking black and white editorial?
My name is Madiha Abdo. I’m a professional photographer based in London. I have
The works of the photographer Richard
been interested in photography since
Avedon have greatly inspired me and made
my childhood, which has led me to study
me love black and white photography, >
PHOTOGRAPHY MADIHA ABDO DESIGNERS & STYLING JADE DAVIES & GEMMA COLLECTION ALEXANDRIA WARDROBE JADE DAVIES & JOHN
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----- “I really enjoy working as part of a harmonious and highly committed professional team.”
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for I believe it captures a subject in an almost
How would you define your work and
magical way, producing images that are
aesthetic style? Where do you aspire to be
strong, pure and without distractions.
in the near future?
How would you define your ideal work
My main concern is how to succeed in coming
atmosphere or environment?
up with well-received images, regardless of how some might like to classify them as
My ideal work atmosphere or environment
belonging to a certain aesthetic style. I have
is a well-equipped studio with a good sense
already gained a lot of recognition, despite
of team spirit, for I really enjoy working as
being in the early stages of my professional
part of a harmonious and highly committed
photographic career, which I hope to be able
professional team.
to consolidate further.
What are some values you find important,
A word of wisdom to share with us?
as a photographer? Learn from your mistakes. ∞ One of the values that I consider important is knowing what should necessarily be used for creating context, and what it is best
MADIHA ABDO
to exclude, to reach my desired outcome.
madiha_745@hotmail.co.uk
Another important value is the understanding
JADE DAVIES
and optimal use of light.
http://www.jadedavies.co.uk
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-------
Julie Gilgenmann
PHOTOGRAPHY JULIE GILGENMANN STYLING MENG DONG MAKEUP IRANDOKHT NAVAÏE M O D E L S O F I A N E AU V R AY
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Shirt and Sweater MENG DONG
I C E S TAT U E
Julie Gilgenmann stuns with her editorial story ‘Ice Statue’, which is as much a reflection of her classic photographic style as it is a reason for us to love the winter season. Brilliantly styled by Meng Dong, this story bursts with both elegance and power, and depicts a strength and passion that will keep us going well into the chilly days ahead. ∞ AC
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Shirt, Sweater and Shorts MENG DONG
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Coat, Shorts, Pants and Platform Shoes MENG DONG
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Sweater, Shirt and Shorts MENG DONG
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To p , D r e s s a n d Platform Shoes MENG DONG
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Shirt and Sweater MENG DONG
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Shirt, Sweater and Shorts MENG DONG
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Shirt and Sweater MENG DONG
JULIE GILGENMANN www.julie-gilgenmann.com
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-------
Ekaterina Grigorieva
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Wool Sweater gwynt
STORM P H OTO G R A P H Y E K AT E R I N A G R I G O R I E VA S T Y L I N G S V E TA SA L N I KOVA HAIR & MAKEUP DARIA DZUBA M O D E L N A S T YA AT R F M O D E L
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In a quick interview with NeverLazy Magazine,
viewer feel the atmosphere.
fashion photographer Ekaterina Grigorieva runs us through her vision and personal
What were the biggest challenges with this
ambitions behind ‘Storm’, a brand new
shoot?
shoot exclusive to our pages. Featuring dark colours and an incredibly energetic aura, this
Everything passed pretty quickly and quietly,
shoot links mankind to the ever-changing
as I work with a great team. The only thing
environment within which it is placed and
which always causes a problem is limited
is an exquisite take on a deeply conceptual
time.
theme. What does this shoot say about your Tell us a bit about your vision for this
personal aesthetic? Is this a theme you
story, ‘Storm’.
usually explore?
For this editorial I wanted to create the
I like to explore the themes of transitional
dramatic feeling of the weather right before
states in people, premonitions of things
the storm. Dark colours, movement and light
that are about to happen, the influence
spots mimic natural phenomena and help the
of the environment. I’m also interested >
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Silk Dress fy:r clothes
----- “I wanted to create the dramatic feeling of the weather right before the storm.�
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Viscose Dress braventru Silk Dress fy:r clothes
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Wool Trousers and Wool Jacket fy:r clothes
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----- “Keep exploring what is around you, be curious and never stop.”
