NOV DEC 2014 programme
OVERVIEW JPU
Joburg Photo Umbrella
When
Reflections on 100 years of war, genocide and mass violence
What & Where
23/10/2014 - CORNER LOVING 14/12/2014 Goethe on main
30/10/2014 - CITY DESIRED 10/12/2014 Goethe-Institut 01/11/2014 - PHOTO UMBRELLA FESTIVAL 30/11/2014 JOHANNESBURG
JPU
07/11/2014
Zanele Muholi - Faces and Phases JPU 2006–14 Market Photo Workshop
UNTIL 10/11/2014
BIANCA BALDI – ZERO LATITUDE (2014) GOETHE-INSTITUT
JPU
19/11/2014 - # TRANSITIONS: IN SEARCH OF AN AUTHENTIC 30/01/2015 QUEER BY DEAN HUTTON JPU GOETHE-INSTITUT 11/11/2014
New South African Voices: KAREN JENNINGS & ZUKISWA WANNER Goethe-Institut
11/11/2014 - FROM THE TRENCHES OF THE MARNE TO 10/12/2014 THE HILLS OF RWANDA: REFLECTIONS ON 100 YEARS OF WAR, GENOCIDE AND MASS VIOLENCE JOHANNESBURG 16/11/2014 DISCUSSION – HOLOCAUST MEMORIAL WITH ULRICH HERBERT Goethe-Institut 21/11/2014 - FILM SERIES – ON THE TOPIC OF WAR 27/11/2014 AND MASS VIOLENCE THE BIOSCOPE INDEPENDENT CINEMA 24/11/2014 - UKUTSHONA KO MENDI … 30/11/2014 DID WE DANCE (THE SINKING OF THE MENDI) SOWETO THEATRE 04/12/2014 A LITERARY EVENING WITH BORIS PFEIFFER Goethe-Institut
JOIN US FOR GERMAN LANGUAGE COURSES TERM DATES: 17/01/2015 - 25/03/2015
EXHIBITION
Corner Loving by MADEYOULOOK 23/10/2014 - 14/12/2014 GoetheonMain, 245 Main Street, Maboneng Precinct Corner Loving is an exhibition of works on paper, an exploration of love and ‘black love’ in complex urban settings. Exploring the nature of everyday public practice, the collective MADEYOULOOK is interested in unpacking ordinary practices that may be overlooked as simple and inconsequential, but through deeper reflection, act as vehicles for multilayered conversations. Corner loving, the practice of lovers meeting on street corners, though seemingly naïve, is in fact an indication of broader social factors - it is a signifier for how public and private spaces coalesce due to a range of specific social circumstances. The use of public space, particularly the bustling streets of the inner city, for private intimacy, is a logical contradiction of complex urbanity. The exhibition features drawings of corner loving sites, texts by contemporary writers and from historical archives as well as a lecture series that explores the various thematic aspects represented in the practice of corner loving. Lectures will be presented by Thembinkosi Goniwe, Ashraf Jamal and Danai Mupotsa at GoetheonMain. Admission to lectures is free of charge. 30/10/2014 18h30
Danai Mupotsa Eyes that Touch: On Love, and the Odd Promise of Happiness
06/11/2014 Ashraf Jamal 18h30 Enigmatic Black: The body-in-love 13/11/2014 Thembinkosi Goniwe 18h30 Thoughts on (Corner) Love and Creative Arts
Braamfontein © MADEYOULOOK, corner loving work in progress with Nolan Dennis
EXHIBITION
CITY DESIRED
30/10/2014 – 10/12/2014 City Hall, Cape Town
Ali Hands © Rike Sitas
Curated by Tau Tavengwa and Edgar Pieterse, City Desired will offer Cape Town’s residents and visitors a penetrating insight into the challenges and possibilities facing the unique city. The exhibition will explore the dynamics that echo in cities across the world as they contemplate their purpose in this urban century. The city’s story will be unveiled through well-crafted biographies of ten Capetonians whose lives offer powerful insights into the minutia of daily life and the larger system in which it plays out. Mapping and visualisation, photography and video will allow the participants to contextualise the narratives. Free exploration by visitors is a primary feature of the installation. The lead partners working with the African Centre for Cities (ACC) are: City of Cape Town, Max Planck Institute, Pro Helvetia, Goethe-Institut, Ove Arup Foundation and the Dutch Consulate. In addition, further support is provided by the Council for Higher Education Consortium, Cape Town Partnership, International New Town Institute, Western Cape Government and the National Research Foundation. The Children’s Radio Foundation will also partner with ACC to bring young voices to the project. More information on www.africancentreforcities.net
EXHIBITION
Photo Umbrella Festival
JPU
01/11/2014 – 31/11/2014 Various venues in Newtown / Goethe-Institut The Joburg Photo Umbrella is a photography festival dedicated to creating a platform and network focused on new photographers, developing photography content and accessibility to photography as a medium. Joburg Photo Umbrella is an initiative of the Market Photo Workshop with the British Council Connect ZA, in partnership with Brighton Photo Biennial in
the UK. The Goethe-Institut proudly supports the Joburg Photo Umbrella presenting Zero Latitude by Bianca Baldi and Transitions by Dean Hutton as part of the festival. We also partnered in the production of Zanele Muholi’s Faces and Phases book publication which launches at the Market Photo Workshop.
