6 minute read

Blackmagic Unveils Studio Camera 6K Pro, Adds Streaming to 4K Pro G2

BLACKMAGIC DESIGN has announced the Blackmagic Studio Camera 6K Pro, a new studio camera model that features an EF lens mount, a larger 6K sensor for improved colorimetry and fine detail handling, ND filters and built-in live streaming via Ethernet or mobile data. Blackmagic Studio Camera 6K Pro shares the same compact all-in-one design of the studio camera family with a lightweight carbon fibrereinforced polycarbonate body, large integrated 7″ HDR viewfinder and broadcast connections. The company also announced the Blackmagic Studio Camera 4K Pro G2, an updated model that now includes built-in live streaming. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturised into a single compact and portable design. Additionally, with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so customers can capture images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in colour corrector, Blackmagic RAW recording to USB disks, live streaming and more. Plus, the new Blackmagic Studio Camera 4K Pro G2 and 6K Pro models add built-in live streaming via Ethernet or mobile data so customers can place cameras remotely. The Blackmagic Studio Camera is not limited to use with a live switcher. It records Blackmagic RAW to USB disks, so it can be used in any situation with a tripod. The large 7″ viewfinder makes it suitable for chat shows, television production, broadcast news, sports, education, conference presentations, etc. The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time.

The camera sensors, combined with Blackmagic generation 5-colour science give users the same imaging technology used in digital film cameras. The colour corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, suitable for colour correction. Suitable for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.

With EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Optional focus and zoom demands let users adjust the lens from the tripod handles just like a large studio camera.

The Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. The talkback connector is built into the side of the camera and supports standard 5 pin XLR broadcast headsets.

The Blackmagic Studio Camera Pro models are designed for broadcast workflows and come with 12G-SDI, 10GBASE-T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection.

Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built-in live streaming. They can be placed remotely and generate a H.264 HD live stream sent via the Internet to the studio. The camera connects to the internet using the builtin Ethernet connection, or users can connect a 4G or 5G phone to the USB-C port to stream via remote data.

Blackmagic Studio Camera 6K Pro features high quality, remote controllable ND filters that let customers quickly reduce the amount of light entering the camera. Designed to match the colorimetry and colour science of the camera, the 2, 4 and 6 stop filters give customers additional latitude even under harsh lighting. The filters are designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. The ND filters can be electronically controlled by the function buttons on the back of the camera, using buttons on the demand and remotely. Visit https://www.blackmagicdesign.com

Marshall Electronics CV730-BHN and CV730-ND3 Cameras

MARSHALL ELECTRONICS, the manufacturer of broadcast and proAV cameras and equipment, will showcase its CV730-BHN with Full-NDI and CV730-ND3 with NDI|HX3 technology at NAB 2023 (Central Hall, Booth C5520). These new cameras are designed to accommodate broadcast production facilities looking to produce high-impact content with less staff on-site and sometimes limited IP bandwidth. The CV730-BHN Full-NDI PTZ camera incorporates the premium Full NDI FPGA while also offering the benefits of NDI|HX3 and standard IP (HEVC/ SRT) streams. The CV730-ND3 PTZ camera utilises the new NDI|HX3 platform and standard IP (HEVC/SRT).

The CV730-BHN features a premium Sony 4K sensor with 9.2 million pixels and back-lit square pixel technology designed behind a long 30x optical zoom range (6.5~ 202mm). It also has support of BT.2020 colour gamut for wide and precise colour reproduction suitable for high-end productions. The CV730-BHN has streaming options of Full-NDI, NDI|HX3 and standard IP (HEVC/SRT), while also offering two simultaneous SDI (BNC) outputs 12G-SDI + 3G-SDI with genlock sync, as well as HDMI and USB3.0 options when the application demands it. High Bandwidth NDI requires higher network bandwidth but in return delivers the lowest latency video possible, nearing the quickness of traditional SDI, while maintaining premium quality and lossless video performance.