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Wool Coat fy:r clothes
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Viscose Dress braventru Viscose Blouse and Wool Coat fy:r clothes
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in how the human condition depends on how
I usually understand it intuitively when I look
nature changes.
at the picture.
Tell us about yourself and your
What concepts will you be exploring
experiences so far as a photographer.
in your upcoming shoots?
How did you find an interest in fashion editorials?
In the near future, I am going to try to scrutinise the issue of age in fashion
I am interested in visual art and how people
photography. I also want to show a person’s
use it in everyday life. How someone
more ambiguous, controversial psychological
translates their views, outlook, mood, social
state.
status to an environment with the help of art. Fashion in this respect is one of the best
A word of wisdom to share with us?
tools. I like to photograph people and fashion is used to reveal the image deeper. In fashion
Keep exploring what is around you,
photography, you can tell the whole story
be curious and never stop. ∞
about what you think about the subject.
When do you know you are satisfied with
EKATERINA GRIGORIEVA
a shoot?
http://www.nemoetnihil.com
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Body, Silk Shirt and Wool Jacket fy:r clothes
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Plastic Skirt gwynt Sweater braventru Foil Jacket bwcmd
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------Oda Bakkeli Eide
PHOTOGRAPHY ODA BAKKELI EIDEA DESIGNER KAROLINA ANNA KAMOLA MAKEUP THERESE RYDEN & SANDRA HELEN HOLMEN NILSEN MODELS SILJE MARI STOKKA & SANDRA GJENDEM GJEITNES
Norwegian photographer and Arts University Bournemouth student Oda Bakkeli Eide presents ‘Silent Souls’, an editorial project which beautifully places geometric garments together with an organic setting. Featuring a monochromatic palette as well as designs by Karolina Anna Kamola, this story emits a clear, clean and tranquil vibe that sets our minds at ease. ∞ AC
SILENT SOULS
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ODA BAKKELI EIDE http://odabeide.com
------Serrah Russell
“I am a series of dichotomies.� Mixing digital photographs, instant film and found imagery, budding collage artist Serrah Russell deconstructs and recreates narratives centred around time, relationships and nature. At 28, the Seattle-based artist speaks of her affinity to polaroids, her use of collaborations to overcome envy, and her utmost devotion to collage art.
Who is Serrah Russell?
I am a series of dichotomies. A lover of people but full of social anxiety. An optimist but completely affected by the smallest of tragedies or injustices. I am a visual artist, working with instant film, found imagery and digital photography to create works of collage. I am a founder of Violet Strays, an online exhibition space started in 2011, where I curate temporal exhibitions with an emphasis on artist experimentation and connection through the internet. I am a wife, daughter, friend, sister. I am a creator, collaborator, curator, connector. >
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What does your work say about you?
our condo which is pleasantly situated in the heart of the city of Seattle. For our first
I am a minimalist, valuing quality over
Christmas together, my husband gifted me
quantity, believing the simplest option is
with a gorgeous drafting table which has
usually the best. I am a lover of nature but
completely inspired my studio practice. I
mainly for the way that environments act as
now work at this drafting table, situated in a
symbols for human emotion and experience,
corner of our home, at a window with a view
a keeper of our memories and moments.
of the Puget Sound waters. The ferry boats
I prefer an interview to a speech, an intimate
travelling back and forth between city and
conversation to a crowd. I am drawn to
islands have since become my muse. This is
colours that reflect nature or the body,
where I work best. It is home and yet, it is
thus grey and blush. My interest in using
focused. It is a cozy corner that is solely mine,
photography reveals an ongoing interest in
solely for creating and with an ever-changing
temporality, documentation and time travel.
view of nature and the weather, for those times when work comes more slowly.
What kind of environment do you work
It’s perfect.
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which led me to move my art studio into
your photographs?
