Loretta So-Johnson - The Culture of Paper

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Asian paper making creative retreat in Veluwe T h e C u l t u r e o f p a p e r

Fascination

: cultural exchange

Cultural exchange through process of my own paper making

step 1 steaming step 2 pounding step 3 drying the pulp step 4 mixing step 5 dredging step 6 squeezing step 7 drying step 8 cutting

Cultural exchange through process of paper making

Iterative
Experiemental
Evolving practice

1. Time is takes between each step, minimum and variable.

2. Relation to the intensity of water gives different results

3. The steps are the same but it can yield very different styles of paper.

4. The proceses are simple and rhythmic

Lessons learnt from paper making

Why paper?

Paper on the Silk Road

• Intergenerational and community based

• Buildings spread out and activities in various rooms

• Tang Dynasty invented (618–690) in Jing County, in Xuan Prefecture (Xuanzhou)

• Used the bark of Pteroceltis tatarinowii, a common species of elm in the area

• UNESCO intangible heritage paper making process

Characteristics of paper making in a Xuan village

step 1 steaming step 2 pounding step 3 drying the pulp step 4 mixing

step 5 dredging step 6 squeezing step 7 drying step 8 cutting Xuan paper making in a Xuan village

Xuan paper making in 1:50 descriptive spatial models step 1 steaming step 2 pounding step 3 drying the pulp 1:1000 step 4 mixing step 5 dredging step 6 squeezing step 7 drying step 8 cutting

A ridge formed at the end of the Ice Age where the glacier stopped. This stretches from Zwolle to Arnhem that created a height difference that helped the beeks form

171

paper mills from Zwolle to Arnhem

Mass concentration of paper mills around Apeldoorn

Most paper mills have been removed but I sought to find a physical remain of the paper mills route

Ruitermolen 2. Materials
Landscape Existing situation
1.
3.
1. Ruitermolen 2. Materials 3. Landscape 3 elements on the location
1. Ruitermolen 2. Materials 3. Landscape Existing situation 1:500
1. Ruitermolen 2. Materials 3. Landscape Existing situation 1:500

First impression and issues

1. Ruitermolen 2. Materials 3. Landscape

• All processes in 1 building

• C16-17th

• Gelderland

• Used landscape to power paper mills

• Hollander was inventer to pulp paper finer and more uniform

1. Ruitermolen 2. Materials 3. Landscape Existing situation
1. Ruitermolen 2. Materials 3. Landscape Existing situation
Ruitermolen 2. Materials 3. Landscape Existing situation Extension
1.
1. Ruitermolen 2. Materials 3. Landscape
1. Ruitermolen 2. Materials 3. Landscape Existing situation - ground floor
Cannot see water on the other side
1. Ruitermolen 2. Materials 3. Landscape Existing situation - first floor
Stone grey plint
Materials
Landscape
- materials exterior
1. Ruitermolen 2.
3.
Ruitermolen
Brick detailing Brown brick paths Red/orange square tile juxtaposes light great herringbone cobbles Brick floor inside
interior
New wooden shelving untis and storage added Ruitermolen
- materials
1. Ruitermolen 2. Materials 3. Landscape
1. Ruitermolen 2. Materials 3. Landscape Beek

BLACK ASH

MOUNTAIN ASH BLACK ALDER

WEEPING WILLOW

WEEPING WILLOW

PINE CEDAR BLACK ASH OAK CYPRESS

PINE BLACK ASH OAK

BLACK ASH OAK CYPRESS

MOUNTAIN ASH

WEEPING WILLOW

WEEPING WILLOW

MOUNTAIN ASH

BLACK ALDER

WEEPING WILLOW CEDAR BLACK ASH OAK CYPRESS WEEPING WILLOW

PINE BLACK ASH OAK CYPRESS

PINE CEDAR BLACK ASH OAK CYPRESS

MOUNTAIN ASH

MOUNTAIN ASH

BLACK ALDER

Tree inventory and guide

MOUNTAIN ASH

PINE CEDAR

PINE CEDAR

BLACK ALDER CEDAR

BLACK ALDER

BLACK ALDER

Black Ash Cedar Pine Oak Black Alder Mountain Ash Cypress Weeping Willow
1. Ruitermolen 2. Materials 3. Landscape Tree inventory BLACK ASH OAK CYPRESS WEEPING WILLOW MOUNTAIN ASH BLACK ALDER PINE CEDAR
Layers of working and landscape intertwine
Site plan
Expanded programme 1 to 8 Site plan - 1:500
Expanded programme Site plan - 1:500 prep, wet, dry 1 to 8
1 to 8
prep, wet, dry Above and on and under ground

