Matt Winder UWM m.Arch
CONTENTS 01
marquette aquatics center
02
bus terminal awning
03
monsters in the garden
04 dinner party 05 abstract analysis 06 pre-cast panels 07
load bearing masonry
01
MARQUETTE AQUATICS CENTER
Sink or Swim was a semester long project that focused on the idea of material weathering. FALL 2016 STUDIO: “sink or swim” PROFESSORS: Brian Johnsen and Sebastian Schmaling We were trying to predict patterns of these materials and use this as a design element PARTNER: Jared Maternoski in our concept. As a group we were given the task to design an aquatics center on the University of Marquette’s Campus.
Our task was to design a building to fit within the urban fabric of Marquette campus as well as buildings that surround it. The program that we needed to fit within this design was three pool, Olympic fifty meter pool, diving pool, and community pool, along with those three we had to make room for administration offices, dormitory spaces, a cafĂŠ and an outdoor courtyard. We were asked to find a solution to connection the Marquette community with the surrounding neighborhood. A second task was to implement our weathering material in two separate locations. We wanted to engage the community with multiple access points as well as outdoor courtyards for the community to enjoy. The second floor of our design has a community cafĂŠ with direct access to a large outdoor courtyard for everyone to enjoy. For weathering material we chose to use brick for an exterior shell with a unique brick pattern with a five degree rotation. This rotation then allows for deterioration in the brick as well as collection ivory seeds to collect and grow. The second use of weathering material is with our main core volume. This core is constructed out of concrete with core ten steel embedded into the sides of the walls. With the weathering over time the steel will slowly rust and start to stain the clean concrete and a very aesthetically pleasing way.
highway interchange
waterways
green space
site location
basement
main floor
3rd floor
Longitudinal Section
Aquatics Section Model Basswood interior Walnut exterior
02
BUS TERMINAL AWNING
SPRING 2017 SEMINAR: Parametric Design PROFESSOR: Kyle Talbott
The goal of this exercise was to create a parametric design by writing a script that would allow a base form to morph from one component to the next. My awning design incorporated the wall as well as the overhang. I wanted to create a movement a person would move along the facade. My second element was to introduce a lighting effect as a person was walk along the wall by introducing a perforated wall screen.
connection width
roof spacing
rft2 rf0 rft0 base6
rf1 crv6
base spacing
Roof Width
rft4
rft1 rft3
rf2
rf3
rfb1
rfb2
rft6
rfb3
rft5
rf4
rf5
rf6
rfb4
rfb5
inner circle middle circle outer circle
ct2
base4
connection height
rfb0 crv5
ct3 base5
crv4
base3
base2
ct1
ct0 base1
base 0
crv3
crv2
crv1
crv 0
inner circle middle circle outer circle
Parameter Map
look down the wall
morhping progression
03
MONSTERS IN THE GARDEN SPRING 2016 STUDIO: Architectural Design 820 PROFESSOR: Kyle Talbott
Our design challenge was to create an outdoor ceremonial space. The location for the service was the botanical gardens in Wisconsin. The site had a small stream running through the southern half of the garden. We were given a specific motif to base our design from and I was given ‘morcelation’ to base my idea off. The term ‘morcelation’ is the idea of taking small pieces and stitching them together to create the whole. Taking this idea into three scales, the first is making it come together out of many pieces. These pieces then created each bay that were then stitched together to create the whole space.
Section Garden
Model Garden
Plan Garden
04
DINNER PARTY SPRING 2016 SEMINAR: Visualization II PROFESSOR: Nikole Bouchard
This semester long project took us through a process that used multiple visualization tools as well as types of analysis needed for design project. We were given a motif to base our project. ‘Morselation’ was my motif which is the idea of taking multiple pieces and stitching them back together to create the whole. Through multiple studies for material usage as well as diagramming a precedent, we were able to create a small occupiable space to host a dinner party.
Through a series of projects we began making motif and mood boards to start to get a sense of the texture and the feel of our dinner space. My concept was the idea of taking something dark and irregular and create something colorful and unique. My motif textures we the idea of taking a singular line and designing a pattern that creates movement by densifying certain areas and create that movement. Our next challenge was do diagram a given precedent. Ordos 100 #07 was the building I focused on studying. After taking many different approaches I came across a diagram that showed the movement through the building and took that design and used that to design my dinner space. The pieces that make up the building are the original pieces made up in the diagram. As an architect these skills and weekly challenges taught me the technique of observing, conceptualizing, constructing and communicating my ideas.