Time. The body. Our relationships with one
and a way to affix the materials together.
another. Our relationships with ourselves.
I have made collages in hotel rooms, on
Memory. Temporality. Anonymity. Materials.
trains, on buses, while watching television...
Nature. Environments. Absence. Removal.
whereas polaroids are a bit more challenging at times. They require outside elements to be
Between collages and polaroids, which
right, in order for me to realise my vision.
medium do you prefer? Which is most
The challenge is engaging though. I rarely
challenging?
throw away a polaroid. They all feel like they matter, even the ones that don’t look exactly
They both hold a place in my heart and I think I’ll always fluctuate between the two, but I
as I had intended. However, polaroids have been finding their
think at this moment, I am most focused on
way into my collage work. I have recently
collage. Collage comes most naturally to me.
begun to create digital collages using scans
I love that I can create a collage in nearly any
of my polaroids as the image source material.
situation. It simply takes material, scissors,
Also, there are series of work where I treat >
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----- “I am a minimalist, valuing quality over quantity.”
polaroids as an act of collage. In ‘Geographics’, the polaroids are a document of my placement of National Geographic imagery within new environments, collaging in real life. In ‘Equivalents’, I treat the photographic act as a form of “cutting”; removing the context and drawing attention to small fragments within larger found images.
What are the main difficulties you face, and how do you seek to overcome them?
As an artist, I would say the most difficult thing is to keep at it. It’s a hustle, it’s a struggle, and you’ve got to keep challenging yourself and not get too comfortable or too discouraged. There are rejections, failures, bad reviews, losses, and you have to just get back into the studio and keep going. But it’s also equally hard to appreciate the milestones and successes. It’s easy to keep working and pushing, and not let yourself enjoy when the moments and accomplishments you were working for actually come along. It’s also difficult to learn to say no, not to take every opportunity that comes your way and to stretch yourself too far. I have found that often, the best work comes for me when there is time and space for exploration and experimentation, rather than a rushed deadline to make something happen. And of course, keeping fear and envy out of it is a struggle. >
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I would say the best way I’ve found to overcome these difficulties is to collaborate.
Who and what have been your biggest inspirations this past year?
I reach out for collaborations, whether they
Never read the comments section. Kindness wins. And, borrowed from Kurt Vonnegut: when
be with artists, curators, writers, designers,
Other than my husband, who is an inspiration
you realize you are in the midst of a good
or something completely outside of
of intelligence, kindness, and generosity,
moment, think or say aloud, “If this isn’t nice,
the creative art world that inspires me.
I would say I am most inspired by seeing
I don’t know what is”. I have been trying to
Collaborating brings a fresh perspective
people who enjoy what they do. This year the
follow this advice for years. It takes practice
to keep you pushing forward. It allows for
most significant and meaningful inspirations
and is far easier said than done, but I think
the celebration of your successes because
have come from just being witness to people
recognising those moments of joy, happiness
you get to support each other. You are also
enjoying themselves within their work.
and beauty in the present moment are
allowed a glimpse at the reality of another’s
Whether it’s my hairstylist, the coach of
invaluable. ∞
life and experience. No one has it perfect,
the Seahawks, the chef at the restaurant
no one has got it made. So if I find myself
down the street, my friends who are going
Find out more about Serrah’s online exhibition
envious of someone, it usually comes from
to graduate, or a computer engineer building
space, Violet Strays: violetstrays.com
a place of inspiration and excitement about
a new social app. Their passion and energy
the work they are doing, so I just try to make
are palpable. And it’s contagious.
them part of my team, get connected and learn everything I can from them.
SERRAH RUSSELL http://www.serrahrussell.com
A word of wisdom to share with us?
serrah@serrahrussell.com
----- “It’s a hustle, it’s a struggle, and you’ve got to keep challenging yourself and not get too comfortable or too discouraged.”