Book Launch Zanele Muholi - Faces and Phases 2006–14 JPU 07/11/2014 19h00 Market Photo Workshop, 2 President Street, Newtown In Faces and Phases 2006–14, Zanele Muholi embarks on a journey of “visual activism” to ensure black queer and transgender visibility. Despite South Africa’s progressive Constitution and twenty years of democracy, black lesbians and transgender men remain the targets of brutal hate crimes and so-called corrective rapes. Taken over the past eight years, the more than 250 portraits in this book, accompanied by moving testimonies, present a compelling statement about the lives and struggles of these individuals. They also comprise an unprecedented and invaluable archive: marking, mapping and preserving an often invisible community for posterity.
EXHIBITION Bianca Baldi – Zero Latitude (2014) Runs until 12/11/2014 GOETHE-INSTITUT, 119 JAN SMUTS AVENUE, PARKWOOD
JPU
Handout Zero Latitude © Bianca Baldi
Bianca Baldi’s project begins with a particular design object, The Louis Vuitton Explorator. Commissioned by Pierre Savorgnan de Brazza for his expedition to Congo, the highly stylised form of this explorer’s day bed is capable of containing and unfolding not only physically but also conceptually, the trappings and projections accompanying the aesthetic of colonial ambition at Zero Latitude. Along de Brazza’s route down the Congo river, to the place that would eventually bear his name, Baldi unpacks a series of related ‘finds’, conscious of their symbolic capital, as well as the power of elegant decontextualisation and erasure. The wild mythologising
of place and time, lived experience and its subsequent narration, are presented in an installation which simultaneously transfixes and contests the fashioning of representation. Zero Latitude was commissioned and co-produced by the 8th Berlin Biennale for Contemporary Art with support from the Goethe-Institut. http://zero-latitude.net/
EXHIBITION # Transitions: in search of an authentic queer JPU BY Dean Hutton Opening 19/11/2014 18H30 19/11/2014 – 30/01/2015 GOETHE-INSTITUT, 119 JAN SMUTS AVENUE, PARKWOOD
Winter is Coming © Dean Hutton
Dean Hutton takes a tool, as domestic an object as an iPhone implies and transforms it into both witness and mirror. The accessibility of her tool reflects another interest: in making art that is utterly consumable, simply and beautifully bridging the gaps between artist, subject and the audiences‘ relationship to us. Her iPhone travels with her wherever she goes and Dean’s adventures take her everywhere: Paris, New York, Los Angeles, Cape Town and back to Johannesburg. This journey unfolds before us at the Goethe-Institut Gallery in an installation, comprising of photography, video and performative media to create intimate public portrayals generated by this new media technology with both instant and more considered use of social media, blogging, Twitter and Facebook. Dean explores how these new avenues have changed how we interact as communities; how we physically live on an international stage in the virtual; and, how these media possibilities have also empowered the liminal voice to shout, to be, without restriction. Dean’s work speaks a lot about not being restricted or confined. And that challenge in her gaze, as a photographer, participant, performer
and voyeur is evident in this body of work, #Transitions: in search of an authentic queer. This exhibition is an exploration of queer visual culture in South Africa and further afield, located within the global narrative by collaborating with queer artists who are also identifying, exploring and creating their ‚bodies of work‘ in transition. Of all the so-called ‚disadvantaged‘ or ‚minority‘ groupings existing in a liminal space, queer has one of the most, if not the most, explosive creative voices, most likely because it has birthed itself by being voiced. http://transitionsqueer.tumblr.com
LITERATURE