base mood 01
base mood 02
mood 01
mood 02
Motif
density texture
volume texture
pieces sticked together
Domnestic Descriptions ordos 100 #07
between spaces
exterior spaces
east elevation
north elevation
connecting spaces
room to room
wall views
east elevation shape
light wells
exterior outline
natural lighting
north elevation shape
wall spaces
west elevation floor ceiling relationship
direct paths
courtyard relationship
angled light wells
west elevation shape
light well relationship
interior v exterior relationship
floor to ceiling relationship
05
ARTIFACT ANALYSIS FALL 2015 STUDIO: Architectural Design 810 PROFESSOR: Nikole Bouchard
This project was designed to study and analyze an given artifact. To do so I drew multiple sections and plans of the object. Through new discoveries in the object, the goal was to then create an abstract two dimensional design. The process for this design was to find a simple shape within our section drawings and recreate the shape into a complex drawing then repeat that process one more until the object was no longer noticeable. The final part to this project was constructing an host for the object. Something for this artifact to sit inside. I took key features of the artifacts design and wanted to recreate this in the apparatus.
chaos into simple, then reversed
Sandblasted Texture Bush Hammered Texture
Small False Joints
Elevation 3/8” =1’-0”
Plan 3/8” =1’-0”
06
Pre-Cast Panels SPRING 2017 SEMINAR: Building Constructions PROFESSOR: Jim Shields
In our building concructions class we were asked to create a facade for a two story office building. Each floor has two private offices with two people occupying the space. For this exercise we had to create the facade using pre-cast concrete panels as well as an infill structural system. With my design I wanted to create a movement along the facade with false joints moving throughout the panels.
Gravel Stop
Tie-Back
3” Insulation
Metal Stud Pre-Cast Concrete Panels
Tie-Back Mineral Wool Large False Joints Backer Rod L Shaped Brack Window
Section 3/8” =1’-0”
Metal Fascia Gravel
EPDM Galvanized Water Dam
6” Rigid Insulation Rink Shank Nail Wood Nailer 8” Pre Cast Panel Mineral Wool Tie-Back Air-Impermeable Spray or Board Insulation with Joints Sealed
Pre Cast Flooring
Sealant tape for air barrier continuity Plywood Buck Wrapped in Membrane
Drip Edge
Structural Clip Support
Sealant on Backer Rod Metal Angle Backdam Mullion Glazing
Roof Detail 1 1/2” =1’-0”
Large False Joints
3” Rigid Insulation
Structural Column Gypsum Board Metal Stud Spray Foam Airseal Flexible transition membrane for air and water control continuity
Sandblasted Texture Bush Hammered Texture
Glazing
Inner Backer Rod Outer Backer Rod Mullion
Solid Blocking Backer Rod Line of Outer Sealant Seal / Rainscreen Joint
Corner Detail 1 1/2” =1’-0”
Gypsum Board Metal Stud
Spray Foam Airseal Flexible transition membrane for air and water control continuity Glazing
Line of Inner Seal Air Constrol and Drainage Water Control Pre-Cast Panel Mullion
Solid Blocking Backer Rod
Inner Backer Rod Line of Outer Sealant Seal / Rainscreen Joint
Outer Backer Rod
Panel Connection 1 1/2” =1’-0”
07
Load Bearing Brick Wall SPRING 2017 SEMINAR: Building Constructions PROFESSOR: Jim Shields
This excersize was to take that same two story office building and construct a two story load bearing brick wall with a punched opening structural system. This was to graspe the basic fundemental construction details of a brick wall.
Air Vent
Stone Window Sill
Cement Block
8” Concrete Plank
4” Brick Veneer 3” Rigid Insulation L Angle FLashing
Vapor Barrier Drip Edge Insulation
Drop Ceiling
Brick Veneer Flexible Flashing 6” Rigid Insulation
Air Cavity Brick Tie Back 3” Rigid Insulation
Corrugated Metal Concrete Lintel
Roof Connection 1 1/2” = 1’-0”
4” Brick Veneer Tie-Back Concrete Block 3” Rigid Insulation Vapor Barrier Air Cavity
Termination Bar Flexible Flashing
Air Vent Drip Edge
Insulation
Base Connection 1 1/2” = 1’-0”
Brick Veneer Brick Tie Back
8” Concrete Plank
3” Insulation Concrete Lintel Air Cavity Flexible Flashing Vapor Barrior L Angled Flashing Mullion Glass Panel
Floor Connection 1 1/2” = 1’-0”
Clyde’s Conumdrum 26” x 26”, Oil on Canvas Painting II, Spring 2014
Price of Survival 14” x 15”, Graphite on Paper Drawing IV, Fall 2014