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------Tina Picard
Spies P H OTO G R A P H Y & C R E AT I V E D I R E C T I O N T I N A P I C A R D A S S I S TA N T P H OTO G R A P H E R E D S T E STYLING STEPHANIE MAJOR M A K E U P N ATA L I E P E A C H Y H A I R DA N I E L F O RT U N ATO MODELS STEPHANIE, GABRIELLE & HINSON AT E L I T E M O D E L S TO R O N TO
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Girl 1: Romper Lovers and Friends Shoes Aldo Bracelet and Earrings Stella and Dot Rings Vintage
G i r l 2 : J u m p s u i t L o v e r s a n d F r i e n d s B u s t i e r To p s h o p Shoes Aldo Belt Vintage Rings Thomas Sabo
Girl 3: Romper Lovers and Friends Boots Material Girl Jewelry Stella and Dot
Fashion photographer Tina Picard presents ‘Spies’, an exclusive story in which a glamorous and sophisticated atmosphere goes hand-in-hand with a sharp selection of garments. By conveying the story with rich hues, sultry contrasts and an edgy urban backdrop, Tina manages to strike up a certain timelessness in her work that we can’t help but admire. This shoot tells a strong story that we could not wait to share. ∞ AC
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Girl 1: Pants Gap Sheer Shirt Foxy Leather Jacket Soia and Kyo Shoes Aldo Necklace Stella and Dot
Girl 2: Leather and Suede Vest DOMA Pants Gap Shoes Aldo Earrings Thomas Sabo
G i r l 3 : Tu r t l e n e c k N a t i o n Pa n t s G a p Boots Expression Leather Gloves Club Monaco Earrings Thomas Sabo
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Tu r t l e n e c k N a t i o n Leather Gloves Club Monaco Earrings Thomas Sabo
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Girl 1: Leather Bustier Vintage Skirt and Blazer Rachel Sin Sunnies and Shoes Aldo
Girl 2: Dress Eyedoll Leather Gloves Club Monaco Sunnies and Shoes Aldo Necklace Vintage
Girl 3: Suit Rachel Sin Neklace Stella and Dot Sunnies and Shoes Aldo
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Girl 1: Jumpsuit Vintage Necklace Stella and Dot Girl 2: Leather Jacket DOMA Dress Lovers and Friends Girl 3: Belt Vintage Dress Lovers and Friends
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Girl 1: Shirt and Leather Skirt Lovers and Friends Scarf and Bracelets Vintage Shoes Aldo
G i r l 2 : Ta n k L o v e r s a n d F r i e n d s L e a t h e r S k i r t S t y l e s t a l k e r F u r S t o l l To p s h o p B o o t s E x p r e s s i o n Rings Thomas Sabo Scarf Vintage
Girl 3: Leather Jacket DOMA Skirt Madeline Berger Scarf Vintage Boots Material Girl
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Dress Eyedoll Leather Gloves Club Monaco Sunnies and Shoes Aldo Necklace Vintage
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TINA PICARD http://www.tinapicard.com
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G i r l 1 : Tu r t l e n e c k N a t i o n Pa n t s G a p Boots Expression Leather Gloves Club Monaco Earrings Thomas Sabo
Girl 2: Pants Gap Sheer Shirt Foxy Leather Jacket Soia and Kyo Shoes Aldo Necklace Stella and Dot
Girl 3: Leather and Suede Vest DOMA Pants Gap Shoes Aldo Earrings Thomas Sabo
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------David Beger
PRETTY GERMAN
With his editorial story ‘Pretty German’, photographer David Beger fuses a contemporary wardrobe with minimal urban settings for an intelligent and classic shoot. Joining forces with make-up artist Michael Salmen and stylist Alexa Dahmen, David presents a sleek and stylish story filled with light, elegance and an undeniably chic aura. ∞ AC
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Dress Rayan Odyll Chain Vest Annette Weisser Hat M端hlbauer Shoes Trippen
PHOTOGRAPHY DAVID BEGER STYLING ALEXA DAHMEN H A I R & M A K E U P M I C H A E L S A L M E N AT A R T I S T G R O U P M I E R AU M O D E L T I E N V U AT PA R S M A N A G E M E N T
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Knit Pullover Rayan Odyll Shoes Trippen S e q u i n S h o r t s Ta m i n a v. R i b a u p i e r r e 196 / NEVERLAZY MAGAZINE
Dress Ismini Wild Necklace Andra Neen
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Dress Ismini Wild Necklace Andra Neen Shoes Trippen
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Jacket Elea Rohrer Choker Andra Neen