NEW SOUTH AFRICAN VOICES: “Acknowledging Excellence – What do Awards and Literary Reviews mean for Writers?” 11/11/2014, 19H00 GOETHE-INSTITUT, 119 JAN SMUTS AVENUE, PARKWOOD A writer´s life revolves around two contrasting poles - the creative process that is a rather lonesome endeavour on one hand and the following exposure of the results to the public. How important is the self-marketing of a writer? How important are residencies and awards to be recognized and – to sell? What do these circumstances mean for the writing process and new projects? We introduce the new novel of acclaimed writer Zukiswa Wanner, who is not only a writer in her own right but has also shared so many of her prolific ideas on literature and current affairs through newspaper articles, blogs and social media with her audience. Karen Jennings was recently shortlisted for the new Etisalat Prize for Literature for her first novel Finding Soutbek, from which she will read. She will share what this success in such an early stage means for the writer´s career and how it feels to walk on the red carpet. Karen Jennings was born in Cape Town in 1982. She holds Master’s degrees in both English Literature and Creative Writing from the University of Cape Town. Karen has published short stories and poetry in various journals around the world and won the Commonwealth Short Story Competition in 2010. Finding Soutbek is her first novel and was published in 2014.
Karen Jennings © Esmarie Jennings
Zukiswa Wanner was born in 1968 in Zambia to a South African father and a Zimbabwean mother. She currently resides in Kenya. Her debut novel, The Madams was published in November 2006 and was followed by Behind Every Successful Man in 2008. Men of the South, Wanners third novel came out in 2010. In 2013 she published her
Zuks © The Guardian Observer
non-fiction satire Maid in SA: 30 Ways to Leave Your Madam. Her latest novel London - Cape Town - Johannesburg was published in 2014. Wanner co-authored A Prisoner’s Home (2010), a biography on the first Mandela house on Vilakazi Street in Soweto. In addition to writing fiction, Wanner has also contributed essays to Oprah, Elle and Juice magazines, and literary reviews and essays to Afropolitan and Sunday Independent to name a few. She is also a founding member of the ReadSA initiative, a campaign encouraging South Africa to read South African works. New South African Voices is curated and presented by Indra Wussow. Indra Wussow is a literary translator, literary critique, the editor of an edition of African fiction in Germany called AfrikAWunderhorn and Head of the German Sylt Foundation.
FROM THE TRENCHES OF THE MARNE TO THE HILLS OF RWANDA: REFLECTIONS ON 100 YEARS OF WAR, GENOCIDE AND MASS VIOLENCE 11/11/2014 – 10/12/2014 “To mark the centenary of the beginning of the First World War in 1914, the Goethe-Institut organizes numerous projects and events around the globe to reflect on the events and cultural movements that defined and shaped the era. Together with our friends and partners in South Africa, we also commemorate the 75th aniversary of the start of the Second World War and the 20th aniversary of the 1994 genocide in Rwanda. Shedding light not only on the European experience but also on the many (South) African stories linked to those significant events in world history, we will present the exceptional South African
Dr. Norbert Spitz © Goethe-Institut South Africa
theatre production Ukutshona Ko Mendi and, together with European partners, a film series. For a culture of remembrance is not just about looking back, it is about offering new insights, also for our collective lives today.” Dr. Norbert Spitz Director of the Goethe-Institut South Africa More information on www.goethe.de/joburg/reflections
From the trenches of the Marne to the hills of Rwanda:
REFLECTIONS ON 1OO YEARS of war, genocide and mass violence
11.11.2014 – 12.12.2014
ISLAND III © Gerard Marx
DISCUSSION Holocaust Memorial Völkermord und Volksgemeinschaft: The German society during the Nazi dictatorship 16/11/2014, 15H30 GOETHE-INSTITUT, 119 JAN SMUTS AVENUE, PARKWOOD In commemoration of the 76th anniversary of Kristallnacht (the November 1938 Pogroms), the Goethe-Institut, the Johannesburg Holocaust & Genocide Centre, and the Rosa Luxemburg Foundation invite you to a lecture by professor Ulrich Herbert. As one of Germany’s foremost experts on European and German history, Herbert will explore the role of German society during the Nazi dictatorship and the Holocaust. RSVP: kim.nates@gmail.com or (011) 640 3100/2148
