THE WHISPERINGS OF THE STARS

Redefining Life, 2019, Mixed media on canvas, 186 x 166 cm (Detail)

The Whispering of the Stars explores traditional African mythology and belief, that views the sky, the moon, and the stars as part of the Earth. It was believed that celestial phenomena were natural signs united with the Earth in harmonious synchronicity.

This new body of work created for his solo exhibition continues to present the realities of an African culture fragmented by foreign hegemony via figures half human and half animal dancing across his canvases. The exhibition works to deconstruct through his constructions of Africa’s Europeanmade identities. The figures work to shift and mirror life in constant dialogue with the sacred, each passing moment becomes a call to listen to the whispers of the invisible lips of the spiritual world. What emerges is a view of nature as something imbued with a rich religious significance.

Born Congolese and now based in Belgium, Papytsho has spent a considerable amount of time living and working in Europe.

Seeing everything as relationally in conversation, Mafolo evokes this by collaging gold leaf, printed images, acrylic but also oil paint and unfinished lines on a canvas. These unfinished lines, according to

The Soul of the City II, Mixed Media on Canvas, 130 x 130 cm, 2019

Mafolo, evoke an infinite world but are also a self-reminder that artistically, he has not arrived yet.

Symbolically this represents how Africa was Europeanized, made to be devoid of its African identities by an imposition of a European identity. Bantu philosophy emphasizes this as it is based upon the belief that life is a vital unity and that the human being is only a point on the cosmic circle of life. The distinguishing features of this philosophy are its welfarism, altruism, universalism, and basically its utilitarian outlook.

Central to it is the near-universal lessons that ‘to be human is to affirm one’s humanity by affirming the humanity of others. Thus, individualism is what threatens humanity and the lines left unfinished in Mafolo’s work leave room for another, his spiritual self or you to finish. This cultural mix from which our time has inherited must be seen as an opportunity towards perfection and not as an element of destruction of our values, because in this meeting of give and take everyone makes their contribution.

The exhibition runs from 4 February to 6 March at The Melrose Gallery in Johannesburg and online on www.themelrosegallery.com

Philiswa Lila, Mhlaba Uyahlaba, 2020, Oil on canvas, 170 x 300cm

The Melrose Gallery will present a solo by Philiswa Lila in the curated Tomorrows/ Today section at the Investec Cape Town Art Fair. This section is curated by Nkule Mabaso (Curator at Michaelis Galleries, Cape Town) and Luigi Fassi (Artistic Director of MAN Contemporary Art Museum in Nuoro, Italy). Titled NOGOLIDE - Sentimental Value, the research based body of work is focused on navigating the role of memory within family albums and family life.

Lila states the following: I am particularly interested in memory histories and personal identities, by focusing on story telling methods associated with remembering that conveys a connection with sentiment or relational experiences. I use my family photo album as a visual material that aids the performance of past memories in the present. The artworks are my reflection on the photo album as an emotional register, occupying the spaces between people and people, people and things and people and places. Therefore, I evoke personal experiences that materialise in the sensory and the imagination of objects and narratives that generate connections with sentimental value or what is considered sentimental. Using painting and performance - live, photography and video, the techniques are used to express personal memories as involving creative reflection with regards to the display of, and values attached to narratives attending to recollection, interpreting the symbolic relational properties and narratives of remembrance and of piecing together memories.

Alongside this Lila will be presenting a performance piece titled Hambha Mfazi! First performed in 2013, the live performance focused on identifying traditional notions of an ‘ideal’ woman - a tender, graceful and domestic image.

Philiswa Lila, My School Days half card, collage and oil paint on canvas, 170cm X 170cm, 2021