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Dress Elea Rohrer Coat Amator Collection Cuff Andra Neen Shoes Vintage
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Dress Malaika Raiss Cuff Andra Neen Shoes Vintage
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Dress Rayan Odyll Chain Vest Annette Weisser Hat M端hlbauer
DAVID BEGER http://www.davidbeger.com mail@davidbeger.com
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Coat Lobmeier&Fuchs Shoes Trippen
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Magda Pietruszka
Rising photographer Magda Pietruszka impresses with her l a t e s t s t o r y ‘A L i t t l e J o k e ’ , w h i c h brilliantly plays with overstated accessories, hair and stylings to create a fun yet consistently sophisticated atmosphere. Pairing a dark, regal quality with a carefree approach, Magda presents a high fashion shoot through a very unique angle, and offers her rather lighthearted take on the world of fashion. ∞ AC
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A LITTLE JOKE PHOTOGRAPHY MAGDA PIETRUSZKA DESIGNER WALERIA TOKARZEWSKA KARASZEWICZ MAKEUP JULIA SLUPEK HAIR ANNA PYZIOLEK M O D E L S J U S T Y N A U AT S P OT M A N A G E M E N T , B E ATA Z A B A & M A G D A L E N A N O WA K
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MAGDA PIETRUSZKA https://www.behance.net/magdapietruszka magdaapietruszka@gmail.com
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------Hye-Jin Yang
A N I N T I M AT E BLU R With this mysterious and blurred set of photographs, Hye-Jin Yang expresses not just the world as she sees it, but also her own deep-set emotions and understanding of herself. She shares her thoughts on her photographic practice, as well as how much this shoot means to her personally, in an eyeopening interview with NeverLazy Magazine.
Tell us a bit about your relationship with photography.
Because photos taken with a film camera can only be seen after the film is developed, I continuously wonder how the photos will turn out. I sometimes push myself by imagining how a photo will be developed and asking myself whether it will be better than the photo before it. >
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----- “Images seen through other people’s daily lives rather than my own have become the focus.”
What does this shoot represent, and why did you decide to bring such a concept to life?
In the passing of time there always exists the past, the present and the future, and this passing of time is recorded in photos. In my work I feel that there are momentary appearances of the past. I also look at the present through feelings of relief and regret, and at the future through the notions of hope and anxiety. The feelings in my photos are associated with myself and therefore, I can concentrate on myself through photography.
What were you aiming for in using a blurred effect?
At the start of my practice, my photos explored the memories of loneliness, >
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----- “I continuously wonder how the photos will turn out.”
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insecurity, romance and joy, through images
and seek the authenticity of the self through
of outdoor landscapes seen from a bus or
photos which explore people’s daily lives.
subway. However, as I have continued to take photos, images seen through other people’s
What are your resolutions for the
daily lives rather than my own have become
New Year?
the focus. I hope that my photos can allow my audience to feel several emotions together,
I want to share my photos with more people
and I hope that what I photograph can
and communicate with them.
become the means through which they can encounter themselves.
A word of wisdom to share with us?
What does Paris mean to you on a personal
I’ve written sentences, which I have previously
level? Does this shoot embody that in
read in books, onto post-it notes my diary.
any way?
I like positively encouraging sentences. If I don’t believe in myself, then miracles
When I visited Paris, it was not the fantastic,
don’t happen. ∞
romantic city I had dreamed of. The real Paris was dull, dry and tired, and it felt the same as I did. So, in this shoot I was able to encounter myself as well as Paris’s real appearance.