film sCREENINGS 21/11/2014 – 27/11/2014 THE BIOSCOPE INDEPENDENT CINEMA, 286 FOX ST, MABONENG PRECINCT
Film still from ‘Majubs Reise‘/ ‘Majub´s Journey‘ by Eva Knopf, Germany, 2013
As part of the 100 Years of War, Genocide and Mass Violence event series, the Goethe-Institut presents a series of films on the topic of war and mass violence at the Bioscope Independent Cinema. German highlights on the programme include award-winning documentary Majub’s Journey, as well as the feature films Westfront 1918, Joyeux Noël, The Woman and the Stranger and The White Ribbon. Grey matter, a film dealing with the 1994 genocide in Rwanda, will also be screened. In addition to these films, Apocalypse, a five-part French documentary on the First World War, as well as Terrence Malick’s The Thin Red Line, Darryl Roodt’s The Stick and the award-winning documentary Dirty wars will be screened. The directors of Grey Matter, Majub’s Journey and The Woman and the Stranger will be present during the screenings of their respective films. 21/11 18h00 Dirty Wars 20h00 Grey Matter (director Kivu Ruhorahoza in attendance) 22/11 18h00 The Stick 20h00 Majub’s Journey (director Eva Knopf in attendance) 23/11 17h00 Apocalypse episode 1 19h00 Westfront 1918 24/11 18h30 Apocalypse episode 2 19h45 Joyeux Noël 25/11 18h30 Apocalypse episode 3 19h45 The Thin Red Line 26/11 18h30 Apocalypse episode 4 19h45 The Woman and the Stranger (director Rainer Simon in attendance) 27/11 18h30 Apocalypse episode 5 19h45 The White Ribbon Admission: R25. Tickets available from the Bioscope http://www.thebioscope.co.za/
theatre Ukutshona ko Mendi… Did We Dance (The Sinking of the Mendi) 24/11/2014 – 30/11/2014 SOWETO THEATRE, CNR BOLANI RD AND BOLANI LINK, JABULANI, SOWETO
The cast of Did We Dance (The Sinking of the Mendi) performing. Photo by by Glen von Zeil
On the foggy morning of 21 February 1917, 600 men, mainly from rural Pondoland in the Eastern Cape, lost their lives when the troopship SS Mendi sank in a shipping accident just off the Isle of Wight. The men were on their way to support the British Army in France during the First World War. The troopship SS Mendi set sail from Cape Town on 16 January 1917 with 802 members of the 5th Battalion, South African Native Labour Corps (SANLC), together with British officers and crew. Her final destination was La Havre, France. Ukutshona ko Mendi… Did We Dance (The Sinking of the Mendi) vividly retells this story. The title of the play is derived from a poem by S.E.K. Mqhayi, which records the oral legend of the barefooted ‘death dance’ performed by the brave men of the labour contingent on the tilting deck of the Mendi before she plunged beneath the ocean. The men met their death with great dignity and courage, an act which has given its name to South Africa’s highest award for courage, The Order of the Mendi, bestowed by the president on South African citizens who have performed outstanding acts of bravery. Ukutshona ko Mendi… Did We Dance (The Sinking of the Mendi), is directed by Mandla Mbothwe, and written by Lara Foot. The Goethe-Institut and the Rosa Luxemburg Foundation support this week-long run of the play at the Soweto Theatre. Sponsored by the foreign office of the Federal Republic of Germany. Tickets and information: http://www.sowetotheatre.com
Thando Doni, Owen Manamela-Mogane, Warona Seane in Did We Dance (The Sinking of the Mendi). Photo by Mark Wessels
LITERATURE
Boris Pfeiffer: Young adult literature – writing for teens in a multi-media world
04/12/2014, 19H00 GOETHE-INSTITUT, 119 JAN SMUTS AVENUE, PARKWOOD The Johannesburg branch of the Gesellschaft für Deutsche Sprache (GfdS) invites you to a literary evening with Boris Pfeiffer, an established author of children’s and young adults’ books in Germany. He will read excerpts from his work, such as the higly successful Die drei Fragezeichen (The three question marks) series and will discuss specific challenges that arise when writing for the youth. What do they read? How do they engage with literature? And how can one support their reading culture in a world that constantly exposes them to the large variety offered by multi-media products today? Please note that both the reading and the discussion will be in German.