BLACK ALDER PINE BLACK ASH OAK CYPRESS

Site plan - 1:500

BLACK ASH OAK CYPRESS

MOUNTAIN ASH

MOUNTAIN ASH BLACK ALDER PINE CEDAR

WEEPING WILLOW

Preserve the paper history and the natural spread of trees and beek

PINE

Site plan - 1:500

BLACK ASH

PINE BLACK ASH OAK CYPRESS

BLACK ALDER

MOUNTAIN ASH

BLACK ALDER

MOUNTAIN ASH

OAK CYPRESS

WEEPING WILLOW

CEDAR

Preserve the paper history and the natural spread of trees and beek

Site plan - 1:500

BLACK ASH

PINE BLACK ASH OAK CYPRESS

BLACK ALDER

MOUNTAIN ASH

BLACK ALDER

MOUNTAIN ASH

OAK CYPRESS

WEEPING WILLOW

PINE CEDAR

Preserve the paper history and the natural spread of trees and beek

PINE

Site plan - 1:500

BLACK ASH

PINE BLACK ASH OAK CYPRESS

BLACK ALDER

MOUNTAIN ASH

BLACK ALDER

MOUNTAIN ASH

OAK CYPRESS

WEEPING WILLOW

CEDAR

Preserve the paper history and the natural spread of trees and beek

Site plan - 1:500 BLACK ASH OAK CYPRESS

MOUNTAIN ASH BLACK ALDER PINE CEDAR

MOUNTAIN ASH BLACK ALDER PINE BLACK ASH OAK CYPRESS WEEPING WILLOW

Preserve the paper history and the natural spread of trees and beek

Lingering garden, Jinchang Dist, Suzhou, China Lingering garden, Jinchang Dist, Suzhou, China

Waiting and working path

30 mins walk/wait

40 mins walk/wait

20 mins walk/wait

Paths denote time and purpose

Buildings as an ensemble

Construction principles- walking direction and landscape

Retreat as an ensemble

A. Hierachy

B. Collectivity

C. Construction principles

D. Materiality

1. HOME 2. EARTH 3. WATER
1 2 3 4
4. AIR
Hierachy Buildings as an ensemble 3 2 1A 1 ateliers paper-making workshop In between space/storage
working path
Visitor’s route/
Collectivity
Buildings as an ensemble
Collective paper making Individual ateliers
Collectivity
Buildings as an ensemble
Collective paper making Individual ateliers sitting next to nature

Buildings as an ensemble

Construction principles- thick vs thin

500mm 500mm 500mm

Buildings as an ensemble Construction principles- wooden frame concealed below and is revealed above

Buildings as an ensemble

Layering the spaces and facades

Buildings as an ensemble Construction principles- rhythm of paper making in a strict regular beam structure

Buildings as an ensemble

Construction principles- use of slanted roof to highlight nature moments

Buildings as an ensemble

Construction principles- tranisiton spaces

as an ensemble
of meterials - interior
Buildings
Use
Alder wood Concrete Alder as divider Dark oak for working path Large cedar shingles
as
of meterials - exterior
Buildings
an ensemble Use
Dark oak for working path Alder beams Waterproof plaster mimicking paper when wet Ash door

Variations of each building

A. Home

B. Earth

C. Water

D. Air

Home building in surroundings - 1:200 HOME
HOME Home building is the converted Ruitermolen, the first point of contact for visitors
HOME 1:100 | Plan
Section - 1:100 HOME

As you leave HOME in the morning

Preparing the earthly materials that come from the ground into pulp

EARTH

Site model - 1:200
EARTH 1:100 | Plan
Step 1 - Steaming Step 2 and 3 - Pounding and Drying Steaming
Section - 1:100
EARTH
Sitting in the ground, you refine and pound the pulp into a formless mound

Enter close to the water and prepare to be inspired by water on every side

WATER

Site model - 1:200

Step 4 - Mixing

Step 5 - Dredging

Step 6 - Squeezing

WATER 1:100 | Plan

Atelier sits close to the water, almost touching, allowing you to feel part of paper history as you create

WATER

Section - 1:100

Dip your feet in if you feel you need some inspiration

WATER

Fragment model - 1:20

Using heat, paper goes from heavy and wet to paper thin and light as a feather

AIR Site model - 1:200
AIR 1:100 | Plan
Step 7 - Sunning Step 8 - Cutting

Working in this airy building is like sitting in the trees giving overview to your process

Section - 1:100
AIR

A day in the journey of the paper maker

8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8

8am

Morning with fellow artists retreat

8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 9am Step 1 - Steaming the fibres

10am Step 2 and 3: Pounding and drying

8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 11am
4:
Step
Mixing the pulp
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 1pm Step 5:
Dredging into sheets of paper
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 1:30pm
Waiting path - active rest
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 2pm Step 6:
Squeezing water out of the paper
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 3pm Atelier time - contemplate

Atelier time - creation and continue own projects

8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 3pm
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 4pm Step 7: Sunning of heated walls to dry paper
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 5pm Step 8: Cutting
and stacking of the paper
8am 9am 10am 12pm 1pm 2pm 3pm 4pm 11am 5pm 6pm 1 2 + 3 4 5 6 7 Atelier 8 6pm Walking back “Home”
M y C u l t u r e o f p a p e r
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