Carpaccio magazine [photography [illustration [arts
[
[
[
“The new birth issue”
ISSN 2013-451X
9 77 2013 451 000
06
#6
Carpacciomagazine
Carpaccio Magazine Issue #6: “new birth”
“Real birthdays are not annual affairs. Real birthdays are the days when we have a new birth.” “Un auténtico cumpleaños no es un evento anual. Un auténtico cumpleaños se da en todos aquellos días en los que renacemos.” “Un autèntic aniversari no és un esdeveniment anual. Un autèntic aniversari és aquell que es dóna els dies en què tornem a néixer.” A Sentimental Journey & the Journal to Eliza, Sterne Carpacciomagazine
: s r ito
ed
Maria Cerezo nuevaprimavera.com Emma Llensa florsalvatges.net
Carpacciomagazine
Front cover: Photography: Neil Krug & Joni Harbeck
Back cover: Photography; Emma Llensa
Collaborators: (thanks to): Jess Gough, Margaret Durow, “Bicicleta sem freio”, Rafa Castells, Asia O’Grady, Julia Feldman, Michael Howard, Chris Jones, Richard Russell, Nastya Tailakova, Valeria Montero (“puppe”), María Cerezo, Neil Krug & Joni Harbeck, Elise Hori, Lauren Javor, Valerie Chiang, David Callow, Juan Manuel Tavella, Ryan Paonessa, Evan B Harris, Luc Coiffait, Zachary Ayotte, Julian Baker, Klima Gábor, Emma Llensa, María Cerezo and Ángela Jiménez.
ISSN: 2013-4517
All artwork shown on Carpaccio Magazine is copyrighted and protected material and may not be reproduced, adapted or altered w/o the consent of the original artist(s). Carpacciomagazine
Jess Gough 19, London Carpacciomagazine
flickr.com/jessgough
Margaret Durow margaretdurow.com
Bicicleta sem freio
Carpacciomagazine
flickr.com/photos/dogrinhasdosteclados
Rafa Castells Barcelona, 20 flickr.com/rcastells
Carpacciomagazine
10 Carpacciomagazine
Carpacciomagazine 11
22, heidelberg/Germany
Laura Deberle 12 Carpacciomagazine
flickr.com/hypnotichaos-lauradeberle
Carpacciomagazine 13
Asia O’Grady
“I work to try and envision the world inside my head the best I can with what I see in front of me. 14 Carpacciomagazine
flickr.com/photos/asiaolar I’m not interested in getting my name out as much as how I want others to see worlds other than their own.” Carpacciomagazine 15
Julia Feldman 20 Buenos Aires
16 Carpacciomagazine
flickr.com/variationsonthewordsleep
Michael Howard 20 Warrington - U. K.
“ For me, the birth comes when you’re least expecting it. One of these beautiful moments that burn heavly in your chest and slowly smoulder into comfort and security.”
flickr.com/watercolour-operator
Carpacciomagazine 17
18 Carpacciomagazine
Carpacciomagazine 19
Chris Jones 33 Isle of Wight, UK
chemicalgdns.co.uk 20 Carpacciomagazine
Carpacciomagazine 21
22 Carpacciomagazine
Carpacciomagazine 23
Richard Russell “I have been making collages since I was six. After my first attempt, I was scolded for cutting up my parents’ magazines and getting glue on the dining room table.” Through out his career as an artist, Mr. Russell has work in various combinations of collage, photography, and artists’ book formats. Regardless the medium, a sense of narrative story telling has always been a major component of his aesthetic, and continues still. As a maker of books, he is fascinated by the rapid decline of this object as both a vehicle of communication and an art form. Likewise, he is an avid collector of vintage books, specifically those to which time (or readers) have not been kind, and these derelicts find new life in his art work. Both images and structural parts – covers, spines, end papers – are reclaimed and used as components or support strata for his collages, all carefully taken apart and filed according to a wideranging hierarchy of various taxonomies. “These collages were created in 1994 as a “wallbook”, my own idea for an artist’s book intended to be displayed in frames as a narrative series rather than bound and hand-held. This work made up the bulk of my first solo exhibition, eponymously title Garden, at New Visions Gallery in Atlanta in 1994. All are traditional collages on paper, 8 x 10 inches.”
-- We highly recommend the view and reading of “Garden”. So please, click on each page for zoom. -24 Carpacciomagazine
b. 1965, Pensacola, FL Lives in Atlanta, GA
myrichardsart.com
Carpacciomagazine 25
26 Carpacciomagazine
Carpacciomagazine 27
28 Carpacciomagazine
(Continue on pag 32...)