Boris Pfeiffer © Uwe Neumann
FOR YOUR INFORMATION ARTS EDUCATION
Artucation
21/07/2014 – 12/12/2014 GOETHEONMAIN GALLERY AND METROPOLITAN COLLEGE Artucation is an arts education programme that takes place every Wednesday at the GoetheoOnMain Gallery and Metropolitan College, facilitated by arts educator Puleng Plessie. It involves a group of grade ten learners who use dialogue as a starting point to initiate conversations around the exhibition. These dialogues start to comment on social, political and learners’ personal environment. GoetheOnMain gallery then becomes a space where they talk about the exhibition topic and begin to unpack and translate themes in their own interpretation. This is presented in a form of an artwork in the classroom. Therefore Artucation starts to become a youth platform for expressive intervention in arts education. This month learners will use Corner Loving exhibition by MADEYOULOOK to have a dialogue around ‘What influences public and private spaces?’
© Miora Rajaonary
VISUAL ARTS
KEHRWERT – RECIPROCAL VALUE
17/10/2014 – 04/01/2015 NEW MASTERS GALLERY AT THE STATE ART COLLECTIONS DRESDEN The relationship between Africa and Europe is significantly influenced by the West’s representation of Africa which also affects contemporary African politics, society and art. When German or European curators develop exhibitions of contemporary African art and culture, they
frequently approach the subject matter from an ethnographic perspective. The exhibition project Kehrwert/Reciprocal Value by the State Art Collections Dresden with the Goethe-Institut reverses this perspective: instead of curators from Germany presenting works by artists from African countries, Ethiopian anthropologist, curator, and writer Meskerem Assegued develops interventions and the exhibition Curvature of Events with works from the collections of the Old Masters Gallery and the New Masters Gallery in Dresden. The exhibition will include a colloquium on the non-European view, an accompanying cultural programme and film series. The project is funded by TURN – Fund for Artistic Cooperation between Germany and African Countries, which aims to encourage a wide range of German institutions to shift their focus on the artistic production and cultural debates in African countries.
NETWORK MEETING
CENTERS OF LEARNING FOR AFRICAN PHOTOGRAPHY
10/11/2014 – 12/11/2014 GOETHE-INSTITUT, 119 JAN SMUTS AVENUE, PARKWOOD (THIS EVENT IS BY INVITATION ONLY) Photography on the African continent is on the rise and has become more and more successful over the past few years. Despite long photographic traditions, the regional differences concerning infrastructure are large. It is difficult to find well developed and professional educational or training programs in photography on the continent to serve as platforms and spaces of learning, supporting young emerging African photographers. The Goethe-Institut aims to professionalize training in the area of photography, broadening its scope to include artistic and conceptual reflection and develop the exchange of trainers and teaching modules, creating a network of “Centers for Learning“ and platforms for exchange. A network meeting in Johannesburg around the Joburg Photo Umbrella with guests from the continent aims to define the framework and contexts, needs and prerequisites, aims, partners and criteria in order to support and strengthen a network of “Centers of Learning for African Photography.”
TALK
ROUNDTABLE WITH AFRICAN PHOTOGRAPHERS – WHO IS SUPPORTING WHOM?