What will you be photographing next? HYE-JIN YANG I have not decided on the journey of my life
http://angleboda.blog.me
yet, but I want travel to take photographs,
angleboda@naver.com
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----- “If I don’t believe in myself, then miracles don’t happen.”
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Verena Mandragora
GHOST PHOTOGRAPHY VERENA MANDRAGORA STYLING MARIA STEINER FROM RUINS OF MODERNITY HAIR DANNY VAN TUIJL USING BALMAIN HAIRPRODUCTS MAKEUP NADJA HLUCHOVSKY MODEL LIZZY MEOW
On top of making a bold statement through a rich combination of colours, ‘Ghost’ tells a fantastic narrative that brims with a mysterious and quasi-supernatural feel. Shot by photographer Verena Mandragora and styled by Maria Steiner, ‘Ghost’ is an explosion of drama and movement, and it hits viewers with a memorable dose of otherworldliness. ∞ AC
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VERENA MANDRAGORA http://www.mandragora.at
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------Paolo Prisco
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Fake Fur Hood Jacket, Leggings and Silk Denim Shirt Zara Montecarlo Shoes JustFab Hat and Scarves Vintage
COLOUR CLASH PHOTOGRAPHY, STYLING, HAIR & MAKEUP PAOLO PRISCO MODEL CHARLOTTE GODFREY
Vibrancy abounds in ‘Colour Clash’, a powerful photographic project by Paolo Prisco in which bold poses and patterned outfits are met with a fiery play with movement and contrasts. Styled and shot entirely by Paolo, this fashion shoot overflows with eyecatching character and spirit, and each photograph is more stunning than the one before it as they tell a dynamic and high-spirited story. ∞ AC
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Coat, Skirt and Shoes Zara Montecarlo To p V i n t a g e S c a r v e s T e d L a p i d u s and Hermès 238 / NEVERLAZY MAGAZINE
Coat, Skirt and Shoes Z a r a M o n t e c a r l o To p V i n t a g e Scarves Ted Lapidus and Hermès
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Jacket Zara Man Shawl and Trousers Zara Montecarlo Sandals Sonia Rykiel for H&M Scarves Vintage
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Fake Fur Hood Jacket, Leggings and Silk Denim Shirt Zara Montecarlo Shoes JustFab Hat and Scarves Vintage WINTER 2014 / 241
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Coat, Skirt and Shoes Z a r a M o n t e c a r l o To p V i n t a g e Scarves Ted Lapidus and Hermès
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J a c k e t E m p o r i o A r m a n i V i n t a g e S e q u i n To p H & M Trousers Zara Montecarlo Scarves Vintage Sandals Sonia Rykiel for H&M 244 / NEVERLAZY MAGAZINE
Jacket Zara Man Shawl and Trousers Zara Montecarlo Sandals Sonia Rykiel for H&M Scarves Vintage
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Jacket Zara Man Shawl and Trousers Zara Montecarlo Sandals Sonia Rykiel for H&M Scarves Vintage
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Fake Fur Hood Jacket, Leggings and Silk Denim Shirt Zara Montecarlo Shoes JustFab Hat and Scarves Vintage WINTER 2014 / 247
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Katarzyna Czerniak
IMMERSION Although it boasts a cool colour scheme, Katarzyna Czerniak’s latest editorial story ‘Immersion’ still has us longing for the scented and floral days past. Katarzyna presents a mature narrative through a set of atmospheric photographs, which strikes up an undeniable nostalgia as much as it evokes timeless glamour. A beautiful and simple shoot styled by Agnieszka Nowicka, with make-up by Delfina KardasKotlicka. ∞ AC
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P H OTO G R A P H Y K ATA R Z Y N A C Z E R N I A K STYLING AGNIESZKA NOWICKA MAKEUP DELFINA KARDAS-KOTLICKA DESIGNER OLGA PASSIA JEWELRY DESIGN DZIUBEKA M O D E L A N N A KO WA L S K A AT M O M O D E L M A N A G E M E N T
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KATARZYNA CZERNIAK http://www.katarzynaczerniak.com kasiaczerniak.photo@gmail.com
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