Nastya Tailakova St.-Petersburg, Russia
30 Carpacciomagazine
flickr.com/tailakova Carpacciomagazine 31
32 Carpacciomagazine
(Continue on pag 54...)
Valeria Montero (puppe) Buenos Aires, Argentina Estudio diseĂąo grĂĄfico en la UBA,(Universidad de Buenos Aires) Paso gran parte de mi tiempo descubriendo cosas en las actividades que disfruto hacer, como dibujar. Podria decir que no me gusta catalogar las cosas, ni trabajo sobre algo en particular . Uso varias tĂŠcnicas y experimento siempre nuevas. Las cosas que me inspiran son las que veo todos los dias, me gusta redescubrirlas y resignificarlas
flickr.com/29349433@N04 34 Carpacciomagazine
Carpacciomagazine 35
36 Carpacciomagazine
Carpacciomagazine 37
Neil Krug
illustration: MarĂa Cerezo 38 Carpacciomagazine
Joni Harbeck
- Why “Pulp”? Hhhmmmmmmm, great question. We suppose maybe because it was never anything else in our minds but PULP and the ideas and characters we have created for this project. Both of us are inspired by similar things and are visually expressive in similar ways, so often one of our ideas was actually both of our ideas once it was mentioned. Often one of us has a thought and the other takes it further and it builds and builds between the two of us. The vintage, raw look of PULP and its concepts and controversial themes are expressions of what makes us tick. The JACKIE vignette is a great example of us pointing out in a shocking way how one unhappy event can lead to the demise of a person, whether it is a fantasy in their head or it actually happens.
- How and when this project was conceived? PULP actually became PULP ART BOOK by the surprising reaction and following we achieved online by posting photos we were taking for fun. Late one night last january we were shooting Polaroids in our bedroom with a handmade indian headdress and a cigarette and once it posted online it blew up. Soon after, we decided to do a small book of our ideas and photos. Soon after that, it became this full-fledged coffee table book with different series and characters and hundreds of images. Selling limited editions prints came much later when we were faced with needing something to sell or pitch to the public for an interview we were doing for The New York Times since the book was not ready for sales yet. Carpacciomagazine 39
- What are your influences? Our influences range from all forms of art, however PULP is especially tied to the artists of all mediums of the 1950s/60s/70s, as well as the cultural and domestic dynamics occurring during that time period. - Which is your favorite camera? Why? Our favorite camera is everyone we use! each camera interacts with the shot differently, each one distorts the colors differently, each camera captures the focus differently... For PULP we are fond of Polaroids and expired films...especially since we are re-inventing and expressing the vintage past, it only seems fitting to use the camera methods and film of that era. - Do you plan your photos or are they spontaneous? Our ideas for the vignettes, in turn the photos themselves, are fairly complete ideas before we go and shoot. We have discussed at length the overall idea of what we want to capture, the mood, the angles and photos we envision beforehand. While shooting we usually capture what our plan was, however there is always the element of spontaneity...using both methods is the only way to go otherwise it’s too rigid or too unfocused.
Lee esta entrevista en español aquí: You can also read the interview here:
Blog
http://www.carpacciomagazine.com/specialdishes/editors-diary/
Carpacciomagazine 41
42 Carpacciomagazine
Carpacciomagazine 43
44 Carpacciomagazine
Carpacciomagazine 45
Elise Hori Sao Paulo, Brazil
flickr.com/ehori 46 Carpacciomagazine
“he didn’t know he had wings”
Carpacciomagazine 47
Lauren Javor (Canada)
“Until recently, Lauren Javor spent her winters playing on the mountains in the Whistler Valley, and her summers coating wood with impressions of the people and natural surroundings that inspired her. She now calls Umeå, Sweden home, where she is a student again, this time playing with technology and studying Interaction Design. She does, however, miss Vancouver bubble tea and extreme hammock adventures tremendously.”
laurenjavor.com/art 48 Carpacciomagazine
Carpacciomagazine 49
50 Carpacciomagazine
Carpacciomagazine 51
52 Carpacciomagazine
Carpacciomagazine 53
54 Carpacciomagazine
Carpacciomagazine 55
56 Carpacciomagazine
Carpacciomagazine 57
58 Carpacciomagazine
Carpacciomagazine 59
Valerie Chiang 16, Raleigh, North Carolina, USA
60 Carpacciomagazine
flickr.com/mediopollito Carpacciomagazine 61
David Callow
62 Carpacciomagazine
davidcallow.co.uk
“I draw and assemble cut out paper. The basis of my work revolves around an exploration of shape and the relationship between representation and abstraction.�
Carpacciomagazine 63
Juan Manuel Tavella “Nací y vivo en Buenos Aires, Argentina. Soy ilustrador, y también diseñador y músico (no necesariamente en ese orden). Trabajo actualmente ilustrando para revistas, libros, Cds, objetos de arte, y webs. Cada día, me levanto, practico meditación, tomo café con leche, y dejo alguna huella sobre el papel. Dibujar siempre fue, y sigue siendo, mi forma personal de plasmar mi experiencia del mundo y del silencio.”