JPU
11/11/2014, 19H00 – 20H30 BANNISTER HOTEL, 9 DE BEER STREET, BRAAMFONTEIN This roundtable discussion investigates the formal and informal support structures for photography in Africa. This discussion also questions the notion of community amongst photographers in Africa. Who is Supporting Whom? is organised in partnership between the Goethe-Institut South Africa and Market Photo Workshop and coincides with the network
meeting Centers of Learning for African Photography. Including engaging perspectives from Lagos to Addis Ababa, Cairo to Harare this discussion will debate these questions and assess where the learning of African photography and support stands today.
ONLINE MUSIC PLATFORM
MUSIC IN AFRICA
© Jabu Nkosi
Music In Africa www.musicinafrica.net, the new pan-African information and exchange portal, is set to unveil three new sections this month, namely: Magazine, Resources and Education. These sections will feature hundreds of articles covering key topics, including overviews of African music scenes, research findings, best practices for artists, news, reviews, travel advice, interviews, features, gig guides and much more. This is in line with Music In Africa’s aim to become the leading source of information and exchange in the African music sector. On 19 November, the Music In Africa Foundation’s 2014 Annual General Meeting will be held at the Goethe-Institut in Dakar, Senegal, followed by a launch event at the international market for African music (SIMA) on 21 November 2014.
EDUCATION
FILM + SCHOOL CINEMA EDUCATION PROJECT
UNTIL 15/12/2014 THE BIOSCOPE INDEPENDENT CINEMA 286 FOX ST, MABONENG PRECINCT The final term of the 2014 Film + School Cinema Education programme will commemorate the 100 year anniversary of the advent of the First World War. Through the use of an innovative, interactive documentary and
LANGUAGE COURSES
LEARN GERMAN – Join us for German language courses
Term dates: 17/01/2015 – 25/03/2015 Goethe-Institut, 119 Jan Smuts Avenue, Parkwood Learn German with the world-wide leader in German language teaching. Whether you want to learn German for daily life, personal interest, professional development, or university studies – the Goethe-Institut is your qualified partner. We guarantee your rapid linguistic progress promoted by our highly qualified teachers, state-of-the-art teaching methods, intensive consultation and support, a system of course levels applied around the world, and internationally recognized examinations. We offer beginner and intermediate classes and can also organize one-to-one tutoring at any learning level as well as special corporate courses for your company. Enrol online on www.goethe.de/joburg (click on “Learning German” and then on “Registration, dates and prices”) For more information please visit our homepage or contact our language course office: learngerman@johannesburg.goethe.org or + 27 11 4423232
Front cover detail: Warona Seane in Did We Dance (The Sinking of the Mendi). Photo by Mark Wessels Design: www.prinsdesign.co.za
facilitated discussion, young learners will come to understand the causes, realities and aftermath of the Great War in an exciting way. For bookings and more information, please contact Puleng Plessie on 0762532530 or bookings@ktdarts.org.
INFORMATION Goethe-Institut South Africa General opening hours Monday–Thursday 8.30 am – 6 pm Friday 8.30 am – 2.30 pm Library opening hours Monday–Thursday 2 pm – 6 pm Saturday 10 am – 2 pm Language course office hours Monday–Friday 2 pm – 5.30 pm
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Goethe-institut The Goethe-Institut is Germany’s cultural institute. It promotes knowledge of the German language abroad, fosters international cultural cooperation and conveys a comprehensive picture of Germany. German Language Courses: The Goethe-Institut is the global market leader for teaching German. Whether you want to learn German for everyday life, personal interest, your job or for university studies – we are your qualified partner. Library: Our library offers German books as well as many translations of German authors, music CDs, subtitled DVDs, and audio books. The eLibrary offers digital books, magazines and audio files for free download onto your computer, tablet or eReader – 24 hours a day, 7 days a week: goethe.de/sa/elibrary Cultural Programme: A variety of cultural events are hosted by the Goethe-Institut, from visual arts to drama, dance, literature, film, and others. Our aim is to support the local cultural scenes and strengthen the pan-African dialogue through the arts. visit our website goethe.de/joburg join our events on facebook.com/goethe.suedafrika discover the German language on facebook.com/germaninjoburg follow us @goethejoburg
The events in this programme are in partnership with: