3 minute read

An Accidental Artist

If I had my way, I’d be a writer. Not to say that being a lawyer is bad (in fact, I quite enjoy it), it’s just I’m a masochist.

I’ve tried to get published on many occasions, having written my first novel when I was nineteen and my latest between 2010 and 2017. It was this latter book that got me the most positive response I ever received from someone in the industry, when I was told it was written well enough to be published but, because of the depressing subject matter, it wouldn’t sell.

Having seemingly come to an end in pursuit of publishing depressing stories, I decided to shift to writing a series of humorous shorts. This time I would take no chances. I would create an Amazon account and publish it myself. Of course, I didn’t know anything about self-publishing, but how hard could it be?

Not hard at all, if you had the money and the want to spend that money on a nice cover.

Yes, I had forgotten the golden rule of publishing: it’s not how good the stories are, it’s how eye catching the cover is. So where does one get a nice eye-catching cover? I had no idea, so I spoke to a friend of mine who had published a number of books herself.

That was easy, she told me, there were many available sources as long as you were willing to pay... a lot.

Many times more that you would earn back.

While it was true that I didn’t start writing to make money, I also didn’t start writing to lose money either. I had always thought of it as a breakeven proposition.

So, having to decide between paying for my daughter’s dance lessons or paying for a nice cover for my collection of short stories, I chose the dance lessons and decided to make the cover myself.

I would paint something. Fortunately for me, and unfortunately for the world of art as a whole, I had taken up painting, mainly because my son showed interest in it and I wanted to share his hobby. He soon lost interest, but I continued.

the title. I published it on Amazon for a $1.99.

A few people read it, and I did get one review (5 stars, yay!) by someone I didn’t know. I took that as a sign that I had accomplished... something and promptly removed the book from sale.

All in all, it had been on Amazon for about half the time it took to write. Once it was taken down, I decided I would try to get the stories published individually. What I didn’t know (amongst the many things I didn’t know) was that once a story is published, even self-published, there were very few places that would consider it. I did find one magazine that was willing to take a look, but after they hummed and hawed over one of the stories for about three months, they told me they had enough already to fill their magazine. They asked me to submit more, for future magazines.

That is where my writing seems to be right now: submitting stories, getting rejected but being told I should keep submitting. Strangely enough, however, my paintings have become far more popular than my stories ever have. I have now sold a number of paintings and even have created works upon people’s requests. I still think of myself as a pretty terrible artist but I’m enjoying the ego boost.

So I created what I thought was a nice cover by taking a picture of some artwork, downloading it to my computer and then using a software program to add in

Supporting Vulnerable Adult Witnesses

The Canadian Centre for Elder Law’s (CCEL) project on exploring law and policy responses to support vulnerable victims and witnesses of abuse is in its final stages. The study paper will highlight existing frameworks in B.C. for supporting vulnerable witnesses with a view to raising awareness across sectors about the policies that guide Crown Counsel and the supports available for vulnerable adult witnesses. This project also examines how this issue is addressed in other jurisdictions, extracting best practices and developing educational tools to support Crown counsel, the RCMP, Victim Services staff and support workers for vulnerable adults. As part of Victims and Survivors of Crime Week in May, CCEL conducted a webinar highlighting some of their research and ways in which victim support workers can assist vulnerable adult witnesses in accessing testimonial aids.

The presentation, which was co-hosted by the Canadian Network for the Prevention of Elder Abuse and Elder Abuse Prevention Ontario, can be found on the project page on bcli.org

JOHANNA GOOSEN