The CV730-ND3 features a similar Sony 4K sensor with 9.2 million pixels and back-lit square pixel technology designed behind the same 30x optical zoom range (6.5~ 202mm). The CV730-ND3 features the new NDI|HX3 premium video codec, and standard IP (HEVC) encoding with SRT, while also offering 12G-SDI, HDMI and USB3.0 outputs. The new NDI|HX3 format requires slightly higher bandwidth than previous NDI|HX but much less than is required for Full-NDI. NDI|HX3 delivers similar low latency as Full-NDI at less than 100ms end-to-end and has video quality performance closer to premium Full-NDI quality. NDI|HX3 is a big step forward for NDI|HX while reducing the bandwidth requirements of Full-NDI and delivering similar speeds and video quality. All CV730’s now support a Smart AutoFocus feature utilising AI chipsets to target facial features and optimise focus on facial details which improves over time. Marshall PTZ cameras boast a flexible and smooth 340° horizontal pan range with 120° vertical tilt with speed adjustments from slow to fast depending on speed to set up the next shot. This provides a wide range of movement options to content creators when capturing high-quality UHD or HD video. Both cameras are feature rich and fit into a wide range of broadcast and proAV applications requiring low latency streaming with various bandwidth networks. Also included

Shotoku Introduces TR-XT3 Studio Control System

SHOTOKU BROADCAST SYSTEMS is launching its latest studio control system at NAB 2023. The TR-XT3 will make its worldwide debut at the show, and Shotoku’s TI-11X elevator pedestal paired with the Company’s advanced TG-18i pan/tilt head will make its first appearance at a major North American event. Other show highlights will include the recently introduced TG-47 pan/tilt head, and the latest Orchestra CMS control system designed to address the growing demands of today’s televised legislature proceedings. Shotoku, an international manufacturer of high-quality, easy-to-use, robust and reliable robotic and manual camera support systems, will also have its SmartPed fully robotic pedestal front and centre along with its extended family of pan/tilt heads and control panels. Demonstrations will be held throughout NAB on Booth C5320.

TR-XT3 Launch

Shotoku is bringing a brand-new studio control system to NAB. Visitors to Booth C5320 will be the first to see the TR-XT3 which incorporates all the proven capabilities of Shotoku’s flagship TRXT control system with a fresh user interface and several new capabilities. Built-in functionality makes simple work of designing and configuring SmartPed studio environment maps now and in the future. TR-XT3 is compatible with all new and existing Shotoku systems making upgrades and migrations easily managed.

TI-11X Elevator Pedestal

The TI-11X elevator pedestal will be shown paired with the TG-18i pan/tilt head to offer a highly capable robotic camera channel that includes elevation. The TI-11X is based on Shotoku’s new X-Height elevator column and offers a longer range of travel and increased speed over the TI-11 i-height pedestal. Like the TI-11 the TI-11X is aimed at studios where full manual override is not a priority. The completely new design of the pedestal’s base makes cable management simpler too with the self-contained power and network connectivity within the unit. A perfect companion for the TG-18i PT head, the TI-11X is also available for use with TG-27 and TG-47 heads when lighter payloads are required.

TG-47 Pan/Tilt head

Making an encore performance, Shotoku’s TG-47 compact, mid-level payload pan/tilt head will also be on show. Launched in 2022, the TG-47 is a PoE++ option for one-cable to camera from PoE switch setup for video, audio, control, power and tally. Customers can choose a Netgear AV over IP switch for easy configuration of Marshall cameras from drop down menus and support for NDI5.5 and beyond.

Both models are available in white and black, with the CV730-BHN shipping by NAB and the CV730-ND3 shipping now.

Visit https://www.marshall-usa.com combines the size of Shotoku’s TG-27 with the capabilities of the TG-18 and is aimed at midsized payloads of up to 45lbs, which can easily support a typical box camera / ENG lens with mid-sized teleprompter.

Orchestra CMS – Taking control of the Legislature

Shotoku’s latest version of its Orchestra CMS control system software will be available for hands-on demonstrations right in Booth C5320. Ideally suited for use in legislative, conference and corporate facilities of any size and type, Orchestra CMS features an enhanced user interface that makes operation even simpler and more intuitive than ever. Fully automated and with live video touch-screen operation, Shotoku’s world-leading system can rapidly position multiple cameras to precisely defined positions in response to either an operator command or an external automated trigger. Advanced setup features increase operational flexibility and include a live video spotter camera, floor plan graphic, and/or automated microphone selection triggers.

Visit https://www.shotoku.co.uk/