flickr.com/tavellailustraciones 64 Carpacciomagazine
“Renacer. La rutina es un acto mental. O mas bien, lo contrario, porque un acto es algo actual, presente y activo. La rutina es lo contrario de la actitud creativa. Alguien decía que la creación no ocurrió una vez, sino que Dios creaba el mundo a cada instante. Y el acto creativo es un acto constructivo, y siempre que surge de un corazón despierto y apunta a dar felicidad (o compartirla), está en consonancia con eso de divino que tenemos. La muerte no es lo contrario de la vida. Las dos cosas son parte de un proceso de cambio constante. Lo contrario de la vida quiza sea la carencia de esa facultad de ver que cada vez es, por única vez, esa vez. Durante años aprendí y practiqué el Zen, y después el Budismo Tibetano, sintiendo interiormente la necesidad de encontrar un maestro. Aprendí mucho de ellos. Finalmente, encontré a mi maestro Li Honghzi cuando inicié mi práctica de Falun Dafa (también conocí y ayudo a difundir la terrible persecusión que los practicantes están sufriendo hoy en día en China). Esa práctica, esa meditación, ese silencio, abarcan todos los aspectos de la vida. Entiendo que mi relación con la ilustración se alimenta de esa práctica cotidiana. Atención, compasión, gratitud, humildad. Todo forma parte de esa práctica de vivir hoy, de saber que hoy no es ayer, ni nada es lo mismo. Abrazar el cambio, despertar, confiar, redescubrir el asombro y el entusiasmo que surge de no dar nada por sentado. Grandes cambios, pequeños cambios. Eso es, para mi, renacer; y es absolutamente indispensable. Espero que algo de todo eso haya quedado en estos dibujos”
Carpacciomagazine 65
66 Carpacciomagazine
Ryan Paonessa
flickr.com/ryanpaonessa Carpacciomagazine 67
Evan B Harris Potland, OR evanbharris.com
68 Carpacciomagazine
Carpacciomagazine 69
Luc Coiffait 20, London, Uk luccoiffait.com
“Im only 20y.o and im a fashion/beauty photographer/ assistant based in central London. I moved to London immediately after finishing my photography degree at Newcastle college. I was shortlisted for Fujifilm student photographer of the year in 2008 and have various publications in photography magazines, exhibitions and as part of a collaboration with Lara Jade working with clients such as Lavazza.� 70 Carpacciomagazine
Zachary Ayotte Edmonton, Canada zacharyayotte.com
Zachary Ayotte is an artist and photographer from Edmonton, Canada where he lives, works a and occasionally runs away. He likes his bicycle, being underwater and things that are grey. “Drawing on my interests in cinema and comic books, my photography often takes a voyeuristic approach to issues of uncertainty and the unknown. It explores the things that happen before knowledge and before understanding. As a result, my work is also tied to feelings of potential and possibility and to ideas of what may still be.� Carpacciomagazine 71
Julian Baker 46, London
72 Carpacciomagazine
julianbaker.com Carpacciomagazine 73
ﾃ］gela Jimﾃｩnez 1988, Mﾃ｡laga, Spain
I was broken. I died.
74 Carpacciomagazine
An end. A new life.
flickr.com/milindris
Carpacciomagazine 75
Klima Gรกbor 1984, Budapest, Hungary
76 Carpacciomagazine
flickr.com/gaborklima
Carpacciomagazine 77
Sept. ‘09: Carpaccio Magazine cooked in Cap de Creus: Photos by: Emma Llensa
Cadaqués 78 Carpacciomagazine
Cadaqués, Portlligat & Gala and Salvador Dalí House
Cadaqués Carpacciomagazine 79
Cap de Creus 80 Carpacciomagazine
Cap de Creus Carpacciomagazine 81
Cap de Creus 82 Carpacciomagazine
Riki Musafi
Cap de Creus Carpacciomagazine 83
DalĂ & Gala House (Portlligat) 84 Carpacciomagazine
86 Carpacciomagazine
DalĂ & Gala House (Portlligat)
Pida nuestra lista de correo! pruebe nuestros platos especiales!
weareh Demani la nostra llista de correu! provi els nostres plats especials!
Join our mailing list! taste our special dishes!
hungry. carpacciomagazine.com/newsletter carpacciomagazine.com/specialdishes/editors-diary